Inlay Sculptures and Carvings

These three antique handcrafted inro cases, are a wonderful collection of Japanese Sagemono (hanging object). These inro have several sections stacked ...

Antique Burmese Carved and Lacquered Wood with Inlaid Colored Glass Short Monastic Attendant Sculptures - Set of 2 Enhance your home decor with this exquisite set of antique Burmes...

Antique Burmese Carved & Lacquered Wood with Inlaid Colored Glass Tall Monastic Attendant Sculptures - Set of 2 Showcasing intricate detailing and craftsmanship, this exquisite pair...

A lovely vintage 20th c., carved and giltwood standing Burmese Mandalay Buddha, with green and clear mirrored inlaid details, on wooden stand. The Buddha is depicted standing with a...

Qing Dynasty Chinese Buddhist Wood Carved Portable Shrine with Bronze Bell. Imperial Qing Dynasty Chinese intricately carved openwork altar shrine. It is hand carved in hardwood and...

Thai Rattanakosin-Era Carved and Gilded Throne Side Panels Ornately carved panels with gilding from Thailand. The central portion of these panels depict...

A pair of Chinese Qing Dynasty period shop signs with inlaid blue and white porcelain calligraphy and black/dark brown lacquered ground. Presenting a unique pair of Chinese Qing Dyna...

A spectacular Japanese cast, carved, and parcel gilt bronze sculpture, okimono, of a kneeling samurai archer, signed Kiyotsugu (died 1894), Meiji ...

A pair of vintage Northern Thai double ram reddish brown lacquered sculptures from the mid-20th century, with elegant black antlers, green glass jewelry...

Sculptural signed Okimono from the Japanese Meiji period (1868-1912). Very rare, unusual and large sculptural assembling of a dysplaying piece of okimono. Created in Japan during the imperial period of the Meiji (1868-1912). This extraordinary okimono was carefully carved depicting a group of three intricately and realistically rendered carousing skeletons (Gaikotsu) in relax and resting position, drinking and smoking. Two of them, probably males representations are resting on a wicker sofa. The third, is a woman seated in a lower stool offering drinking cups of sake on a round tray. A small rectangular bench is arranged in the scene. The composition is displayed on a four-legged carved wood platform with an inlaid red plaque engraved with the artist's signature. The level of detail and the quality of the carving is truly exceptional. Has an exact measurements of 209.55 mm by 196.85 mm by 127.76 mm (8.25 x 7.75 x 5.03 Inches). After an extensive collection of data, comparables and references to this piece, we have only been able to find only three okimono sculptures like this with similar themes and the same quality of work. References Note: A similar carving of four skeletons playing an animated game of dominos, signed Shutaro in an inlaid rectangular red plaque, was sold in London by Christie’s South Kensington in October 14 2014, Lot 120 Sale 5546. References Note: A similar carving with four skeletons in an otherwise typical victorian scene of a photographer and three sitters signed Shutaro in an inlaid rectangular red plaque, was sold in Edinburgh at Lyon & Turnbull in November 7, 2018. References Note: A similar carving with five skeletons seated, playing cards and drinking, was sold in London by John Nicholson Fine Art on September 26, 2018. Meiji period, is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keio era and was succeeded by the Taisho era, upon the accession of Emperor Taisho. Okimono, is a Japanese term meaning for display an ornament; art object; or decorative object, usually displayed in a tokonoma or butsudan "Buddhist altar". It is an ornament or figure, especially one placed in a guest room. An okimono may be a small Japanese...

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with gilded gold and glass. Age: Burma, Early Mandalay Period, Early 19th century. ...

A vintage Northern Thai double ram black painted sculpture from the mid-20th century, with elegant antlers, green glass jewelry motifs and red accents. Found in Northern Thailand, this horizontal sculpture...

A striking pair of very decorative and serene Carved Wood Kneeling Supplicants in bold red paint flecked with gold and having applied colored mirror piec...

Burmese wooden disciple seated on a base, with gilded gold and inlay of colorful glass pieces on the borders of the robe. Age: Burmese, 19th century Size:...

Beautiful handmade Pietra Dura marble plaque with colorful semi precious stones. Pietra Dura is a term for the inlay technique of using cut and fitted highly polished colored semi pr...

A pair of monumental oversized wood and bone inlay pedestals with intricate detailed design and etching to tell an ancient Chinese narrative with C...

A scarce, high-quality antique Burmese jewel inlaid solid bronze chinthe sculpture. Dating to the late 19th century, likely originating in the Mandalay region of central Burma, the fearsome looking beast depicted in traditional Burmese iconography and important architecture, especially as a pair, the protective temple guardians placed flanking the entrances of Buddhist religious pagodas and monasteries. Burma; circa 1880 PROVENANCE: The estate of Mr. Wesley and Mrs. Suzanne LaFever, Beverly Hills, California. ACQUISITION: We acquired this outstanding example from the reputable auction house, Austin Auction Gallery, Austin, Texas. Fine Estates and Antiques catalog, December 2021 DESCRIPTION: Exquisitely sculpted and cast of heavy, patinated solid bronze, finely detailed and decorated throughout, intricately engraved with scrolling ornamentation and fine detailing work, old nicely aged polished finish developing a warm, mellow patina with highly desirable scattered verdigris, minor inlay losses add to the charming antique character. Stoic in stance, posed at attention proudly squatting back on its haunches, front legs straight, possibly roaring with head up and straight ahead, mouth ajar with teeth and long tongue exposed, ornate armor plating and horned mane, fanciful stylized tail, inset with Myanmar style brilliant colored mirrored glass jewels. BRIEF HISTORY / BACKGROUND: Predating the use of coins for money, brass weights cast in the shape of iconic animals like the Chinthe were commonly used to measure standard quantities of staple items. Chinthe, the Burmese word for lion, while leograph of Chinthe is an artistic highly stylized lion; the rare Southeast Asian Burmese equivalent to Foo Dogs, Japanese Komainu, Tibetan Snow Lion...

Tai Yai Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Tai Yai is a tribal people living in Burma. It is dif...

Antique Burmese wooden Buddha standing on a lotus base, with gilded gold and inlay of colorful glass pieces on the headband. Age: Burma, Mandalay Period, 19th Century Size: Height 5...

Burmese wooden Buddha standing on a lotus base, with gilded gold and inlay of colorful glass pieces on the headband and borders of the robe. Age: Burma, Mandalay period, 19th centur...

A vintage Thai carved wooden monk statue with red, black and gilt finish, inlaid mica and Abhaya Mudra (fear dispelling) gesture. Immerse yourself in the s...

An extraordinary, 11 lb hand crafted lapis lazuli horse. The horse is modelled in gallop with the left leg lifted in a prancing pose and the right r...

A Burmese gilt dry lacquer monumental head of the Buddha, Shan States, Myanmar (Burma), early 20th century. This monumental dry lacquer and gilt head ...

Intricately crafted by a master carver. Heavy and ornate. These two would liven any setting. Quite unique and eye-catching. Dimension: 12" high, 14" wide, 7" deep.

A lovely northern Thai cast bronze seated meditating Buddha statue with shell inlaid eyes, style of Wat Chedi Luang, Lan Na Kingdom, region of Chiang Mai, 15th-16th century.  The statue of the historical Buddha, Shakyamuni, is portrayed in dhyanasana, seated upon a double lotus pedestal atop a raised platform. His legs in virasana, the half lotus position, hands in dhyana mudra, the gesture of meditation. The Buddha's face is youthful and pleasant, reminiscent of faces of contemporaneous Sukhothai Buddha...

A rare and beautiful Thai cast and gilt bronze seated Buddha with shell inlaid eyes, style of Wat Chedi Luang, Lan Na Kingdom, Northern Thailand, region of Chiang Mai, late 15th cent...

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

Finest Quality Dreamstone Inlaid Chair China- an extraordinary prolifically crafted example of an antique hand carved hardwood chair inlaid with multiple natural dream stone "paintings" plus "butterfly and mother of pearl" inlays in its hardwood arms and seat, late 19th century. This type of old Chinese furniture art form with marble inlay is centuries of years old dating as far back as the Ming dynasty (1368-1644). Fine round and rectangular dream stones depicting mountains and the natural outdoor scenery are inlaid in the seat, back and interior sides of this finest furniture example. Thin marble inlaid stone "paintings" are approximately 1/4" thick and are cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. The hardwood (elmwood) frame is tenon joined. The natural stone "paintings" were hand especially for fine export chairs as in this example. Chair dimensions: Height 38.75 inches Width 25.75 inches Depth 19 inches Period : late Qing period, 19th century Provenance: Private American Chinese collection Reference: Dreaming of Dreamstones China’s Extraordinary Natural Stone Paintings, Schneible Fine Arts. Dreaming of Dreamstones – World’s first comprehensive English text publication covers China’s extraordinary natural Stone Paintings, by author and dream stone lecturer Douglas Schneible, 35 pages, softcover, ISBN 978-0-578. See photos. We have been dealing in authentic Chinese natural stone paintings...

One of the figures that have impacted me –among the religions I have had the joy of approaching, studying or even living– is undoubtedly the Lord Buddha. This figure reminds me of the ascetic Buddha who describes Herman Hesse...

From the Estate of Paul & Clara Kellner. This large bronze of Daikoku or the God of Prosperity closely associated with farmers, agriculture and rice staples of Japanese life and stability. His attributes are a co-mingling of Indian Buddhist forms of Shiva and the Shinto God...

A large and impressive Nepalese tantric gilt bronze figure of the dikpala Yama and his sister, Yami, early to mid-20th century (1920s-1940s). Well cast and richly gilt, the buffalo headed dikpala (directional guardian) of the South stands upon the back of a bull trampling a prostate figure. Yama is portrayed here in his four armed form. His primary arms hold a flaming kapala (skull cup...

This serene Jain altarpiece of the enthroned and unclothed Buddha with numerous attendant figures including elephants is characteristic of Jain bronzes fro...

A pair of Burmese wooden seated disciples. Age: Burma, Mandalay Period, 19th century Size: Height 23 - 23.8 C.M. / Width 15 - 17.8 C.M. / Length 18.2 - 19.7 C.M. Condition: Nice con...