Early 19th Century Prints and Multiples
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Period: Early 19th Century
Henry Howard Earl of Surrey, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780).
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches.
Originally published 1739, this impression c1820.
360mm by 230mm (platemark)
Henry Howard...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
1800 'Map of London, Southwark, and parts adjacent' by Darton and Harvey
Located in London, GB
Darton and Harvey (publisher)
Map of London, Southwark, and parts adjacent (1800)
Engraving
42 x 56 cm
Original price "1 shilling".
Category
Early 19th Century Prints and Multiples
Materials
Paper, Engraving
German Wolf Trap, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'German Wolf Trap'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports'. Sam...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Westminster Abbey Chantry Chapel Screen engraving by J Black for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
J Black (early 19th century) after Frederick Mackenzie (1788 - 1854)
Screen Over the Chantry of Henry V, Westminster Abbey (1812)
Hand-coloured aquatint
26 x 31 cm
Published by Rudolph Ackermann...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Paris - Lithograph by Horace Vernet - 1805
Located in Roma, IT
Paris is an Original Lithograph realized by Horace Vernet in 1805.
Good condition on a grey paper.
No signature.
Émile Jean-Horace Vernet (30 June 178...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Veduta Generale del Tempio della Sibilla... - by L. Rossini - 1824
Located in Roma, IT
Veduta Generale del Tempio della Sibilla, e Ponte della Cascata di Tivoli
Image dimensions: 61x45 cm.
From the series “Le antichità de’ contorni di Roma (...)” an artist's proof with...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Frances Sargent Osgood, American poet, antique portrait engraving print, 1872
By Alonzo Chappel
Located in Melbourne, Victoria
'Frances Sargent Osgood'
Steel-engraving after the painting by Chappel. 1872. Facsimile signature below the image.
Frances Sargent Osgood (1811-1850) was an American poet and one of the most popular women writers during her time and was also famous for her exchange of romantic poems with Edgar Allan Poe.
Alonzo Chappel...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
German Deer Shooting, Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Deer Shooting, Winter'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Fiel...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Catching the Badger, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Catching the Badger'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Group of Carnations from Temple of Flora
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category
Early 19th Century Prints and Multiples
Materials
Paper
Portrait of Erasmusis - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Erasmusis an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Ma...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
"Portrait of Madame Georges Menier" By Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR
(1859 - 1927)
MADAME GEORGES MENIER
Montesquiou XXI
Drypoint in colors, c. 1900
Signed in pencil, lower right
Printed on wove paper
Full Margins
22 1/4” x 13...
Category
Art Nouveau Early 19th Century Prints and Multiples
Materials
Drypoint, Etching
A Trap to Shoot the Bear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'A Trap to Shoot the Bear'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Spor...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits , original Etching, 1810. The Physiognomy - The Noses is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designe...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait of the Clemency - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of the Clemency is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lon...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Shooting the Wolves in Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Shooting the Wolves in Winter'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
German Fox Trap, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'German Fox Trap'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. S...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Antinoo, Testa Colossale - Etching by Giovanni Folo - 1821
Located in Roma, IT
“Antinoo, Testa Colossale” (Antinoo, Colossal Head) is a beautiful black and white burin and etching on paper, realized by the Italian artist Giovanni Folo, after Agostino Tofanelli, as the inscriptions on plates on lower margins report “Agostino Tofanelli delineò./ Giovanni Folo incise Roma”.
Image Dimensions: 48 x 33.3 cm
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This print shows a precious piece of the Borghese's collection, the marble bust of the legendary figure of Antinoo, a young Greek native of Bithynia, known for his sentimental and loving relationship with the Roman emperor Hadrian, who deified him after his premature death in rather mysterious circumstances. Today the name of Antinoo is associated with homosexuality and appeared in many literary and poetic works, including those by Oscar Wilde, Fernando Pessoa and Marguerite Yourcenar.
In excellent conditions with some light signs of the time, with some sporadic minor stains along the margins above all on the lower, this wonderful burin has preserved still today his fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Giovanni Folo Veneto (Bassano, 1764– Rome1836)
The Italian engraver of the Neoclassic period, active in Italy, studied with Giulio Golini and G.B. Mengardi in Venice. In 1781 he moved to Rome to study with Giovanni Volpato, but later he followed the style of the Volpato's pupil, Raffaello Morghen...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
A Scene in the New Farce —as performed at the Royalty Theater
Located in Middletown, NY
A Scene in the New Farce —as performed at the Royalty Theater
London: George Humphrey, 1821.
Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...
Category
Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving, Etching
Contours of Foreheads - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Contours of Foreheads is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Pastoral Scene After Rembrandt - Original Etching by Francesco Novelli - 19th
Located in Roma, IT
Pastoral Scene After Rembrandt is an original Etching realized in the Early 18th Century by Francesco Novelli (1767-1836).
Signed on the plate.
In good condition.
The artwork is ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting a woman with a drum and fillet, looking over her shoulder from a Campanian squat lekythos.
Technique : Copper-line engraving wi...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Turtle Catching on Land, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Turtle Catching on Land'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Bird Catching from Below, Scotland, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Bird Catching from Below'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
North America Bear Hunt, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'North America Bear Hunt'
Colour aquatint Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
The Discovery - Etching by James Neagle - 1810
Located in Roma, IT
The Discovery is an original artwork realized by James Neagle for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Seamen Killing a Polar Bear, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'Seamen Killing a Polar Bear'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field S...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Samuel Clarke DD, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Gibson.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical f...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
Russian Winter Fishery, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Russian Winter Fishery'
Colour aquatint by Mathew Dubourg (1786-1838) after John Augustus Atkinson (1775 – after 1830).
From Samuel Howitt's 'Foreign ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Killing Seals in a Cavern, Summer, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Killing Seals in a Cavern, Summer'
Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822)
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was a...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting a woman and a bust of Athena from a white glazed lekythos, now in the British Museum.
Technique : Copper-line engraving with ori...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
German Manner of Netting Partridges, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Manner of Netting Partridges'
Colour aquatint by Merke after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English p...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Turtle Fishing in the Water, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Turtle Fishing in the Water'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Henry Bennet Earl of Arlington, English Civil War, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches.
Originally published 1739, this impression c1820.
360mm by 230mm (platemark)
Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
Profile - Original Etching by Philip Audinet - 1810
Located in Roma, IT
Profile is an original etching artwork realized by Philip Audinet for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lond...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Samuel Howitt: 'Battle between Buffalo and Tiger' print after Thomas Williamson
By Thomas Williamson
Located in London, GB
Samuel Howitt (1765-1822) after Thomas Williamson (1758-1817)
Exhibition of a Battle between a Buffalo & a Tiger' from Oriental Field Sports (1819)
Hand-coloured aquatint
35 x 47 cm
Captain Thomas...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prévost came from a long line of French artists spanning 400 years. Jean-...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Handmade Paper, Color
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
The Column of Trajan in Rome, 19th Century Framed Etching by Luigi Rossini
Located in Alamo, CA
Early 19th century etching entitled "Veduta dello scavo del Foro Trajano" from Luigi Rossini's "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst broken ancient Roman columns that lie around it. The column in Trajan's Forum commemorates Roman emperor Trajan's victory in the Dacian Wars. Buildings in the background represent two libraries and the Basilica Ulpia. There are people in the foreground; some walking through the square, some standing observing the scene and others in discussion.
The etching is presented in a silver-colored wood frame with an off-white double mat with a black inner mat. It is in very good condition. See item # LU117324669702 for another Rossini etching...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Sir William Morice, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780).
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
Portrait After Rembrandt - Original Etching by Francesco Novelli - 19th
Located in Roma, IT
Portrait is an original Etching realized in the Early 19th Century after Rembrandt by Francesco Novelli (1767-1836).
Signed on the plate, On the left plate signed" Rembrandt"
Inclu...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Sir William Wyndham, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780).
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
'Horse Attacked by Tiger' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Lithograph
Francis Lord Cottington, portrait engraving print, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780).
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches.
Originally published 1739, this impression c1820.
360mm by 230mm (platemark)
Francis Cottington, 1st Baron Cottington was the English lord...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
Desperation - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Desperation is an original artwork realized for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, Bensley, 1810.
This artwork portrays a historical woman...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Dandies-of-1817, from Monstrosities
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper, (published August 1st, 1835), 9 1/2 x 13 3/4 inches, (240 x 348 mm), full ma...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Etching
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting two fishermen in a boat with a seated nymph from an Apulian bell-krater. Naples, Museo Nazionale 1142...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting a departure scene with a young warrior between two women.
Technique : Copper-line engraving with original hand-colouring
Back...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Grotesque Scene - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Grotesque Scene is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
"Smuggling In High Life" c1814 Colour Engraving By W N Jones
Located in Bristol, CT
Art Sz: 10"H x 16"W
Frame Sz: 15 1/2"H x 21"W
Pub, January 1st 1814
Property from the Estate of Paula Peyraud
A reserved librarian from Chappaqua, New York, Miss Paula Peyraud wa...
Category
Early 19th Century Prints and Multiples
Materials
Paper
Attitudes of the Prussian Military - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Attitudes of the Prussian Military is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
The Gentleman - Original Lithograph by Horace Vernet - Early 19th Century
Located in Roma, IT
The Gentleman and the Vicar is an original lithograph realized by Horace Vernet. Signed on plate on the lower left corner. Edition I. Lith de Delpech. P...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'.
Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape.
Published by Rudo...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
19th century landscape of rome daily life by fine print master Sir Muirhead Bone
Located in Milan, IT
Original etching and drypoint, signed in the plate and in pencil in the lower right corner; Dodgson "Etchings and drypoints by Muirhead Bone", Print Collector's Quarterly, 1922, IX, p. 173-200; Mackenzie, British Prints, p. 57; 400 x 278 mm
Superb test with signs particularly rich in beards, a characteristic typical only of the first tests: the pictorial effect is very effective. Small uneven margins. In perfect state of conservation.
Rich of burr drypoint, 1916, printed on cream paper. Good margins all around. In good condition.
Sir Muirhead Bone (23 March 1876 - 21 October 1953) was a Scottish etcher and watercolorist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists...
Category
English School Early 19th Century Prints and Multiples
Materials
Etching
Veduta di Tivoli mista d'Antico, e moderno (...) - Etching by L. Rossini - 1824
Located in Roma, IT
Veduta di Tivoli mista d'Antico, e moderno (...)
From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano, Castel Gandolfo, Palest...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Anglo Parisian Salutations, or Practice par Excellence!
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Etching, Watercolor
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