Jeroen Allart Interior Paintings

This is a painting from my series of architecural paintings. In this particular painting I have played with colour by adding a striking cinematic pink sky which contrasts against a t...

Morning through Dartmoor by Georgie Dowling [2022] Signed by the artist Oil paint on canvas Image size: H:50 cm x W:75 cm x D:4cm Please note that insi...

Carolyn Tyrer Memories are made by the Sea Contemporary Realist Seascape Painting Acrylic Paint on Canvas Canvas Size: H 80cm x W 80cm Sold Unframed Please note that insitu images ar...

Brixham Harbour is an Original Painting by Eleanor Woolley. This painting is inspired by the Artist's summer vacations around Devon. Preliminary sketches were made of the harbour and...

Cotswolds in Pink is an Original Painting by Eleanor Woolley. Inspiration for this Painting is taken from Autumnal walks around Winchcombe this year. Moody pink skies reflect in the ...

Jill Pottle’s interior titled “Fairfield Porter’s Compound” is part of a new series titled “Interior.” Jill started interiors four years ago and tries to capture the natural light po...

Wild hedgerows appear to me like jewelled frames. Little worlds of independent structure housing and protecting a wide diversity of wildlife ... but also of great beauty and inspirat...

This is an oil painting of the iconic house in California designed by the famous architect Richard Neutra. I love to paint this house from many different angles and always focusing o...

Carolyn Tyrer Light on the Horizon Contemporary Seascape Painting Acrylic Paint on Canvas Canvas Size: H 60cm x W 80cm Sold Unframed Please note that insitu images are purely an indi...

Stillness. 2022. Oil on canvas, 55x38 cm Contemporary painting with gondolas by artist Clara M. Aguasca in pink colors

Tapas Ghosal - Untitled - 42 x 54 inches ( unframed size) ) Acrylic on Canvas , 2022 *** Framed ( packing : complimentary; shipping cost would need to be extra) Style : In Hindu philosophy, the 'Antahkaran' refers to the totality of two levels of mind , namely the Buddhi, the intellect or higher mind, and the Manas, the middle levels of mind which exist as or include the mental body. It refers to the entire psychological process, including mind and emotions. Ghoshal’s paintings weaves an Antahkaran, creating structural spaces, sometimes meditative & melancholic in nature. His contemplative mind, enters into the inner realm of reality, dissects it and extracts a kind of mystic silence. The extant contemplative in wardress in him got charged with meditative spirituality through his association with this heritage city. Benaras, started flowing in his canvasses both through landscapes and human faces. Since 1995-96 his Benaras paintings started transforming. Initially his landscapes contained reflection of naturalness transformed through melancholic chiaroscuro. Gradually the naturalness started disintegrating into expressionistic structures. At a certain stage during 2004-05 some of these structures yielded into abstractions shedding all the links with naturalness. Then again the sign-symbols integrated into geometrical structures reflecting traces of original locations. About the Artist and his works : Born : Born in 1965. Tapas spent his childhood and early youth in the quiet idyllic environment of rural Bengal. The soothing lyrical landscape and the intrinsic mythical past within the rural life made a great impact in his inner being, which aroused in him love for beauty, spiritual in nature, making him contemplative and inward looking. Educational Qualification : 1989 : Graduation in Painting from Govt.College of Art and Craft, Kolkata (First Class First) 1992 : Post Graduate in Painting from Benaras Hindu University, Varanasi (First Class). Solo Exhibition : 1993 : The Centre Art Gallery, Kolkata; 1994 : Gallery Katayun, Kolkata; 1997 : Gallery Katayun, Kolkata; 1997 : ABC Art...

Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...