Andy Warhol Art

Andy Warhol (1928-1987) Andy Warhol für die Grünen, 1980 Medium: Screenprint on paper (election poster) Dimensions: 101 x 77 cm Edition size unknown: Not signed, not numbered Publisher: F.I.U. Free International University, Düsseldorf (founded by Joseph Beuys) Original election poster for the German green...

Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Pro...

Santa Claus (FS.II.266) from the Myths portfolio is 37.87 x 38 inches, signed and numbered lower right 'Andy Warhol' 132/200. From the edition of 271 (there were also 30 AP, 30 TP, 5...

Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Provenance: From the Estate of the Artist, to Th...

Lenin (FS.IIB.402-403) is a unique trial-proof screenprint on paper, 42.62 x 30.25 inches, signed 'Andy Warhol' and numbered TP 2/46 lower left. Framed in a contemporary gold leaf, closed-corner frame. LITERATURE F. Feldman, J. Schellmann, and C. Defendi, Andy Warhol Prints: A Catalogue Raisonné: 1962-1987, 4th ed. New York: D.A.P. Inc, 2003, pp.210 and 221, IIB.402 IIB.403 Though Warhol began his career as a fashion and children’s book illustrator, much of his later work focused on fame, consumer culture and the cult of celebrities as signifiers. In his exploration of fame, he would occasionally dip into the pool of politics and politicians. In the last year before his death in 1987, using a photograph by Philipp Schönborn, Warhol centered his attention on one of his final subjects - Vladimir Lenin. Known as one of the most influential political figures of the 20th century, Lenin was the undisputed political engineer and founder of the one-party socialist state. Lenin played a pivotal role in changing the course of Russian history...

Sidewalk (FS.II.304) from MOCA's 'Eight by Eight' portfolio is a screenprint on paper, 29 x 42 inches, signed 'Andy Warhol' and numbered 167/250 lower left. From the edition of 349 (there were also 30 AP, 45 TP, 3 TPPP, 6 PP, and 15 HC). Framed in a contemporary gold leaf, closed-corner frame. LITERATURE Frayda Feldman and Jörg Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, New York, 2003, II.304. In 1983, Warhol created Sidewalk for the Eight by Eight to Celebrate the Temporary Contemporary portfolio. The portfolio itself consisted of eight prints created by various artists as a fundraising vehicle for the MOCA in Los Angeles. The participating artists included: Richard Diebenkorn, Sam Francis, David Hockney, Ellsworth Kelly, Robert Rauschenberg, Niki de Saint Phalle, Jean Tinguely, and Andy Warhol. The Eight By Eight portfolio was printed in an edition of 250. Warhol also produced 45 unique trial proofs for the Sidewalk edition. Warhol's contribution of Sidewalk is based on his own photograph of film stars' signatures, footprints, and handprints as they appeared at the Grauman's Chinese Theater in Hollywood, CA (now called TCL Chinese Theater). This particular shot showcases Cary Grant, Judy Garland, Jack Nicholson and Shirley Temple. “Much of Warhol’s work was concerned with celebrity, but while he cultivated the appearance of the ultimate fan, often celebrating the glamour of the American dream and its cultural heroes, his works also challenge the beliefs intrinsic to those ideals. It was Warhol who famously declared that everyone could have fifteen minutes of fame. The immortalising nature of appearing in Grauman’s forecourt of the stars, where one’s name is set in concrete for future generations, seems a way to counteract this idea of such fleeting fame.” (“Andy Warhol Sidewalk...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. Th...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...

Letter to the World (FS.II.389) from the Martha Graham portfolio is a unique trial-proof screenprint on paper, 36 x 36 inches, estate-stamped, initialed and numbered with its authent...

Andy Warhol Baroness de Waldner, ca. 1975 Unique Acetate positive This piece comes with a signed letter of provenance from the representative of Chromacomp, Warhol's printer. Frame i...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. In recent years there has been new scholarship and increasing commercial interest in Andy Warhol's early works, material created prior to Pop Art. During the 1950's Warhol established himself in New York City as a trendy illustrator contributing to a wide number of fashion publications and retailers. His simple line drawings were modern and gentle, with a subtle but unmistakably gay touch. In a short period of time, he created an aesthetic that was both versatile and distinctively his. Like the consummate artist that he was, Warhol was frequently drawing. The images he created during this era, independent from his fashion commissions, were romantic, hopeful, and unabashedly gay. It is worth emphasizing that Warhol was almost exclusively dedicated to drawing during this period, only creating a handful of paintings - which were intended to be used for window displays. Taschen, the legendary art book publisher, recently released the book Andy Warhol: Love, Sex, and Desire 1950-1962 which celebrates his drawings of the male form from the pre-Pop era. This portrait is a paradigm of Warhol's mastery of line and visionary framing. A man's profile commands the composition as he gazes forward with his hand raised towards his mouth, holding a delicate flower. With the lightest touch, Warhol masterly portrays this male ideal with the details of his chiseled jawline, softened gaze, and timeless elegance. Warhol drawings from the 1950s are marked by a gentle whimsy that embodies Warhol's vivid imagination. With fanciful details such as exaggerated lips and eyebrows, "Young Man with Flower...

Andy Warhol Catalogue Raisonne Reference: Feldman & Schellmann II.5 Marilyn Monroe I Love Your Kiss Forever Forever, 1964 Color lithograph on two pages wove paper (from the Artists & Collaborators hand signed edition of 1 Cent Life Portfolio, Estate of the artist Robert Indiana) Edition 85/100 Hand signed by Andy Warhol on the front; numbered 85 on the colophon page a copy of which is affixed to the back of the frame Framed: Elegantly floated in a museum quality wood frame with UV plexiglass A copy of the colophon page has been affixed to the back of the frame. This is the first time the work has been removed from the original signed portfolio acquired from the Estate of Robert Indiana, one of the artists in 1 Cent Life. Framed: elegantly floated and framed in a museum quality wood frame with UV plexiglass This iconic 1964 Andy Warhol lithograph, splayed across two separate pages, is from the Deluxe, hand signed edition of only 100 of the legendary 1 Cent Life Portfolio - one of the most important and celebrated artistic collaborations of the 1960s. Provenance is superb as this was part of the complete portfolio acquired from the estate of Pop Artist Robert Indiana. (There was also an unsigned regular edition of 2000) "Marilyn Monroe I Love Your Kiss Forever Forever" is Warhol’s first depiction of Marilyn Monroe. Unlike later portrayals of the classic Hollywood star’s likeness set against vibrant colors, here Warhol has detailed a focused image of Monroe’s most seductive and elusive feature - her lips - set against a stark white backdrop. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Andy Warhol, along with the European COBRA artists to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints, was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Andy Warhol lithograph...

In the dynamic realm of Pop Art, Andy Warhol's 1986 exhibition poster, "10 Statues of Liberty," stands as a testament to the artist's enduring fascination with iconic American symbols. Published by Galerie Lavignes-Bastille in Paris, this oversized vintage poster...

"Goethe" is a silkscreen in colors made by Andy Warhol in 1982. The work is signed and editioned in graphite, lower left, "70/100 Andy Warhol". The artwork size is 38 x 38 inches. Th...

Andy Warhol Portraits of the 1970s (Deluxe Limited Edition Monograph with Slipcase, Hand Signed and Numbered by Warhol), 1979 Hand Signed and Numbered Hardback Monograph with 120 Bound offset lithographs and text, held in original slipcase (boxed set). Boldly signed by Andy Warhol and numbered 7, from the edition of 200 on the colophon page. 9 1/2 × 8 1/2 × 2 inches Provenance The original (uptown) Whitney Museum An amazing and historic gift! As dazzling as the Warhol show was in 2019 at the new Whitney Museum -- only his show in the late 1970s at the old Whitney Museum, could offer this Deluxe limited edition collectors item - hand signed and numbered by Andy Warhol - because the latter was published during his lifetime. This rare 1979 First (and only) Edition hardback monograph is held in the original slipcase, and is hand signed by Andy Warhol and numbered 108 out of only 200 on the first front end page (see image). This collectors item features text, accompanied by 120 full page color offset lithograph bound, double sided plates on regular pages. (Total pages are: 145) It was published by the Whitney Museum in collaboration with Random House, in conjunction with the exhibition held at the Whitney Museum of American Art, November 20, 1979 to January 27, 1980. Text foreword is by Tom Armstrong, the Whitney's director. Total pages are: 145. The Warhol portraits included are: Giovanni Agnelli, Marella Agnelli, Corice Arman, Marian Block, Irving Blum, Truman Capote, Cristina Caramati, Leo Castelli, Carol Coleman, Norman Fisher, Kay Fortson, Tina Freeman, Diane Von Furstenberg, Henry Geldzahler, Halston, Brooke Hayward, Barbara Heizer, Michael Heizer, Carolina Herrera, David Hockney, Baby Jane Holzer, Dennis Hopper, Victor Hugo, Alexander Iolas, Caroline Ireland, Charles Ireland, Mick Jagger, Paul Jenkins, Katie Jones, Ivan Karp, Marilyn Karp, Evelyn Kuhn, Jane Lang, Francis Lewis, Sydney Lewis, Dorothy Lichtenstein, Roy Lichtenstein, Daryl Lillie, Joe MacDonald...

Unique Silver Gelatin print from circa 1977 by Andy Warhol. Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used t...

Andy Warhol U.N. Stamp, II.185, 1979 Offset lithograph on Rives paper 8 1/2 x 11 inches From the edition of 1000, written in the bottom edge Signed by the artist in both the lower ri...

LOT:20230223EM01 Signed by the artist and numbered with a rubber stamp on the reverse Edition 113 of 250 Printer: Salvatore Silkscreen Co., Inc., New York Publisher: Factory Addition...

Makes a unique and memorable gift! Who wouldn't want a card with a ribbon that reads "Love, Andy Warhol" - from Warhol himself? Andy Warhol Love, Andy Warhol, ca. 1979 Ink on card ...

From the Estate of the Artist, to The Andy Warhol Foundation for the Visual Arts, to the current owner. Stamped on verso by the Andy Warhol Art Authentication Board.

The Rolling Stones Sticky Fingers, 1971 Vinyl LP, Zipper cover Rolling Stones Records COC 59100 Cover art commissioned and designed by Andy Warhol, with autograph COVER DELL’ALBUM T...

Andy Warhol Marcel Proust, ca. 1976 Acetate positive acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by Letter of Provenance from the representative of Chromacomp, Andy Warhol's printer Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass. Measurements: Frame: 17.75 x 14.75 x 1.5 inches Photograph: 10.75 x 7.75 inches This unique photographic positive acetate is of the 19th and early 20th century French novelist Marcel Proust, who's chef d'oeuvre A la recherche du temps perdu inspired some Warhol titles. Warhol would transfer the acetate to a transparency, allowing an image to be magnified and projected onto a screen. Warhol created a silkscreen painting of Marcel Proust and sent this acetate to his printer, Chromacomp, Inc. for consideration as a silkscreen multiple, which was never made. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp,Inc. a fine art printing studio in New York City. During the 1970s and 1980s, it was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Warhol had considered creating limited edition prints with Chromacomp of his famous portrait of Proust based upon this photographic image. The original painting was commissioned by art dealer Marie-Louise Jeanneret for a group of Italian collectors and avid Proust enthusiasts, Warhol's original four acrylic and silkscreen ink on linen works were based on a famous 1895 photograph of the French novelist captured by Otto Wegener. Marcel Proust, the distinguished French novelist, literary critic, and essayist, achieved renowned for his monumental 1908 seven-volume novel In Search of Lost Time. The literary masterpiece delved into the intricacies of memory, time and the profound complexity of the human experience. Proust's literary genius revolutionized the landscape of literature, leaving an enduring impact on the Parisian cultural scene at the turn of the century. About 50 years later, Andy Warhol emerged as a visionary artist who challenged artistic conventions, exploring themes that resonated with Proust's own ideas. Warhol, a trailblazer in his own right, delved into philosophical reflections on consumerism, mass production and the nature of fame. His artistic endeavors mirrored Proust's explorations, albeit through a contemporary lens, as he sought to redefine the boundaries of art and popular culture. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee...

Andy Warhol began using the big-shot Polaroid camera in 1971 and continued using it religiously until his death in 1987. Despite the camera being discontinued in 1973, he continued t...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Edition of 250. There were also 50 artist’s proofs. Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alexan...

Skulls (FS.II.159) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 50/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame. Catalogue - Feldman Schellmann, #159 (II.159 Skulls 1976) Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc. Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...

Skulls (FS.II.157) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 36/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame. Catalogue - Feldman Schellmann, #157 (II.157 Skulls 1976) Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc. Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...

This is a unique pencil drawing by the artist Andy Warhol. It was realised circa 1974. It is stamped twice by the estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, verso. It is also initialed 'VF' by Vincent Fremont of the Andy Warhol Foundation and inscribed with the identification number"RO-28.13", verso. Provenance: Estate of Andy Warhol. The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

The Rolling Stones "Love you Live," 1977 2 vinyl LPs, Stereo Rolling Stones Records, Netherlands, COC 89101 (COC-2-9001) Cover art commissioned and designed by Andy Warhol, with auto...

Andy Warhol began using the big-shot Polaroid camera in 1971 and continued using it religiously until his death in 1987. Despite the camera being discontinued in 1973, he continued t...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

This is a unique work. Dated 'Mar 9 1982' (on the reverse). Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The And...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alex...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. 242/250 (there were also 50 artist’s proofs). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alexander He...

ANDY WARHOL (1928-1987) Portrait of Patty Raynes and Son signed and dated ‘Andy Warhol 85’ (on the overlap) acrylic and silkscreen ink on canvas 40 ⅛ x 40 ⅛ in. (101.9 x 101.9 cm.) E...

Andy Warhol's original poster for the 1982 film "Querelle" is a fascinating fusion of two artistic worlds: cinema and pop culture art. Directed by German filmmaker Rainer Werner Fass...

Working Trial Proof Silkscreen Serigraph Includes Documentation and Official Stamps Please note this artwork is not hand signed or editioned

Andy Warhol Rare broadside for Gotham Bookmart exhibition "Andy Warhol His Early Works, 1947 - 1959", 1971 Offset lithograph poster 18 × 12 1/2 inches Unframed (not signed) This pos...

Andy Warhol's original poster for the 1982 film "Querelle" is a fascinating fusion of two artistic worlds: cinema and pop culture art. Directed by German filmmaker Rainer Werner Fass...

An original hard copy of Andy Warhol's Brillo book. 11.25" h x 8.75" w. Wear consistent with age and use. Some wear at corners, as in the images. Andy Warhol, an American artist,...

1986 Andy Warhol record art featuring Debbie Harry. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987, a Catalog Raisonne' by Warhol scholar Paul Marechal. Off-se...

Andy Warhol Deluxe Collectors' Edition of Exposures (Hand Signed and Numbered), 1979 Hardcover Monograph in leather with gilt edge and stamped in gilt. Hand signed by Andy Warhol on...

Andy Warhol 1967: Film Culture magazine, 1967 featuring cover art by Andy Warhol. Warhol designed the cover using portraits taken in a photo booth ...

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Frame in...

Andy Warhol Andy Warhol's Index Book, 1967 First Edition Hardback Monograph with Silver Holographic Cover and Multiple 3-D Inserts. Contains multiple 3-D in...

"Electric Chair" F. & S. 81, is a screenprint in colors on wove paper by Andy Warhol. The work is signed verso. This piece is from an edition of 250 + 50 AP, and is one from a portfo...

Andy Warhol Exposures (Hand Signed Twice by Andy Warhol), 1979 Softcover Monograph. Hand Signed Twice by Andy Warhol on the Cover and the Title Page. Boldly signed TWICE by Andy Warhol in black marker on the front cover and on the upper title page. 13 1/4 × 9 1/2 × 1 1/2 inches Unframed One of Andy Warhol's most famous and popular publications, "Exposures" is his first photography book containing over 360 images of countless major celebrities captured in candid and revealing moments. This first edition softcover monograph featuring photos by Andy Warhol...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

Artist: Andy Warhol (1928-1987) Title: Campbell's Soup II, Cheddar Cheese (F&S II.63) Year: 1969 Edition: 250, plus 26 proofs Medium: Silkscreen on wove paper Size: 35 x 23 inches Co...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unparalleled influence on artists and visual cultur...

Movie Poster Flesh is a 1968 American film directed by Paul Morrissey. It features Joe Dallesandro as a hustler working the streets of New York. It fe...

Andy Warhol Andy Warhol at Pace/Columbus (Hand signed during official signing), 1978 Super rare Limited Edition Fold-out Offset lithograph invitation. Boldly signed and inscribed by...

Andy Warhol Portrait of Ivan Karp, ca. 1975 Acetate negative acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance and Au...

Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...

Andy Warhol To Earl and Camilla, Love Andy Warhol, 1979 Original Heart Drawing held in book with unique dedication to Earl and Camilla McGrath (Signed Twice by Andy Warhol) The original dedicated Warhol drawing is boldly signed by Warhol. The book is also signed by Warhol on the cover. 11 1/2 × 9 1/2 inches Wonderful provenance! We would not acquire or sell drawing in a signed Warhol book without knowing the provenance was irrefutable. This is one of them. Makes a memorable and unique gift. This is a signed drawing of a heart, with a beautiful dedication from Andy Warhol to Earl and Camilla McGrath - art and entertainment impresarios. Warhol writes: "To Earl and Camilla love. Andy Warhol" - on the title page of the hardback monograph "Exposures". The book is also hand signed in marker on the cover - as well! What makes this work even more collectible is that Earl McGrath is even featured in this book - his photograph is reproduced on page 11 of "Exposures". (!!) About the recipients Camilla and Earl McGrath: Camilla McGrath (nee Countess Camilla Pecci-Blunt), wife of art dealer, entertainment executive and impresario Earl McGrath. This work was acquired from the Estate of Earl and Camilla McGrath. (Camilla died in 2007. and Earl died in 2016 at the age of 84.) In remembering Earl McGrath for Vanity Fair magazine, Warhol's editor and confidant Bob Colacello interviewed the many celebrities and artists who adored McGrath: "He was the last of a breed, one of the last great gentlemen and bohemians,” says Harrison Ford.."; He was the funniest man I have ever known,” declares Jerry Hall, whose friendship with McGrath went back to 1975, when she was the girlfriend of Bryan Ferry and he was vice president of Atlantic Records. “He also had a huge heart and was a magnet for us all in New York and Los Angeles.”; “Earl was so brilliantly irreverent,” says Anjelica Huston, who credits McGrath with introducing her to her late husband, the sculptor Robert Graham, who showed at his Los Angeles gallery; “He wasn’t always the jokester,” notes Brice Marden, who frequently dined tête-à-tête with McGrath. “He also had a keen eye and a kind of natural wisdom, albeit with a slightly warped attitude towards things. I just found him a really good person to hang out with. Whenever I had some deep question, I always wanted to consult Earl. It was reassuring to hear what he had to say.”...So who was this Earl McGrath? Unknown to the general public (and liking it that way), he was very well known to the very well known, the ultimate insider equally at home in the upper echelons of music, art, letters, and entertainment. Among the regulars who flocked to the salon-like lunches and dinners he and his wife, Countess Camilla Pecci-Blunt, a descendant of Pope Leo XIII, gave at their apartment across from Carnegie Hall and their house in West Hollywood were Andy Warhol; Mick Jagger; Gore Vidal; Audrey Hepburn; Anita Loos; Cy Twombly; Larry Rivers; Francesco and Alba Clemente; Prince Rupert Loewenstein; Connie Wald; Wendy Stark; Michelle Phillips; Julian Sands; Annie Leibovitz; Jann and Jane Wenner; Sonny and Gita Mehta; Terry Southern; Fernanda Eberstadt; Wes Anderson; Prince Michael of Greece and his wife, Marina Karella...

Andy Warhol 1928-1987 American Portrait of Proust Screenprint on paper laid on canvas Created by legendary Pop artist Andy Warhol, Portrait of Marcel Proust holds a special place in the prolific artist's oeuvre. Commissioned by art dealer Marie-Louise Jeanneret for a group of Italian collectors and avid Proust enthusiasts, Warhol's four acrylic and silkscreen ink on linen prints were based on a famous 1895 photograph of the French novelist captured by Otto Wegener...

This film, a VHS transfer of the 16mm black and white film "Henry Geldzahler" by Andy Warhol is offered by CLAMP in New York City.