Emerging Artists

100×100 cm / 104×104 cm with frame. Black wooden floating frame with the anti-reflex glass 99%, hangers with 2,5 cm space. Edition of 1; Ed. no. 1/3 Archival quality fine art pigme...

JUN AHN (*1981, South Korea) Self Portrait 2021 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Image 101,6 x 134,6 cm (40 x 53 i...

Stéphane COUTURIER (*1957, France) E1027+ 123 – Villa Eileen Gray – Photo #8, 2021-2022 C-Print Sheet 100 x 135 cm (39 3/8 x 53 1/8 in.) Edition of ...

40×40 cm / 44×44 cm with frame. White wooden frame with anti-reflex glass 70% Archival quality fine art pigment print limited art edition Artist signed + numbered certificate of au...

Jun AHN (*1981, South Korea) Untitled #25, from the series Liberation 2018 HDR Ultrachrome Archival Pigment Print Image 152,4 x 101,6 cm (60 x 40 in.) Sheet 154,7 x 103,9 cm (60 7/8 ...

This piece is an original artwork by Jason Chen titled "Familiar". It is made of hand-woven archival pigment print and measures 48”h x 32”w or 54”h x 38”w when framed. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia based Photographer specializing in Fashion, Editorial, and Alternative Process Photography...

A contemporary color landscape photograph of a green oasis in New York City, a dreamy garden in Downtown Manhattan. Paradise, New York City, 2012 by Roberta Fineberg is 24" x 18" an...

JOHN Yuyi (*1991, Taiwan) A Daily Life in Tokyo 6, 2019 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, Taiwan) is known...

photograph taken in situ with very little photoshop manipulation, dots were stickers placed on the model and the colored paper backdrop

"Pygmalion and Galatea" Photography 24" x 24" in Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #011, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...

This piece titled "High Fidelity" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x 31"w.

The Atlantic Ocean series places a little contextual history of this scenic image with its maritime history at that spot with the interplay of th...

LOTUS (No 30) Photography Ed. of 25 32x32 inch by Yevgeniy Repiashenko Year photo was taken: 2019 This picture is a part of Spirit series. The picture shows the frozen movement of the dancer...

Stéphane COUTURIER (*1957, France) E1027+ 123 – Villa Eileen Gray – Photo #6, 2021-2022 C-Print Sheet 110 x 76 cm (43 1/4 x 29 7/8 in.) Edition of 5 Framed print Born in 1957 in Neu...

Seba KURTIS (*1974, Argentina) Hostages evacuated in a bus from the Dubrovka theater, from the series 'Chemical Reaction', 2022 Lambda C-Type print on 3mm aluminium Sheet 61 x 91.4 c...

Seba KURTIS (*1974, Argentina) Smoke rises from shelled buildings in Douma, Syria, from the series 'Chemical Reaction', 2022 Lambda C-Type print on 3mm aluminium Sheet 61 x 91.4 cm (24 x 36 in.) Edition of 7 Print only Background: More than 40 people were killed on 7 April 2018 in the town of Douma on the outskirts of Damascus. The town was at the time held by rebels but besieged by pro-government forces. Civilians claimed they were the victims of a chemical weapon attack. The assault prompted reprisal missile strikes on Syrian government targets by the US, Britain and France a week later, one of the few direct strikes on Syrian government assets in the nine-year civil war. About the artist: Seba Kurtis was born in Argentina in 1974. He studied journalism in Buenos Aires before leaving the country for Europe in the wake of the political and economic crisis of 2001. Several years spent as an illegal immigrant...

Dominique TEUFEN (*1975, Switzerland) Airborne, from the series 'Rays of Light', 2020 Hahnemühle Fine Art Baryta Sheet 120 x 80 cm (47 1/4 x 31 1/2 in.) Edition of 5, plus 2 AP, 1/5 Framed to artist's specifications: print mounted to aluminium, mounted print float mounted with shadowgap behind UV protective museum glass, anthracite stained ebony wood frame Price is for the print only Dominique Teufen was born in Davos Switzerland in 1975. After following a two years stone sculpting class in Zürich, she moved to Amsterdam and received her BA in Sculpture from the Gerrit Rietveld Academy in 2002. In the following years she worked and exhibited in Melbourne, Zürich, London and New York. After moving back to Amsterdam, she attained her Master of Fine Art in 2010 at the Academy for Art and Design St. Joost in S’Hertogenbosch the Netherlands. Since 2011 she lives and works in Zürich and Amsterdam. With Teufen’s education in Sculpture and fine Arts, material-experiments make up an important part of her work. Curious and fascinated by photography, she investigates and engages in differ- ent processes and mechanisms before she takes her photographs. With her specific use of pho- tography, she not only examines the field of tension between two- and three dimensionality, but also explores the area where reality and illusion lose their specific definition and where different possible realities can be visualized. Teufen has participated in various solo and group exhibitions worldwide, including at the Chris- tophe Guye Galerie, Zürich, Kunsthalle Wil/St. Gallen as well as Kunstraum Aarau. Furthermore, Teufen has been exhibited with Thomas Ruff, Wolfgang Tillmans and Viviane Sassen...

Jung LEE (*1972, South Korea) You are in my heart, 2020 C-Type Print, Diasec Sheet 136 x 200 cm (53 1/2 x 66 7/8 in.) Frame 173,5 x 139,5 x 3,7 cm (68 1/4 x 54 7/8 x 1 1/2 in.) Editi...

JOHN Yuyi (*1991, Taiwan) People on the beach 1, 2019 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, Taiwan) is known w...

EMMA SUMMERTON (*1970, Australia) By Moonlight 21:20 Sarah Grace in Prada #1, 2021 / 2022 Archival pigment print on Hahnemühle paper Sheet (2x) 160 x 117.34 cm (63 x 46 1/4 in.) Edition of 3, plus 2 AP print only Emma Summerton (*1970 Australia) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner...

70×100 cm / 74×104 cm with frame. Black wooden frame, no glass Edition of 15; Ed. no. 2/15 Archival quality fine art pigment print limited art edition Paper : Canson Lustre Artist s...

60×60 cm / 64×64 cm with frame White wooden frame, museum glass Edition of 1; Ed. no. 1/3 Archival quality fine art pigment print limited art edition Artist signed + numbered certi...

50×50 cm / 54×54 cm with frame White wooden frame 2cm profile, museum anti-reflex glass 70% Edition of 1; Ed. no. 1/3 Archival quality fine art pigment print limited art edition Ar...

100×150 cm / 104×154 cm with frame. Black wooden floating frame with the anti-reflex glass 99%, hangers with 2,5 cm space. Edition of 1; Ed. no. 1/3 Archival quality fine art pigme...

100×134 cm / 104×138 cm with frame. Black wooden floating frame with the anti-reflex glass 99%, hangers with 2,5 cm space. Edition of 1; Ed. no. 1/3 Archival quality fine art pigme...

Somewhere to Swim Panel by Anna Dobrovolskaya-Mints. About the "Somewhere to Swim" project: By eliminating people from her photographs, her unnerving images tell the story of a lif...

This one-of-a-kind handmade darkroom print (along with 4 others that I'll be adding momentarily) marks the very beginning of yet a new 11x14 sub-series of "Fire & Ice." For now, I'm ...

Limited edition silver gelatin print' shot on true infrared film at Point Lobos (in Carmel, CA) in December 2012, printed 2013 and later. Processed in D-19 and printed by me on Foma ...

I began making photograms with alternate light sources in 2020, due to having an unfinished darkroom at the time of the shutdown. (Fortunately, the wet side was nearly complete just prior and I had a ton of old European sized Forte in my paper safe to experiment with). "Into the Ether" was my first in-depth body of cameraless work, which was completed at the end of the year. All of my images are essentially subconscious self-portraits which reveal themselves during my printing processes (that applies to both film-based prints and unique darkroom darkroom prints made without the use of a camera). This award-winning series took shape while in the height of covid-based isolation. However, making the work led to my now current occupation, as I now specialize in experimental photograms and teach some of my processes. "Flower Implosion" was one of my first sparkler exposures involving moving water; Made with flowers and water, this triple exposed sparkler-o-gram debuted via an online exhibition...

This piece titled "Interdimensional Abberation" is an original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x 31"w.

This piece titled "High Fidelity" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x 31"w.

This piece is an original artwork by Jason Chen titled "Seconds Later". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 34”h x 22”w and ships framed in the pictured 37”h x 25”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

This piece titled "An Out of Body Experience" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x .31"w.

Framed, Hand-woven photography print. This piece is an original artwork by Jason Chen titled "Like Nobody’s Watching". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 40.5”h x 30”w and ships framed in the pictured 44.75”h x 34”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his first solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

This piece is an original artwork by Jason Chen titled "Disguised Confidence". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 22”h x 34”w and ships framed in the pictured 25”h x 37”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

This piece is an original artwork by Jason Chen titled "Indecision". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 16”h x 12”w and ships framed in the pictured 18.5”h x 15”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

This piece is an original artwork by Jason Chen titled "Two-Thirds". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 16”h x 12”w and ships framed in the pictured 19”h x 15”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

This piece is an original artwork by Jason Chen titled "Unavoidable Gaze". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 38”h x 28”w and ships framed in the pictured 41”h x 31”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

This piece is an original artwork by Jason Chen titled "La Éimi III". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. Th...

This piece is an original artwork by Jason Chen titled "The Unconscious Mind III". It is made of archival pigment prints from the artist's photography that he then cuts into strips a...

This piece is an original artwork by Jason Chen titled "Coming To An End". It is made of archival pigment prints from the artist's photography that he then cuts into strips and weaves together by hand. The piece measures 28”h x 38”w and ships framed in the pictured 31”h x 41”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

This piece is an original artwork by Jason Chen titled "Wayward". It is made of archival pigment prints from the artist's photography that he then cuts into strips and weaves togethe...

This piece is an original artwork by Jason Chen titled "The Unconscious Mind I". It is made of archival pigment prints from the artist's photography that he then cuts into strips and...

This piece is an original artwork by Jason Chen titled "He Stayed". It is made of hand-woven archival pigment print and measures 20"h x 16"w or 25"h x 21"w when framed. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia based Photographer specializing in Fashion, Editorial, and Alternative Process Photography...

During the height of New York City’s shelter-in-place order, Dina took to the streets of the East Village and surrounding neighborhoods after sunset, photographing the sudden absence...

During the height of New York City’s shelter-in-place order, Dina took to the streets of the East Village and surrounding neighborhoods after sunset, photographing the sudden absence...

Timothy Hurlsey's c-print photograph, "Alabama Silo, Hale County, Alabama," celebrates a pariah of the American landscape. Collapsed and decaying, Hurlsey almost personifies the aban...

Edition 5 Portrait of Basquiat. JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine Briti...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O by Erik Pa...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD14558 (She Disappeared into Complete Silence) 60" x 45" / 152cm x 114cm edition of 8 + 2AP 40" x 30" / 102cm x 76cm edition of 8 + 2AP limited edition photograph is printed under artist supervision and accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2021 Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art, Atlanta Mona Kuhn: Experimental, Fruit Factory, Durham Triangle, North Carolina 2018 Mona Kuhn: New Works, Part II, Galerie Catherine Hug, Paris, France 2017 Mona Kuhn: The First Chapter, Euqinom Projects, San Francisco, California 2016 Mona Kuhn: New Works, Galerie Catherine Hug, Paris, France Acido Dorado, Galeria Pilar Serra, Madrid, Spain Mona Kuhn: New Works, Euqinom Gallery, San Francisco, California 2015 Private, Ravestijn Gallery, Amsterdam, The Netherlands Private, Galerie Ernst Hilger, Vienna, Austria 2014 Acido Dorado, Edwynn Houk Gallery, New York Acido Dorado, Flowers Gallery, London, UK Private, Jackson Fine Art, Atlanta, Georgia 2012 Bordeaux Series, Galerie Particuliere, Paris, France Native, Galeria Pilar Serra, Madrid, Spain Bordeaux Series, Jackson Fine Art, Atlanta, Georgia Bordeaux, Flowers Gallery, New York Native, Brancolini Grimaldi, Florence, Italy 2011 Bordeaux, Flowers Gallery, London, UK 2010 Native, Flowers Gallery, London, UK Native, Flowers Gallery, New York 2009 Native, M+B Gallery, Los Angeles, California Native, Jackson Fine Art, Atlanta, Georgia 2008 Evidence, Jarach Gallery, Venice, Italy 2007 Evidence, Scott Nichols Gallery, San Francisco, California Evidence, Charles Cowles Gallery, New York Mona Kuhn, Estiarte Gallery, Madrid, Spain Evidence, Jackson Fine Art, Atlanta, Georgia Less Than Innocent, M+B Gallery, Los Angeles, California 2005 Mona Kuhn – Recent Color Work, Charles Cowles Gallery, New York Mona Kuhn-Close, Jackson Fine Art, Atlanta, Georgia Unbounded Youth, Fahey/Klein Gallery, Los Angeles, California 2004 Mona Kuhn-Color, Camerawork, Berlin, Germany New Work, G. Gibson Gallery, Seattle, Washington Corporeal Space, Galerie F5.6, Munique, Germany Mona Kuhn - Color Photographs, Scott Nichols Gallery, San Francisco, California Still Memory, PhotoEye...

large format photograph of glossy cherry red vintage private airplane on airport runway tarmac Red Jet (2006) by Frank Schott 26 x 40 inches (66 x ...

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

Venaria Reale Torino II, 2016 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label Mounted on aluminum Framing options available 39.5 x 47.5 inches edition ...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape XI - Triptych by Frank Schott 3 individual large format photographs of blue water surface...

Chromogenic print on Kodak Endura paper Signed and numbered on label, verso 61 x 50 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. At first...

from a series of large scale photographs capturing a mesmerizing color palette of classic blue and sky tones SEASCAPE VIII by Frank Schott 60 x 48 inches / 152cm x 122cm edition o...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD7809 (She Disappeared into Complete Silence) 60" x 45" / 152cm x 114cm edition of 8 + 2AP 40" x 30" / 102cm x 76cm edition of 8 + 2AP limited edition photograph is printed under artist supervision and accompanied by a signed artist certificate: artist signature labels are 8x10 in size, signed, editioned, dated and titled by the artist, and stamped for authenticity label __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2021 Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art...