Arts N Crafts Bench

Master woodworker David N. Ebner is an integral contributor to the American Studio furniture movement. Along with like-minded artisans such as George Nakashima, Sam Maloof, Arthur Espenet Carpenter and Wharton Esherick, the New York native advocates for the craft of well-made furniture that is not mass-produced. As Ebner himself has stated, “[I am] creating the antiques of tomorrow.”

Ebner was born in 1945 in Buffalo and attended the School for American Craftsmen at the Rochester Institute of Technology. There, he studied under celebrated American furniture maker Wendell Castle who taught Ebner “the artistic approach” to woodworking. After graduating, Ebner sought to further his education at the London School of Furniture Making. Then, following a two-year stint in the US Armed Forces, he decided to pursue a career as a woodworker and furniture designer, opening a studio on Long Island, New York, in 1973.

As a devotee of Castle’s teachings of creating furniture as a form of functional art, Ebner eschewed the trend of making furniture out of plastics and other synthetic materials — which gained steam with the likes of venturesome Scandinavian modernist designer Verner Panton during the 1960s and 1970s — embracing instead the American Craftsman style that formed the basis of the American Studio furniture movement. 

Working with a range of woods, Ebner has designed sculptural live-edge dining room tables, shapely bamboo stools and side tables characterized by swooping organic curves, and statement-making cabinets in lustrous sapele wood, each elegantly hand-carved. “... Each piece is treated as an art object with concern for my material and honesty to its inherent qualities,” Ebner has said. “For me, one’s creative ability is demonstrated in the diversity of the pieces and what one learns from change.”

Ebner has exhibited extensively throughout his career, including shows at the American Crafts Museum and Cooper Hewitt, Smithsonian Design Museum in New York, the deCordova Sculpture Park and Museum in Lincoln, Massachusetts, and the Guild Hall Museum in East Hampton. His works are in permanent collections at the Smithsonian Institute, the Museum of Fine Arts in Boston and the Art Institute of Chicago.

Find vintage David N. Ebner chairs, tables, benches and decorative objects on 1stDibs.

Don’t underestimate a good bench — antique and vintage benches are storage pieces, stylish accents and statement-making additional seating.

Today, benches are a great option to maximize seating in your house and outdoor space. The perfect option to create a warm, welcoming atmosphere in foyers and entryways, benches can also transform dining areas, making it possible to host a hungry family with limited space. Whether you’re sprucing up your entertaining with upholstered Empire-style benches or adding more options to a dining room that’s seen a farmhouse makeover, this humble furnishing has only become more versatile over the years. Designers have recognized the demand for a good bench, crafting the convenient seating alternative from a range of materials, including wood, iron and even concrete.

Mid-century modern benches from George Nakashima, Charlotte Perriand and the pared-down Platform bench by George Nelson for Herman Miller are classics of innovation, but maybe you’re looking for an unconventional design approach to your home's seating. Opt for something totally outside the box — an antique pine church-pew bench paired with a vintage wool throw and stationed under the mounted coatrack in your mudroom is a distinctive touch.

For your outdoor oasis, a wrought-iron patio bench is the obvious choice but not the only option. An enclosed back patio would do well to inherit a rattan bench with cushions, but it can be susceptible to weathering and should be covered or moved indoors when not in use.

Whatever your seating arrangement needs are, find vintage, new and antique benches for every space on 1stDibs.