Pop Art Mixed Media

Original mixed media (marker, pen) on black paper. Hand signed and dated on front by Romero Britto. Artwork size 19.6 x 25.3 inches. Frame size 29.6 x 35.5 inches. Artwork is in e...

Unique hand embellished with acrylic paint and marker on serigraph. Hand signed and dated by Ronnie Cutrone. Custom framed as pictured. Black color. Frame to fit style. Artwo...

This contemporary artwork features a profile of a Black man on a vivid green background, merging elements of pop art, graffiti, and classical portraiture. The inscription in Italian,...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. In this case, the painting is a profile por...

Pencil, ball point pen, acrylic paint, industrial varnish, and paper collage on canvas board. Hand signed, dated and numbered on verso by Donald Baechler. From a series of 100 unique...

Pencil, ball point pen, acrylic paint, industrial varnish, and paper collage on canvas board. Hand signed, dated and numbered on verso by Donald Baechler. From a series of 100 unique...

PETER MAX God Bless America II, 2001 Acrylic on paper. Hand signed, bears artist unique catalogue/inventory number verso 28 × 21 inches Hand-signe...

Original double sided mixed media painting on wood. Hand signed on verso by FAKE. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers wi...

In order to make room at the gallery for new work coming in, certain works are being offered at a substantial price reduction. This is one of those works. Originally priced at $3500, we are now offering it at only $2500. Ceravolo's Mono Print with iridescent acrylic hand work is titled "RED POW" with YELLOW burst. based on his "Batman and the Movie Star" original painting on canvas. This canvas measures approx. 28x40" framed. Ceravolo has created several unique monoprints based on his "Batman and the Movie Star" painting all with different "POW" and burst colors. This one is RED POW with a Yellow burst. All of these monoprints have an iridescent painted Bat Signal in the sky hand painted by Ceravolo. One of The Hampton's most popular urban Pop artists Ceravolo's work has been exhibited alongside Warhol and Peter Max for years, his paintings are collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This Monoprint features Batman driving his Batmobile with a sultry Movie Star sitting next to him while at the same time there is a "Bat Call" signal in the night sky signaling him that there is a need for his help in Gotham City. Along with those two distractions the gopher "G" is standing next to Batman on the side of the Bat Mobile. While this is all going on Batman is thinking...."I must concentrate on driving" Maybe this is a typical night for Batman in Gotham City. We have included in this listing an image of Ceravolo with some of his famous collectors. His paintings can be found in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. Ceravolo's art came to popular attention when he was commissioned to create five large scale paintings for the lobby of The Palladium Theatre in New York City of Jackson Browne, Linda Ronstadt, Frank Zappa, Neil Young and Hall and Oates.

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 18 x 20 inches. Artwork size 12 x 13.75 inches. Artwork is in excellent conditi...

Christo Wrapped Reichstag: Project for Berlin, 1994 Collage on offset lithograph with raised silver thermal paper used to wrap Reichstag, on thin velincarton 15 3/4 × 11 1/2 inches E...

SHEPARD FAIREY Bureau of Public Works (on Wood), 2004 Mixed media silkscreen on wood panel. Hand signed and annotated on both the recto and verso. In original handmade artist's frame...

Artist: Peter Max (1937) Title: Liberty Head Year: 2005 Medium: Mixed Media on archival paper Size: 30 x 24 inches Condition: Excellent Inscription: Signed b...

Ed Ruscha Science is Truth Found Out (Red) Limited Edition scarf , held in bespoke box, 2022 Limited Edition 100% silk twill scarf, bearing Ruscha's authorized signature on both the scarf and the tag Printed artist signature on the scarf itself as well as on the tag; and numbered 287/ 500 (see photographs) 51 1/4 × 51 1/4 inches Unframed About the scarf: This limited-edition scarf by Ed Ruscha was produced in Italy by Massif Central...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 17 x 21 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition....

A freestanding 3-dimensional work that wonderfully captures both the spirit and draftsmanship of this great American artist. I have included a pic of an identical sculpture in this s...

Richard Pettibone The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 Silkscreen in colors on masonite board (unique variant on sculpted board) Hand-signed by artist, Signed and dated on the front (see close up image) Bespoke frame Included This is a rare example of Pettibone's iconic Appropriation Print, as it's silkscreened and sculpted on masonite board rather than paper, giving it a different background hue, and enabling it work to be framed so uniquely. The Appropriation print is one of the most coveted prints Pettibone ever created ; the regular edition is on a full sheet with white background; the present example was silkscreened on board, allowing it to be framed in 3-D. While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.) This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic. Measurements: Framed 14.5 inches vertical by 18 inches horizontal by 2 inches Work 13 inches vertical by 16.5 inches horizontal Richard Pettibone biography: Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York. "I wished I had stuck with the idea of just painting the same painting like the soup can and never painting another painting. When someone wanted one, you would just do another one. Does anybody do that now?" Andy Warhol, 1981 Since the mid-1960s, Richard Pettibone has been making hand-painted, small-scale copies of works by other artists — a practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at Castelli Gallery, Pettibone has been showing more of the “same” paintings that had already been part of his 2005–6 museum retrospective,1 and also including “new” subject matter drawn from his usual roster of European modernists and American postwar artists. Art critic Kim Levin laid out some phases of the intricate spectrum from copies to repetitions in her review of the Warhol-de Chirico showdown, a joint exhibition at the heyday of appropriation art in the mid-1980s when Warhol’s appropriations of de Chirico’s work effectively revaluated “the grand old auto-appropriator”. Upon having counted well over a dozen Disquieting Muses by de Chirico, Levin speculated: “Maybe he kept doing them because no one got the point. Maybe he needed the money. Maybe he meant it when he said his technique had improved, and traditional skills were what mattered.” On the other side, Warhol, in her eyes, was the “latter-day exemplar of museless creativity”. To Pettibone, traditional skills certainly still matter, as he practices his contemporary version of museless creativity. He paints the same painting again and again, no matter whether anybody shows an interest in it or not. His work, of course, takes place well outside the historical framework of what Levin aptly referred to as the “modern/postmodern wrestling match”, but neither was this exactly his match to begin with. Pettibone is one of appropriation art’s trailblazers, but his diverse selection of sources removes from his work the critique of the modernist myth of originality most commonly associated with appropriation art in a narrow sense, as we see, for example, in Sherrie Levine’s practice of re-photographing the work of Walker Evans and Edward Weston. In particular, during his photorealist phase of the 1970s, Pettibone’s sources ranged widely across several art-historical periods. His appropriations of the 1980s and 1990s spanned from Picasso etchings and Brancusi sculptures to Shaker furniture and even included Ezra Pound’s poetry. Pettibone has professed outright admiration for his source artists, whose work he shrinks and tweaks to comic effect but, nevertheless, always treats with reverence and care. His response to these artists is primarily on an aesthetic level, owing much to the fact that his process relies on photographs. By the same token, the aesthetic that attracts him is a graphic one that lends itself to reproduction. Painstakingly copying other artists’ work by hand has been a way of making it his own, yet each source is acknowledged in his titles and, occasionally, in captions on white margins that he leaves around the image as an indication that the actual source is a photographic image. The enjoyment he receives in copying is part of the motivation behind doing it, as is the pleasure he receives from actually being with the finished painting — a considerable private dimension of his work. His copies are “handmade readymades” that he meticulously paints in great quantities in his studio upstate in New York; the commitment to manual labor and the time spent at material production has become an increasingly important dimension of his recent work. Pettibone operates at some remove from the contemporary art scene, not only by staying put geographically, but also by refusing to recoup the simulated lack of originality through the creation of a public persona. In so doing, Pettibone takes a real risk. He places himself in opposition to conceptualism, and he is apprehensive of an understanding of art as the mere illustration of an idea. His reading of Marcel Duchamp’s works as beautiful is revealing about Pettibone’s priorities in this respect. When Pettibone, for aesthetic pleasure, paints Duchamp’s Poster...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 17 x 21 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition....

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 20 x 18 inches. Artwork size 13.75 x 12 inches. Artwork is in excellent conditi...

Yayoi Kusama Love Forever, 2016 Ceramic (Porcelain) Dish and Cover Stamped Yayoi Kusama on bottom 4 1/2 × 4 1/2 × 1 1/2 inches Unframed Limited edition (exact number created is unkno...

Kerry Smith Talking Heads - 77 Mixed Media on PVC Year: 2022 Size: 25x23.5in Signed, dated by hand COA provided Ref.: 924802-1626 ------------------------------------- "Off The Rec...

"The Art Jacket" is an entirely unique piece - a piece of wearable art - a hand painted jacket that Rauschenberg signed for the artist who made it - that makes a fantastic conversation piece that you simply won't find anywhere else in the world! Hand signed by BOTH Robert Rauschenberg and artist Rudy Ramirez Artists whose names appear on the jacket are: PICASSO, CEZANNE, MONET, GAUGIN - and of course Rauschenberg Robert Rauschenberg and Rudy Ramirez Art Jacket, hand painted by Raul "Rudy" Ramirez, hand signed by the artist and also (autographed on camera by Robert Rauschenberg), 1982 Cloth jacket with acrylic paint; hand signed in marker by Robert Rauschenberg 30 1/2 × 18 inches hand signed on the sleeve by Robert Rauschenberg; and hand signed in the front by Rudy. See photo of Rauschenberg signing Robert Rauschenberg signed...

Donald Duck & Shell Oil Cartoon Contemporary Pop Art by British Urban Graffiti Artist Chris Pegg entitled 'Riot'. Chris Pegg is a self-taught Street Artist producing artwork with a s...

Keith Young Oops! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1137 ---------------------...

Keith Young Lucky Cat and Pink Dolphin Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11.25x9.25x3in Signed by hand COA provided Ready...

Patti Smith Horses Vinyl Record Album, 1975: US 1st Pressing featuring original photography by Robert Mapplethorpe. Produced by John Cale. Cover: Very Good to overall vintage condit...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic by the artist. A unique variation. Custom framed as pictured. Artwork sheet size 24 x 18 inc...

"Champs Elysees" is an original pop art metal wall sculpture, handpainted by of well-known Israeli artist David Gerstein. This metal wall sculpture contains three layers, depicts a...

KAWS: HOLIDAY JAPAN Mount Fuji Ceramic Plate Set (Set of 4): This standout KAWS ceramic plate set was published by All Rights Reserved to commemorate the ...

Agent X Title : Elanna (yellow) Materials : Mixed Media Date : 2017 Dimensions : 55 x 35 in. Edition of 20 Description : "Elanna" depicts the mirrored silhouette of a woman’s face in...

Silkscreen/Collage on Retail Bags

Mickey Mouse Walt Disney Manga Cartoon Pop Art by Young British Urban Graffiti Artist, Chris Pegg, entitled 'All That Glitters'. Chris Pegg is a self-t...

Urban Graffiti Cartoon Manga Art entitled 'Under the Influence' by British Street Artist Chris Pegg. Chris Pegg is a self-taught artist from Lancashire, UK....

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic by the artist. A unique variation. Artwork sheet size 24 x 18 in. Custom framed as pictured. ...

Useful Object Cut, 2009 Oil on canvas, wooden box, knife 47.24 H x 27,55 W x 11,81 D in 120 H x 70 W x 30 D cm In the "Useful Objects" series, the woman is identified with the p...

Useful Object Pump, 2009 Oil on canvas, wooden box, pump 47.63 H x 27.55 W x 11.81 D in 121 H x 70 W x 30 D cm In the "Useful Objects" series, the woman is identified with the pr...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All ...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All...

Hand signed, numbered, and dated by the artist. Hand embellished by the artist on serigraph. Limited edition of 100. Each embellished print is unique. Artwork is in excellent conditi...

Hand signed, numbered, and dated by the artist. Hand embellished by the artist on serigraph. Limited edition HC of 20. Each embellished print is unique. Artwork is in excellent condi...

Hand signed, numbered, and dated by the artist. Hand embellished by the artist on serigraph. Limited edition of 50. Each embellished print is unique. Image size: 36 x 26 inches. She...

Hand signed, numbered, and dated by the artist. Hand embellished by the artist on serigraph. Limited edition of 36. Each embellished print is unique. Artwork is in excellent conditio...

Cartoon Urban Graffiti Pop Art of Winnie the Poo entitled 'Winnie the Poor' by British Street Artist Chris Pegg. Art measures 39 x 39 inches Chris Pegg is a self-taught artist fr...

Hand signed, numbered, and dated by the artist. Hand embellished. Limited edition of 150. Each embellished print is unique. Artwork is in excellent condition. Certificate of authenti...

"Saddle Bags", Limited Edition Mixed Media Modern Pop Art Collotype, 4/6 "Saddle Bags", a unique limited edition mixed media collotype on paper and machi...

Mixed Media on paper Signed lower right Provenance: Eckert Fine Art, Naples, Florida

Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

**ANNUAL SUPER SALE TIL JULY 31ST ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* The RIO SLUM series is an original design by Mauro Ol...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Roy Lichtenstein Kiss II, Reversible Beach Blanket/Towel, 2013 Cotton Terry LARGE: 59 × 70 × 3/10 inches (approx. 30 x 20 when folded) (note that the mea...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

1980s Keith Haring Record Art (set of 4 works): Four individual 12 inch albums - all illustrated by Haring during his lifetime - making for standout vintage 1980s Keith Haring wall ...

"AMY", 2023, 100 x 75 cm, is a mixed media work by German pop artist Devin Miles. The mixed media work on canvas creates an impressive depth and three-dimensionality due to the artis...

Pop Art. Americana. Fun take on the perils of love. Mousetraps called victory. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporar...

Homage to the late, great Marilyn Monroe. Hand pulled silk screen. Diamond Dust. On linen. Custom paint created by artist. Would ship rolled. About the Artist: Russell You...

Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown in...

Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown in...