Pop Art Mixed Media

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photographs and American pop icons opposite brand names and advertising references, adding bold colors and compelling patterns. She transfers them onto archival paper which is mounted on canvas. The pop art imagery is often distressed in an attempt to emphasize a bygone era. She further enhances the artworks with acrylic paint and texture, adding depth to her paintings. This vibrant one-of-a-kind 15.75-inch tall by 11.75-inch wide post-pop artwork is created with mixed media on canvas. The sides of the artwork are finished with a textured white paint, and it does not require framing. Convenient local Los Angeles area shipping. Affordable U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included with this unique artwork. Marion Duschletta was born in 1972 in Graubünden, Switzerland. She has been a full time professional artist since 2004. For over ten years, she was the owner of Galerie Mauerblümchen in Zürich, Switzerland. Due to her increasing international success as a fine artist she now focuses exclusively on creating unique artworks. Her popular series of artworks include cities such as New York, Miami, Las Vegas, Los Angeles, London as well as American Pop Icons such as Marilyn Monroe, Audrey Hepburn, and Chanel. Notable collectors include Ariel Winter, Los Angeles, CA. Artspace Warehouse has been representing and exhibiting Marion Duschletta's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, California EXHIBITIONS 2022-23 Artspace Warehouse, Los Angeles, CA 2021 Artspace Warehouse, Los Angeles, CA Galerie Kunsthaus Rapp Will Galerie VivaArte.online Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder Revier-Hotel, Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior, Arosa Galerie Willen Luzern Anno Interior Wädenswil Wehrli Raum Flims Dorf Jasmin & Co. Interior Vogelsang bei Turgi Kunst-Reproduktionsverkauf bei Swisskyline 2020 Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder für das Revier-Hotel in Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior Arosa Palatso pop up...

hard to photograph image Art size is 24x18 framed 26x20 Grease Pencil on Photograph Unique *installation photo is for scale and framing . This images is NOT shown. Very hard to pho...

hard to photograph image New York: It's a Helluva Town (comes framed in white frame) Art size is 24x18 framed 26x20 Grease Pencil on Photograph Unique *installation photo is for sca...

hard to photograph image What's Love Got To Do With It (comes framed in white frame) Art size is 24x18 framed 26x20 Grease Pencil on Photograph Unique *installation photo is for sca...

"Jumble" Abstract Sculpture 64" x 18" x 18" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for our...

Brigitte Bardot Pop Art Portrait. Acrylic on cradled plywood. Signed at the back and ready to hang. Original Created: 2022 Subjects: Pop Cu...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Keith Haring record art 1987: A rare vinyl art cover featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art. Looks very cool framed. Off-...

Oil & Enamel Painted Silkscreen on Recycled Floppy Discs. Mounted on Custom built Panel. Featuring a boombox. About the artist: Taylor Smith is a mult...

Acrylic and lithograph on vélin d’Arches paper. Paper size: 8.5 x 10.5 inches. Inscription: Hand signed, as issued. Notes: Published, printed by Via Max, New York; painted by Peter M...

Keith Haring, Run DMC Christmas 1987: Rare sought-after Run DMC "Christmas In Hollis" featuring Original Artwork by Keith Haring. Truly vibrant colors that make for stand-out wall ar...

"HOPE", 2022, 110 x 90 x 4,5 cm, is a unique mixed media work by German pop artist Devin Miles playing with the HOPE lettering. The mixed media work is a painstaking crafted pop art ...

Pop Art. Americana. Bullseye. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who brings togethe...

Drawing on the cultural and geographic influences of his California roots, Greg Miller explores images of the American urban and rural landscape of the mid-twentieth century. The wor...

Forever After All, Cut, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 36" Square. She is a Brunette with Green...

Larry Rivers Modernist mixed media "Brandeis Show Collage" work on cut paper. (this appears to be a vintage lithograph. It has a label that describes it as watercolor and charcoal on back. It is definitley hand cut.) Signed in several areas and stencilled across center. Work measures approx. 34 3/4" height x 20 3/4" width. Frame measures approx. 38 3/8" height x 26 1/4" width overall including frame. Silver paint loss on frame. Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman’s company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

Artist: Peter Max (1937) Title: Lady’s Hat Year: 1982 Medium: Mixed media, crayon, lithography on Arches paper Size: 6.25 x 7 inches Condition: Good Inscription: Signed by the artist...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

This vibrant circular acrylic painting, “Skylight 15,” by Jose Palacios exemplifies his distinctive pop art style. The artwork features bold and dynamic tropical-inspired shapes and patterns in a striking palette of yellow, blue, pink, white, green, black, and red. The composition is divided into sections, each containing abstract geometric forms that evoke a sense of movement and energy. The interplay of solid, vibrant colors and curved lines creates a harmonious yet electrifying visual effect. The round shape of the canvas enhances the modern and playful feel of the piece, making it stand out as a captivating centerpiece. The painting measures 27.5 inches in diameter and comes with a white circular mat that complements its clean, contemporary aesthetic. Palacios’s mastery of geometry and precision is evident, as is his ability to infuse his work with both structure and spontaneity. Jose Palacios, born in Spain in 1970, is a self-taught artist who began his career in comic books and illustration. He later transitioned into graphic design and street art, drawing inspiration from the “Movida Madrileña,” an explosive cultural movement of the 1980s during Spain’s transition to democracy. This vibrant cultural era also shaped renowned artists such as Ceesepe, Fernando Vicente, Ana Juan, Ouka Leele, and Javier de Juan...

This envelope was produced as part of "International Volunteer Day", a human right's cause created by the World Federation of the United Nations. This mailer includes stamps, the art...

A worthless painting is stolen and Batman and Robin summon The Flash and Superman to help capture the thief while "G" the gopher practices his painting technique...____________ but why for a worthless painting.________________ to be continued. This one of a kind, work on canvas titled "Wild Day in Gotham" measures 42x30" framed, canvas size is 40x28". It combines images of Ceravolo's original super hero paintings with a mixture of images from vintage comic books. Once Ceravolo is satisfied with the composition he then prints the one of a kind image on canvas at his studio using pigmented inks and then adds hand work to the art with spray paint, acrylic and polymer. Ceravolo's paintings are in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. His Large scale paintings have received international acclaim for more four decades and his art came to popular attention when he was commissioned to create 5 large scale oil on canvas portraits of Linda Ronstadt, Jackson Browne, Frank Zappa, Neil Young and Hall and Oates for the lobby of The Palladium Theatre in New York City. I have included images of Ceravolo with some of his celebrity collectors along with the story "Rock and Roll Painter" from the vintage music magazine...

Pop Art Portrait of Bob Dylan on vintage Rolling Stones magazine pages glued to wood. Acrylic on 1/4 inch thick plywood. All my works are professional finished and varnished. Signatu...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Jann Haworth (British / American, b. 1942) Sundance Signed, inscribed and dated ‘Jann Haworth / 2012 / Sundance’ (on the reverse) Mixed media collage 36 x 32 in. (91.5 x 81.3 cm.) P...

Wonder Woman by Dean Moore is created with mosaics using hand cut tiles. Mixed media, 30 x 25, framed to 32 x 26.5 It is a delightful, joyful, original artwork of this iconic Super Hero. We are thrilled to be representing this unique, creative artist. Dean Moore is a New York City based emerging artist. Being self-taught, Dean has experimented with various mediums and finds deconstruction to be a consistent theme in his work. Currently focusing on mosaics, Moore meticulously hand cuts ceramic tile, porcelain tile and glass into thousands of fragments—shaping and filing each piece precisely before thoughtfully positioning them together to create impactful mosaics. In the past, he used cereal boxes...

Lovely portrait of Lana Del Rey with signature black tear by pop artist Pure Evil, dated 2018 and painted with acrylic & spray-paint. Signed, titled, and ...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Sophia Loren in her prime. Enamel screen print and diamond dust on linen. Paint customized by artist. Floats in sleek contemporary black frame. Depth about 2 inches. About t...

16" x 22" monoprint on 300lb Arches watercolor paper, based on an old matchbook cover. :: Mixed Media :: Pop-Art :: This piece comes with an official certificate of authenticity sign...

Fun, vibrant mixed media piece featuring woman in vintage bathing suit. On wood. About the Artist: Allen's work has gained recognition world-wide for it's complex layering of mixed media works that create a narrative of modern American culture. His work today is a culmination of many years of painting, thinking and experiencing. He blends urban street art with his background of typography, mixed media collage, and abstract expressionism into each of his urban pop expressionist works. The son of fine artist / commercial artist Harrison Allen, Mark learned a lot very early from his talented father. His think training also includes a bachelor degree in commercial art from Texas State University in San Marcos, TX. He continued study at Parson's School of Design in New York City where he had an apartment across the street from Andy Warhol's factory (they met in 1982.) He continued study later at Art Center College of Design in Pasadena, CA. Allen is represented in galleries throughout the world. Museums he has shown in include The Rock & Roll Hall of Fame Museum - Cleveland, OH; Experience Music Project - Seattle, WA; Memphis Brooks Museum of Art; Dallas Museum of Art, and Acadian Museum - Lafayette, LA. He was a major figure in the graphic design community for over two decades. Much of his celebrated work is from the entertainment industry doing graphic design work for high profile clients including the 'Yu-Gi-Oh' logo, 'The Wizard of Oz' 60th Anniversary logo, redesigned Coca-Cola bottles, designed 'The Nightmare Before Christmas' logo for Disney and art directed for recording artist Sean 'P Diddy' Combs record label, Bad Boy Records. Promotion work for Pepsi, Diet Coke...

"M16", 2019, 80 x 60 cm, is a mixed media work by German artist Devin Miles depicting Sean Connery as James Bond. The mixed media work is a painstaking crafted work made of brushed a...

CELEBRATING MARILYN MONROE 100TH BIRTHDAY. 'Disco Marilyn' showcase how she would look like if she have lived in the 1970's. Unfortunately the legend died on 1962 but her never will...

Homage to the late, great Marilyn Monroe. Hand pulled silk screen. Diamond Dust. On linen. Custom paint created by artist. Would ship rolled. About the Artist: Russell You...

Original painting on canvas. Hand signed on front by the artist. Canvas size 10 x 10 inches. Custom framed in white with hand painted fillet. Frame size approx 19 x 19 inches. ...

Its Always Sunny. Acrylic and Spray Paint on Plywood. Ready to hang. The dimensions are 32x24 inches and 1/2 inch thick. Signature at the back. Original Created:2021 Subjects: Wo...

Mug Shot of Sid Vicious. Hand pulled acrylic, enamel screen print and diamond dust on linen. Would ship rolled. About the Artist: Russell Young curre...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Jann Haworth (British / American, b. 1942) Mickey Merz Signed, and dated ‘Jann Haworth 2010’ Mixed media collage 35.1/4 x 25.1/2 in. (89.5 x 65 cm.) Provenance: Private collection, Paris Piasa Paris Jann Haworth was born in Hollywood, USA. From 1959-61 she attended the University of California, Los Angeles before coming to England in 1961 to attend the Courtauld Institute and then the Slade School of Fine Art from 1962-3. In 1963, whilst a student at the Slade Haworth met Peter Blake at a party and they married in July of that year. Haworth moved into Blake’s Chiswick flat and she set up a studio alongside his where she produced her life-size textile figures. A pioneer of soft sculpture, she is best known as the co-creator of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album cover. Haworth is also an advocate for feminist rights, especially for women’s representation in the art world. Together with Pauline Boty...

Sinuosity sculpture. Wall hanging in any direction, 360 degrees or pedestal mount. Goldfish Orange metallic finish keywords; #sinuous, focus on material, sculptural folds, Aldo Cha...

Rare Keith Haring “Life is Fresh! Crack Is Wack!” 1987 sealed/unopened in its original shrink wrapping: A highly sought-after 1980s record album featurin...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Pop Art Portrait of Queen Elizabeth II. Acrylic on vintage paper and plywood. All my works are professional finished and varnished. Signature at the back. Ready to hang. Original ...

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

The King of Pop Art, Andy Warhol. Acrylic on 1/2 inch thick plywood. Ready to hang. Signature at the back. Original Created: 2021 Subjects: Popular culture Materials: Wood Medi...

Beautifully vibrant piece with neon message of magic. Background painted in artists' signature style. About the artist: Punk Me Tender (b. 1982) is a French street artist whose ...

Ceravolo's Mono Print with iridescent acrylic hand work is titled "RED POW" with YELLOW burst. based on his "Batman and the Movie Star" original painting on canvas. This canvas measures approx. 28x40" framed. Ceravolo has created several unique monoprints based on his "Batman and the Movie Star" painting all with different "POW" and burst colors. This one is RED POW with a Yellow burst. All of these monoprints have an iridescent painted Bat Signal in the sky hand painted by Ceravolo. One of The Hampton's most popular urban Pop artists Ceravolo's work has been exhibited alongside Warhol and Peter Max for years, his paintings are collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This Monoprint features Batman driving his Batmobile with a sultry Movie Star sitting next to him while at the same time there is a "Bat Call" signal in the night sky signaling him that there is a need for his help in Gotham City. Along with those two distractions the gopher "G" is standing next to Batman on the side of the Bat Mobile. While this is all going on Batman is thinking...."I must concentrate on driving" Maybe this is a typical night for Batman in Gotham City. We have included in this listing an image of Ceravolo with some of his famous collectors. His paintings can be found in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. Ceravolo's art came to popular attention when he was commissioned to create five large scale paintings for the lobby of The Palladium Theatre in New York City of Jackson Browne, Linda Ronstadt, Frank Zappa, Neil Young and Hall and Oates.

Steve McQueen Pop Art Portrait Acrylic and spray paint on cradled plywood. Ready to hang. Original Created: 2021 Subjects: Pop Culture/Celebr...

Solaris II. Acrylic on cradled plywood. Sealed, varnished and ready to hang with signature at the back. Original Created: 2022 Subjects: Pop Culture/Celebrity Materials: Wood S...

Vintage original Barbara Kruger Record Art, 1994 Off-set lithograph on vinyl record cover Measure: 12 x 12 inches Minor shelf wear; in otherwise good vintage condition. Very cool fr...

Paul Insect: Paul Insect is a UK contemporary artist. Best known for his collective named ‘insect’ that started in 1996 he is a collage, portrait master w...

Oil & Enamel Painted Silkscreen on Recycled Floppy Discs. Mounted on Custom built Panel. Sean Connery as James Bond. About the artist: Taylor Smith ...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

"Roll Up" is a unique mixed media on canvas (acrylic, resin, and vintage paper). This piece is signed and comes ready to hang. Sean Keith was born in 1982 and...

Free shipment worldwide. Acquired directly from the artist. Cecilia Cubarle paints. She makes bold claims for painting and the pleasure of the “act of painting”. She enjoys the sens...

"FRIDA", 2019, 140 x 120 cm, is a mixed media work by German artist Devin Miles. The mixed media work on canvas creates an impressive depth and three-dimensionality due to the artist...

3-D hand made artwork using Perler beads and mixed media in a plastic pot with foam dirt the artist lives and works out of Sweden and is represented by Krause Gallery in NYC