Pair of large dark brown patinated bronze Japanese lanterns 灯籠 (tôrô)

Exceptionally shaped bronze vase with a striking ‘coarse’-textured red mottled patina. The bowl subtly shaped like a flower, its slightly concave body flanked by ‘butterfly wing’-sha...

Remarkable and very large bronze 4-tiered trumpet vase intricately designed with a motif of tumultuous waves. It’s crafted to give the impression that the trumpet-shaped chalice, is ...

Heavy bronze temple bell (bonshô) of traditional shape with an appealing echoing sound when struck. Its surface is a rich brown, complemented by a hint of light green aged patina. ...

Very refined Japanese bronze okimono of a ‘karasu tengu’ holding a candlestick. Well cast as a tengu in half-human, half-bird form standing atop a pile of leaves on a rounded square...

Pair of high quality cast iron chôshi (sake ewers) with a detailed lacquered lid. Its body with a refined embossed design of a bird of prey (môchô) perched o...

Fantastically shaped large Japanese bronze mimikuchi (ear-mouth) flying handle vase. The vase has two large flat handles smoothly running into the mouth, its body has four sides and each side is decorated with a spiral in relief. With very nice original patina. Mimikuchi-form vases derive from archaic Chinese pottery...

Large patinated bronze Japanese koro incense burner Japanese, late 19th Century Dimensions: Height 221cm, width 97cm, depth 57cm This monumental koro...

A good quality pair of Japanese bronze and enamel pagoda shaped garden lanterns. Each with a patinated bright bronze finish and multicolored classical enamel decoration, circa 1900.

Pair of 19th century Meiji period Japanese candle holders in patinated bronze, fashioned as cranes (or herons) standing on minogame turtles.

An elegant pair of Japanese cast and lacquered bronze pagoda lanterns, Taisho Period, circa 1920, Japan. The lanterns a true pair, with mirrored decorations and lantern doors opening in opposite directions. The lanterns of traditional toro form, cast in bronze, and lacquered. Each lantern comprised of three parts - the "roof", the "fire box", and the pedestal. This type of pedestal lantern is called a dai-doro, as opposed to the hanging lantern type, tsuri-doro. The hexagonal roof of the lantern, reminiscent of temples or pagodas, features a wonderful, dense cloud pattern with three heart-shaped cutouts, known as inome, or boar's eye. The roof topped by a hoju, the Buddhist flaming Jewel of Wisdom. Each of the six corners feature a fantastic shachihoko, mythical beasts with the face of a tiger and body of a fish. Bells are suspended from the shachihoko. The globular body of the lantern features four pierced panels with the three leaf hollyhock mon of the Tokugawa clan surrounded by a karakusa pattern of scrolling vines. One panel serving as a hinged door with a lock stylized as the Three Jewels...

A slender shape patinated bronze vase depicting a naturalistic scene of a cricket sitting on iris leaves. Signed Joun in relief within an oval reserve. Origin: Japan Period: Meiji ...

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...