Keith Carrington

Third Eye Chakra #6

2020

Sacrifice Of The Rose 2015 Mixed Media on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and in...

Sacral Chakra #2 Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has ho...

Heart Chakra #4 Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has hon...

Crown Chakra #7 Mixed Media Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink...

Throat Chakra #5 Blue Heart Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting m...

Diptych Large Abstract Painting On paper Abstract watercolor on French Arches rag paper artist signed. Framed under plexiglass. Frank Monaco. Studied and worked with Marilyn Stiles of The Art Institute of Chicago/ Art History Painting, Museum Restoration and Preservation, 1972 – 1976 New York...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

"Thermogenesis 1," is an abstract work on paper featuring electric hues of pink, orange, purple, turquoise and white. This piece is framed in a simple white box frame behind Plexigla...

"Liminal (1)" is an abstract work on paper featuring hues of blue, purple, orange, yellow, and pink. This piece is framed in a simple white box frame behind Plexiglas measuring 17 by...

"Wayfinding (Fusion)," is an abstract work on paper featuring hues of blue, purple, orange, yellow, tan and gold. This piece is framed in a simple white box frame behind Plexiglas me...