Double-breasted purple wool coat with cape on the back Chloé
View Similar Items
Double-breasted purple wool coat with cape on the back Chloé
About the Item
- Designer:
- Brand:
- Dimensions:Width: 18.12 in (46 cm)Length: 51.19 in (130 cm)Marked Size: 46 (Fr) 16 (Us) XL (EU)Bust: 47.25 in (120 cm)Waist: 55.12 in (140 cm)Hip: 63 in (160 cm)Shoulder to Hem: 23.63 in (60 cm)
- Style:Circa 1993/94 (Of the Period)
- Place of Origin:
- Period:
- Material Notes:Pocket on both side. Shoulder-pad. One hidden button and one visible button on the middle font . Burgundy satin lining.
- Condition:Wear consistent with age and use.
- Seller Location:Saint-Ouen-Sur-Seine, FR
- Reference Number:Seller: B8011 1stDibs: LU2170222340572
Karl Lagerfeld for Chloe
More than a mere tastemaker, Karl Lagerfeld devoted himself to the continual pursuit of chic. “My life and my job,” the designer once said, “is to forget myself.” When Gaby Aghion started Chloé in the 1950s, it set a new precedent for stylish, high-quality French fashion that was not made-to-order. Chloé continued to thrive during the next decade, particularly with the appointment of great designers such as Lagerfeld, who refashioned the brand — his distinctive vintage evening dresses, suits and other garments for Chloé reflect the free spirit of the late ’60s and ’70s.
During his five-decade career as a designer for Chanel, Fendi, Chloé and many others, Karl Lagerfeld was a quintessential chameleon, ever evolving to embody the times. An outsize, instantly recognizable personality — his ponytail powdered like an 18th-century viscount, his eyes perpetually shielded by dark glasses, wearing fistfuls of chunky silver jewels — Lagerfeld was, above all, an avatar of style.
Born in Hamburg (in 1933, ’35, or ’38 by varying accounts), Karl Lagerfeld packed his bags for Paris in 1954. His design for a coat won him the International Wool Secretariat and landed him a job with the celebrated couturier Pierre Balmain. He went on to become the designer of Jean Patou, eventually realizing that his seemingly endless ideas could fuel a career as a designer-for-hire. As such, Lagerfeld lent his vision to everyone from Loewe and Max Mara to Krizia and Charles Jourdan, nimbly moving among a diverse range of styles. It was an unprecedented way of working in the days when freelance was still a dirty word.
Beginning in 1965, joined forces with the Fendi family, taking it from sleepy furrier to fashion’s haute-est stratum. The designer freelanced at Chloé alongside the likes of Gérard Pipart, Maxime de la Falaise and others before he was named staff creative lead in 1974. Lagerfeld stayed with Chloé until 1983, during which time he became known for his romantic silk dresses that continued Aghion’s feminine vision and were a favorite of the “rich hippie” set.
Because of his track record for reviving and reimagining brands that had grown stagnant, in 1984 Lagerfeld was handed the reins at Chanel, which had been gathering dust since its founder’s heyday. Lagerfeld’s collections for the brand displayed his knack for synthesizing old and new, high and low. He used each season’s inspiration to conceive Chanel’s signatures anew. And despite producing eight collections a year for Chanel, as well as four to five for Fendi, Lagerfeld never faltered in proposing new ideas each time he put pencil to paper.
Find vintage Karl Lagerfeld Chloé day dresses, coats and other clothing on 1stDibs.
Chloé
A part of the Left Bank intellectual crowd who shared her mother’s fondness for fashion, Chloé cofounder Gaby Aghion was inspired to empower independent working women to break from the conservative dress of the 1950s and don more free-spirited, feminine designs that were appropriate for both work and social life.
Born in Alexandria, Egypt, Aghion established her fashion house in Paris in 1952 with her business partner Jacques Lenoir to develop her own source of income, separate from her husband’s. She was one of the first designers to embrace the concept of luxury prêt-à-porter as a middle ground between haute couture and off-the-rack for the masses.
In 1964, Aghion hired a fledgling Karl Lagerfeld as a designer. The pair would bring Chloé into the international spotlight with their easy yet glamorous lines that drew such fans as Jacqueline Kennedy. Lagerfeld became the staff creative lead at Chloé in 1974 and stayed with the brand until 1983, during which time he became known for his romantic silk dresses that continued Aghion’s feminine vision and were a favorite of the “rich hippie” set. In 1988, then-unknown designer Martine Sitbon took the helm of Chloé for several years before Lagerfeld returned as creative director from 1992 to 1997, drawing all of the iconic 1990s supermodels to his runway.
After his second departure, Chloé tapped yet another early-career designer to lead the label: a punky 25-year-old Stella McCartney, who earned the position not because of her famous lineage (she’s the daughter of Paul and Linda McCartney), but because of her fashion education at Central Saint Martins and work experience on London’s Savile Row and at Christian Lacroix. Following McCartney’s exit to launch her own line in 2001 — not long after introducing the diffusion label See by Chloé that year — Chloé named Phoebe Philo to the post.
Under Philo’s leadership, Chloé expanded from women’s clothing to an accessories line — including handbags — and debuted the legendary Paddington bag in 2005. The padlocked satchel, notorious for weighing a hefty three pounds while empty, became one of the “It bags” of the decade (the brand’s double-handled Marcie holds its own in that regard); the entire 8,000-bag initial production run sold out via preorders.
Philo left Chloé in 2006; her successors include, among others, Clare Waight Kelle and Natacha Ramsay-Levi, who announced that she would be departing the house in late 2020. Part of Chloé’s decades-long lasting influence — which we’d like to speculate would appease Aghion greatly — is the brand’s dedication as a career-launching platform for newbie designers, particularly women.
Browse an extraordinary inventory of vintage Chloé handbags, day dresses, shoes and more on 1stDibs.
- Black silk velvet Opera coat with beads and rhinestone embroidered Circa 1920Located in Saint-Ouen-Sur-Seine, FRBlack silk velvet coat with beads and rhinestone embroidered 1920. Pink silk velvet liningCategory
1920s French Opera Coats
- Bright pink feather's coat Sonia RykielBy Sonia RykielLocated in Saint-Ouen-Sur-Seine, FRBright pink feather's coatCategory
Early 2000s French Coats and Outerwear
- Off-white damasked velvet and mink coat Lilli AnnBy Lilli AnnLocated in Saint-Ouen-Sur-Seine, FROff-white damasked velvet and mink coat. Jewellery buttonsCategory
1960s American Coats
- Evening coat in lurex jacquard and salmon color velvet Circa 1925Located in Saint-Ouen-Sur-Seine, FREvening coat in lurex jacquard and salmon and gold color velvet Circa 1925. The lining is in salmon silk.Category
1920s French Opera Coats
- 1930/40 grey chevron wool coat with triple button tabLocated in Saint-Ouen-Sur-Seine, FR1930/40 grey chevron wool coat with triple button tabCategory
1930s American Coats and Outerwear
- 1925's Pink silk velvet cape with padded collar and smocks on the shouldersLocated in Saint-Ouen-Sur-Seine, FRPink silk velvet cape with padded collar and smocks on the shoulders. Silk lining. Pleated like a sleeve in " trompe l'oeil" ( but there is no sleeve...Category
1920s French Capes
- Art Deco 7 Ft. Black Silk Manila Piano Shawl With White Floral EmbroideryLocated in New York, NYArt Deco black silk piano shawl hand embroidered with white silk floral design and 12" hand knotted silk fringe. The shawl is visually beautiful, soft...Category
Early 20th Century Philippine Shawls
- Mariano Fortuny Burgundy Stencilled Crepe CoatBy FortunyLocated in Riverdale, NYFortuny translated the caftan as a loose fitting outer garment, usually made out of silk velvet crepe or gauze the fitted back and open front allowed for elaborate stenciled decorati...Category
Early 20th Century Italian Art Deco Coats
Price Upon Request - Mariano Fortuny Black Stencilled Velvet Persian Style CoatBy FortunyLocated in Riverdale, NYThis three-quarter length black velvet persian coat was printed with metallic paints with Venetian glass buttons and silk loop closures at the center fr...Category
Early 20th Century Italian Art Deco Coats
Price Upon Request - Mariano Fortuny Black Stencilled Velvet Long CoatBy FortunyLocated in Riverdale, NYFortuny's coats often take their inspiration from a myrid of references,renaissance,persian,arabic .These are often elaborately decorated in historical motifs surprisingly unrelated...Category
Early 20th Century Italian Art Deco Coats
Price Upon Request - Mariano Fortuny Pink Stencilled Velvet Persian Style CoatBy FortunyLocated in Riverdale, NYthis three-quarter length orange-red cut velvet jacket was printed with metallic paints with Venetian glass buttons and silk loop closures at the center front.
The han...CategoryEarly 20th Century Italian Art Deco Coats
Price Upon Request - Mariano Fortuny Green Stencilled Velvet Long CoatBy FortunyLocated in Riverdale, NYFortuny translated the caftan as a loose fitting outer garment,usually made out of silk velvet crepe or gauze the fitted back and open front allowed for elaborate stenciled decoratio...Category
Early 20th Century Italian Art Deco Coats
Price Upon Request
Recently Viewed
View AllRead More
Remembering Fashion Designer, Collector and Supreme Tastemaker Karl Lagerfeld
The creative force behind brands like Chanel, Fendi and Chloé was as exacting in his interiors as he was in his clothing designs.
Carrie Bradshaw Would Approve of This Pierpaolo Piccioli for Moncler Puffer Ball Gown
An ensemble appropriate for the Met Gala or trudging through a blizzard? This is it.