Skip to main content

Shusaku Arakawa Art

to
1
13
1
2
7
7
1
3
6
2
2
Overall Height
to
Overall Width
to
7
3
2
1
1
1
1
1
14
3
7
3
14
6,934
3,279
2,514
1,213
10
6
3
1
1
Artist: Shusaku Arakawa
Still Life, from To and From Rrose Selavy, for Marcel Duchamp, Lt Ed silkscreen
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...
Category

1960s Dada Shusaku Arakawa Art

Materials

Screen, Mixed Media, Cardboard

The Degrees of Meaning
By Shusaku Arakawa
Located in New York, NY
The Degrees of Meaning 1973 Signed and numbered, recto Lithograph 31 x 23.25 inche This work is offered by CLAMP in New York City.
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph

Arakawa at Galerie Maeght exhibition poster
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Arakawa at Galerie Maeght, 1982 Offset Lithograph Poster 27 1/2 × 20 1/4 inches Unframed This collectible offset lithograph poster was created on the occasion of the ...
Category

1980s Abstract Shusaku Arakawa Art

Materials

Lithograph, Offset

Historic Dwan Gallery Poster: Presence or the Third Person
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Historic Dwan Gallery Poster: Presence or the Third Person, 1967 Offset lithograph poster 30 x 22 inches Unframed Rarely found, coveted 1967 poster from the legendary...
Category

1960s Contemporary Shusaku Arakawa Art

Materials

Lithograph, Offset

The Degrees of Meaning, from Realities and Paradoxes
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa The Degrees of Meaning, from Realities and Paradoxes, 1973 Color Lithograph and Silkscreen Hand signed, numbered from the edition of only 100 and dated on the front (lower right hand corner). Bears the Styria Studio blind stamp Frame Included Hand signed, numbered from the limited edition of only 100 and dated on front lower right hand corner with blind stamp. This work is from the Realities and Paradoxes portfolio. It is classic Arakawa - an important example of his way of displacing sometimes cryptic words onto images as a form of artistic philosophy and performance. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph, Screen

Double Point Blank
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Double Point Blank, 1979 Lithograph on paper with deckled edges Hand signed, numbered 13/45 and titled with publisher's and printer's blind stamp on lower front and printer's stamp on the back 35 × 60 inches Unframed Photos don't do justice to this impressive print! This interesting and uncommon conceptual lithograph by Arakawa was published from the limited edition of only 45. This late 1970s work, published by Topaz Editions in Florida, would make an excellent addition to any serious Arakawa collection. Hand signed, titled, numbered and dated on lower recto (front) with printer's and publisher's blind stamp and printer's stamp and inventory number on verso (back). Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph

Untitled 3 from "No!" Says the Signified, signed proof, aside from the ed. of 40
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Untitled 3 from "No!" Says the Signified, 1973 Lithograph and Silkscreen on Arches Paper with Deckled Edges Hand signed and dated on the lower right front Artist's Pr...
Category

1970s Conceptual Shusaku Arakawa Art

Materials

Lithograph, Screen, Pencil

Dear Picasso, from Homage to Picasso portfolio
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Dear Picasso, from Homage to Picasso portfolio, 1973 (Hommage a Picasso) Color Silkscreen on Satin Arches Velincarton Hand signed and numbered in graphite pencil on t...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Screen

Blankless Tone
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Blankless Tone, 1979 Color lithograph and silkscreen with embossing on Arches paper with deckled edges and folded collage upper left Hand-signed by artist, Titled "Bl...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph, Screen

Outside Blank
By Shusaku Arakawa
Located in Henderson, NV
Arakawa made an impact on the New York art world during the 1980s.
Category

1980s Abstract Geometric Shusaku Arakawa Art

Materials

Paper, Lithograph

original lithograph
By Shusaku Arakawa
Located in Henderson, NV
Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250), and published in Paris by Maeght. Image size: 15 x 12 1/4 inches (380 x 310 mm)....
Category

1980s Shusaku Arakawa Art

Materials

Lithograph

A Man Walking
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa A Man Walking, 1968 Silkscreen on velincarton (thin board) 29 4/5 × 21 4/5 inches Edition of 100 Hand signed and numbered from the edition of 100 on the recto Another rarely seen, richly colored mid century silkscreen by Arakawa, whose estate is represented by Gagosian Gallery. This work has only appeared a handful of times at public auction over the past half century. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan, Gadamer also wrote of the work: "There are songs to sing beyond the human." Arthur Danto has found Arakawa to be “the most philosophical of contemporary artists." For his part, Arakawa has declared: “Painting is only an exercise, never more than that.” Arakawa and Madeline Gins...
Category

1960s Abstract Geometric Shusaku Arakawa Art

Materials

Screen

USE THE FACT THAT - Lithograph by Shusaku Arakawa - 1973
By Shusaku Arakawa
Located in Roma, IT
USE THE FACT THAT is an original contemporary artwork by Shusaku Arakawa in 1973. Mixed colored lithograph. Hand signed and dated on the lower right margin. Numbered on the lower l...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph

"Galerie Maeght, " Offset Poster by Shusaku Arakawa
By Shusaku Arakawa
Located in Milwaukee, WI
Designed by Shusaku Arakawa, this was a poster for his exhibition at the Galerie Maeght in Paris, 1977. Shusaku Arakawa was a Japanese artist and architect. Shusaku Arakawa, who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and with whom he eventually formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan, Gadamer also wrote of the work: "There are songs to sing beyond the human." Charles Bernstein and Susan Bee observe, "Arakawa deals with the visual field as discourse, modal systems that constitute the world rather than being constituted by it." Arthur Danto found Arakawa to be “the most philosophical of contemporary artists." For his part, Arakawa declared: “Painting is only an exercise, never more than that.” Beginning in 1963, he collaborated with fellow artist, architect and poet Madeline Gins...
Category

Late 20th Century Shusaku Arakawa Art

Materials

Offset

Related Items
1960s James Rosenquist F-111 announcement
By (after) James Rosenquist
Located in NEW YORK, NY
James Rosenquist F-111 announcement: Vintage original folding exhibition pamphlet published on the occasion of a 1960’s exhibition in Stockholm at the Museet Moderna: September 29th-October 18th 1965. Features a reproduction of Rosenquist’s famed “F-111”. Folding out to four portions, the reverse chronicles an extensive interview (in Swedish) between Rosenquist & the museum. Rare and highly collectible. Medium: Offset printed fold-out museum pamphlet. Condition: Quattro fold-lines as issued; good overall vintage condition. Dimensions: 5.5 x 11 inches (opening to 5.5 x 44 inches). Unsigned from an edition of unknown; rare. Rosenquist began the painting F-111 in 1964, in the middle of the Vietnam War. He positioned his main subject, the F-111 military plane, which was in development at the time, flying through fragmented images of consumer products and references to war. Through its expansive network of colliding visual motifs, F-111 addresses the connections between the Vietnam War, income taxes, consumerism, and advertising. James Rosenquist was an American Pop artist known for his monumental paintings and prints. Often appropriating commercial imagery, his montage-like works combined popular culture, surrealism, and historical painting methods. “Much of the aesthetic of my work comes from doing commercial art,” the artist once said. “I painted pieces of bread, Arrow shirts...
Category

1960s Contemporary Shusaku Arakawa Art

Materials

Offset, Lithograph

Signed 1960s Jean DUBUFFET print (Jean Dubuffet exhibition poster)
By Jean Dubuffet
Located in NEW YORK, NY
Jean Dubuffet Ustensiles Utopiques 1966: Hand-signed Jean Dubuffet lithographic poster published on the occasion of: "Jean Dubuffet, Recent Pa...
Category

1960s Contemporary Shusaku Arakawa Art

Materials

Offset, Laid Paper, Lithograph

Frankenthaler, Mary Mary 1991, New York City, Lincoln Center
By Helen Frankenthaler
Located in Fairfield, CT
Artist: After Helen Frankenthaler (1928-2011) Title: Mary Mary (Lincoln Center Honorary) Year: 1991 Medium: Offset lithograph poster on extra thick Somerset paper Edition: 2000 Size...
Category

1990s Abstract Expressionist Shusaku Arakawa Art

Materials

Lithograph, Offset

Abstract Minimalist Color Silkscreen Print Will Insley On The Bowery Pop Art
Located in Surfside, FL
Will Insley On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...
Category

1960s Pop Art Shusaku Arakawa Art

Materials

Lithograph, Screen

Joan Miró Lithograph Derriere Le Miroir
By Joan Miró
Located in NEW YORK, NY
1970s Joan Miró Lithograph Portfolio: Derriere Le Miroir, 1973. Off-set lithograph in colors. 15x22 inches. Center fold-line as issued; very good overall vintage condition. Unsign...
Category

1960s Contemporary Shusaku Arakawa Art

Materials

Lithograph, Offset

Vintage 1970s Alexander Calder poster (Calder prints)
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder 'La Grenouille et Cie' Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature. Medium: Offset lithograph Dimensions: 25 x 32 inches An original 1st printing in very good vintage condition. Plate signed on the lower right from an edition of unknown. This is an original 1970s poster and not a recent reproduction of any kind. Related Categories Calder prints. Calder Mid Century Modern. 60s. Alexander Calder and Contemporary Art. Calder figurative. Vintage Calder.
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph, Offset

Alexander Calder lithograph derrière le miroir
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...
Category

1960s Contemporary Shusaku Arakawa Art

Materials

Lithograph, Offset

Hand of Africa - Mandela, Former South African President, Signed Artwork, Hand
By Nelson Mandela
Located in Knowle Lane, Cranleigh
Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...
Category

Early 2000s Contemporary Shusaku Arakawa Art

Materials

Lithograph

Bacon, Portrait Isabel Rawsthorne, 2003 (after)
By Francis Bacon
Located in Fairfield, CT
Artist: Francis Bacon (1909-1992) Title: Portrait Isabel Rawsthorne Year: 2003 Medium: Offset Lithograph on premium paper Size: 39.25 x 27.5 inches Condition: Excellent Notes: Publis...
Category

Early 2000s Abstract Expressionist Shusaku Arakawa Art

Materials

Lithograph, Offset

A Little Flower Painting: Yellow, White, and Purple Flowers
By Takashi Murakami
Located in Bristol, GB
Offset print 4C process with cold stamp Edition of 300 Signed and numbered on the front Mint
Category

21st Century and Contemporary Contemporary Shusaku Arakawa Art

Materials

Offset, Lithograph

French Modernist Mourlot Lithograph Vintage Air France Poster Roger Bezombes
By Roger Bezombes
Located in Surfside, FL
Vintage French Travel Poster, Air France Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters. He designed posters for Air France and for the French national railways. Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar. Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work. Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud. Select Solo Exhibitions: 1938: Galerie Charpentier, Paris 1950, '53, '55, '57: Galerie Andre Weil, Paris 1953:Wildenstein Gallery, London 1954: Institut Francais, Cologne 1956: Galerie Matarasso, Nice 1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris 1958: Denys-Puech Museum, Rodez 1962: Musee de l'Athenee, Geneva; Chateau Grimaldi, Cagnes-sur-Mer 1966: Galerie des Ponchettes, Nice 1967: Galerie Martel, Montreal 1968: Romanet-Vercel Gallery, New York; Reattu Museum, Arles; Le Corbusier Center, Firminy 1969: Galerie Philippe...
Category

1980s Modern Shusaku Arakawa Art

Materials

Offset, Lithograph

DADA Artist Abstract Figures Silkscreen Lithograph Print Israeli Modernist
By Marcel Janco
Located in Surfside, FL
Marcel Janco, was a Romanian and Israeli visual artist, architect and art theorist. He was the co-inventor of Dadaism and a leading exponent of Constructivism in Eastern Europe. In...
Category

20th Century Modern Shusaku Arakawa Art

Materials

Screen, Lithograph

Previously Available Items
1974 Shusaku Arakawa 'A Forgettance (Exhaustion Exhumed)' Contemporary Gray
By Shusaku Arakawa
Located in Brooklyn, NY
Paper Size: 14.25 x 38 inches ( 36.195 x 96.52 cm ) Image Size: 11.5 x 36 inches ( 29.21 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...
Category

1970s Shusaku Arakawa Art

Materials

Offset

Abtract Geometric Composition
By Shusaku Arakawa
Located in Kansas City, MO
Shusaku Arakawa Title: Abstract Geometric Composition Medium: Lithograph Year: 1977 Edition: Limited Publisher: Maeght, Paris Size: 14.8 × 21.8 inches Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) was a Japanese artist and architect. He had a personal and artistic partnership with writer and artist Madeline Gins...
Category

1970s Modern Shusaku Arakawa Art

Materials

Lithograph

"A Forgettance (Exhaustion Exhumed), " Large Diptych, 1974-75
By Shusaku Arakawa
Located in Long Island City, NY
Artist: Shusaku Arakawa, Japanese (1936 - 2010) Title: A Forgettance (Exhaustion Exhumed) Year: 1974-75 Edition: 60 Medium: Two Panels, Screenprint and Lithograph with Embossing, s...
Category

1970s Conceptual Shusaku Arakawa Art

Materials

Screen

"Iris Field: I See the Ceiling From my Bed, " Screenprint and Lithograph, 1974
By Shusaku Arakawa
Located in Long Island City, NY
Artist: Shusaku Arakawa, Japanese (1936 - 2010) Title: Iris Field: I See the Ceiling From my Bed Year: 1974 Edition: 60 Medium: Screenprint and Lithograph w...
Category

1970s Conceptual Shusaku Arakawa Art

Materials

Lithograph, Screen

Shusaku Arakawa art for sale on 1stDibs.

Find a wide variety of authentic Shusaku Arakawa art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of purple and other colors. You can also browse by medium to find art by Shusaku Arakawa in lithograph, screen print, offset print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Shusaku Arakawa art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Akio Takamori, Katsunori Hamanishi, and George Chemeche. Shusaku Arakawa art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $8,800, while the average work can sell for $2,500.

Artists Similar to Shusaku Arakawa

Recently Viewed

View All