Table Lamps

Exceptional pair of 1950's Murano sommerso white and clear glass table lamps containing exaggerated bullicante with avventurina and hardware finished in golden brass. Although not at...

A stunning pair of vintage table lamps by Hala Zeist, made in Germany and dating from the 1950’s. The quality is superb and they have an incredibly stylish design. They are made fro...

A stunning pair of French 19th century Louis XVI st. patinated Bronze, black Belgian Marble, and Ormolu lamps. Each finely detailed lamp is raised by a square black Belgian marble st...

A beautiful zoomorphic lamp signed H.O... In a beautiful satin black. Very good original condition. A masterpiece by an unkown ceramist... France, 1950s

Rare pair of clear glass and bronze flower table lamps in the style of Maison Baguès, France, circa 1950s. Socket: each 1 x E27 or E26 (US) ...

A large table lamp in the form of a vase. The dark blue ceramic vase is decorated with a black leave and flower pattern in Persian style. The va...

LUIS BARRAGÁN (1902-1988) From Casa del Pedregal (Casa Prieto López) Manufactured by Hugo X. Velázquez México, 1952 Ceramic, parchment leather Ceramic table lamp Measurements To...

The sleek flat base, a hallmark of mid-century aesthetics, provides stability and a sense of balance to the lamp's unique form. Adding a touch of elegance to the design is the beauti...

A very impressive late 19th century French Sevres style porcelain and gilded ormolu vase / lamp. Having classical putti mounted on each scrolling foliate handle, raised on Palm tree ...

Rare and iconic lamp conceived by the creative genius of Ettore Sottsass and produced by Rinnovel. Distinctive aluminium cone lampshade with a shining golden color, supported by a m...

An impressive, good quality late 19th Century Chinese export blue and white crackleware vase / lamp. Having wonderful hand painted scenes of soldiers on horseback and running holding...

Pair of Antique French Parcel Gilt and Repousse Brass Oil Lamps, Circa 1830-1840.

A beautiful and finely detailed pair of French 19th century Louis XV st. light green fire glazed Porcelain, Ormolu, and Giltwood lamps. Each lamp is raised by a square Giltwood platf...

Victorian Silver Plated Neoclassical Candle Stick in the form of a Reeded Corinthian Column - converted to electric lamp - 10" diam x 19"h - The lampshade(s) are newly handmade silks...

Pair of table lamps model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass, lacquered brass and original fabric shades. Stamped. Josef Frank was a true European...

Large, imposing vintage 1950s wrought-iron lamp. Heavy weight, measures 63cm and 39cm without shade. Personal delivery or free delivery in Paris.

Rare Yasha Heifetz Mounted Lavender Glazed Ceramic Nautilus Shell Lamp, Circa 1950s. A beautiful biomorphic rendering of a nautilus shell with mottled...

A very impressive large pair of antique brass table lamps, dating from around the 1950’s. They are of superb quality, with beautiful...

Pair of Riviera style mini table lamps with original vintage shades, France circa 1950's.

Mid-Century Modern Table Lamp,Metal and Glass, Italy, 1950s

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Gorgeous pair of Italian 1950 design table lamps/lights in the style of stilnovo. Patinated brass frame with white metal shades. The shades can be ...

An original ship's oil lantern that has been converted to electricity, which can be used either as a table lamp or hanging lamp. The glass has bubbles and inclusions consistent wi...

A very decoration and good quality late 19th Century Chinese Famille Rose vases / lamps. Each depicting wonderful exotic flowers and foliage. Batch 72. 61601. TNUKZ.

A most impressive and high quality pair of French 19th century Louis XIV st. ormolu and Portoro marble candelabra lamps signed Maison Bagues. The ...

A striking large scale true pair of French 19th century Louis XVI st. Belle Époque period ormolu candelabra lamps. Each seven arm lamp is raised by an elegant triangular shaped base ...

A wonderfully impressive 19th century bronzed Spelter vase depicting the Ancient Greek Sea Goddess Amphitrite with a Sea urchin and cherubs around her.

A handsome pair of French 19th century Renaissance st. patinated bronze and black Belgian marble lamps signed F. Barbedienne. Each lamp is raised by an impressive hexagonal black Bel...

A stunning and extremely high quality pair of French 19th century Louis XVI st. rock crystal and ormolu girondoles lamps. Each two arm Marie Antoinette lamp is raised by a pierced sc...

An exceptional and most unique French, 19th century, Louis XV St. Ormolu and Alabaster lamp. The lamp is raised by a beautiful pierced scrolled foliate ormolu base with richly chased...

An elegant pair of French 19th century Louis XVI st. white Carrara marble and ormolu lamps. Each lamp is raised by a circular white Carrara marble base with a fine fitted wrap around...

Sèvres style with gilt metal mounted porcelain urns shape pair table lamps over a canted square onyx base, with exuberantly painted design details and foliate motifs. Each lamp is in...

An elegant French 19th century Louis XVI st. ormolu and tole bouillotte lamp. The lamp is raised by a fine circular dish with a beautif...

Elegant, c. 1860, French, polished, crystal table lamp. The beveled central column above an etched base in radiating pattern, and surmounted in stunning, gilt bronze Corinthian capital. Mounted with a custom, pleated silk shade...

In excellent condition. Very unusual. Hand painted with custom parchment shade, which is 7' in diameter.

A most elegant pair of French 19th century Louis XVI st. patinated bronze, ormolu and white Carrara marble lamps. Each lamp is raised by a square white Carrara marble base with conca...

Originally, a candlestick converted to a lamp. 19th century Blanc de Chine Foo dog. Fine French bronze mounts. Converted to lamps at a later time. Custom parchment shade is 7" high x...

An exceptional and most charming true pair of French 19th century Neo-Classical st. ormolu and Rouge Griotte marble lamps. Each lamp is raised by its original elegant circular Rouge Griotte marble base with a fine wrap around a double mottled border. Each lamp depicts the beautiful Psyche draped in a wonderfully executed flowing dress with a shawl...

Table lamp of style napoleon III in black nickel-plated bronze with 3 arms of lights and its lampshade.. We have one table lamp in stock however we can produce them made to measur...

A pair of 19th century two-tone table lamps, easily converted to use silk ShadeLabeled "Lampe a Moderateur par Brevet d' Invention et de.

A most elegant pair of French 19th century Louis XVI st. patinated bronze and ormolu lamps after a model by John Flaxman. Each lamp is raised by ormolu ball feet and a solid white Ca...

A very good quality 19th century Japanese Imari vase or lamp. Having classical Imari colors of oranges and blues, depicting flowers, motifs, and inset panels of children playing and ...

A good quality pair of French 19th century gilded ormolu lamps, each having two putti seated on a scrolling foliate base.

A lovely and high quality Asian and French collaboration 19th century Louis XVI st. Imari porcelain and ormolu lamp. The lamp is raised by an elegant ormolu base with fine wrap aroun...

A good quality late 19th century Chinese Cantonese / rose medallion vase / lamp. Having gilded dog of faux handles and serpents, classical green ground decoration with inset painted ...

A most impressive and large scale French 19th century Louis XVI st. ormolu and porcelain lamp, signed by Sèvres. The lamp is raised by striking triangular shaped porcelain base with ...

A rare pair of Regency twin-light gilt bronze mounted, pillar and file cut, glass candelabra by John Blades. The firm of John Blades was first recorded in the London guide for 178...

Lisa Johansson-Pape Table lamp Manufactured by Orno Finland, 1950 Brass, leather, canvas shade From the archives of Side Gallery. Barcelona Measurements 10 cm x 10 cm x 69 H cm 3.93 in x 3.93 in x 27.10 H in Literature Design Musuem, Lisa Johansson-Pape, Helsinki, 1986; Ornamo, Helsinki, 1962 Bio Finnish designer Lisa Johansson-Pape enjoyed a long and varied career in lighting, furniture, textile, and ceramic design. She was one of Finland’s leading lighting designers in the 20th century and was instrumental in promoting Finnish design internationally. Born in 1907, Lisa Johansson-Pape studied at the Industrial Art Institute in Helsinki University of Art & Design (Now Aalto University of Art & Design), graduating in 1928. She worked as a furniture designer for Kylmäkoski and Stockmann and created carpets for the Friends of Finnish Handicraft, before turning her attention to lighting design. She collaborating with the Stockmann-owned lighting factory Orno from 1942, famously remarking, “it was quite by accident that I became a design light artist. By education, I am a furniture designer, but I had to make lamps during the war.” Notable designs include the Lisa (1947), Sipuli (1954), and Laura (1957) pendant lamps. The Sipuli, often referred to by the English translation Onion, resembles the form of the vegetable for which it was named. The angular design in opaline glass was awarded a gold medal at the Triennale di Milano in 1954, which was just one of several prizes Johansson-Pape received in her career; she was also awarded a silver medal at the 1951 Triennale...

A beautiful pair of Asian 19th century porcelain vases mounted into lamps with French 19th Century Louis XVI st. ormolu mounts. Raised on square bases with scrolled feet and a reeded design. The vases depict imagery of a Asian gifting...

A stunning and very large scale pair of French early 19th century Louis XVI st. ormolu candelabras mounted into lamps after a model by Pierre Gouthière. Each lamp is raised by a tria...

An elegant and very high quality French 19th century Louis XIV st. patinated Bronze and Ormolu candelabra lamp. The lamp is raised by fine square mottled feet below the base with lov...

Absolutely gorgeous midcentury pottery table lamp by Fog & Mørup of Copenhagen for Aluminia of Denmark. This beautiful table lamp has such a classic midcentury design to the shape an...

An elegant and high quality pair of French 19th century cobalt blue Sèvres porcelain and ormolu mounted lamps. Each lamp is raised by a fine square ormolu base with concave corners a...

A most elegant pair of French 19th century Louis XVI st. porcelain and ormolu Pâte sur Pâte lamps. Each lamp is raised by a fine ormolu base with mo...

Neck is 360 adjustable

An attractive and unusual French 19th century Neo-Classical Verde Antico marble, patinated bronze and ormolu lamp with all original gilt & patina throughout. The lamp has a triangula...

A striking and very unique pair of French and Asian collaboration 19th century Régence st. porcelain and ormolu vases mounted into lamps. Each lamp is raised by a finely detailed pie...

A beautiful French 19th century Louis XVI st. hand blown cobalt blue glass and ormolu candelabra mounted into a lamp. The lamp is raised by an elegant foliate designed ormolu base be...