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Artemide Nh 14

Artemide NH 14 Suspension Lamp in Gold by Neri & Hu
By Neri & Hu, Artemide
Located in Hicksville, NY
The nh family continues to grow with a new floor version and even more suspension options. The new
Category

21st Century and Contemporary Italian Modern Chandeliers and Pendants

Materials

Blown Glass

Artemide NH S3 14 Suspension Light
By Neri & Hu, Artemide
Located in Hicksville, NY
NH is a simple, versatile, practical appliance that can be laid or suspended. A white blown glass
Category

21st Century and Contemporary Italian Modern Chandeliers and Pendants

Materials

Metal

Artemide NH S3 14 Suspension Light
Artemide NH S3 14 Suspension Light
H 25.87 in W 46.26 in D 1.11 in
Artemide NH S2 14 Suspension Light
By Neri & Hu, Artemide
Located in Hicksville, NY
NH is a simple, versatile, practical appliance that can be laid or suspended. A white blown glass
Category

21st Century and Contemporary Italian Modern Chandeliers and Pendants

Materials

Metal

Artemide NH S2 14 Suspension Light
Artemide NH S2 14 Suspension Light
H 71.74 in W 34.45 in D 1.11 in
Artemide NH S1 14 Suspension Light
By Neri & Hu, Artemide
Located in Hicksville, NY
NH is a simple, versatile, practical appliance that can be laid or suspended. A white blown glass
Category

21st Century and Contemporary Italian Modern Chandeliers and Pendants

Materials

Brass

Artemide NH S1 14 Suspension Light
Artemide NH S1 14 Suspension Light
H 71.15 in W 19.49 in D 1.11 in

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Artemide for sale on 1stDibs

Artemide is an iconic firm in the design world. The mid-century Italian company is one of the best known lighting manufacturers and its award-winning fixtures are held in museum collections everywhere. Vintage Artemide table lamps, pendants, ceiling lamps and other lighting represent a thoughtful merge between functionalism and eye-catching design.

Artemide, which is based in Pregnana, was founded by Ernesto Gismondi and Sergio Mazza in 1959. During that year, Mazza created the first table lamp for the manufacturer — a modernist work in glass, marble and metal that he called the Alfa. Gismondi, who studied aeronautical engineering at the Polytechnic University of Milan and missile engineering at Rome’s Professional School of Engineering, applied his knowledge of cutting edge technology and materials such as fiberglass resin to Artemide’s designs for lighting and furniture.

In 1967, Artemide won Italy’s Compasso d'Oro design award for its Eclisse table lamp, which was designed by Vico Magistretti two years earlier. Other award-winning fixtures include the Tizio table lamp designed by Richard Sapper and the Tolomeo table lamp.

Designed by Michele de Lucchi and Giancarlo Fassina, the Tolomeo featured the patented George Carwardine mechanism used in the original Anglepoise lamp. De Lucchi would later be recruited to join visionary postmodern design collective the Memphis Group. Artemide’s Gismondi purchased the brand after founder Ettore Sottsass dismantled the collective in 1988, and it was bought by Alberto Bianchi Albrici in 1996.

Artemide’s list of design, innovation, sustainability and other industry awards is long and distinguished. The firm continues to actively collaborate with internationally revered designers and seek out new talent through workshops with design schools. The company’s deeply held values — energy-saving lighting, sustainable design and ethically sourced materials — characterize its current offerings, and Artemide furniture and lighting can be found in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art and other institutions.

On 1stDibs, find Artemide tables, seating, floor lamps, chandeliers and more.

A Close Look at modern Furniture

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chaircrafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Finding the Right chandeliers-pendant-lights for You

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique and vintage chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina (note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too), with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier.

Chandeliers have evolved over time, but their classic elegance has remained unchanged. Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes. Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the whimsical — like the work of Beau & Bien’s Sylvie Maréchal, frequently inspired by her dreams — to the classic beauty of Paul Ferrante's fixtures, there is a style for every room. With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs.