Cartier Vendome Santos Sunglasses Large

For its extraordinary range of bracelets, watches, rings and other adornments, French luxury house Cartier is undeniably one of the most well known and internationally revered jewelers in the world among clients both existing and aspirational.

Perhaps 1847 was not the ideal time to open a new watchmaking and jewelry business, as the French Revolution was not kind to the aristocracy who could afford such luxuries. Nevertheless, it was the year Louis-François Cartier (1819–1904) — who was born into poverty — founded his eponymous empire, assuming control of the workshop of watchmaker Adolphe Picard, under whom he had previously been employed as an assistant. Of course, in the beginning, it was a relatively modest affair, but by the late 1850s, Cartier had its first royal client, Princess Mathilde Bonaparte, niece of Napoleon Bonaparte, who commissioned the jeweler to design brooches, earrings and other accessories.

Under the leadership of Louis-François’s son, Alfred, who took over in 1874, business boomed. Royalty around the world wore Cartier pieces, including Tsar Nicholas II of Russia, the Maharaja of Patiala and King Edward VII, who had 27 tiaras made by the jewelry house for his coronation in 1902 and issued Cartier a royal warrant in 1904. (Today, the British royal family still dons Cartier pieces; Kate Middleton, Duchess of Cambridge, regularly sports a Ballon Bleu de Cartier watch.)

Cartier’s golden years, however, began when Alfred introduced his three sons, Louis, Pierre and Jacques, to the business. The brothers expanded Cartier globally: Louis reigned in Paris, Pierre in New York and Jacques in London, ensuring their brand’s consistency at their branches across the world. The trio also brought in such talents as Charles Jacqueau and Jeanne Toussaint.

One of Cartier’s earliest major successes was the Santos de Cartier watch — one of the world's first modern wristwatches for men. (Previously, a large number of people were using only pocket watches.) Louis designed the timepiece in 1904 for his friend, popular Brazilian aviator Alberto Santos-Dumont, who wanted to be able to check the time more easily while flying.

Cartier’s other famous timepieces include the Tank watch, which was inspired by the linear form of military tanks during World War I, and the so-called mystery clocks. Invented by watchmaker and magician Jean-Eugène Robert-Houdin and later crafted exclusively for Cartier in the house’s workshop by watchmaker Maurice Couët, the mystery clocks were so named because the integration of glass dials on which the clocks’ hands would seemingly float as well as structures that are hidden away within the base give the illusion that they operate without machinery.

On the jewelry side of the business, Cartier’s internationally renowned offerings include the Tutti Frutti collection, which featured colorful carved gemstones inspired by Jacques’s trip to India and grew in popularity during the Art Deco years; the panthère motif, which has been incorporated into everything from brooches to rings; and the Love bracelet, a minimal, modernist locking bangle inspired by medieval chastity belts that transformed fine jewelry.

While the Cartier family sold the business following the death of Pierre in 1964, the brand continues to innovate today, renewing old hits and creating new masterpieces.

Find contemporary and vintage Cartier watches, engagement rings, necklaces and other accessories on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

If you have jewelry, chances are you have an antique, new or vintage jewelry box. This simple item was born from a simple need. It offers jewelry lovers a place to store their most cherished treasures. The idea behind a good jewelry box is that precious items deserve a place of honor.

It’s no surprise, then, that jewelry boxes (also called jewelry caskets or trinket boxes) have existed for as long as we’ve worn jewelry. It’s among the most popular decorative boxes we have in our homes, and we can find early versions that date at least as far back as Ancient Egypt. All Egyptians adorned themselves with necklaces, rings, earrings and other accessories, and the era’s jewelry boxes resembled small treasure chests. Later, fine jewelry became cost prohibitive and the only people with jewelry boxes were those who could afford jewelry.

Following the Industrial Revolution, jewelry was no longer made by hand. Mass production and the demand of the growing middle class rendered jewelry more accessible. Jewelry of the Romantic period, which refers to early Victorian jewelry, is reflective of these economic shifts. Jewelry from this time tends to be feminine and ornate, and embellished with seed pearls, coral and turquoise. Naturally, it was stored in elaborate, decorative Victorian-era jewelry boxes that were sometimes crafted from hand-painted porcelain or sterling silver.

Nowadays, jewelry boxes do more than keep jewelry safe and organized. They’re popular collector’s items that have become as treasured as the contents themselves. An eye-catching vintage jewelry box, which is at least 20 but less than 100 years old, is a valuable decorative object, a sign of luxury and elegance that adds character and texture to any bedroom. Some jewelry boxes are even embellished with a few jewels of their own.

If you’re not tucking your jewelry into a drawer or shallow tray atop your vanity, perhaps an Art Deco trinket box with charming brass hardware or a sculptural, hand-carved rosewood mid-century modern jewelry box lined with linen and velvet will do?

Today’s jewelry boxes come in a variety of styles and sizes and are made of metal, wood, plastic and other materials. Give your cherished jewelry the good home it deserves — find an extensive collection of antique, new and vintage jewelry boxes today on 1stDibs.