Art Nouveau

Circle of Austin Osman Spare (British, 1888 – 1956) Bohemian Fantasy Pen and gouache on paper 13.1/2 x 19.5/8 in. (34.3 x 50 cm.)

Memento mori, memento vive: Garland with Heron and skull. Technique: tempera on canvas. Signed below: G. Borgogelli-Ottaviani, probably refers to the Italian aristocratic family, wi...

Paul César Helleu Profile of a Woman, 1913 Etching Printed signature On vellum 26 x 20 cm (c. 10.5 x 8 inch) Very good condition, light defects at the edge of the sheet

Pomme Bouche, Brooch, Claude Lalanne, French, Design, 1990's, Bronze, Jewels Brooch Pomme Bouche 1990 Edition Arthus-bertrand, Paris Bronze with a golden...

FREE SHIPPING WORLDWIDE Early 20th century Italian cameo with woman profile. Hand carved cameo. Dimensions: H 3.5cm x W 3cm Italian manufactory of early 20th century. Probably Torre del Greco, Neaples area. Silver mounting with perfectly functional clasp mechanism. Some historical notes on coral carving near Naples. The production and carving of coral in the 19th century in Naples and Torre del Greco is an ancient and noble tradition, which originated from the migration of Sicilian coral...

Steinlen, Theophile "Lait Pur Sterilise de la Vingeanne" Original lithograph, c. 1894 Rennert 12 Printed by Charles Verneau, Paris Bright Fresh Colors, RARE "The humble dairy of Q...

"Woman-Flower" Lamp by MARS-VALLETT (1869-1957) Art Nouveau sculpture forming a table lamp, made in gilded bronze with two light arms Signed on the base "Mars-Vallett" Old edition ast France circa 1900 height (without light bulbs) 35 cm width 25 cm Biography: Mars-Vallett, pseudonym of François Marius Vallet (1869-1957), was a French caricaturist and sculptor. Son of a marble worker from Chambéry, Mars-Vallett was a student at the Paris School of Fine Arts. Working as a caricaturist during his youth, he worked for numerous Parisian publications such as the newspaper “Soleil du Dimanche”. Mars-Vallett won several awards at the Salon of French Artists and the Salon of the National Society of Fine Arts. He was also the curator of the Savoy museum in 1904 and the Charmettes museum (Jean-Jacques Rousseau's house) in 1907. He was one of the founding members of the Society of Friends of Old Chambéry in 1933. During his life in Paris, Mars-Vallett received visits to his studio, among others, from Auguste Rodin and Albert Bartholomé. He was very close with the painter François Cachoud...

Graceful interweaving of plants with a blur effect in dark green colors - Limited edition giclee Print - with archival inks on Hahnemühle German etching fine art paper. This is a h...

Louis John RHEAD (1857-1926) The Ice Skater Original lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 200 of "Les Maîtres ...

Joseph FELON (1818 - 1897) The Bath of Venus Original stone lithograph, enhanced with watercolor Printed signature in the plate On vellum 28 x 44 cm (c. 11 x 18 inch) Excellent con...

Alexandre BRUN Marseille, 1853 - Marseille, 1941 Normandy, the half-timbered house Painting, oil on canvas Signed Painting: 56 x 46.5 cm 19th century frame: 65 x 54 cm (some wear to ...

Alfred CHATAUD 1833-1908 The red ball, landscape with the cathedral of Mantes-la-Jolie (France) Painting, oil on canvas Signed Painting: 54 x 39 cm (21.3 x 15.3 inches) Beautiful 19t...

Unsigned bronze buste of a woman, with fine characteristics. The sculpture was mounted on a hand-made ceramic socle with a marble top. Very heavy, solid and qualitative piece.

Original "The Virgin Queen" vintage movie poster. NSS: 55/302 Archival linen backed with original issued fold marks restored. Linen-backed and in excellent condition. No pape...

Louis Rhead Jane Original lithograph Printed signature in the plate 1897/98 On vellum 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Moderne, Paris, 1897-1899 and pri...

Frans Van Holder Ixelles 1881 – 1919 Geneva Belgian Painter 'Portrait of a Young Woman in White – The Artist’s Wife' Signature: Signed top left and dated 1906 Medium: Oil on canvas Dimensions: diameter: image size 96 cm, frame size 120,50 cm Biography: Van Holder Frans, born in Brussels in 1881, emerged as a prominent post-Impressionist painter during the Belle Epoque and Art Nouveau era. Initially a painter-decorator in his father’s workshop, he contributed to the adornment of Brussels’ bourgeoisie interiors, setting the stage for his alignment with the Art Nouveau movement. Van Holder studied under Alfred Cluysenaar at the Saint-Gilles Academy. His artistic evolution embraced Impressionist principles, influenced by luminosity proponents like Manet and Pissarro. After formal training at the Sint-Gillis Academy and travels through Spain, Italy, and Switzerland, Van Holder returned to Brussels in 1905, joining the esteemed ‘Pour l’Art’ association. Rejecting theoretical constraints, he prioritized harmony in his art, viewing color as a musical composition requiring rhythm and balance. Van Holder’s mastery extended to intimate post-impressionist portraits, notably capturing the Brussels aristocracy like the Wolfers family...

A very large 24" (61cm) Franz Xavier Bergmann (1861-1936) cold painted bronze group statue, signed, Austria, circa 1910. The bronze in the Orientalist manner & depicts a young slave ...

Nature unveiling in front of Science by Louis-Ernest Barrias (1841-1905) Bronze sculpture with multiple patina. Signed "E. Barrias" on the side of the base cast by "Susse Frères" (foundry mark and stamp) The model of this statue was commissioned in 1889 to decorate the new medical school in Bordeaux. When he had finished the first version in white marble for the school, Barrias designed a second marble and onyx statue in 1899 for the ceremonial staircase of the Conservatoire des Arts et Métiers in Paris. France circa 1900 height 58 cm Biography : Louis-Ernest Barrias (1841-1905) was a French sculptor . He came from a family of artists. His father was a porcelain painter and his older brother, Felix-Joseph Barrias, a recognized painter. Louis-Ernest Barrias entered the School of Fine Arts in Paris in 1858, he abandoned painting to move towards sculpture under the direction of François Jouffroy. In 1864, he won the Prix de Rome, on the theme of "The Foundation of Marseille", and was engaged on the site of the Paris Opera house. He later produced many sculpted works, most of them in marble. In 1881, Louis-Ernest Barrias was awarded a medal of honor of the fine arts and named knight of the Legion of Honor in 1878, then promoted officer in 1881 and commander in 1900. The artist replaced Auguste Dumont at the Institute in 1884, then succeeded Jules Cavelier as a professor at the School of Fine Arts, where, among his most notable students, there were Victor Ségoffin, Charles Despiau and Paul Landowski.

Le Tasse de The (The Cup of Tea) Color aquatint and etching, c. 1906 Signed in pencil in the image (see photo) Edition: c. 100 Reference: Merrill Chase, Volume 1, No. 85 Condition: F...

"Retour (L'Estampe Moderne I)" is an original color lithograph by Georges de Feure. It features a woman with red hair in an environment of flora and fauna with muted colors and the A...

Charles Rennie Mackintosh was a Scottish architect, designer, and visual artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wif...

Charles Rennie Mackintosh was a Scottish architect, designer, and visual artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wif...

Set of four lithographs enhanced with gouache by Maurice Dufrene. Four original plans from "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906. These four plans ar...

Charles BULFFER Thann, 1858 - Thann, 1934, French (Alsatian) Still life with vegetables Painting, oil on wood Signed Painting: 24 x 32.5 cm (9.4 x 12.8 inches) Beautiful 19th frame: ...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Follower of Émile Bin (Paris 1825 - Marly-la-Ville 1897) - The sleep of Pan. 90 x 69 cm without frame, 112.5 x 92 cm with frame. Antique oil painting on canvas, in a carved and gil...

Programme poour Le Chariot de Terre Cutte Lithograph printed in blue on pink tint thin wove paper, 1895 Signed with the artist's "TL" monogram (see photo) lower center edge Published...

Der Kuss The Kiss (plate facing page 116) Color lithograph, 1898 Signed with the artist's initials in the image (see photo) Published in Pan, Volume IV.2 (Jul-Aug-Sept 1898) Publishe...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Oil on Canvas "The girl in the Red Dress" by W Frank Calderon, RA (no58) Exhibit 1911. Calderon was influenced by the "Art Nouveau"period, this painting shows his beautiful detailed...

This artwork captures the harmony of nature, where the intertwining vines of pumpkin, playful peas, and resilient beets weave together in an exquisite ornament. The mesmerizing symph...

Abbéma Louise Étampes 1853 – 1927 Paris French Painter 'Lady in Paris on a Winter Day' Signature: Signed lower middle right Medium: Oil on canvas Dimensions: Image size 100 x 120 cm, frame size 112 x 132 cm Biography: Louise Abbéma, a prominent French artist of the Belle Époque, was born on October 30, 1853, in Étampes, Essonne, France. She hailed from a wealthy Parisian family with strong connections to the local artistic community. Her family’s artistic ties ran deep, as her great-grandmother was the renowned actress Louise Contat. From a young age, Abbéma exhibited a talent for painting and began her artistic journey in her early teens. She received formal training under the guidance of notable artists of her time, such as Charles Joshua Chaplin, Jean-Jacques Henner, and Carolus-Duran. Her talent and dedication bore fruit when, at the age of 23, she painted a portrait of the legendary actress Sarah Bernhardt, who became both a lifelong friend and, speculatively, a romantic partner. Abbéma’s artistic endeavors extended far beyond portraiture. She lent her creative touch to the embellishment of various iconic Parisian landmarks. Her panels and murals graced the Paris Town Hall, the Paris Opera House, numerous theaters (including the aptly named “Théâtre Sarah Bernhardt”), and even the “Palace of the Colonial Governor” in Dakar, Senegal. Her unique style combined academic and impressionistic elements, characterized by the use of light and rapid brushstrokes. Recognition continued to find Abbéma, and she became a regular exhibitor at the prestigious Paris Salon, earning an honorable mention for her work in 1881. She also had the distinction of having her art displayed at the Women’s Building during the 1893 World Columbian Exposition in Chicago. Moreover, a bust of Abbéma sculpted by Sarah Bernhardt was showcased at the exposition. Abbéma’s artistic repertoire was diverse, encompassing oil portraits and watercolors. Her work often bore the influence of Chinese and Japanese painters, as well as contemporary masters like Édouard Manet. Flowers were a recurring motif in her creations. Some of her most celebrated works include “The Seasons,” “April Morning,” “Place de la Concorde,” “Among the Flowers,” “Winter,” and portraits of prominent individuals such as actress Jeanne Samary, Emperor Dom Pedro II...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Alphonse Mucha's "Lorenzaccio" poster, featured as Plate 114 in "Les Maîtres de l'Affiche," encapsulates the Art Nouveau spirit and the enchanting collaboration between the iconic ar...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

an exquisite vintage pattern of climbing plants and vegetables creating a colourful contrast on a dark purple background - Original oil painting - 70х30 cm (27.6 W x 11.8 H x 0.4 D ...

Royal Copehaghen. Vase with Sailing Ship in the Sea. Danish porcelain. Early 20th century. Royal Copenhagen. Denmark. Vase with sailing ship in the sea. Hand-painted porcelain wi...

François FORICHON 1865-1952, French Still life with greens apples Painting, oil on canvas Signed "F. Forichon" and dated 1929 Painting: 46 x 33 cm (18.1 x 13 inches) Original wooden ...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Very beautiful work oil on canvas, depicting a beautiful cabaret dancer smoking a cigarette in front of a mirror. Large dimensions of the canvas. The frame is not sold with the pain...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Original ‘Chemin de Fer de L'Ouest; Paris a Londres’ vintage travel poster. Antique original European travel poster from circa 1880-1900 sto...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Limited edition vintage lithographic reproduction poster of "Cadieux" by Henri de Toulouse Lautrec, published in 1968 by The Sunday Times (London). This limited edition poster is nu...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest glazing, volumetric contour...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Pinckney MARCIUS-SIMONS New York, 1867 - Bayreuth, 1909 Joan of Arc Painting, oil on canvas Signed Painting: 60 x 46 cm (23.6 x 18.1 inches) Frame: 78 x 64 cm (30.7 x 25.2 inches) Ve...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Raphaël-Léon Leguilloux Nantes, 1871 - Nice, 1938 Nude woman and her cat, study in green Painting, oil on canvas Unsigned, annotated "Raphaël-Léon Leguilloux" on the back Painting: 6...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Une Niit d'avril a Ceos, theatre program for a production with sets by Maurice Denis with advertisement for La Revue blanche, 1894. Lithograph. Ref:...

SIGN OF THE TIMES The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest glazing, volumetric contours. The art-work is readable for blind and visually impaired people by touch. The painting metaphorically depicts Ouroboros wheel - a curled snake biting its tail. Ouroboros is a symbol of eternity and infinity, especially of cyclic nature life, alternation of creation and destruction, life and death, constant rebirth and death, the movement of space. My end is my beginning. In many myths, Ouroboros embraces the whole world and identified with the circular flow of waters surrounding the earth. It maintains the world and its existence, and at the same time, it brings death into life, and life into death. Unmoving in appearance, Ouroboros personifies perpetual motion, always returning to oneself. In Orphic cosmology, Ouroboros embraces the Cosmic Egg...

Gustave-Max Stevens Solveig Original litograph Platesigned 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published ...

Original poster: LAMALOU LES BAINS. CEVENNES - MONTAGNE NOIRE. Linen-backed old original French spa poster. Excellent condition. Statues look at t...

The Italian influence of style is clearly evident in this fine poster created circa 1910 by the artist, Nonni. He uses the influence of the Arts Nouveau of France but puts his unique...