In the late 19th and early 20th century, France developed an enduring passion for Japanese aesthetics and craftsmanship. Not only did this interpretation of Japanese culture — which became known as Japonisme — infuse fresh energy into French art and design, but it also radically transformed how Europeans, and subsequently the world, would come to understand visual culture.

Until 1853, Japan had been closely guarded against foreign visitors for over two centuries. However, American Commodore Matthew C. Perry sailed into Japan that year and initiated the first of its treaties with the United States and Europe, thereby opening its borders and giving the West its first-ever look at Japanese design.

For the next few decades, taken with Japonisme, sophisticated collectors in Paris, New York and elsewhere gorged themselves on lacquered screens, celadon ceramics and netsuke ornaments, along with artworks depicting various aspects of Japanese life. The East Asian country’s influence on Europe, particularly France, contributed to one of the most creatively prosperous periods in history, leaving an imprint on the Impressionist, Art Nouveau and Art Deco movements, and inspiring artists like Edgar Degas, Mary Cassatt, Vincent van Gogh as well as luxury houses such as Louis Vuitton and Hermès. Japonisme emerged at the time when the ornate Renaissance Revival style was the most prominent mode of decorating in Europe, and Japanese aesthetics seemed strikingly modern and elegant in comparison.

In addition to everyday practical objects from Japan, such as vases, tableware and decorative boxes, Japanese art, especially Japanese woodblock prints by masters of the ukiyo-e school, caught the eye of many artists — particularly those in the Art Nouveau poster community in 1880s Paris. The luscious organic colors associated with traditional Japanese design, motifs like cherry blossoms and carp and the vivid patterns found in woodblock prints, silks and more were adopted and appropriated by painters as well as ceramicists and those working in other fields of the decorative arts. Today, demand for Japanese lacquerware — furniture, trays, writing boxes, screens, incense burners — from the Edo period (1615–1868) and the late 19th century continues to be very strong among collectors.

Find a collection of antique Japonisme furniture and decorative objects on 1stDibs.

Finding the Right mantel-clocks for You

Personal time-telling devices may have migrated from our pockets to our wrists and finally onto our phones, but despite the convenience of a handheld digital timekeeper, nothing can beat well-made vintage, new and antique mantel clocks.

Invented by clockmakers in France and popularized in the 18th and 19th centuries, these practical yet ornate pieces were typically displayed on top of fireplaces or desks. While the most common mantel clocks were created in the traditional tambour style, which features a wide base that flares into an upright drum- or camelback-shaped case, modern clockmakers and furniture designers have experimented with their own ideas for these decorative objects over the years, introducing different forms and working with unconventional materials. A collection of whimsical, monochromatic handmade mantel clocks crafted by Dutch designer Kiki van Eijk, called Floating Frames, for example, features minimalist frames of anodized wire and ceramic clockfaces.

When shopping for an antique, vintage or new mantel clock, don’t be afraid to branch out. Wood mantel clocks of any era will bring a classic, elegant allure to the shelving in your living room or the bookcase in your bedroom, while Empire-style mantel clocks will comparatively boast eye-catching gilt bronze and pronounced sculptural attributes. Some Art Deco mantel clocks will feature an integration of marble or glass and will likely be marked by the decorative embellishments associated with that particular furniture style.

There’s just something about cool clocks, right? Spend your time with an extraordinary collection of mantel clocks on 1stDibs today.