Andy Warhol Mixed Media

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Red Grooms New York City Newsstand, "Extra, Extra Read All About It", 2003 Mixed Media 3-D Construction in Custom Fitted Lucite Box 20 × 26 1/2 × 10 1/2 inches Frame included Edition of 50 Hand signed and numbered from the limited edition of 50 In this Mixed Media 3-D Construction in custom fitted lucite box, Pop Art star Red...

Off-set lithography printed on 200g Arctic Volume 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 250

Andy Warhol The Philosophy of Andy Warhol (From A to B & Back Again) - Hand Signed by Andy Warhol, 1975 Hardback book with cloth backed color boards and du...

David Hockney San Francisco Opera Summer Season (Hand Signed), 1982 Offset lithograph poster (hand signed by David Hockney) 39 × 34 inches Boldly signed by David Hockney on the front Unframed Very rare when hand signed by David Hockney, as is the present print. The image depicts Hockney's "Detail of Bedlam" from "The Rakes Progress...

KÕRIN: TRANQUILITY Date of creation: 2020 Medium: Offset lithograph with cold stamp and high gloss varnish on paper Edition number: 123/300 Size: 71 cm Ø Condition: In mint conditions, stored & sent flat and never framed Observations: High quality and textured offset lithograph with cold stamp and screen printed with UV gloss varnish on paper. Hand signed and numbered by Takashi Murakami. Limited edition of 300 published by Kaikai Kiki Co. Tranquility, serenity or peacefulness are words represented much alike in Japanese kanjis. All these meanings sure represent the culture and feeling of the traditional Japanese arts too. It was during the Heian Period (794 – 1185 CEE) that gold or silver foil took main presence in Japanese visual arts, as heritage from the Chinese painting. Korin and Kansei series by Takashi Murakami employ this use of golden and silver backgrounds, textured with skulls in many of this works, over which he displays colorful and vibrant flora. ABOUT THE ARTIST Takashi Murakami (Tokyo, 1962) is a contemporary artist whom, through painting and digital or commercial mediums, has developed a language that blends popular culture with formal elements of Japanese traditional art. He applied for the National University of Fine Arts and Music in Tokyo where he received his doctorate in Nihonga, a discipline that blends the traditional study of east and west. In 1990 Murakami begins his career as a contemporary artist and in 1993 he created Mr. DOB, a self-portrait. Develops a new artistic style he calls "Superflat" which is characterized by the bi-dimensionality and the fusion of traditional Japanese art, anime, manga and Pop Art. Soon he begins to be called as the Japanese Andy Warhol...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper 24 x 32-3/4 inches Signed and dated in black marker lower right with the artist's distinctive flourish; hand sig...

Original poster produced on the occasion of James Rosenquist’s exhibition at the Amos Anderson Gallery, organized by Petersburg Press. This vintage poster reproduces the artist’s 197...

Original exhibition poster for David Hockney's 1982 show at Andre Emmerich, New York. This poster duplicates Hockney's 1982 photo montage Gregory, Los An...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine (born June 16, 1935) is an American pop artist. He is sometimes considered to be a part of the Neo-Dada movement.He was born in Cincinnati, Ohio. In 1953, he attended evening classes at The Art Academy of Cincinnati taught by the influential instructor, Paul Chidlaw...

Robert Motherwell Limited Edition Lithograph as Exhibition Catalogue Cover, Signed and Dedicated to Jacqueline Brody (Editor of the Print Collectors' Newsletter), 1974 Lithograph on Limited Edition Catalogue, Ink Signed and Dedicated 10 x 24 inches Boldly signed n 1974 and dedicated in black felt tip pen to Jacqueline Brody, editor of the Print Collectors Newsletter from 1972 - 1996. This poignant 1974 Robert Motherwell lithograph...