Pop Art Mixed Media

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

On a circular wooden panel, Currency #218 features a profile portrait inspired by Maori culture. Painted in warm ochre and yellow tones, the piece is encircled by the Maori phrase “K...

Marco Pittori creates vibrant artworks that pay homage to the mesmerizing images of Brad Elterman and the mythic culture of 1970’s Hollywood. By using licensed images of Brad Elterman’s photographs, he provides viewers with a window into a fascinating and exclusive time on Los Angeles’ Sunset Strip. This 28-inch tall by 36-inch wide original artwork is based on Brad Elterman’s iconic images “Behind the Beverly Hills Hotel...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting bursts with energy...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting feels like a playf...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines, advertising, and photo albums collected at thrift stores. By extracting them from their natural context, he reconstructs them by adding references to popular culture as well as common phrases and insights that come from his Venezuelan childhood. Mixed Media Collage...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Framed Mixed Media Sketch. Pop Art. Humorous. About the Artist: NELSON DE LA NUEZ is one of the most sought-after contemporary Pop artists practicing today. His striking, ...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 347/400 lower left. Artwork size 10 x 5.5 inches. Frame size 18.25 x 14 i...

Positive street signs and mindful messages characterize the work of multidisciplinary artist Scott Froschauer. Froschauer utilizes a practice called "cultural jamming," which appropr...

This sculptural painting is part of Natasha Lelenco's Currency Exchange series, showcasing a profile portrait on a wooden tondo. The piece features intense fluorescent pink tones, fr...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. In this case, the painting is a profile por...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

This artwork by Natasha Lelenco, part of her Currency Exchange series, features a striking orange coin portrait of a Cuban woman, symbolizing themes of foreignness, identity, and mig...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Artwork size: 16 x 12 inches. Frame size...

Positive street signs and mindful messages characterize the work of multidisciplinary artist Scott Froschauer. Froschauer utilizes a practice called "cultural jamming," which appropr...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting feels like a cheer...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

hard to photograph image What's Love Got To Do With It (comes framed in white frame) Art size is 24x18 framed 26x20 Grease Pencil on Photograph Unique *installation photo is for sca...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Gary John’s "Charging Wonder Woman ‘66" is a striking mixed-media artwork that blends pop art, street art, and urban contemporary influences to create a bold, nostalgic tribute to th...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Ed Ruscha The Amazing Earth, in gift box hand signed twice by Ed Ruscha, ca. 2017 Re-usable ocean bag created from 5 intercepted plastic bottles. In presentation box, uniquely hand s...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Jeff Koons Original tulips in landscape drawing, 2011 Original drawing done in ink across the title pages of Gagosian Gallery monograph Signed, dated and warmly inscribed to Jennifer...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Naguy Claude mixes popular culture icons and street art with comic and cartoon characters, as well as famous superheroes, in his original layered mixed media paintings. His artworks express a fascination with highly emotional content while retaining childlike playfulness. The fusion of positivity and nostalgia evokes familiarity while placing Claude's original artworks in an innovative realm. The layered and complex paintings, with their simple messages, showcase his unique approach. Naguy Claude created this one-of-a-kind 21.5-inch high by 21-inch wide artwork with acrylic paint, spray paint, and varnish on canvas. His characters develop their own unique essence with layers of splattered and dripped acrylic and spray paint rendered with vivid colors. This artwork is stretched, wired, and ready to hang. It is signed by the artist on the front and back and does not require framing. Convenient local Los Angeles delivery. Affordable Continental U.S. and international shipping are available. A certificate of authenticity issued by the art gallery is included. Coming from a working-class neighborhood in the Parisian suburbs, Claude had the opportunity to experience various cultures and traditions, which gave him a different outlook on the world and ignited his curiosity. During his teenage years, Claude was fascinated with public graffiti art while riding public transportation. He participated in his first exhibition at the age of 16. His artwork reflects the diverse influences he has encountered throughout his life, including his passion for popular culture, street art, and the emotional complexity of childhood. Cartoon icons such as The Simpsons, Mickey Mouse, Dragon Ball...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 33/350 DX lower left. This Deluxe Edition features three layers of dimensi...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

The Beatles, Giant 3D Vintage Button with the artwork taken from their first album - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art. John Lennon, ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

HAIRry OLD (Harold) Collage on paper (Signed on reverse. Framed) 15 7/10 H × 11 4/5 W in 40 H x 30 W cm The collage consists of fabric and faux fur pieces, as well as from painted p...

New Order, Giant 3D Vintage Button with the artwork taken from their first album - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tap...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Red Grooms Redgrooms, 2004 Hardback monograph with 3-D sculptural pop-up (signed and numbered in red marker on the artist's designed book plate) Signed and numbered 101/400 in red marker on the artist's designed book plate 13 × 10 × 1 1/2 inches Makes a superb gift! Lavishly illustrated with a pop-up/multiple taken out of the book with its signed & numbered label is often removed, exhibited under plexiglass, and sold separately for several thousand dollars. This fully pre-assembled pop-up with integral base at rear is a re-working of Grooms' iconic New York Taxi of 1986 - which in turn was based on his earlier giant Ruckus NY taxi sculpture...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _______________________________________________________ "LA Gangstars" is one of the street art style Oliveira is adventuring on. The resin, the glitter and the cars are addition to make the piece even richer and more interesting. The French Bulldogs are now America's favorite dog. After more than 3 decades with the labrador reign, the 'Frenchies' are now the kings and queens of the dog world. This piece is also an homage to Los Angeles, its skyline, the beautiful weather and the busy traffic with fancy cars. These two are 'Billy' and 'Veronica', the gangstar couple who terrorize the greater Los Angeles, controlling the distribution of dog treats in South California. Don't mess with them. Whichever dog you own, this couple with the Los Angeles skyline...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...

Swiss artist Marion Duschletta transforms iconic imagery and urban landscapes from around the world into unique artworks. She layers an intriguing mixture of urban photographs and Am...

Vibrant, large-scale multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's recent work. Colors splash across the page melding into flourishes of sequins, rhinestones, and glitter. The natural beauty of her subjects is juxtaposed against the "engine of technology" inspiring personal and innovative compositions. Surreal and vibrant, Tova's work thematically and stylistically layers her life experiences. This 37-inch high by 72-inch artwork is a hand-embellished giclee on canvas. Hand-embellishment involves the application of additional paint or other materials onto the surface of the giclee print by the artist. By adding these personalized touches, the hand-embellished giclee becomes a one-of-a-kind piece. The artwork is signed by the artist on the front and the back. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Bringing forth inspiration from her varied experiences Tova is inspired by the layers of her life's experiences. From the lavishly gilded architecture of her early years to the vibrant palette of New Orleans, Tova now works in San Fransisco where themes of her work draw from technology and the Information Era. Kate has earned awards and critical acclaim participating in art exhibitions in Vienna, Berlin, New York, Prague and other cities around the world. Tova’s commissions have ranged from ceiling and wall murals in Moscow restaurants to live painting performances at fundraisers and venues such as the Los Angeles Equestrian Center. Her art has appeared on the covers of foreign music records, been published in international magazines, and even inspired a jewelry collection. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2023 “Glitches”, Adeeni, San Francisco, USA 2021 “Maskerade”, 765 Beach, San Francisco, USA 2019 “Krewe Des Femmes”, Canal Place, New Orleans, LA 2013 “New School of Art”, Gallery Shelk, Moscow, Russia 2012 “Faces”, First Moscow Educational Complex, Moscow, Russia 2010 “Spring mood”, City exhibition hall, Balakovo, Russia GROUP EXHIBITIONS 2023 Artplex Gallery, Los Angeles, CA “Edgy”, Fluo White gallery, Dubai 2022 "Palette Cleanser", Palette Gallery, San Francisco, USA 2021 Artplex Gallery, Los Angeles, CA “Discolandia”, 111 Minna, San Francisco, USA 2018 “BLOOM!”, R. W. Norton Art Gallery, Shreveport, LA 2017 “48th Annual River Road show”, Louisiana State Archives Gallery, Baton Rouge, LA 2016 “Spring Exhibition”, Isaac Delgado Fine Arts Gallery, New Orleans, LA 2014 “Time For ART. Part2”, ARTPLAY gallery, Moscow, Russia 2014 World ORT Student Showcase, Prague, Czech Republic 2013 New York Realism...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...