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Medium: Clay
The World
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Set of Visceral Blush I and II, Clay Sculpture with Glass Glaze
Located in Miami Beach, FL
Set of Visceral Blush I and II, by Magda von Hanau
Clay Sculpture with Glass Glaze
“This body of work refers to the memory of the flesh. While working on my visceral series, I aim...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay, Glass, Glaze
«Waited for someone» Ceramic Sculpture by O. F. Hvidsten
Located in Oslo, NO
Signed and dated.
«Waited for someone, for something, for anything, for too long» was part of O. F. Hvidsten's first solo-exhibition «This will n...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay
Large Ceramic Hanging Sculpture: Under Control'
Located in New York, NY
From natural cold earth to gleaming high-fire surfaces, clay is the ancient anatomic medium. It is the medium in which time stands still, ideas are frozen, and yet a civilization is ...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Slip, Glaze
Close Encounters, Clay Abstract Sculpture, 2021
Located in Boston, MA
Artist Commentary:
This ceramic vessel was inspired by The Wave Rock formation that's found in northern Arizona.
Details: Black Stoneware clay; Cone 5/6 Oxidation Firing
Keywords: minimal, abstract, modern, texture
Artist Biography:
Beverly Morrison...
Category
21st Century and Contemporary Minimalist Clay Abstract Sculptures
Materials
Clay
Rose dish d 12 cm; h 4 cm
Located in Riga, LV
Rose dish d 12 cm; h 4 cm
Small red plate with roses by Latvian artist Elina Titane
Category
2010s Abstract Clay Abstract Sculptures
Materials
Clay
The Pod
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Propositions are Truth Functions
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Logical Picture
Located in Dallas, TX
Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom by Robert Milnes
Milnes served as Dean of the Col...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
"Shifting Diamonds - Truck" porcelain ceramic sculpture installation
Located in Dallas, TX
"Shifting Diamonds - Truck”, by ceramic dynamo Katharine Morling is a whimsical porcelain installation of a truck loaded with gold and diamonds....
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay, Porcelain, Slip, Ink
Delta
Located in Dallas, TX
Stoneware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom by Robert Milnes
Milnes served as Dean of the College of Visuals Arts and...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Silence
Located in Dallas, TX
Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals ...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Deep Blue 2
Located in Dallas, TX
Stoneware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom by Robert Milnes
Milnes served as Dean of the College of Visuals Arts and...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Sea Grid
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Juego De Cubos - 21st Century, Contemporary Art, Abstract, Iron Sculpture, Brick
By Lukas Ulmi
Located in Barcelona, Catalonia
Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Iron, Wire
Potential
Located in Dallas, TX
Earthenware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Shiro III, Clay Abstract Sculpture, 2021
Located in Boston, MA
These types of abstract ceramic sculptures are an ode to the grace and beauty of the female form.
Details: White stoneware; Cone 5/6 Oxidation firing
Artist Biography:
Beverly Morrison...
Category
21st Century and Contemporary Modern Clay Abstract Sculptures
Materials
Clay
Belly, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Black stoneware; cone 5/6 oxidation firing
"Inspired by my nieces voluptuous pregnant belly "
Keywords: vessel, ceramic, classic, minimal, clay, black, classical, minimal, round
Artist Biography:
Beverly Morrison...
Category
21st Century and Contemporary Abstract Clay Abstract Sculptures
Materials
Clay
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Ice Blue Creatio Continua by Kuno Vollet - gold, blue circular ceramic sculpture
By Kuno Vollet
Located in DE
This beautiful, contemporary circular sculpture made from ceramics with crystal glaze and 24k gold leaf stands on an elegant white granite base.
It is a timeless piece full of detail...
Category
21st Century and Contemporary Abstract Clay Abstract Sculptures
Materials
Gold Leaf
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Quill, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Stoneware and clay slip; Cone 5/6 Oxidation Firing; Slips & Oxides
Keywords: abstract, textured, ceramic, clay, expressive, black, blown, white, zen, meditative, nature, vessel
Artist Biography:
Beverly Morrison...
Category
21st Century and Contemporary Abstract Clay Abstract Sculptures
Materials
Clay
Sora, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Black stoneware; cone 5/6 oxidation firing; Slips and Oxides
Keywords: abstract, textured, ceramic, expressive
Artist Biography:
Beverly Morrison (Los Angeles...
Category
21st Century and Contemporary Modern Clay Abstract Sculptures
Materials
Clay
Rain, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Stoneware; Cone 5/6 Oxidation Firing; Slips & Oxides
Keywords: abstract, contemporary, clay, ceramic, vessel, brown, black, white, abstract, minimal, surface texture, zen, meditative
Artist Biography:
Beverly Morrison...
Category
21st Century and Contemporary Minimalist Clay Abstract Sculptures
Materials
Clay
Amante, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Black stoneware; cone 5/6 oxidation firing; Slips and Oxides
"With some individuals you have to get really close before you get to see the heart inside."
Keywords: abstract, contemporary, ceramic, expressive
Artist Biography:
Beverly Morrison...
Category
21st Century and Contemporary Abstract Clay Abstract Sculptures
Materials
Clay
Antiguo, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Dark Chocolate Brown Stoneware; Cone 5/6 Oxidation Firing; Slips & Oxides; Faux metal detailing
"A relic of nature."
Keywords: abstract, textured, ceramic, clay,...
Category
21st Century and Contemporary Abstract Clay Abstract Sculptures
Materials
Clay
"Spotted Blue Moon Jar", ceramic sculpture, porcelain vase, saggar fire, cobalt
Located in Toronto, Ontario
"Spotted Blue Moon Jar" is a saggar-fired porcelain vessel by Alison Brannen. It measures 18" high by 15" wide. Inspired by her journeys sailing the Atl...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Gold
The Reach, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Chocolate Brown stoneware; cone 5/6 oxidation firing; Slips and Oxides; Faux metal detailing
Keywords: abstract, textured, clay, ceramic, expressive
Artist Bio...
Category
21st Century and Contemporary Minimalist Clay Abstract Sculptures
Materials
Clay
"Bend", gestural, ceramic, sculpture, white, cream, stoneware
Located in Natick, MA
Sara Fine-Wilson's "Bend" is a gestural 16 x 9 x 6 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain sli...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stoneware, Slip, Glaze
"Tousle", gestural, ceramic, white, cream, grey, blue, stoneware, sculpture
Located in Natick, MA
Sara Fine-Wilson's "Tousle" is a gestural 13 x 10 x 8.5 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stoneware, Glaze, Slip
Historias De La Playa - 21st Century, Contemporary Art, Abstract Sculpture, Iron
By Lukas Ulmi
Located in Barcelona, Catalonia
Diptych.
Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures wh...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Iron
“I Know You Know I Love Yew” Blue and Gold Decorative Sculpture
Located in Houston, TX
Blue decorative sculpture with gold accents by Houston, TX contemporary artist Jude Rosemond. Sculpture is made from concrete, clay, stone with rosewater...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stone, Concrete
Abstract Sculpture: 'White Oyster'
By Tanis Saxby
Located in New York, NY
An oyster is a seemly simple creature although through its miraculous structure can create something as beautiful as a pearl. Its outer shell seems impenetrable yet the inside is sof...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stone
«Platina and Cheez Doodles» Ceramic Wall Relief by Nils Erichsen Martin
By Nils Erichsen Martin
Located in Oslo, NO
Signed and dated.
Nils Erichsen Martin's ceramics has a distinct style. He takes on a scientific approach with his artwork, researching into the different aspects of how form is per...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay
"Midnight Over Mountains", ceramic sculpture, porcelain shards, blue, copper
Located in Toronto, Ontario
"Midnight Over Mountains" is a saggar-fired porcelain wall sculpture by Alison Brannen. It measures 15" high by 15" wide by 7" deep, however the sculptu...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Porcelain
Walter Midener "Contemplation" Seated Figure Clay Sculpture Mid-Century Modern
Located in Detroit, MI
SALE ONE WEEK ONLY
“Contemplation” is an abstract clay sculpture of a female. The figure has both arms and legs extended, but the dignified pose suggests an intimate rather than a sexual moment. The sculpture is delicately rendered, but monumental in pose and clean composition reminiscent of the English artist Henry Moore. The surface is warm and slightly rough to the touch. This sculpture is in the round and beautifully balanced geometrically with the hands clasped behind the head forming a slightly flattened polygon shape that is echoed in the positioning of the legs and draped fabric of a presumed dress. The figure draws the viewer into her contemplation, peace and confidence. An exceptional piece by Midener.
Walter Midener...
Category
Mid-20th Century Modern Clay Abstract Sculptures
Materials
Clay
Pichet Têtes, Pablo Picasso, 1950's, Sculpture, Ceramic, Pitcher, Design
Located in Geneva, CH
Pichet Têtes, Pablo Picasso, 1950's, Sculpture, Ceramic, Pitcher, Design
Pichet têtes
Ed. 500 pcs
1956
White earthenware clay, oxidized paraffin decorati...
Category
1950s Post-Modern Clay Abstract Sculptures
Materials
Ceramic, Clay
CINCHES (Ceramic Octo) - Reductive Minimalist Industrial Sculpture, Terracotta
Located in Signal Mountain, TN
In this piece, seven octagonal terra-cotta bricks of cylindrical shape are on the floor in a V shape. Two concrete bricks are placed amongst these cylinders. All of these objects are bound together by a string that is tied around the objects.
Brian Russell...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Concrete
"Milky Jumble", gestural, ceramic, sculpture, brown, cream, white, stoneware
Located in Natick, MA
Sara Fine-Wilsons ”Milky Jumble” is a gestural 12.5 x 10 x 8 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and ...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stoneware, Glaze, Clay
Abstract Sculpture: 'Black Oyster'
By Tanis Saxby
Located in New York, NY
An oyster is a seemly simple creature although through its miraculous structure can create something as beautiful as a pearl. Its outer shell seems impenetrable yet the inside is sof...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Granite
Ceramic and textile small sculpture: 'No. 19'
By Ak Jansen
Located in New York, NY
This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Gold
"Crimp", gestural, ceramic, sculpture, white, cream, stoneware
Located in Natick, MA
Sara Fine-Wilson's "Crimp" is a gestural 16.5 x 14 x 8 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stoneware, Slip, Glaze
Contemporary Ceramic Wall Sculpture by Kaiser Suidan
Located in Palm Beach, FL
4 x 4 Ceramic Modern Cube Sculpture
Artist: Kaiser Suidan
Very easy to hang and ship
Each sold separtely
From first generation Lebanese descent, Kaise...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Clay
"Fold", gestural, ceramic, sculpture, white, cream, grey, blue, stoneware
Located in Natick, MA
Sara Fine-Wilson's "Fold" is a gestural 20 x 9 x 8 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stoneware, Slip, Glaze
Visage, Pablo Picasso, Face, 1950's, Ceramic, Madoura, Sculpture, Earthenware
Located in Geneva, CH
Visage, Pablo Picasso, Face, 1950's, Ceramic, Madoura, Sculpture, Earthenware
Ed. 500 pcs
White earthenware clay, decoration in engobes under glaze
Inscribed on the reverse: Edition...
Category
1950s Post-War Clay Abstract Sculptures
Materials
Earthenware, Clay
"La Chorale" Sculpture by Paul Ahyi Togolese Clay
Located in Paris, FR
"La Chorale" (The Choir) is a sculpture by Paul Ahyi depicting three women joyfully singing. This beautiful sculpture is made with "L'Argile de Nawaré" which...
Category
Mid-20th Century Clay Abstract Sculptures
Materials
Clay
Panier-maison II, Stéphanie Jacques
By Stéphanie Jacques
Located in Wilton, CT
Panier-maison II, Stéphanie Jacques, wood, willow, raw clay coated and limewash, 17" x 20" x 15", 2010.
This contemporary abstract mixed media sculpture was done by Belgian artist, ...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Clay, Wood
Rastermond - Contemporary, 21st Century, Platinum varnish, Limited Edition
By Otto Piene
Located in Zug, CH
Otto Piene, Rastermond
Platinum varnish on clay
Edition of 99, each piece is unique
47 x 47 x 2 cm (18.5 x 18.5 x 0.8 in)
Stamped and numbered, accompanied ...
Category
Early 2000s Contemporary Clay Abstract Sculptures
Materials
Clay, Varnish
"Jagged", gestural, ceramic, sculpture, brown, white, cream, stoneware
Located in Natick, MA
Sara Fine-Wilsons ”Jagged” is a gestural 16 x 9.5 x 6 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and pinched...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stoneware, Glaze, Clay, Slip
Crimson Fabricated Americana
Located in Kansas City, MO
Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Underglaze, Ceramic, Clay, Luster, Porcelain, Stoneware, Glaze
CINCHES (SPALLED BRICK) - industrial reductive minimalist sculpture, orange
Located in Signal Mountain, TN
This piece consists of pieces of spalled brick, which had crumbled from the artist's chimney. The artist has used natural string to tie these brick pieces in a neat package. The brick package is delicately placed on a pile of bright orange chalk powder.
Brian Russell...
Category
2010s Minimalist Clay Abstract Sculptures
Materials
Brick, Chalk
"Coral Ocean" Hand Made-Unique Sculpture for Walls. Pulverized Minerals and Sand
Located in Mexico City, MX
Price includes one piece.
The artist was inspired by the beauty of nature found in coral reefs. It is all handmade with resin, cement, wood, pulverized minerals and varnish.
The u...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stone, Cast Stone, Sandstone
Awhi Whakapapa, Embracing Geneaology, ceramic figurative sculpture, Contemporary
Located in Santa Fe, NM
Awhi Whakapapa, Embracing Geneaology, ceramic figurative sculpture, Contemporary
Category
Early 2000s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay
Rastersonne - Contemporary, 21st Century, Gold varnish, Limited Edition
By Otto Piene
Located in Zug, CH
Otto Piene, Rastersonne
Contemporary, 21st Century, Gold varnish, Limited Edition
Gold varnish on clay
Edition of 99, each piece is unique
47 x 47 x 2 cm (18.5 x 18.5 x 0.8 in)
Stamped and numbered, accompanied by Certificate of Authenticity
In mint condition, as acquired from the publisher
Fire, earth, and metal: these elementary forces played a very important role in the oeuvre of Otto Piene. After many years of artistic productions in 2006, he discovered a new material for his artworks: ceramic.
"With my artworks I want to transmit energy” — Otto Piene
He created wonderful mural reliefs in ceramic. He dropped viscous varnish through different raster-barriers on a prepared clay platter. Not only the setting of the platinum drops creates the individual and unique look of each work but also their convex and interleaving forms. The slight convexity of the platinum varnish drops reflects the light and gives the artwork a discreet white shine. With the mélange of archaic and modern elements, Piene achieves an impressing artwork with this powerful material.
OTTO PIENE
Otto Piene is one of the most important German post-war artists.In 1957- Otto Piene and Heinz Mack founded the group ZERO.
Otto Piene is one of the most important German post-war artists. Born in 1929 Otto Piene was brought up in Lübeck (Germany) and, after his studies at the Academy of Fine Arts in Munich and Düsseldorf, he completed his academic education with studies on philosophy at the University of Cologne. In 1957- Otto Piene and Heinz Mack founded the group ZERO; which Günther Uecker joined in 1961. Their aim was to create a recommencement of contemporary art, starting at the point ZERO with new artworks emphasizing predominantly on light. Piene primarily aimed in his artworks to visualize light, fire, and air; so he started to create Op-Art inspired raster paintings, followed by smoke and fire...
Category
Early 2000s Contemporary Clay Abstract Sculptures
Materials
Clay, Varnish
Clay abstract sculptures for sale on 1stDibs.
Find a wide variety of authentic Clay abstract sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Tony Moore, Ak Jansen, Patricia Volk, and Harold Wortsman. Frequently made by artists working in the Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Clay abstract sculptures, so small editions measuring 6 inches across are also available Prices for abstract sculptures made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,100 and tops out at $35,000, while the average work can sell for $2,500.