Renaissance Art
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Style: Renaissance
Family Resemblance 3
Located in LEVALLOIS-PERRET, FR
Quality fine art print of creative portrait photography in a limited edition. Reinterpreting Caravaggio's "Salome with the Head of John the Baptist", this work explores family dynami...
Category
2010s Renaissance Art
Materials
Rag Paper, Inkjet, Digital Pigment
Family Resemblance 2
Located in LEVALLOIS-PERRET, FR
Quality fine art print of creative portrait photography in a limited edition. Reinterpreting Caravaggio's "Salome with the Head of John the Baptist", this work explores family dynami...
Category
2010s Renaissance Art
Materials
Inkjet, Digital Pigment, Rag Paper
Copy of "Portrait of Beatrice dʼEste" by Leonardo da Vinci created 15th Century
Located in New York, NY
A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso.
Art measures 28 x 18 inches
Frame measures 34.5 x 24.5 inches
There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”).
It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts.
The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...
Category
18th Century Renaissance Art
Materials
Oil, Canvas
French Oil Painting after 15th Century Renaissance Old Master, Portrait
Located in Cirencester, Gloucestershire
Artist/ School: French School, after the earlier Renaissance
Title: Portrait of a Cardinal
Medium: oil painting on canvas, unframed
canvas: ...
Category
20th Century Renaissance Art
Materials
Oil
After Leonardo Da Vinci 'Mona Lisa'
By Leonardo da Vinci
Located in Brooklyn, NY
Large scale reproduction poster of Leonardo Da Vinci's "Mona Lisa"
Category
1990s Renaissance Art
Materials
Offset
Acrylic on Canvas -- Madonna from Italian Renaissance
By Altin Stoja
Located in Troy, NY
This acrylic on canvas painting is of a Renaissance Madonna. Framed beautifully, this spiritual portrait is of a graceful moment. The cerulean blue fabric is used to represent extrav...
Category
2010s Renaissance Art
Materials
Canvas, Acrylic
Eva With Violin
Located in Atlanta, GA
Item is in excellent condition and has only been displayed in a gallery setting. This painting was procured direct from the artist's studio.
Cornelis le Mair is truly a renaissance ...
Category
1990s Renaissance Art
Materials
Board, Oil
The Lamentation Of The Death Of Christ, 17th Century
Located in Blackwater, GB
The Lamentation Of The Death Of Christ, 17th Century
after Pier Francesco Mazzucchelli (1573-1626)
Fine huge 17th Century Italian Old Master depiction of the Lamentation at the Dea...
Category
18th Century Renaissance Art
Materials
Tempera, Panel
Florentine artisan Renaissance Baby Toilet Chair 1550s walnut wood
Located in Florence, IT
This rare object is a child toilet chair that was very common during the Renaissance time in every aristocratic house. The noble origin is also highlighted by the decoration with th...
Category
16th Century Renaissance Art
Materials
Walnut
Large Oil Painting Classical Renaissance Ladies in Fantasy Landscape
Located in Cirencester, Gloucestershire
Artist/ School: French School, 20th century
Title: Classical Ladies in Landscape
Medium: oil painting on canvas, unframed and inscribed verso.
canvas: 19.75 x 28.75 inches
Prove...
Category
20th Century Renaissance Art
Materials
Oil
Fine Old Master Portrait, by Gillis Claeissens, Portrait of a Lady, 1580, Bruges
By Gillis Claeissens
Located in Greven, DE
Gillis Claeissens
Portrait of a Lady, probably "Anne Joigny-de Pamele"
Oil on wood, 35,5 x 28 cm
Gillis Claeissens has only recently been rediscovered as an important portrait painter of the 16th century. He received his training in the studio of his father, Pieter I Claeissens. Gillis became a freemaster of the St Luke's Guild in Brussels in 1566 and worked at the court of Alexander Farnese in Brussels between 1589 and 1592. Later he was also court painter to the Archdukes Albert and Isabella. After his return to Bruges, he created portraits of high Bruges society.
It was only through the Forgotten Masters exhibition in Bruges in 2018 that the work of Gillis Claeissens was rediscovered. The present painting recently turned up in a private collection and was confirmed as a typical work by Claeissens by Mrs Oosterwijk at the Museum Groeninghe in Bruges.
Gillis Claeissens or Egidius Claeissens (Bruges, 1526 – Bruges, 17 December 1605) was a Flemish painter of portraits and altarpieces and a member of a prominent family of artists originating in Bruges. It has only been possible to distinguish Gillis Claeissens' work from that of his father and siblings after scholars discovered a contract with the artist for the painting of a tryptich. It was further discovered in 2015 that he artist can be identified with the Monogrammist G.E.C. These discoveries have allowed to recognise Gillis Claeissens as an important portraitist alongside Pieter Pourbus in 16th century Bruges.
Portrait Paintung, Old Master, Bruges School, Bruges Painting...
Category
16th Century Renaissance Art
Materials
Oil, Panel
Joseph and Potiphar's Wife
Located in New York, NY
Provenance:
Palazzo Pisani at San Stefano, Venice
Mrs. F. Craighead (possibly Mrs. Fay Stinson Craighead, Evansville, Indiana)
Sale, Sotheby Parke Bernet, New York, 7 June 1978, lot 310, as Bonifazio Veronese
Daniel M. Friedenberg, New York, until 2011; and by descent to:
Russell Friedenberg, until 2014
Literature:
Giuseppe Pavanello, Gli Inventari di Pietro Edwards nella Biblioteca del Seminario Patriarcale di Venezia, Venice 2006, pp. 132, 140, as no. 10 in Pietro Edwards’ inventory of the Palazzo Pisani: “Giuseppe che fugge dalla moglie di Pitifarre” by Bonifacio Veronese.
Philip Cottrell and Peter Humfrey, Bonifacio de’ Pitati, (forthcoming), cat. no. 166h.
Antonio Palma is the least well-known member of the illustrious Palma family of Venetian painters of the 16th century. He was the nephew of Jacopo Palma—Palma il Vecchio—and upon his uncle’s death in 1528, he began to work with Palma Vecchio’s principal student and the inheritor of the elder artist’s studio, Bonifazio de’ Pitati (Bonifazio Veronese). Antonio worked with Bonifazio as his principal assistant and right-hand man until Bonifazio’s death in 1553, after which he continued his independent career. He married a niece of his master, and their second son, Jacopo, born in 1648, would achieve fame as Palma il Giovane...
Category
16th Century Renaissance Art
Materials
Oil, Canvas
"Flemish Fair" by Jan Pieter Brueghel. Published by Haddad's Fine Arts.
By Jan Pieter Brueghel
Located in Clinton Township, MI
Published by Haddad's Fine Arts.
Printed in USA
Good Condition - slight dent in middle right (pictured).
23 x 35 in.
Category
20th Century Renaissance Art
Materials
Lithograph
‘Two Women & Bird’ Figurative Female Models Oil On Canvas By Roni Taharlev
Located in Carmel, CA
"Two Women & Bird," an evocative oil on board composition by contemporary artist Roni Taharlev, is a study in the nuanced interplay of form, shadow, and emotion. Sized at 40"x28", th...
Category
21st Century and Contemporary Renaissance Art
Materials
Oil, Canvas
Sacra Conversazione, Maria, Christ, Old Master, Religious, Baroque Painting, art
Located in Greven, DE
Attributed to Peter Candid / Pieter de Witte
(Bruges c. 1540 - 1628 Munich)
Sacra Conversazione
Oil on wood, 29 x 37 cm
The painter, sculptor and architect Peter Candid, known in Italy as Pietro Candido, was born in Bruges between 1540 and 1548. In the 1560s he stayed in Florence, where he worked in the workshop of Giorgio Vasari, with whom he collaborated on a number of commissions for the House of Medici. After a brief stay in Volterra, he went to Munich in 1586. For the next 42 years, until his death, he remained court painter to Duke William V...
Category
17th Century Renaissance Art
Materials
Panel, Oil
19th Century Italian Miniature Painting The Madonna & Child, Signed original
By J. Canava
Located in Cirencester, Gloucestershire
The Madonna & Child
by J. Canava, Italian late 19th century
miniature painting on ceramic, framed within velvet inset and frame
image measures 3.2...
Category
Late 19th Century Renaissance Art
Materials
Gouache
'Lily' by Roni Taharlev - Renaissance Female Portrait - Oil on Canvas Painting
Located in Carmel, CA
"Lily" by Roni Taharlev is a captivating 18" x 12" oil on canvas that exudes a soft and introspective atmosphere. In this intimate portrait, muted tones of peach, earthen brown, and ...
Category
21st Century and Contemporary Renaissance Art
Materials
Board, Oil
The Infant Saint John the Baptist with a Lamb
Located in New York, NY
Provenance:
James Byrnes, Los Angeles (1917-2011)
Giusto Le Court was born Josse or Justus de Corte in the Flemish city of Ypres. His father Jean was a sculptor and presumably his earliest training was with him before he entered the studio of Cornelis van Mildert. The young artist was clearly influenced by the dominant Flemish sculptor of the time, Artus Quellinus the Elder, with whom he may have worked on the decoration of the Amsterdam City Hall.
Following the lead of many northern artists he travelled to Rome, perhaps more than once, before settling in Venice around 1655. It was there, as one of a colony of expatriate artists, that he made his name as a sculptor. One of his first Venetian commissions was for the monument to Alvise Mocenigo in the Church of San Lazzaro dei Mendicanti, where Le Court sculpted the marble figures of Strength and Justice. He also collaborated with the celebrated architect Baldassare Longhena, most famously for the high altar of Santa Maria della Salute, where he carved the multi-figured altarpiece depicting the Queen of Heaven Expelling the Plague.
The present marble sculpture depicts the infant Saint John the Baptist, reclining, wearing his traditional hair-shirt, embracing a lamb, and holding the bottom of his attribute, a reed cross. Attached to his shirt is a baptismal cup, with which he would become associated later in his life. Veneration of the infant Saint John the Baptist was prevalent throughout Italy and images of the saint in childhood—often called “Giovannino,” or little John...
Category
17th Century Renaissance Art
Materials
Marble
19th Century Italian Miniature Painting The Madonna & Child, Signed original
By J. Canava
Located in Cirencester, Gloucestershire
The Madonna & Child
by J. Canava, Italian late 19th century
miniature painting on ceramic, framed within velvet inset and frame
image measures 3.2...
Category
Late 19th Century Renaissance Art
Materials
Gouache
ANTIQUE ITALIAN RENAISSANCE IONIC MARBLE CAPITAL WITH PUTTI, 16TH CENTURY
Located in Milan, IT
Finely carved male capital dated from the 16th Century. Created in Italy, this fine works features the faces of winged cherubs.
Category
16th Century Renaissance Art
Materials
Marble
Abanderado (Iconic, Spanish, Baroque, Large)
Located in Kansas City, MO
Antonio de Felipe
Abanderado
Offset Lithograph
Year: 1993
Size: 39.0 x 39.0 inches
Signed in the stone
COA provided
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Antonio de Felipe was born in Valencia in 1965. Ever since a very young age he has felt an artistic drive that led him to earn a fine arts degree at the University of Valencia. In 1996 he moved to Madrid where he has his studio.
The work of Antonio de Felipe is a constant source of fascination and surprises. It is a great pleasure to witness how the artist’s ingenious world of ideas and his sense of humour are constantly evolving. His subject worlds form a surprising genre blend of striking contrasts, a linking of series characters, classical art and commercialism side by side with contemporary icon worship.
Antonio de Felipe has developed his extensive work in different series like, Las Vacas Logotipos and Popsport among others. In the serie Cinemaspop Antonio de Felipe has painted portraits of brilliant actors whose icon status is secure. Two of them are Audrey Hepburn and Greta Garbo, seen against a wide range of backgrounds where the artist pays tribute to the great masters – either Picasso’s brutal Guernica or space figures reminiscent of Miró. As a third, Marilyn Monroe, parts her ruby lips...
Category
17th Century Renaissance Art
Materials
Lithograph
Late 19th Century Cupids Forging Gold -- House of Vetti Frieze Pompeii
Located in Soquel, CA
Wonderful late 19th Century of two cupids forging gold drawn from a section of the 1st century CE cupids frieze from the triclinium or dining room from the House of the Vetti in Pomp...
Category
Late 19th Century Renaissance Art
Materials
Watercolor, Ink
Aristomachus, Ancient Greek, C18th Grand Tour Roman bust engraving, 1741
By Carlo Gregori
Located in Melbourne, Victoria
'Aristomaco'
Copper-line engraving by Carlo Gregori after P Pazzi.
Illustration of a Roman bust of Cleopatra from 'Musei Capitolini' a series of engrav...
Category
Mid-18th Century Renaissance Art
Materials
Engraving
The Black Silk Dress (Anaïs).
Located in Storrs, CT
The Black Silk Dress. 1927. Etching. Fletcher catalog 58 state .ix (published state). 8 3/4 x 6 1/4 (sheet 14 1/2 x 9 1/8). Edition 76 in this state; total 111 proofs). Exhibited at...
Category
1920s Renaissance Art
Materials
Etching
19th Century Young Irish Woman with Feathered Hat
Located in Soquel, CA
Mid 19th Century portrait of a young Irish woman in c. 1570s dress with ruffle. Painted in the style of William Merritt Chase. Unsigned and unframed.
Category
Mid-19th Century Renaissance Art
Materials
Oil, Canvas
Framed Rubbing of 1550 Brass Monument in Grote Kerk Church, Breda, Netherlands
Located in Alamo, CA
This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...
Category
16th Century Renaissance Art
Materials
Engraving
Queen Mary, Queen of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'Marie'
Copper-line engraving by Pierre Francois Basan (1723-1797) after Van der vaart.
Mary II (1662-1694) reigned as Queen of England, Scotland, a...
Category
Late 18th Century Renaissance Art
Materials
Engraving
An Important Pair of Monumental Parcel-Gilt and Patinated Bronze Figural Torchèr
Located in New York, NY
Mounted as lamps and cast by Ferdinand Barbedienne after models by Alexandre Falguiere and Paul Dubois. Both statues are signed on the bases.
These fine torchères are reductions of...
Category
Late 19th Century Renaissance Art
Materials
Bronze
19th Century Pair of Hand-Carved Hall Chairs from Mexico
Located in Troy, NY
These 19th Century hand-carved hall chairs from Mexico are reminiscent of a Renaissance style in the design of the faces of the angels and ornamentation. This native wood is walnut colored with a stain that gives the chairs a caramel glow. The cushions are upholstered in a, light yellow silk brocade fabric. There are pin-sized holes from an earlier exposure to termites, a desirable element in antique Mexican furniture...
Category
19th Century Renaissance Art
Materials
Fabric, Wood, Mixed Media
Three Greyhounds, Contemporary Copy of work by J Snyders 1650
Located in Brecon, Powys
Original work by J Snyders 1650:
A really eye-catching copy on canvas of this hunting scene originally by Snyders.
Artist Biography:
Jonathan Adams has...
Category
2010s Renaissance Art
Materials
Oil, Canvas
Study for Statue - Pencil Drawing by Giovanni Fontana - Early 17th Century
Located in Roma, IT
Study for Statue is an original drawing in pencil on paper, realized by the architect and engineer Giovanni Fontana (1540-1614).
The state of preservation of the artwork is good exc...
Category
Early 17th Century Renaissance Art
Materials
Pencil
Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving
Located in Melbourne, Victoria
'Diogene Cinico'
Copper-line engraving by Pazzi after Giovanni Domenico Campiglia (1692-1768).
From 'Musei Capitolini' a series of engravings showing the sculpture of the Capitoline Museum in Rome.
240mm by 170mm (platemark)
420mm by 270mm (sheet)
Diogenes, also known as Diogenes the Cynic, was a Greek philosopher...
Category
Mid-18th Century Renaissance Art
Materials
Engraving
Mythological scene: naked male rider and his dog French relief sculpture carving
Located in Norwich, GB
An early French wooden panel carved in bas relief, depicting a muscular male nude rider, accompanied by his dog. Sculpted in honey-coloured wood, this antique piece, dates from the ...
Category
19th Century Renaissance Art
Materials
Wood Panel
Untitled (Abstract African American Male Figure Study)
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Untitled (Abstract African American Male Figure Study)
Year: 1963
Medium: Ink on heavy archival paper
Size: 1...
Category
1980s Renaissance Art
Materials
Ink
Untitled (Abstract Cadaver Study)
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Untitled (Abstract Cadaver Study)
Year: 1963
Medium: Ink on heavy archival paper
Size: 16.75 x 14 inches
Condition: Good
Provenance: Notes: A ra...
Category
1980s Renaissance Art
Materials
Ink
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Art
Materials
Lithograph
Logge di Rafaele nel Vaticano (Raphael's Loggia in the Vatican) Plate X Pilaster
Located in San Francisco, CA
Artists: Raffaello Sanzio d’Urbino.(1483 – 1520)
Gateano Savorelli, artist. (unk.- 1791)
Ludovico Teseo, draughtsman. (1731-1782)
Pietro Camporesi, architect (1726 - 1781)
Giovanni Ottoviani (1735-1808) & Giovanni Volpato (1735 – 1803), engravers
Title: Delle Logge di Rafaele nel Vaticano, Plate X (10)
Year: 1772-1777
Medium: Hand-colored copperplate engraving
Sight size: 42 x 16 inches.
Framed size: 55.5 x 28.5 inches
Condition: Very good
Frame: Frame in very good condition
A tall and incredibly detailed printed panel, “Delle Logge di Rafaele nel Vaticano” (“Raphael Loggia...
Category
1770s Renaissance Art
Materials
Engraving
Pair of antique reverse glass paintings
Located in London, GB
Pair of antique reverse glass paintings
Continental, 18th Century
Frame: Height 46cm, width 40cm, depth 3.5cm
Glass: Height 38cm, width 32cm
T...
Category
18th Century Renaissance Art
Materials
Glass
George II, King of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'George II'
Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan.
Basan (1723-1797) was a French engraver and publisher.
George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole...
Category
Late 18th Century Renaissance Art
Materials
Engraving
George Morley Bishop of Winchester, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by George Vertue after Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical ...
Category
Early 19th Century Renaissance Art
Materials
Engraving
Thomas Sydenham MD, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historic...
Category
Early 19th Century Renaissance Art
Materials
Engraving
Henry Boyle, Lord Carleton, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller.
Houbraken was a Dutch engraver famous for his series of portraits of famous English his...
Category
Early 19th Century Renaissance Art
Materials
Engraving
Thomas Marquis of Wharton, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller.
Houbraken was a Dutch engraver famous for his series of portraits of famous English his...
Category
Early 19th Century Renaissance Art
Materials
Engraving
George I, King of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'George I'
Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan.
Basan (1723-1797) was a French engraver and publisher.
George I (1660-1727) was King of Great Britain and Ireland from 1 August 1714 until his death, and ruler of Hanover in the Holy Roman Empire...
Category
Late 18th Century Renaissance Art
Materials
Engraving
Samuel Garth, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller.
Houbraken was a Dutch engraver famous for his series of portraits of famous English his...
Category
Early 19th Century Renaissance Art
Materials
Engraving
Lieutenant General Talmash, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller.
Houbraken was a Dutch engraver famous for his series of portraits of famous English his...
Category
Early 19th Century Renaissance Art
Materials
Engraving
Thomas Wentworth Earl of Strafford, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Sir Anthony Van Dyck (1599-1641).
Houbraken was a Dutch engraver famous for his series of portraits of famous English hi...
Category
Early 19th Century Renaissance Art
Materials
Engraving
19th century painting from Old Italian Renaissance Master Raphael
Located in Saint-Ouen, FR
French School 19th Century Circa 1830
The Madonna Of The Chair from Raffaelo Sanzo da Urbino (1483 – 1520)
Oil on canvas : 65 X 65 cm
Frame gilded with leaves : 94 X 94 cm
Certifica...
Category
1830s Renaissance Art
Materials
Oil
Classical Roman vase, early 19th century Italian Grand Tour engraving, c1820
Located in Melbourne, Victoria
Italian Neoclassical engraving depicting the Roman bronze and marble vases in collections of antiquities in Rome. Circa 1820.
175mm by 130mm (platemark) 330mm by 215mm (sheet size)
Category
Early 19th Century Renaissance Art
Materials
Engraving
Guardian Angel, 17th century Italian Old Master oil on copper
Located in Cirencester, Gloucestershire
Guardian Angel
Italian School, 17th century
Oil painting on copper, framed
Framed size: 12 x 10.5 inches
Fine quality early Italian Old Master oil on copper panel, dating to the 17t...
Category
17th Century Renaissance Art
Materials
Oil
Jale with the Sisera's Head - Original Etching by M. Greuter
By Matthaeus Greuter
Located in Roma, IT
Jale with the Sisera's Head is a copper engraving on laid paper in 1586 by the German engraver Matthaeus Greuter.
Representing one of the terrible heroines of the Old Testament, Gia...
Category
16th Century Renaissance Art
Materials
Etching
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Art
Materials
Lithograph
Two oil on panel Old Master landscape paintings by Johannes Jakob Hartmann
Located in London, GB
Two oil on panel Old Master landscape paintings by Johannes Jakob Hartmann (Bohemian, 1680-1730)
Bohemia, early 18th Century
Panel: Height 73cm, width 93cm
Frame: Height 90cm, width...
Category
Early 18th Century Renaissance Art
Materials
Oil, Wood Panel
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Art
Materials
Lithograph
Print Porcelain Plaque Last Supper Painting after Leonardo in Carved Wood Frame
Located in Firenze, IT
A lovely early 20th century printed porcelain miniature of The last supper painting after Leonardo Da Vinci in Italian Cenacolo. This Swiss Fr...
Category
Early 20th Century Renaissance Art
Materials
Color, Porcelain
Flemish School--Girl in Chair-1631-
Located in Brooklyn, NY
Portrait of a Girl in Chair by an unknown artist from the Flemish School. Currently framed in a gold wood frame with a side profile depth of 1.5 inches. The overall outside dimensio...
Category
16th Century Renaissance Art
Materials
Oil
A Marshal in his forge, Large Oil Painting on Canvas by Louvre Copyist
Located in Cirencester, Gloucestershire
"A Marshal in his forge"
After Louis LE NAIN (1593-1648)
oil painting on canvas, late 20th century
from the studio of Dagher, Paris (read notes below), stamped...
Category
17th Century Renaissance Art
Materials
Oil, Canvas
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Art
Materials
Lithograph
Renaissance art for sale on 1stDibs.
Find a wide variety of authentic Renaissance art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Ian Hornak, Jesus Nodarse, Roni Taharlev, and Theo Toy. Frequently made by artists working with Paper, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Renaissance art, so small editions measuring 2 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $675,000, while the average work sells for $1,450.
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