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Medium: Engraving
Pepper '95 by Konstantin Chmutin
Located in Palm Springs, CA
Pepper '95, which has won multiple awards, is one of Chmutin's largest prints. Most of his mezzotints are tiny, and his subjects are the simplest of everyday objects: an egg, seashel...
Category

1990s Contemporary Engraving Still-life Prints

Materials

Mezzotint

SITUATION
Located in Santa Monica, CA
KATSUNORI HAMANISHI (b.1949) SITUATION X (S. 32) Mezzotint Signed, titled and numbered 6/90 in pencil. 13 1/4 x 11 5/8 inches, sheet 18 1/4 x 14 1/2 inches. Excellent condition. She...
Category

1980s Realist Engraving Still-life Prints

Materials

Mezzotint

Flowering Sea Onion: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Ornithogalum Squilla" (Common Red-rooted Sea-Onion or Officinal Squill), plate 918, published in...
Category

Early 1800s Naturalistic Engraving Still-life Prints

Materials

Engraving

Kastani VII (Chestnuts)
Located in Palm Springs, CA
The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The hyper realistic detail of each chestnut in...
Category

Early 2000s Contemporary Engraving Still-life Prints

Materials

Mezzotint

Finger Print
Located in San Francisco, CA
Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...
Category

1990s Contemporary Engraving Still-life Prints

Materials

Drypoint, Etching, Mixed Media, Paper, Aquatint

Gladiolus strictifloras. Glayeul a fleurs droites
Located in Mount Vernon, NY
Stipple engraving with color by Langlois after painter and botanist Pierre-Joseph Redouté (1759-1840), from Les Liliacées, published 1802-1816. Considered among jis best work, Redouté's largest and most ambitious work consisted of 486 engravings in 8 volumes and depicts all of the members of the lily family of plants including irises, tulips, orchids, amaryllis, and crocus. Pierre-Joseph Redoute was one of the most celebrated botanical artist during the golden era of French botanical illustration, spanning the first four decades of the 19th century. Born in Belgium into two generations of artists, Redouté traveled to Paris as a young man where he met his first patron the wealthy botanist Charles Louis...
Category

19th Century Engraving Still-life Prints

Materials

Engraving

Elephant and Pears - Original Etching on Paper by Mario Avati - 1970s
Located in Roma, IT
Elephant and Pears is original etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the low...
Category

1970s Engraving Still-life Prints

Materials

Etching, Mezzotint

Pylon (Brooklyn Bridge from Manhattan side of East River near South St. Seaport)
Located in New Orleans, LA
A "Pylon" of the Brooklyn Bridge with the Manhattan Bridge and Williamsburg Bridge visible in the background is captured in this powerful image by Frederick Mershimer. It is #77 in t...
Category

Early 2000s Contemporary Engraving Still-life Prints

Materials

Mezzotint

Cherry - Etching on Paper by Mario Avati - 1960s
Located in Roma, IT
Cherry is etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left in pencil. Ed...
Category

1960s Engraving Still-life Prints

Materials

Mezzotint, Etching

Acer & Carduus - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Acarna Theophrasti' and 'Acer Campestre minus' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The fi...
Category

18th Century Naturalistic Engraving Still-life Prints

Materials

Engraving

Environs de Babylone. Le Kaire. / Details des Quatre Faces d’un Obelisque Trouv
Located in Mount Vernon, NY
Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée...
Category

Late 19th Century Engraving Still-life Prints

Materials

Engraving

Thebes. Medynet-Abou / Details d’un Pilier Caryatide et d’une Colonne du Peristy
Located in Mount Vernon, NY
Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédi...
Category

Late 19th Century Engraving Still-life Prints

Materials

Engraving

Dancing Girl
Located in Mount Vernon, NY
Danzatrice [Dancing Girl]. Gia in Napoli nel Palazzo Colubrano; Tom. 3 / XXX Vintage engraving by Alessandro Mochetti (1760-1812) after painter an...
Category

Late 19th Century Engraving Still-life Prints

Materials

Engraving

THORNTON. The Superb Lily.
Located in London, GB
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category

1790s Naturalistic Engraving Still-life Prints

Materials

Engraving, Handmade Paper, Aquatint, Mezzotint

Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category

1820s Naturalistic Engraving Still-life Prints

Materials

Engraving

A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category

1820s Naturalistic Engraving Still-life Prints

Materials

Engraving

Flowering Justica Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Justicia Picta (B) Lurido-Sanguinea" (Bloody-Veined Justica), plate 1870, published in London in...
Category

1810s Naturalistic Engraving Still-life Prints

Materials

Engraving

Presse Ludovico Mirri Mercante d’Quadri incentro al Palazzo Bernini a Roma No.42
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.42 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category

Late 18th Century Engraving Still-life Prints

Materials

Engraving

THORNTON. Group of Carnations
Located in London, GB
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First ...
Category

1790s Naturalistic Engraving Still-life Prints

Materials

Engraving, Handmade Paper, Aquatint, Mezzotint

THORNTON. The Tulips.
Located in London, GB
Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...
Category

1790s Naturalistic Engraving Still-life Prints

Materials

Engraving, Handmade Paper, Aquatint, Mezzotint

The Oliver (This image is being used to promote an upcoming show at the MET )
Located in New Orleans, LA
The Oliver which is in several museum collections and has won numerous awards) is being used to promote the show, Printed Ladies, opening March 1st at The Metropolitan Museum of Art, and will be reproduced on the cover of the upcoming revised second edition of Carol's book, The Mezzotint: History and Technique which is due out in early 2024 Thomas Oliver invented the first double-sided lateral top stroke machine. This was No. 9 introduced in 1916. With light focused on the machine it suggested the logo of the Bugs Bunny Looney Tunes series - giving off an anima-like aura. The print was issued in an edition of 75. Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer...
Category

Early 2000s Contemporary Engraving Still-life Prints

Materials

Mezzotint

Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category

1810s Naturalistic Engraving Still-life Prints

Materials

Engraving

Thorns
Located in New Orleans, LA
This is impression #12 of 35 impressions Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . ....
Category

Early 2000s Modern Engraving Still-life Prints

Materials

Mezzotint

[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21
Located in Paonia, CO
[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...
Category

Early 18th Century Other Art Style Engraving Still-life Prints

Materials

Engraving

Three 19th C. Engravings of Classical Italian Bronze Architectural Elements
Located in Alamo, CA
A grouping of three engravings depicting classical Italian architectural features held in the National Museum of Naples, entitled "Bronze Hydria", "Marbre Naissance de Bacchus" and "...
Category

1880s Other Art Style Engraving Still-life Prints

Materials

Engraving

Livre (An opening to the book of knowledge)
Located in New Orleans, LA
This image seems to capture the opening of knowledge through books. At the top of the imagemoors are opening revealing a sliver of light providing entree to yer massive book at the ...
Category

1970s Engraving Still-life Prints

Materials

Mezzotint

THORNTON. The Roses
Located in London, GB
Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...
Category

1790s Naturalistic Engraving Still-life Prints

Materials

Engraving, Handmade Paper, Mezzotint, Aquatint

Weinmann 18th Century Hand Colored Botanical Engraving "Horminum Peregrinum"
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants: a. Horminum Peregrinum Foliis Salvice, b. Hormi...
Category

Mid-18th Century Naturalistic Engraving Still-life Prints

Materials

Mezzotint, Engraving

a. Castanea Sativa, Maronnier, Castanien N.343
Located in Mount Vernon, NY
Hand-colored mezzotint engraving printed in color and finished by hand on laid paper from "Phytanthoza Iconographia." Edited by Johann Wihelm Weinmann (1683-1741) with drawings by Ge...
Category

Mid-18th Century Engraving Still-life Prints

Materials

Engraving

Flowering Cactus: Redoute Hand-colored Engraving "Cactus Opuntia Polyanthos"
Located in Alamo, CA
This hand colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Late 18th Century Naturalistic Engraving Still-life Prints

Materials

Engraving

Cactus "Cereus Procumbens": A 19th Century Hand-colored Engraving by Englemann
Located in Alamo, CA
This is a 19th century hand-colored engraving of a flowering cactus entitled "Cereus Procumbens" by George Englemann (1808-1884) after a drawing by Paulus Roetter (1806–1894). It was...
Category

Mid-19th Century Naturalistic Engraving Still-life Prints

Materials

Engraving

Calendula Flowers: An 18th Century Hand-colored Botanical Engraving by B. Besler
Located in Alamo, CA
A hand-colored copper plate engraving depicting "Calendula prolifera; Calendula lutea flore pleno; Calendula lute medioruffa" flowers from Basilius Besler's landmark work, Hortus Eys...
Category

Early 18th Century Academic Engraving Still-life Prints

Materials

Engraving

Gladiolus Carneus - Henry Andrews antique botanical pink flower engraving print
Located in Melbourne, Victoria
'Gladiolus Carneus - Flesh-coloured Gladiolus' Native of the Cape of Good Hope, Africa. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botani...
Category

Early 19th Century Naturalistic Engraving Still-life Prints

Materials

Engraving

Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category

Mid-18th Century Naturalistic Engraving Still-life Prints

Materials

Mezzotint, Engraving

Hole Punch (Jim Dine 30 Bones of My Body portfolio) tool dry point
Located in New York, NY
The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...
Category

1970s Pop Art Engraving Still-life Prints

Materials

Drypoint

Environs de Babylone. Le Kaire. / Details des Quatre Faces d’un Obelisque Trouve
Located in Mount Vernon, NY
Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. [Description of Egypt...
Category

Late 19th Century Engraving Still-life Prints

Materials

Engraving

GAME-WORK #20
Located in Santa Monica, CA
KATSUNORI HAMANISHI (b.1949) GAME-WORK #20 (S.22) c. 1984. Mezzotint, Signed titled and numbered 12/100 in pencil, 13 x 8 5/8 inches. Sheet 18 3/4 x 14 inches. In excellent condi...
Category

1980s Realist Engraving Still-life Prints

Materials

Mezzotint

Redoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge"
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Late 18th Century Naturalistic Engraving Still-life Prints

Materials

Engraving

"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category

Early 19th Century Naturalistic Engraving Still-life Prints

Materials

Engraving, Aquatint

Columbines Pl.162 Original mezzotint by J.W. Weinmann
Located in Paonia, CO
“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...
Category

1740s Other Art Style Engraving Still-life Prints

Materials

Mezzotint

A Set of Two Hand-Colored Engravings of an Ancient Roman Vase and a Tazza (Cup)
Located in Alamo, CA
This is a pair of framed hand-colored engravings of an ancient vase in the Palizzy Wares style and a silver gilt tazza (cup) with a cover, both from the 16th century. These were engraved under the supervision of Philip De La Motte...
Category

Mid-19th Century Victorian Engraving Still-life Prints

Materials

Engraving

Lingua cervina, Scolopendre N667
Located in Mount Vernon, NY
Hand-colored mezzotint engraving printed in color and finished by hand on laid paper from "Phytanthoza Iconographia." Edited by Johann Wihelm Weinmann (1683-1741) with drawings by Ge...
Category

Mid-18th Century Engraving Still-life Prints

Materials

Engraving

Still Life with Eggs - Original handsigned etching - Limited / 150
Located in Paris, FR
Mario AVATI Still Life with Eggs Original black manner etching Handsigned in pencil Numbered / 150 copies On vellum 38 x 48 cm (c. 15 x 19 in) Au...
Category

1970s Modern Engraving Still-life Prints

Materials

Mezzotint, Etching

POITEAU/ TURPIN. Traité des arbres fruitiers: A Set of Four Cherries.
Located in London, GB
A set of four stipple-engraved plates printed in colours and finished by hand. Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...
Category

Early 1800s Naturalistic Engraving Still-life Prints

Materials

Handmade Paper, Color, Engraving

BESLER. A Group of Four Peonies.
Located in London, GB
Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field. [Nuremberg and Eichstatt, 1640]. The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen. The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...
Category

1640s Naturalistic Engraving Still-life Prints

Materials

Copper

"La Nouvelle" Tulip Hand-Colored Engraving
By Christoph Jacob Trew
Located in New York, NY
"La Nouvelle" is from Christoph Trew's Hortus Nitidissimis omnem per annum superbiens Floribus ... Der das ganze Jahr hindurch im schönsten Flor stehende B...
Category

Mid-18th Century Engraving Still-life Prints

Materials

Engraving, Laid Paper

Pair of Hand-colored Romantic French Engravings after Francois Boucher
Located in Alamo, CA
A pair of French classical romantic prints original created in the 18th century by Jacques-Firmin Beauvarlet (1731-1797) after paintings by Francois Boucher (1703-1770), utilizing ...
Category

18th Century Romantic Engraving Still-life Prints

Materials

Etching, Engraving

Violin et Coquille (violin and shell / inscribed Happy New Year 2000)
Located in New Orleans, LA
This black and white mezzotint of a shell next to a violin is an artist proof that was inscribed Happy New Year 2000 and signed by the artist. The regular e...
Category

1990s American Modern Engraving Still-life Prints

Materials

Mezzotint

"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category

Late 18th Century Naturalistic Engraving Still-life Prints

Materials

Engraving

Apocynum androsamifolium - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Apocynum androsamifolium' (Fly-trap dogbane or spreading dogbane) Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis A...
Category

Early 19th Century Naturalistic Engraving Still-life Prints

Materials

Engraving

Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category

1990s Contemporary Engraving Still-life Prints

Materials

Mezzotint, Aquatint

Cereus scandens minor spinulis donatus robustioribus. N.358
Located in Mount Vernon, NY
Hand-colored mezzotint engraving printed in color and finished by hand on laid paper from "Phytanthoza Iconographia." Edited by Johann Wihelm Weinmann (1683-1741) with drawings by Ge...
Category

Mid-18th Century Engraving Still-life Prints

Materials

Engraving

Sewing Circles
Located in New Orleans, LA
A play on words provides the title for this image -- a circle created out of the deconstructed parts of Singer IV This image is #37 from an edition of only 50, referenced as Firos 78...
Category

1990s American Modern Engraving Still-life Prints

Materials

Mezzotint

Lotus
By Maki Hino
Located in New Orleans, LA
Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...
Category

1990s American Modern Engraving Still-life Prints

Materials

Mezzotint

Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white
Located in Santa Fe, NM
Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white edition number 8/30
Category

1990s Contemporary Engraving Still-life Prints

Materials

Mezzotint

Four Groups of Nine Grotesque Masks
By Alò Giovannoli
Located in London, GB
4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...
Category

1780s Gothic Engraving Still-life Prints

Materials

Etching, Engraving, Handmade Paper

GALLESIO. A Group of Six Grapes.
Located in London, GB
Six hand-coloured plates of Grapes, printed in colour and finished by hand. Framed and glazed, overall size: 42.5 by 57.5cm. Pomona Italiana Ossia Trattato Degli Alberi Fruttiferi...
Category

1810s Naturalistic Engraving Still-life Prints

Materials

Engraving, Handmade Paper

Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata' Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category

Early 19th Century Naturalistic Engraving Still-life Prints

Materials

Engraving

Engraving still-life prints for sale on 1stDibs.

Find a wide variety of authentic Engraving still-life prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Bertha Evelyn Clausen Jaques, and Henri Le Sidaner. Frequently made by artists working in the Modern, Post-Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving still-life prints, so small editions measuring 2.25 inches across are also available Prices for still-life prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $60 and tops out at $33,867, while the average work can sell for $625.

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