Small Spaces

Margarita (Till Death do us Part) 2005, 50x50cm, Edition 1/10, digital C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 8579.08. Not mounted. On ...

The Receiving End - 2018 48x60cm, Edition 7, plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2018-480...

Mayfair Lane, #02 (The last Picture Show), 2004, 58x56cm, Edition 1/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, signature la...

Breakdown (Bombay Beach) - 2019 80x80cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL201...

'Nikita' Edition 2/10, 20x30cm, 2018, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. unmounted Tao Ruspoli (born 7 November 1975) ...

'Salton Sea Destruction II' (California Badlands) - 2016, 24x20cm, Edition 7/10, digital C-Print, based on a Polaroid Certificate and Signature label, artist Inventory No. 19393.1...

The Letter (The Girl behind the White Picket Fence) - 2013 50x60cm, Edition of 10, Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory #1308...

Car Wash (Stranger than Paradise) - 1999 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and signature label. Artist inventory N...

Seagulls (Zuma Beach) - 1999 published in 'Instantdreams' (monograph) 60x80cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Polaroid, Signature label and Cer...

Springtime (Paris) - 1995 / quadriptych - 4 pieces, 110x130cm installed. Edition of 5, each 50x60cm including white borders. 4 analog C-Prints, hand-printed by the artist and bas...

Meet me in front of Church 2 o'clock sharp (Sidewinder) 2005, 18 pieces, installed 154x379cm installed including gaps, 48x59cm each, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, based on 18 Polaroids, Certificate and Signature labels artist Inventory No. 30568.04, not mounted The series 'Sidewinder' was used by the Salzburger Festspiele 2008 for the main image campaign: Stefanie Schneider, Sidewinder Exhibit • Galeries of the City of Salzburg • Galerie am Mozartplatz July 16 – August 29, 2008 “For love is as strong as death” – this motto, taken from King Salomon’s Song of Songs, is at the programmatic center of the Salzburg Festival...

Taking Turns (Till Death Do Us Part) - 2006 20x24cm,. Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate ...

'A Portrait of the Artist as a Young Woman' part of the series 'A Girl Called N.' - 2019 20x24cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signatu...

The Girl V (The Girl behind the White Picket Fence) 2013, 125x125cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface, based o...

Indian Summer II (The Last Picture Show) - 2005, 128x125cm, Edition 1/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, mounted ...

Palm Springs Palm Trees X (Californication) - 2019 78x76cm, Edition of 10, plus 2 Artist Proofs. digital C-Print, based on a Polaroid. Cer...

Mindscreen 4 - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on a Polaroid. Signed on back with Certificate. artist Inventory No. 245A.06. Not mou...

Hidden Valley (Till Death Do Us Part) - 2000 128x126cm, Edition 3/5. Analog C-Print, hand-printed by the artist based on the original Polaroid. Certificate and Signature label. A...

Kirsten smokes (29 Palms, CA) - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. Artist invento...

'Sitting Bull II' (Immaculate Springs) - 1998 Edition of 10, plus 2 Artist Proofs. 50x50cm, Archival C-Print, based on a Polaroid. Signature Label and Certificate. Artist inventor...

Afternoon Daze (Till Death do us Part) - 2005 38x36cm each, 38x120 installed, Edition of 10 plus 2 Artist Proofs. 3 Digital C-Prints, based on 3 Polaroids. Signature label and Ce...

Untitled (Paradise) - 1999, 50x50cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 18550. No...

Fabien I (The Last Picture Show) 2005 - 38x36cm, Edition 2/5, analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on an original Polaroid. Certificat...

Planes VIII - 2008 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4641. Not mounted. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts, and the loneliness of Edward Hopper's haunting paintings. I chose Polaroid film because it portrays color like candy making...

Locker Room (Suburbia) 2004, 40x40cm, Edition of 1/5, analog C-Print based, hand-printed by the artist on Fuji Crystal Archive papter, matte surface in her own Color lab in Berlin ba...

'The Girl I' (The Girl behind the White Picket Fence), 38x37cm, 2011, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, mounted on Aluminum with matte UV-Protection, signed on verso, artist Inventory No. 15703.02 A piece from Stefanie Schneider's film 'The Girl Behind The White Picket Fence'. A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer . -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Carolyn Ryder) Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2017 Rosegallery, Bergamot Station, Santa Monica (G) (6/17 - 8/19/2017) BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Kunstverein Bad Homburg Artlantis, Bad Homburg (G)

 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding...

Boy at Twelve - 2019 - 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival Print on Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mounted...

Palm Springs Palm Trees (Californication) - 2021 50x50cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certif...

Neighborhood Garden (Suburbia) - 2004 60x80cm Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid. Artist Inventory No. 405. Signature label and cert...

Untitled (Beachshoot) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 1456. Not ...

Rosegarden (Suburbia) - 2004, 60x80cm, Edition of 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid, mounted on Aluminum with matte UV-Projection. Artist I...

Desert Visions, 2020 20x24cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL20...

'These Boots are made for blending in' (Marfa, Texas), 2008 - Edition of 10, 20x30cm, Archival Pigment Print on Velvet Watercolor Paper, 310gsm, Bright ...

Be Aware (The Girl behind the White Picket Fence) - 2013 125x150cm, Edition of 5. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface, based o...

Badwater (Memories of Green) - 2003 Edition of 10, plus 2 Artist Proofs. each 20x20cm, installed with gaps 45x45cm. 4 Archival C-Prints, based on 4 expired Polaroids. Artist in...

This mixed process multiple exposure photogram from my ongoing "Metamporphosis" series was made with flowers, sand, and glitter. This print was actually the first print I made with w...

(After) Andy Warhol Flowers, 1968 Hand Woven Wool Tapestry 183 x 183 cm (72 x 72 in) Edition of 20 With the knotted name ‘ANDY WARHOL’ lower right and the embroidered annotation ‘WARHOL ©’ on the reverse Published by Modern Master Tapestries, NY Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognized. The 1964 Flower series became one of his most iconic and successful works. Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colors, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colors of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge. Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. ​Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...

Hand-finished, unique 3D constructed screen print on thick, fine art paper. 2020 Hand signed and numbered, verso Edition: 50 In great condition El Bocho's work can be found on the st...

4 ft x 6 ft triptych. Abstract painting on canvas

Edition of 40 77.5 x 58.5 cms (30 1/2x 23 ins)

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

This painting titled “Snow Mountain” illustrates Vian Borchert’s strong abstract expressionist touch while representing a huge snow mountain in a painterly style. The Winter landscap...

Color offset lithograph. Signed by hand. In good condition, minimal marginal defects. A beautiful artwork that looks good in every room and especially in the living room or bedroo...

70.5 x 70 cms (27 3/4 x 27 1/2 ins) Edition of 80

Edition of 25 44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition is a visual road trip from Los Angeles to Las Vegas. These paintings stem from Moore’s personal travels and open up a collective conversation about wanderlust. In these works, she revisits her former home of Los Angeles to shed a new light in juxtaposition to the bare California desert and the opulence of Las Vegas. This exhibition reflects a shift to new subject matter as well as a new artistic chapter that has been evolving within her work over the last two years. Moore’s process has progressed to become larger in scale, and more delicate in detail. This series of paintings offer trompe de l’oeil moments in combination with gestural brush stokes that reveal the artists hand. With a more increased focus on architectural elements, this exhibition amplifies features that were often muted in her earlier landscapes. With the exhibition title “All Those Who Wander”, Moore is leaving an option for the viewer to place themselves in the wanderlust narrative, or to observe it from afar. Moore believes we have a collective desire to explore and, in turn, we often daydream about our travels. This often creates a dream-like quality to our memories which results in a romanticized narrative within our minds. The reality of a place often doesn’t matter, it’s the memory of our experience there that sticks with us. We often like to sit a little longer with the most romantic and the most opulent visuals we have in our minds. Beginning with Los Angeles noir, the viewer is introduced to old Hollywood architecture blended with images reflecting the known edginess of the city. Familiar Hollywood landmarks are explored in a new light and we are left with a subtle sense of nostalgia as the viewer moves through the works. The bright desert landscapes lead into the “in between”; these are the lands that are on the way to somewhere else. Just as important as the beginning or the end, the transitional parts of a road trip often leave space for the most enriching moments of pause and reflection. The series finds a finishing point with the bright, opulent Neon Boneyard...

An underwater photograph of a beautiful naked female on black background. The bright red scarf covers model's head and shoulders leaving open her beautiful butt and legs. Original ...

Sheet Sz: 25 1/8"H x 19"W

This artwork titled "St Paul De Vence" c.1980 is an original lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and inscribed Artist Proof G.S. in pencil by the artist. The image size is 11.25 x 17.75 inches, sheet size is 22 x 30 inches. It is in excellent condition, has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Oil on canvas over panel.

Art Sz: 17 3/4"H x 23 3/4"W Frame Sz: 21"H x 27"W

Oil on canvas over panel.

Daniel Rothbart, Palazzo Vecchio, 1911-2021, printed on Epson Cold Press Bright paper with archival ink, 24 x 15.9 in. (61 x 40.3 cm.), edition of 3 wi...

Daniel Rothbart, New Brutalism, 1970-2021, printed on Epson Cold Press Bright paper with archival ink, 24 x 15.5 in. (61 x 39.5 cm.), edition of 3 with...

Fernand LÉGER Happy People : The Parade, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 39,5 x 50 cm (c. 15,3 x 19,6 Inches) Published in 1959, under the control of the wife of the artist, Nadia Léger...

Daniel Rothbart, Kinesis, 1909-2021, printed on Epson Cold Press Bright paper with archival ink, 17.2 x 24 in. (43.7 x 61 cm.), edition of 3 with two APs, signed and numbered.

Image Sz: 17 3/8"H x 17 1/2"W Frame Sz: 19 3/4"H x 21"W Dating from 1946, the game was made in England by Castell Brothers under their Pepys brand name.