Small Spaces

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Porsche 993 Turbo car in realistic style. The color is vibrant and saturated. Michal Wojtysiak...

Sven Berlin (British, 1911 - 1999) Crazy horse Watercolour and gouache Signed and dated `SVEN ‘1980’ (lower right) 21./14 x 14.7/8 in. (54 x 37.8 cm.) (47)...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon CATHEDRAL 1959 Gouache on paper 64 x 52 cm. Signed and dated: lower right ‘Quirijn van Tiel 59’ Provenance: Formal collection P.A. Regna...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon DORPSGEZICHT 1953 Gouache on paper 42 x 60 cm. Signed and dated: lower right ‘Quirijn 53’ Provenance: Pr...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon RESTING WIEDERS 1945 Watercolor on paper 58 x 39 cm. Signed and dated: lower right "Quirijn van Tiel 45"....

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon PEINZENDE MAN 1945 watercolor on paper 36 x 46 cm. Signed and dated: lower left ‘Quirijn van Tiel 45’ Pr...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon PORTRAIT OF THE PAINTER 1943 Watercolor on paper 68 x 53 cm. Signed and dated: lower right ‘Quirijn van T...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. This one bears the influence of Sam Francis. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

Ink on paper

Fusain et Pastel – 2013 - one of a kind drawing , large size.

Arthur Berridge (British, 1902-1957) Abstracted figures #2 1950 Blue crayon 14.1/2 x 21.1/2 in. (36.8 x 54.7 cm.) Provenance: David Lay, Penzance Born in Leicester in 1902, Ber...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon WOMAN ON RIVER 1951 Gouache on paper 41,5 x 59 cm. Signed and dated: lower right ‘Quirijn van Tiel 51’ P...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon ROOSTERS 1953 Gouache on paper 40 x 55 cm. signed: lower right

America Martin "Boxer I" Ink on Paper 21.75” x 27.75” Framed In a distinct style that is both figurative and abstract, gestural and deliberate, America Martin revisits her famous bo...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Porsche 911 Targa 4s car in realistic style. The color is vibrant and saturated. Michal Wojtys...

This piece is framed measuring 17 by 14 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism. Her work is often heavily...

This piece is framed measuring 17 by 14 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism. Her work is often heavily...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon LANDSCAPE 1956 Gouache on paper 46,5 x 37 cm. Signed and dated: lower right ‘Quirijn 56’ Provenance: Pri...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon CHURCH COURT, ST. CIRQUE MADELON 1958 Gouache on paper 57 x 45 cm. Signed and dated: lower left "Quirijn ...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon HAAN 1947 Gouache on paper 55 x 33 cm. Signed: lower right Provenance: Private collection, the Netherla...

Arthur Berridge (British, 1902-1957) Abstracted figures #1 1950 Charcoal 14.1/2 x 21.1/2 in. (36.8 x 54.7 cm.) Provenance: David Lay, Penzance Born in Leicester in 1902, Berrid...

Modern realistic sepia toned drawing of nude figures by Texas artist Robert Levers. The work features a male figure with horns in an aggressive sta...

Modern colorful abstract gouache painting by Texas based artist Dee Wolf. The work features blue, red, and green diamond patterns overlayed with white accents. Titled "Kabbalah," the piece refers to the ancient Jewish tradition of mystical interpretation of the Bible. Signed, titled, and dated on reverse. Currently unframed, but options are available. Artist Biography: Dee Wolff is a Minnesota native, and studied at University of Houston; the Glassell School at the Museum of Fine Arts Houston; the C.G. Jung Center, Houston; and at the Oomoto School of Traditional Art in Japan. She has shown over 90 one-woman shows from 1977 to the present; some of these venues include the Dallas Museum of Art; Houston Museum of Fine Arts; Aspen Art...

About the Series: “Sensitive Material” In this Work on Paper Series, started in 2020, Claire Gilliam continues her exploration of Visual Language. She uses a common motif, the Latin ...

About the Series: “Sensitive Material” In this Work on Paper Series, started in 2020, Claire Gilliam continues her exploration of Visual Language. She uses a common motif, the Latin ...

A drawing using flour, ash, graphite, and chalk.

About the Series: “Sensitive Material” In this Work on Paper Series, started in 2020, Claire Gilliam continues her exploration of Visual Language. She uses a common motif, the Latin ...

This piece titled "Frankford + York" is original artwork made from acrylic and screenprint on panel by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture Collection...

Daniel Brice has exhibited throughout the United States including at The Riverside Museum of Art and the University of New Mexico Art Museum. He is a ...

Daniel Brice has exhibited throughout the United States including at The Riverside Museum of Art and the University of New Mexico Art Museum. He is a ...

About the Series: “Sensitive Material” In this Work on Paper Series, started in 2020, Claire Gilliam continues her exploration of Visual Language. She uses a common motif, the Latin ...

This piece titled "radiotower" is original artwork made from pencil, marker, acrylic, watercolor on paper by Miriam Singer. This piece measures 18"h x 14"w. Miriam Singer grew up i...

This unique work of ink on paper is framed in a black frame with Anti Reflective glass. It is currently on exhibition at the Hearst foundation building in Manhattan as part of the Ar...

Rhythms of body movement, feeling of music

Every year a miracle harvest grows from a small seed..

Lovely Parisien watercolor (custom framed) depicting a Paris street scene Art Sz: 13 3/4"H x 18 5/8"W Frame Sz: 21"H x 26"W

Art Sz: 16"H x 21 3/4"W Frame Sz: 19 1/4"H x 25"W Classic Deauville, French polo etching with gouache highlights by Eugene Pechaubes (1890-1967) pencil...

Interior design paintings. The artwork was done with white pen on black watercolor paper 360g. The works are 11,5 by 16,5 inches in size, framed (black) with a styrene face on a mat board in black and white with sizes 16 by 20 in. Mila Akopova is New York artist. She graduated from Moscow State University with a degree in History and Theory of Art. Her Artwork got 3rd place at the 2020 American Art Awards, juried by 25 best galleries and museums in America, with artist from 63 countries, in category: minimalism. Also, several works took part in exhibitions of the All-Russian Decorative Art Museum and in the Cube Moscow exhibition space . It was published as the catalog: “The game of tic tac toe, or creating a collection in one year”. Several works by Mila Akopva were created specifically for the collaboration with Vintage Dream...

Meeting. Paper/ watercolor. 59.5x84 cm Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She contin...

Youth. Paper/ watercolor. 84x59 cm Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued ...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

Italian alpine Brenva e Mont Blanc landscape, 2019 Watercolour on paper, stretched on canvas, inch 44.8 x 63 About the artist, Silvia De Bastiani: she best embodies the values of h...

Nude. Paper/ watercolor. 75x56 cm Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1...

By the lake. 1992. Paper/watercolor. 84x59.5 cm. Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957)....

Girl. Paper/watercolor. 64x50 cm Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued he...

Abstract geometric drawing by artist James McCahon. This piece features shades of black, grey, and white rectangular shapes with rounded abstract circles...

Watercolor 7 is a 13.5" x 10.5" , watercolor on paper. It is filled with earthy colors and organic shapes. Melinda Hackett is a mid-career New York Artist. She received her BA at ...

Watercolor 9 is a 22" x 17.5" , watercolor on paper, by Melinda Hacket. It is white framed to 25" x 20.25. It is filled with rich earthy colors and organic moving shapes. Melinda H...

Interior design paintings. The works were done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in white with sizes 16 by 20 in. Mila Akopova is New York artist . She graduated from Moscow State University with a degree in History and Theory of Art. Her Artwork got 3rd place at the 2020 and 2021 American Art Awards, juried by 25 best galleries and museums in America, with artist from 63 countries, in category: minimalism. Also, several works took part in exhibitions of the All-Russian Decorative Art Museum and in the Cube Moscow exhibition space . It was published as the catalog: “The game of tic tac toe, or creating a collection in one year”. Several works by Mila Akopva were created specifically for the collaboration with Vintage Dream...

Interior design paintings. The artworks were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The works are 12 by 16.5 inches in size, framed (bla...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Jane Wooster Scott (American, b. 1920) Untitled (Cat House), 20th century Watercolor on paper Sight size: 10 x 14 in. Framed: 17 x 20 3/4 in. Signed lower le...

Leonardo Nierman (Mexican, b. 1932) Springtime, 20th century Watercolor on paper 12 x 18 in. Framed: 19 1/2 x 25 1/3 in. Signed lower left: NIERMAN Provenance: Collection of Harry Glass, Long Island A leader in modern Mexican art...

Interior design paintings. The artwork were done with acrylic, ink and watercolor. The work are 11 by 15 inches in size. This is the "Many thoughts, one head" series. The series sta...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

This piece titled "WARP" is an original artwork made from pencil and ink on paper by Jasjyot Singh Hans. This piece is a set of 5 and measures 11.5"h x 9.5"w each. Jasjyot Singh Han...

Art Size: 8 5/8"H x 7 5/8"W Frame Size: 10"H x 9"W In gilt bamboo frame

Contemporary abstract geometric colorful patterned painting by Texas-based artist Max Manning. The work features organic and geometric shapes in blues, pi...