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Naturalistic Prints and Multiples

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Style: Naturalistic
Spring Night Triptych (3 hand-printed botanical cyanotypes, 30 x 22 in. each)
Located in Oakland, CA
These are three separate unframed unique works on heavy 100% cotton Arches watercolor paper with deckled edges. They will ship stacked together flat in one large flat cardboard box. ...
Category

2010s Naturalistic Prints and Multiples

Materials

Monotype, Photogram, Paper, Archival Paper, Rag Paper

Spring Night Triptych (3 hand-printed botanical cyanotypes, 30 x 22 in. each)
Spring Night Triptych (3 hand-printed botanical cyanotypes, 30 x 22 in. each)

Christine So
Spring Night Triptych (3 hand-printed botanical cyanotypes, 30 x 22 in. each), 2024

Jeanne Marguerite Frey - Surbek (Swiss, 1886-1981) c. 1935 Etching Gabés Tunesia
Located in Meinisberg, CH
Jeanne Marguerite Frey-Surbek (Swiss, * 23.2.1886 Delémont, † 17.5.1981 Bern) Country Road near Gabés, Tunesia, North Africa • Etching • Platte, ca. 7 x 11 cm • Sheet, ca. 33 x 25.5 cm • Monogrammed lower right • Edition noted lower left 74/100 • Printed title lower right Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Looking through my stock, buyers will notice my liking of female artistes working in Switzerland and here I introduce you to another important heroine of Swiss artistes and present a sweet little Swiss School orientalist pre-war etching...
Category

1930s Naturalistic Prints and Multiples

Materials

Paper, Ink

Jeanne Marguerite Frey - Surbek (Swiss, 1886-1981) c. 1935 Etching Gabés Tunesia
Jeanne Marguerite Frey - Surbek (Swiss, 1886-1981) c. 1935 Etching Gabés Tunesia

Jeanne Marguerite Frey - Surbek
Jeanne Marguerite Frey - Surbek (Swiss, 1886-1981) c. 1935 Etching Gabés Tunesia, c. 1935

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"Purple Martin", Original Audubon First Octavo Edition Hand Colored Lithograph
By John James Audubon
Located in Alamo, CA
An original extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "Purple Martin", No. 9, Plate 45, ...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

"Purple Martin", Original Audubon First Octavo Edition Hand Colored Lithograph
"Purple Martin", Original Audubon First Octavo Edition Hand Colored Lithograph

John James Audubon
"Purple Martin", Original Audubon First Octavo Edition Hand Colored Lithograph , 1840

Madrone Tree (hand-printed cyanotype, 24 x 18 inches)
Located in Oakland, CA
Unframed. New from 2024. Hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints made. This is a hand-printed contact photograph using t...
Category

2010s Naturalistic Prints and Multiples

Materials

Photogram

Madrone Tree (hand-printed cyanotype, 24 x 18 inches)
Madrone Tree (hand-printed cyanotype, 24 x 18 inches)

Christine So
Madrone Tree (hand-printed cyanotype, 24 x 18 inches), 2024

Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

Gigantic Crane, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Gigantic Crane, 18th century bird engraving by John Latham
Gigantic Crane, 18th century bird engraving by John Latham

John Latham
Gigantic Crane, 18th century bird engraving by John Latham, 1781

Spur-winged Goose, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Spur-winged Goose, 18th century bird engraving by John Latham
Spur-winged Goose, 18th century bird engraving by John Latham

John Latham
Spur-winged Goose, 18th century bird engraving by John Latham, 1781

Hen crested Curassow, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Hen crested Curassow, 18th century bird engraving by John Latham
Hen crested Curassow, 18th century bird engraving by John Latham

John Latham
Hen crested Curassow, 18th century bird engraving by John Latham, 1781

The Yacou, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

The Yacou, 18th century bird engraving by John Latham
The Yacou, 18th century bird engraving by John Latham

John Latham
The Yacou, 18th century bird engraving by John Latham, 1781

Hackled Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Hackled Partridge, 18th century bird engraving by John Latham
Hackled Partridge, 18th century bird engraving by John Latham

John Latham
Hackled Partridge, 18th century bird engraving by John Latham, 1781

Red-tailed Tropic Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Red-tailed Tropic Bird, 18th century bird engraving by John Latham
Red-tailed Tropic Bird, 18th century bird engraving by John Latham

John Latham
Red-tailed Tropic Bird, 18th century bird engraving by John Latham, 1781

Cream-coloured Plover, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Cream-coloured Plover, 18th century bird engraving by John Latham
Cream-coloured Plover, 18th century bird engraving by John Latham

John Latham
Cream-coloured Plover, 18th century bird engraving by John Latham, 1781

Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Pink-headed Duck, 18th century bird engraving by John Latham
Pink-headed Duck, 18th century bird engraving by John Latham

John Latham
Pink-headed Duck, 18th century bird engraving by John Latham, 1781

Crested Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Crested Pheasant, 18th century bird engraving by John Latham
Crested Pheasant, 18th century bird engraving by John Latham

John Latham
Crested Pheasant, 18th century bird engraving by John Latham, 1781

Chinese Jacana, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Chinese Jacana, 18th century bird engraving by John Latham
Chinese Jacana, 18th century bird engraving by John Latham

John Latham
Chinese Jacana, 18th century bird engraving by John Latham, 1781

Giant Petrel, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Giant Petrel, 18th century bird engraving by John Latham
Giant Petrel, 18th century bird engraving by John Latham

John Latham
Giant Petrel, 18th century bird engraving by John Latham, 1781

Chinese Diver, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Chinese Diver, 18th century bird engraving by John Latham
Chinese Diver, 18th century bird engraving by John Latham

John Latham
Chinese Diver, 18th century bird engraving by John Latham, 1781

Red-necked Grebe, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Red-necked Grebe, 18th century bird engraving by John Latham
Red-necked Grebe, 18th century bird engraving by John Latham

John Latham
Red-necked Grebe, 18th century bird engraving by John Latham, 1781

Red-billed Promerops, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Red-billed Promerops, 18th century bird engraving by John Latham
Red-billed Promerops, 18th century bird engraving by John Latham

John Latham
Red-billed Promerops, 18th century bird engraving by John Latham, 1781

Artic Gull, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Artic Gull, 18th century bird engraving by John Latham
Artic Gull, 18th century bird engraving by John Latham

John Latham
Artic Gull, 18th century bird engraving by John Latham, 1781

Impeyan Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Impeyan Pheasant, 18th century bird engraving by John Latham
Impeyan Pheasant, 18th century bird engraving by John Latham

John Latham
Impeyan Pheasant, 18th century bird engraving by John Latham, 1781

White-eared Bustard, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

White-eared Bustard, 18th century bird engraving by John Latham
White-eared Bustard, 18th century bird engraving by John Latham

John Latham
White-eared Bustard, 18th century bird engraving by John Latham, 1781

Crested Coot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Crested Coot, 18th century bird engraving by John Latham
Crested Coot, 18th century bird engraving by John Latham

John Latham
Crested Coot, 18th century bird engraving by John Latham, 1781

Red Flamingo, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Red Flamingo, 18th century bird engraving by John Latham
Red Flamingo, 18th century bird engraving by John Latham

John Latham
Red Flamingo, 18th century bird engraving by John Latham, 1781

Marbled Guillemot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Marbled Guillemot, 18th century bird engraving by John Latham
Marbled Guillemot, 18th century bird engraving by John Latham

John Latham
Marbled Guillemot, 18th century bird engraving by John Latham, 1781

Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Gold-breasted Trumpeter, 18th century bird engraving by John Latham
Gold-breasted Trumpeter, 18th century bird engraving by John Latham

John Latham
Gold-breasted Trumpeter, 18th century bird engraving by John Latham, 1781

Black faced Ibis, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Black faced Ibis, 18th century bird engraving by John Latham
Black faced Ibis, 18th century bird engraving by John Latham

John Latham
Black faced Ibis, 18th century bird engraving by John Latham, 1781

Green Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Green Partridge, 18th century bird engraving by John Latham
Green Partridge, 18th century bird engraving by John Latham

John Latham
Green Partridge, 18th century bird engraving by John Latham, 1781

Hooded Merganser, 18th century bird duck engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Hooded Merganser, 18th century bird duck engraving by John Latham
Hooded Merganser, 18th century bird duck engraving by John Latham

John Latham
Hooded Merganser, 18th century bird duck engraving by John Latham, 1781

Spectacle Owl, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Spectacle Owl, 18th century bird engraving by John Latham
Spectacle Owl, 18th century bird engraving by John Latham

John Latham
Spectacle Owl, 18th century bird engraving by John Latham, 1781

Harlequin Humming-Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Harlequin Humming-Bird, 18th century bird engraving by John Latham
Harlequin Humming-Bird, 18th century bird engraving by John Latham

John Latham
Harlequin Humming-Bird, 18th century bird engraving by John Latham, 1781

Capital Tanager, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Capital Tanager, 18th century bird engraving by John Latham
Capital Tanager, 18th century bird engraving by John Latham

John Latham
Capital Tanager, 18th century bird engraving by John Latham, 1781

Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Malabar Shrike, 18th century bird engraving by John Latham
Malabar Shrike, 18th century bird engraving by John Latham

John Latham
Malabar Shrike, 18th century bird engraving by John Latham, 1781

Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

Calla Lily: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is a beautiful original antique colored botanical mezzotint and line engraving of a flowering Calla Lily, which is finished with hand-coloring. It is entitled "Arum Aethiopicum ...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Calla Lily: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Calla Lily: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Calla Lily: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

Pollonaise No. 24, 1988 by Karl Gerich of Bath - Playing Card Print Sheet
Located in Meinisberg, CH
Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Pollonaise No. 24, 1988 - Etching - Sheet ca. 27.8 X 42 cm - No plate mark - Varnished ('Glossy Antique French') Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Finished, coloured, backed and varnished print likely to be a spare sheet (over production), which were never used. Possibly at some later stage, Karl experimented by partially painting the back with divering number of layers of pink. Held up as finished cards the pink would then shine through the varnished card. By holding up the sheet, this effect can be observed in areas with and without the pink backing. Sheets is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...
Category

1980s Naturalistic Prints and Multiples

Materials

Paper, Ink, Etching

Pollonaise No. 24, 1988 by Karl Gerich of Bath - Playing Card Print Sheet
Pollonaise No. 24, 1988 by Karl Gerich of Bath - Playing Card Print Sheet

Karl Alexander Gerich
Pollonaise No. 24, 1988 by Karl Gerich of Bath - Playing Card Print Sheet

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Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Mezzotint, Engraving

Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

Calla Lily 2: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is a beautiful original antique colored botanical mezzotint and line engraving of a flowering Calla Lily, which is finished with hand-coloring. It is entitled "Arum Aethiopicum ...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Mezzotint, Engraving

Calla Lily 2: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Calla Lily 2: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Calla Lily 2: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

Narcissus Lily: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Red Narcissus Lily plant, which is finished with hand-coloring. It is entitled "Narcissus In...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Narcissus Lily: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Narcissus Lily: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Narcissus Lily: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

Betel Nut Palm: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Betel Nut Palm plants, which is finished with hand-coloring. It is entitled "Fagus Fau Buch,...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Betel Nut Palm: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Betel Nut Palm: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Betel Nut Palm: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Geraniums which is finished with hand-coloring. It is entitled "Geranium Anemones folio Af...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

Red Sweet Pea: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Red Sweet Pea: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Red Sweet Pea: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Red Sweet Pea: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

Burning Bush: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Gas Plants or Burning Bush and Fraxinella, which is finished with hand-coloring. It is entitle...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Burning Bush: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Burning Bush: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Johann Wilhelm Weinmann
Burning Bush: An 18th Century Hand-colored Botanical Engraving by J. Weinmann, 1736

35: The United Kingdom Steam Vessel
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

1820s Naturalistic Prints and Multiples

Materials

Etching

35: The United Kingdom Steam Vessel

E. W. Cooke
35: The United Kingdom Steam Vessel, 1829

Remember the Sabbath Day (The Fourth Commandment)
By April Gornik
Located in New York, NY
April Gornik Remember the Sabbath Day (The Fourth Commandment), 1987 2 Color Lithograph on Dieu Donne handmade paper with deckled edges 24 × 18 inches Signed and numbered AP 12/15, a...
Category

1980s Naturalistic Prints and Multiples

Materials

Lithograph, Pencil, Graphite

Remember the Sabbath Day (The Fourth Commandment)
Remember the Sabbath Day (The Fourth Commandment)

April Gornik
Remember the Sabbath Day (The Fourth Commandment), 1987

John Gould & Henry Constantine Richter Birds of Asia Temminck's Tragopan Print
By John Gould and Henry Constantine Richter
Located in Plainview, NY
A large print of John Gould & Henry Constantine Richter of Temminck's Tragopan from his published book " Birds of Asia ". John Gould was influenced by James Audubon paintings of bi...
Category

20th Century Naturalistic Prints and Multiples

Materials

Handmade Paper

John Gould & Henry Constantine Richter Birds of Asia Temminck's Tragopan Print
John Gould & Henry Constantine Richter Birds of Asia Temminck's Tragopan Print

John Gould and Henry Constantine Richter
John Gould & Henry Constantine Richter Birds of Asia Temminck's Tragopan Print , 1970's

70: Gadus brosme, Brosme or Scotch Torsk
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

70: Gadus brosme, Brosme or Scotch Torsk

Edward Donovan
70: Gadus brosme, Brosme or Scotch Torsk, 1803

88: Salmo thymallus, Grayling
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

88: Salmo thymallus, Grayling

Edward Donovan
88: Salmo thymallus, Grayling, 1803

62: Pleuronectes solea, Common Sole
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

62: Pleuronectes solea, Common Sole

Edward Donovan
62: Pleuronectes solea, Common Sole, 1803

64: Esox belone, Sea Pike or Gar Fish
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

64: Esox belone, Sea Pike or Gar Fish

Edward Donovan
64: Esox belone, Sea Pike or Gar Fish, 1803

95: Pleuronectes rhombus, Brill or Pearl
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

95: Pleuronectes rhombus, Brill or Pearl

Edward Donovan
95: Pleuronectes rhombus, Brill or Pearl, 1803

84: Callionymus dracunculus, Sordid Dragonet
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

84: Callionymus dracunculus, Sordid Dragonet

Edward Donovan
84: Callionymus dracunculus, Sordid Dragonet, 1803

79: Blennius pholis, Smooth Blenny
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

79: Blennius pholis, Smooth Blenny

Edward Donovan
79: Blennius pholis, Smooth Blenny, 1803

82: Squalus acanthias, Picked Sharke or Dog Fish
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

82: Squalus acanthias, Picked Sharke or Dog Fish

Edward Donovan
82: Squalus acanthias, Picked Sharke or Dog Fish, 1803

91: Salmo cambrius, Sewen
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

91: Salmo cambrius, Sewen

Edward Donovan
91: Salmo cambrius, Sewen, 1803

87: Atherina hepsetus, European Atherine
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

87: Atherina hepsetus, European Atherine

Edward Donovan
87: Atherina hepsetus, European Atherine, 1803

66: Tetrodon stellatus, Stellated Globe-Fish
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

66: Tetrodon stellatus, Stellated Globe-Fish
66: Tetrodon stellatus, Stellated Globe-Fish

Edward Donovan
66: Tetrodon stellatus, Stellated Globe-Fish, 1803

78: Cyclopterus bimaculatus, Bimaculated Sucker
By Edward Donovan
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

78: Cyclopterus bimaculatus, Bimaculated Sucker

Edward Donovan
78: Cyclopterus bimaculatus, Bimaculated Sucker, 1803

Naturalistic prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney & Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.

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