Early 1900s Vases

This beautiful glass bowl shimmers with an iridescent reflection under typical lighting conditions. The artist Kralik created this style of glasswork based on the Nautilus Decor coll...

A charming pair of Art Nouveau vases featuring a pair of fairies. One of the fairies calls out to her partner, who listens from the other vase. The reverse of the vases each has a da...

5484 Large Della Robbia Vase decorated in an Art Nouveay Design of Stylised Tulips below a scolloped neck by Charles Collis Light crazing with a little staining to the neck and a gla...

Meiji Period amazing Japanese Cloisonne vase. Meiji Period (1868-1912). The reign of Emperor Meiji and the beginning of Japan's modern period. It st...

Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery factory was loc...

Emile Galle (French 1846 -1904) Soufflé Cameo Vase Large Emile Gallé Mold-Blown Cameo Glass Berries Vase, circa 1910 Yellow and cream background with mold ...

Emile Gallé, Nancy, Art Nouveau Cameo Vase with Hydrangeas - France ca. 1904. Polychrome overlaid decoration with hydrangeas on a milky and pink background, marked Gallé with a star,...

A sumptuous art nouveau French cameo lake landscape acid etched cameo vase with applied handles. Sunrise or sunset with a yellow orange background with engraved trees, bushes and mou...

Small but elegant glass vase in a polished brass mount. The vase was designed by Antoinette Krasnik (School of Koloman Moser). The vase was produced by the Bohemian glass manufacture...

This is a Daum Nancy "Dawn landscape" miniature double-glazed vase decorated with birch trees and groves of trees in perspective, engraved in reserve and enameled in polychrome on a ...

The front of this Royal Worcester porcelain vase features a spray of hand painted thistles and other flowers in the style of Edward Raby junior. Raby (b. 1863) was at Royal Worcester...

Not one, but two hand blown Art Nouveau Bohemian vases attributed to Loetz with organic "feather" turquoise threading over the apple green body. The bright iridescence makes these ey...

Émile Gallé (1846-1904), Art Nouveau Cameo Glass Vase « Gladioli Flowers » Large piriform vase on heel with long collar in dark blue and blue multi-layered glass Cased glass, opales...

Bulbous shoulder vase on a flush stand, short neck piece with silver mount as a ring in a smooth, slightly flared design, on the outside opposite two fully sculptural branch and cone bundles, colourless glass with white powder meltings, overlay in blue-violet and green, meadow flower decoration etched in various stages, matt etched inside and outside. Cameo signature 'Gallé' with star on the wall between the plants. Silver mount hallmarked 'Minerve casquée' for 950 silver, France, and master's mark. Hand-made Cameo Glass: Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels were already being made in antiquity; at the end of the 19th century, Émile Gallé further developed this glass art, created Art Nouveau designs and employed a large factory in Nancy...

The virtuosic blending of color and texture shows how inventive decoration can triumph over nondescript form. Brightly colored drips of slurry clay cascade like melted wax down the t...

2 Brass jugendstil vases vienna around 1908 Brass polished and stove enameled

Pair of Chinese turquoise porcelain vases, each with a gilt bronze base, made in the 1900's. They consist of a wonderful hand-painted depic...

This Vase has gorgeous Petina around the female sculpture. It gives the illusion that she is climbing up the vines that wrap around the vase. Possibly early 1900s. Marble or stone ba...

A vase, Johann Lötz Witwe, Klostermühle, c. 1900 Decoration: Crete chiné (1896/97); green underlaid glass; pre-blown into a multi-piece ribbed mold; ...

Early 20th Century Bronze mantle urn with black composite base featuring the Greek Golden Fleece Chrysomallos decorative with black composite base. Measurements: Length: 14 3/4" Wid...

Amphora Austria "Campina" Owl Pottery Vase circa 1910 An Austrian Pottery vase adorned with an owl-inspired design motif stands out for its intri...

A diminutive and expertly painted cabinet vase with hand painted portrait of Queen Louise, signed Wagner. The iridescent blue Background with raised hand gilt decoration with sunflo...

A vase, Johann Lötz Witwe, Klostermühle, c. 1900 Decoration: Candia mimoza; clear glass with opaque silver-yellow powder melts, craquellé; iridescent...

Vase in the shape of a beaker with a straight wall and flush stand, colourless glass with reddish-yellow coloured powder fusions, overlay in moss green and violet on the outside, hyd...

A fine example of Hand Hammered Russian Copper Retailed by The Stickley Brothers at the turn of the century. Original Patina and Riveted Details Shown in the line drawings in the per...

The firm, JOHANN LOETZ WITWE, was a producer of decorative glass located in a Southern Bohemian town which is today known as Kláštersky Milyn in the Czech Republic. Under various own...

Antique Victorian Spelter & Marble Figural Mermaid Centerpiece Bowl Vase Epergne. Item features ornate detailed mermaids figures, black marble plinth, pinkish purple vase insert, sub...

BOHEMIAN FLUX: A VASE, kuk Fachschule für Keramik und Verwandte Kunstgewerbe, Turn-Teplitz, c. 1905; the ceramic vase with a dark underglaze ground has a matte orange peel overglaze in ochre, apricot, lapis and celadon; the shape of the vase resembles a Japanese Saki bottle with the addition of four long and slender handles at the top third; incised before firing on the base in script lettering,“P.W.”, stamped before firing with the Fachschule mark and 73, and marked “G2.” in black ink; the vase measures: 13” high. Flux- continuous moving, a glazing method, fusion- the artist who produced this remarkable vase has presented a profoundly poetic and technical meditation on this subject. Moving way beyond the pursuit of creating only functional objects, the student ceramists at Fachschule Teplitz had ingrained in them the Europeans’ fascination for Japanese objects “from the floating world” and the design aesthetic known as Japonisme. Truly modern interpretations of Japonisme had begun to evolve into an internalizing of the aesthetic principles and a shift away from imitation of Japanese style applied to a Western format. This vase is noteworthy in that it illustrates this important Modernist shift in European ceramics. The elements of the saki bottle can be divided into three key components which taken as a whole create a rather feminine line. In keeping with this approach, the Fachschule student presents a slender bare neck, like décolletage, which flares ever slightly and then narrows to a high waist before voluptuously widening down and terminating gracefully to a round base. The ceramist gives special emphasis to pleasing proportions and the complementary relationship to the number 3; the measurement at the widest section of the vase equals the same distance from that point up to where the bottoms of the handles join to the body of the vase as well as the full arms’ length. Instead of inscribing the vase with Japanese calligraphy denoting a saki shop, the student takes a radically modern approach by attaching the vase with four handles. And yet, this act is every bit a form of written identification. The arms are the embodiment of the idea of flux in that they are a substance applied to a surface by the welding together to promote their union. The handles serve a new and surprising function. They are carriers of a concept. Fluidity- flux -can be created when an artist joins disparate elements into a harmonious whole. Flux is also a substance used to promote the fusion of minerals and metals and a term describing ceramic glazing. The presence of silica in glazes creates a glassy finish when fired at high temperatures. Matte glazes result from the presence of crystals under the surface and the balance between silica, flux and alumina in the glaze materials. By deliberately under-firing this vase and playing with a combination of additives forming the flux glaze, the end result appears matte and textured. The orange peel quality and alluring color palette are transformative. The effect evokes a waterfall or another continuous moving flow of water like a stream - in flux. So not only does this artist take a Meiji Period saki bottle and the aesthetic tenets of Japonisme as the formal and theoretical points of departure, the artist infuses the work with the symbolism of skill itself where artistic mastery as the embodiment of flux becomes the subject to ponder. As a fully realized and beautifully rendered piece, the vase attests to the artistic prowess of its creator. No longer a mere student working in the shadows of the teacher and no longer simply imitating or replicating past styles, this emerging artist shows the complete fluid transfer from student to master ceramist. Seen in this light, the vase represents a significant and pivotal achievement in Modern European ceramic ware. Fachschule für Keramik und Verwandte Kunstgewerbe (the Imperial School for Ceramics and Associated Applied Arts, 1875-1917) was a powerhouse of the ceramics industry. Located in the Turn-Teplitz region of Bohemia near the German border of what is today The Czech Republic, this was Europe’s largest pottery center in the first part of the 20th century. The school played an integral role in the center’s internationally regarded success as it provided the foundation of sourcing and training new talent for noted local manufacturers such as Amphora. It was at the Fachschule that master artists from these local ceramics houses enjoyed teaching and lecturing posts, and in true synergistic spirit, the big ceramics...

overlaid and acid-etched with pendant flowers and leaves signed in cameo Gallé This beautiful glass vase is an authentic vase due to the petal-shaped mouth opening. very attractive...

Roskilde Lervare Fabrik floor vase manufactured by a well known but very undocumented factory called Roskilde Lervare Fabrik in Denmark in the early 1900’s. This model carries model ...

Roskilde Lervare Fabrik vase manufactured by a well known but very undocumented factory called Roskilde Lervare Fabrik in Denmark in the early 1900’s. This specific vase is marked wi...

Vase in upright drum shape on an oval, flush stand, short neck piece raised at the top centre with slightly flared, raised rim, two handles fused onto the sides of the outer rim and ...

Very beautiful vase in enamelled polychrome painted ceramic. Persian, Qajar dynasty dating from 1900. Beautiful painted decoration of birds and flowering branches...

This is a magnificent set of 5 of highly decorative early 20th Century Etruscan style Lekythos vases also known as black-figure pottery painting. Figures and ornaments were painted o...

Post War Brass Japanese Dragon Cloisonné Vase with scenic of a dragon flying through the sky. Crica 1900 dimensions are 4.25" inches in height

Van Briggle 1902 Vintage Arts And Crafts Pottery Three Color Poppy Plate 20 Rare and exceptional example decorated with a stylized poppy and leaves designed by Artus Van Briggle. Exc...

Multilayered glass vase, in cameo technique. Cylindrical form in mottled orange, red, and brown, circa 1910. The decor of flowers and leaves is engraved in reserve and taken up on th...

A large octagonal green glazed earthenware vase with blue glazed squares, marked Austria and numbered 7143. These type of vases were made in the Vienna School of Applied Arts (Wiener...

Art Nouveau ceramic fruit bowl stamped with a crown by, AUSTRIA AMPHORA 390042. Austria, CIRCA 1900.

Van Briggle 1902 Vintage Arts And Crafts Pottery Brown Poppies Ceramic Vase 2 Superior and early arts and crafts crafted vase in a wonderful Mountain Crag brown and green glaze. Show...

Large Faience Vase Art Nouveau Royal Dux Circa 1900. Chesnut bogues and leaves. Pink flowers. Height / 21.7 inches.     

4-piece set consisting of two vases and a centerpiece for flowers, made of silver-plated bronze with cut glass, manufactured by WMF-Württembergische Metallwarenfabrik (1853 to the pr...

Model $21008 The firm, JOHANN LOETZ WITWE, was a producer of decorative glass located in a Southern Bohemian town which is today known as Kláštersky Milyn in the Czech Republic. Und...

Vase "Glycines" (Wisteria) made in multilayer purple and white cameo acid-etched glass. Molded signature. Perfect condition.  height : 33 cm

These matching green pillar vases' bases are painted black and contain various geometric designs that work their way up the shaft of the vase, eventually becoming less concentrated....

Austrian art nouveau ceramics Origin Austria Circa 1900 Possibly designed by Eduard Stellmacher (1868-1945) Material: Glazed Technical Ceramic Excellent c...

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

Theodor Hermann Schmuz-Baudiss for Konigliche Porzellan-Manufaktur. This vase features a geometric thistle at the neck and variations of animals at the shoulders, a hawk and a lion/...

Lot of THREE ART NOUVEAU signed by Boch Keramis circa 1900 Vases in earthenware decorated with Arabic on gilding incised by Boch Brothers Kéramis circa 1900. Signed BFK 593 A/L Size:...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase « Anemones » circa 1900 Rare Galle French cameo glass vase in dark blue over yellow Blue Anemones flowers design Signed in cameo Gallé Émile Gallé was born in Nancy on 4 May 1846, the only son of Charles Gallé...

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

A Tudric pewter twin handled vase with a tall cylindrical neck and everted rim, the handles of sinuous organic form fashioned with Celtic entrelac motifs. Stamped - TUDRIC 0214 Des...

Model #4619 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Christian Thompsen (1860 - 1921) for Royal Copenhagen. Established in 1775, Royal Copenhagen grew to become one of the major producers of Danish porcelain. 1895 marked the beginni...

Model #4598. Hard Earthenware. Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The ...

The Manufacture Nationale de Sèvres, established in 1756, had fallen on hard times by the late 19th century, with critics accusing the factory of a lack of creativity and imagination...

A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting a rampant lion with a ball in its forepaws. Beneath the lion is a mottled background (on the front side only), with a foliate and floral margent. Each vase has the same scene painted on the front of the main body: a couple walking through a field surrounded by flowers. The opposite side has a floral rinceaux above a foliate branch. Painted in a similar fashion, the two concave vases are without lids. The side opposite from the cartouche of the couple has floral margents. All five vases have canted corners on the base. Inspired by Italian majolica, the faience produced in 16th century Holland...

French Majolica White Rose Vase Circa 1900. H / 6.5 inches.