Pop Art Mixed Media

Kenny Scharf Val Wong Worm, 2006 Oil, acrylic, silkscreen and rhinestones on paper Signed, dated and titled by the artist on the die-cut window on the back Frame Included: elegantly floated and framed in a museum quality white wood frame with a die-cut window to reveal the signature on the back of the artwork An impressive unique Kenny Scharf work on paper - with an equally riveting back story. This work was gifted directly by Kenny Scharf to the original owner, who is the collector who commissioned Scharf to make his famous Souped-Up, Decked-Out Coupe De Ville Cadillac Art Car which sold for about US $400,000 at Heritage Auctions in 2023. Measurements: Frame: 49.5 x 35 x 2 inches Artwork: 44 x 30 inches This work is accompanied by a letter of provenance stating, "This letter will serve to outline the provenance of the Kenny Scharf "Val Wong Worm" work on paper from 2006. In 2005, I and my two business partners in the firm Trackside Brothers, LLC commissioned Kenny Scharf to paint/customize a 1960...

Created out of Vinyl records and their packing on 18 x 36 Unique original artwork

Red Grooms Moonstruck (Homage to Cher), 1994 Porcelain 3D Plate Artist signature fired into plate on the front and back. Edition 1976/2500 10 3/4 inch diamet...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...

Mixed Media artwork on canvas handfinished with paint, ink, chalk and found elements around the studio. Finished off with a laquer which gives the artwork that extra 'pop'. Signed on...

Mixed Media artwork on canvas handfinished with paint, ink, chalk and found elements around the studio. Finished off with a laquer which gives the artwork that extra 'pop'. Signed on...

Leveraging photos of Marilyn Monroe and Pablo Picasso, the piece integrates a large number of hand made stencils creating a background of chaos and imagination running wild. Acrylic...

Mixed Media artwork on canvas handfinished with paint, ink, chalk and found elements around the studio. Finished off with a laquer which gives the artwork that extra 'pop'. Signed on...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

Robert Longo Men In The Cities album cover art: A rare highly sought-after 1981 record art cover featuring original artwork by Robert Longo on...

Mixed Media artwork on canvas handfinished with paint, ink, chalk and found elements around the studio. Finished off with a laquer which gives the artwork that extra 'pop'. Signed on...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 20 x 18 inches. Artwork size 13.75 x 12 inches. Artwork is in excellent conditi...

Multidisciplinary artist Joachim Romain aligns himself with a contemporary wave, propelled by the concepts of time and the resulting wear and tear. He delves into the urban environment and the consumer society that conditions us on a daily basis. His work is grounded in paper, posters, and advertising discourse, referencing overconsumption. "The consumer society in which we live exists thanks to paper and advertising posters that sprawl across cities in 4 x 3 format," he states, utilizing this medium to denounce the commercial message. The poster is thus recycled, manipulated, glued, and exhibited once again, reflecting the endless mirror...

Elvis, is a one-of-a-kind, fine art piece by renowned Brazilian artist, Romero Britto. Britto combines a unique use of mixed media and rich, vibrant colors such as, greens, pink, re...

Basquiat Beat Bop 1983: Original Beat Bop Vinyl Record, 1983 with music produced & arranged by Jean Michel Basquiat (see record label in photo for Jean Michel credit). 12x12 inches (30.48 x 30.48 cm). 1983. Record: Minor wear. Good overall vintage condition. Further Background: Jean-Michel Basquiat’s history with rap music runs deep. That connection was most visible in the “Beat Bop” 12-inch, a ten-minute sparring match between MCs/graffiti artists K-Rob and Rammellzee, which the legendary Brooklyn artist produced in 1983. Related Categories Basquiat beat bop. Vintage Basquiat. Basquiat 1983...

American, b. 1970 "Pitliuk has created a style that will endear him to those who venture into the collection of modern art; it challenges the intellect and tickles the funny bone at the same time." --Sharon Lorenzo - Art Historian "Artist Stephen Pitliuk introduces something bold to the island... [his] Pop Art stands out on an island inundated with landscape paintings." "Pitliuk, an island resident for [seven] years, comes to us from Miami, Florida. His work hangs in many private and corporate collections throughout the country... [The] vibrant colors and the rhythm of his native South Florida are definitely reflected in his work. His latest pieces, which burst through the prosaic treadmill of the New England art scene with a vengeance, bring anything from a raised eyebrow, to hysterical laughter to the viewer. Politically incorrect at best, and always with a smile, a balance of humor and commentary as an art form that is very often attempted and very rarely succeeds. In this case though, it has. Pitliuk's latest body of work seems to have hit the bull's eye of what makes Nantucketers tick. A fantastic mix of Post Modern meets Pop, meets Dadaism, meets Jean Michael...

Peter Max is an American pop artist with a huge catalog of work. This acrylic and mixed-media painting by Max centers the composition on a stylized Statue of Liberty. She is wearing a pink robe...

PATRICK ARCHER (American b. 1926) "Genesis VI" Collage on board. Sight: 13 x 11 inches, framed: 23 .5 x 21.5 inches. Signed and dated at lower right, signed titled and numbered on v...

Spider-Man, 2020 Mixed-Media Mr. Brainwash mix bright colors in any combination with sometimes controversial content. He uses a variety of techniques such as printmaking, mixed medi...

Barbara Kruger War Platter, 2018 Glazed Earthenware Artists name fired on the underside which is considered her authorized signature as she officially does not sign her works Hand nu...

Technics 1210 Decks white edition (2023) Each piece is unique, handmade and painted by hand with mini acid house smiley records, comes mounted and framed in white with non-reflectiv...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

Richard Pettibone The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 Silkscreen in colors on masonite board (unique variant on sculpted board) Hand-signed by artist, Signed and dated on the front (see close up image) Bespoke frame Included This is a rare example of Pettibone's iconic Appropriation Print, as it's silkscreened and sculpted on masonite board rather than paper, giving it a different background hue, and enabling it work to be framed so uniquely. The Appropriation print is one of the most coveted prints Pettibone ever created ; the regular edition is on a full sheet with white background; the present example was silkscreened on board, allowing it to be framed in 3-D. While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.) This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic. Measurements: Framed 14.5 inches vertical by 18 inches horizontal by 2 inches Work 13 inches vertical by 16.5 inches horizontal Richard Pettibone biography: Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York. "I wished I had stuck with the idea of just painting the same painting like the soup can and never painting another painting. When someone wanted one, you would just do another one. Does anybody do that now?" Andy Warhol, 1981 Since the mid-1960s, Richard Pettibone has been making hand-painted, small-scale copies of works by other artists — a practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at Castelli Gallery, Pettibone has been showing more of the “same” paintings that had already been part of his 2005–6 museum retrospective,1 and also including “new” subject matter drawn from his usual roster of European modernists and American postwar artists. Art critic Kim Levin laid out some phases of the intricate spectrum from copies to repetitions in her review of the Warhol-de Chirico showdown, a joint exhibition at the heyday of appropriation art in the mid-1980s when Warhol’s appropriations of de Chirico’s work effectively revaluated “the grand old auto-appropriator”. Upon having counted well over a dozen Disquieting Muses by de Chirico, Levin speculated: “Maybe he kept doing them because no one got the point. Maybe he needed the money. Maybe he meant it when he said his technique had improved, and traditional skills were what mattered.” On the other side, Warhol, in her eyes, was the “latter-day exemplar of museless creativity”. To Pettibone, traditional skills certainly still matter, as he practices his contemporary version of museless creativity. He paints the same painting again and again, no matter whether anybody shows an interest in it or not. His work, of course, takes place well outside the historical framework of what Levin aptly referred to as the “modern/postmodern wrestling match”, but neither was this exactly his match to begin with. Pettibone is one of appropriation art’s trailblazers, but his diverse selection of sources removes from his work the critique of the modernist myth of originality most commonly associated with appropriation art in a narrow sense, as we see, for example, in Sherrie Levine’s practice of re-photographing the work of Walker Evans and Edward Weston. In particular, during his photorealist phase of the 1970s, Pettibone’s sources ranged widely across several art-historical periods. His appropriations of the 1980s and 1990s spanned from Picasso etchings and Brancusi sculptures to Shaker furniture and even included Ezra Pound’s poetry. Pettibone has professed outright admiration for his source artists, whose work he shrinks and tweaks to comic effect but, nevertheless, always treats with reverence and care. His response to these artists is primarily on an aesthetic level, owing much to the fact that his process relies on photographs. By the same token, the aesthetic that attracts him is a graphic one that lends itself to reproduction. Painstakingly copying other artists’ work by hand has been a way of making it his own, yet each source is acknowledged in his titles and, occasionally, in captions on white margins that he leaves around the image as an indication that the actual source is a photographic image. The enjoyment he receives in copying is part of the motivation behind doing it, as is the pleasure he receives from actually being with the finished painting — a considerable private dimension of his work. His copies are “handmade readymades” that he meticulously paints in great quantities in his studio upstate in New York; the commitment to manual labor and the time spent at material production has become an increasingly important dimension of his recent work. Pettibone operates at some remove from the contemporary art scene, not only by staying put geographically, but also by refusing to recoup the simulated lack of originality through the creation of a public persona. In so doing, Pettibone takes a real risk. He places himself in opposition to conceptualism, and he is apprehensive of an understanding of art as the mere illustration of an idea. His reading of Marcel Duchamp’s works as beautiful is revealing about Pettibone’s priorities in this respect. When Pettibone, for aesthetic pleasure, paints Duchamp’s Poster...

Yayoi Kusama Original Limited Edition hand signed and numbered Pumpkin (Red), 1998 Painted cast resin on ceramic tile in the original wood box, display plate and paper box Signed and...

Voluptuosidad 11, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His ...

Jim Dine, John Chamberlain, Marcel Duchamp, Jasper Johns, Roy Lichtenstein, Barnett Newman, Kenneth Noland, Claes Oldenburg, Larry Poons, Robert Rauschenberg, James Rosenquist, George Segal, Frank Stella, Andy Warhol, Tom Wesselmann New York: The New Art Scene (Hand Signed Book), 1967 Hardback Monograph with illustrated dust jacket. Hand Signed by Frank Stella, Larry Poons and Jim Dine 13 1/4 × 10 × 1 1/4 inches Unframed This is the iconic, gorgeous oversized hardback Ugo Mulas photo book documenting the 1960s New York art scene - illustrated with over 500 images. The book itself, which is normally unsigned, is a valuable collectors' item. However, exceptionally the present book is hand signed by three of the remaining living legends featured. We are not aware of any other copy in the world, besides the present volume, that is also hand signed by Frank Stella, Larry Poons and Jim Dine - so this is an extraordinary collectible not to be found anywhere else. The signatures are also unconditionally guaranteed authentic forever as the these three living artists signed the book in person for the present owner - provenance you are unlikely to ever find elsewhere in the world. A memorable gift for the real collector of books and art. Defined as " a photographic record of a long moment in the history of American art " and listed in "The Book of 101 Books" (Seminal Photographic Books of the 20th Century). this large coffee table volume...

Part of my latest body of work, this emotional figurative portrait delves into psychological realities that are irrespective of traditional expectations of masculinity Shipping WO...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

Drawing on the cultural and geographic influences of his California roots, Greg Miller explores images of the American urban and rural landscape of the mid-twentieth century. The wor...

Robert Indiana Star of Hope, 1972 Enamel on Metal with Artists Stamped Name. Date and Copyright Artist stamped name and copyright on lower right front Frame Included: held in a white...

Bold mid century mixed media collage by Modern British artist Ewart Johns. Ewart Johns (British, 1923 – 2013) Look what you are missing Mixed media collage 32 x 22.1/2 in. (81.5 x 5...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

Basquiat Beat Bop (2014): 30th anniversary pressing of Basquiat's historic Beat Bop vinyl record (1983), featuring Jean Michel's signature cover art and production as well as licensed trademark by the Estate of Jean-Michel Basquiat. From a sold-out edition of 1983. Includes a split color black and white vinyl pressing, a four-panel folded insert describing its history, as well as interviews with Basquiat co-collaborators Rammellzee & K-Rob; as well as noted art historian, Glenn O'Brien. Off-set print on vinyl record jacket & vinyl record; published 2014. 12 x 12 inches. Very good overall condition. From a sold-out edition of 1983. Looks amazing framed. Further History: Jean-Michel Basquiat’s history with rap music...

Edition: 142DX/150 Technique: Mixed-Media elements

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

Flowers 09, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work h...

Shepard Fairey God Save the Queen, 2012 Screenprint on wood panel in artist's frame Hand-signed by artist, Signed twice: Pencil signed, dated and annotated AP on the front; also penc...

Robert Indiana Set of Four Glass Coasters, ca. 2011 Silkscreened glass coasters Sticker label, Accompanied by museum label (shown), not signed 3 1/2 × 3 1/2 × 3/10 inches Unframed Me...

Keith Haring Pop Shop, c.1986: Vintage original 1980s Pop Shop bag designed & illustrated by Keith Haring. Features a bold 1985 Keith Haring prin...

The Bruce High Quality Foundation Copper Plate Bruce Shadow Box Sculpture, 2017 Customized wooden shadow box featuring a copper printmaking plate with hand-painted Bruce face. Accomp...

1982 1st pressing, Querelle vinyl album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Marechal: Andy Warhol, The Complete Commissioned Record Covers. Cover: Off-set print of Warhol's original screen print from the same year. 12 x 12 Inches (30.48 x 30.48 cm). Minor shelf-wear; otherwise very good overall vintage condition. Record included in very good condition. Warhol credit appears in the lower section of verso (image 3). Looks super cool framed. Further Background: The soundtrack for the Rainer Werner Fassbinder film based on Jean Genet's novel "Querelle de Brest." In 1982 Warhol designed a silk-screen image which was issued as a print, used on the poster for the movie, and as cover art for the soundtrack. Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories Gay interest. Andy Warhol record art. Warhol vinyl record album. Warhol nude. Warhol men.

Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi...

"The Art Jacket" is an entirely unique piece - a piece of wearable art - a hand painted jacket that Rauschenberg signed for the artist who made it - that makes a fantastic conversation piece that you simply won't find anywhere else in the world! Hand signed by BOTH Robert Rauschenberg and artist Rudy Ramirez Artists whose names appear on the jacket are: PICASSO, CEZANNE, MONET, GAUGIN - and of course Rauschenberg Robert Rauschenberg and Rudy Ramirez Art Jacket, hand painted by Raul "Rudy" Ramirez, hand signed by the artist and also (autographed on camera by Robert Rauschenberg), 1982 Cloth jacket with acrylic paint; hand signed in marker by Robert Rauschenberg 30 1/2 × 18 inches hand signed on the sleeve by Robert Rauschenberg; and hand signed in the front by Rudy. See photo of Rauschenberg signing Robert Rauschenberg signed...

Edition: 43AP/99 Technique: Retail with frame black wood

Teoría de Interferencia (2019) by Roberto Fonfría Mixed media on canvas: Collage, acrylics, oil pastel, graphite Image size: 37 in. H x 70 in. W One of Kind Mixed Media ___________...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

“The word 'Glamour' has an inherent reference to romanticism - an alluring, enchanting sense of attraction. Contemporary Popular culture, mass media visual culture, and new consumeri...

Mixed Media Collage Piece. Chanel theme of luxury. On Wood. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffiti a...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was named one of 20 standout artists at the 2014 NY Affordable Art Fair. His contemporary artworks continue to be exhibited at major international art fairs in the United States, Asia and Europe, including Los Angeles, New York, London, Singapore and Hong Kong. Celebrities and major art collectors worldwide have acquired his timeless artworks, which have seen a significant increase in value. John applied bold acrylic paint, oil pastels, and mixed media onto architectural paper to create this original artwork measuring 42 inches high by 30 inches wide. This mixed media painting is signed and dated by the artist in the lower left corner using the first two letters of his first and last name (GA JO). Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the gallery is included. Gary John has been a street artist since 1985. Originally from Seattle, Washington, he moved to Venice Beach, Los Angeles in 2003 and began selling on...

Keith Young Fortune Cookie Strawberry Bear Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 9x2.5in Signed by hand COA provided Rea...

"Square Peg Round Hole" Abstract Sculpture 16" x 16" x 16" in by Shawn Kolodny Steel sculpture Creating art to reflect the times we live in, Kolodny creates art for our short atte...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

LeRoy Neiman Carnaval gift book in bespoke box (Hand Signed and Numbered), 1981 Hardback Monograph with Vinyl Dust Jacket. Hand Signed by Artist on Colophon on Vellum parchment pape...

"ALPHA" Mixed media sculpture 24" x 60" x 1" inch by Shawn Kolodny Resin, Wood, Acrylic paint Creating art to reflect the times we live in, Kolodny creates art for our short attent...

Kerry Smith Talking Heads - 77 Mixed Media on PVC Year: 2022 Size: 25x23.5in Signed, dated by hand COA provided Ref.: 924802-1626 ------------------------------------- "Off The Rec...

Allan D'Arcangelo Trenette Al Pesto - I Tre Merli - New York, NY, 1998 Ceramic Plate Artist signature fired into the plate on the back and numbered 132 from the edition of 1000. 10 1/8 inch diameter by 1/4 inch height Unframed "My most profound experiences of landscape were looking through the windshield." - Allan D'Arcangelo. Note: the stated edition is 1000, but far fewer were actually made, and many were said to have been lost after 9/11 which is why this is so scarce. Makes a memorable and very special gift! This beautiful, extremely rare limited edition, signed and numbered bowl...

Grey Green Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-layer...