Il Pezzo Mancante On Sale

Founded in Tuscany by Cosimo Terzani and Barbara Bertocci in 2010, Italian furniture and lighting firm Il Pezzo Mancante creates handmade chandeliers, case pieces, sconces and other works that are renowned all over the globe for their timeless elegance. The brand’s founders bring passion and intelligence to the world of design and to Tuscany’s artisan culture.

With works that see an alluring integration of solid wood, brass castings, hand-blown crystal and marble, Il Pezzo Mancante’s Terzani and Bertocci connect intimately with natural and luxe manmade materials, creating visually pleasing and functional works of art. The founders’ respect for wood as a living material, their painstaking quest for marble from the finest Carrara quarries and their working with natural materials to shape their designs’ final forms are fundamental to Il Pezzo Mancante. This hands-on approach is among the most rewarding parts of the production process. 

The firm’s designs for lighting include the famed Il Pezzo 3 collection’s chandeliers, wall lights, sconces and floor lamps, while Il Pezzo Mancante mixes traditional techniques with computer-aided precision technology to transform raw, live materials into spectacular dining room tables, console tables, dressers and credenzas. 

The name of the company translates to “the missing piece” — a reference to the founders’ journey to the next plateau in design as well as to the distinctive way each piece is identified. A brass cylinder engraved with a given piece’s serial number is concealed within every fixture or piece of furniture to ensure that each Il Pezzo Mancante piece is authentic and one of a kind.

On 1stDibs, find a collection of Il Pezzo Mancante lighting, tables, case pieces and other furniture.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstler — also an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.