Silk Historical Memorabilia

A Union Jack from Shackleton’s Imperial Trans-Antarctic Expedition 1914-1917 This small handmade silk Union Jack Flag was carried by Dr Robert Selbie Clark (1882-1950). It is frame...

Italian 19th Century male waistcoat and female top A 19th Century (ca 1845) Italian set of a male waistcoat and a female top. Both upholstery is made of silk and embroidered with m...

An antique early 20th century German Catholic Flag. Front reads: Katholischer Gesellen Verein (Catholic Journeymen Association) / Gegrundet 1868 (Fou...

This is an absolutely rare and one of a kind custom made Plaque represents the History of Jewish People and their acceptance in society and freemasonry through out the world. The Plaque had been hand crafted and designed by August Klein- Purveyor to the Imperial and Royal Court of the Emperor Franz Josef of Austria. The Revolution of 1848 in the Austrian Empire seen by many Jewish intellectuals as a welcome opportunity to agitate for the emancipation of their community. Generally the social evolution of the Jewish community, the growing number of Jews who wanted to become Masons,their cultural integration, and the progress of the process that would soon lead to their legal emancipation all worked in favor of this change in attitude. In Austria it all started in 1742, only 25 years after the founding of the Grand Lodge of London and Winchester, the Lodge "Aux Trois Canons” was consecrated in Vienna by a Lodge from Breslau. It was, however, closed only six months later by order of “Empress” Maria Theresa I. Her husband Franz Stephan von Lothringen, (later the German Emperor Franz I...

There are 2 wood and glass frames that must be an early firefighters lifetime collection. I'm guessing these were commemorative convention badges. Most are from New York and the surr...

From the French fashion house, Hermès, a vintage silk scarf from the Manège line, circa 1974. Designed by Philippe Ledoux for Hermès in 1974, this an early vintage of a classic is...

Oh so smart is this wonderful ladies handbag, 1930s. There is no makers mark but was sourced in the US so likely to have originated from there originally. The body of the bag is slou...

Brooke Cadwallader Silk Scarf, The Carnival Print – 1947-1950 Brooke Cadwallader was a well-known printed textile designer of the mid-20th century...

Vintage Hermès Silk Scarf, Les Clés designed by Caty Latham, first issued in 1965. This ‘Keys’ scarf is an early issue with a Jade green border, and showing interlocking gold keys...

39 star silk statehood flag. 23 1/2" x 15". Was the unofficial North Dakota Flag. As South Dakota was also admitted as the 40th state on the same day this...

Super rare neckties designed by Alexander Girard for Herman Miller, 1960s. We don't think these were ever in mass production. All th...

A Japanese red and black lacquered palanquin or norimono Edo period, early 19th century Made of lacquered wood, latticework and bamboo, black velvet and gauze with gilt scroll...

Wedding shoes Lovely French Victorian cream silk wedding shoes with simple flower bud embellishment. The bride wore a size 6. Original vintage treasure i...

For your consideration is the original Art Deco leather handbag. The chrome frame with an etched geometric design handle is stunning and with a leather frill along the edge really se...

These dainty, pointed slippers, made of cotton and silk embroidered with pink flowers, were shaped to resemble a lotus bud and enhanced the diminutive shape of bound feet. A practice that began in the Tang dynasty and reached the height of its popularity in the Qing dynasty, foot binding was a painful process intended to make a woman's feet as small as possible by restricting bone growth from an early age. The smaller the feet the more attractive and erotic they were, giving elite women a mark of elegance and a distinctive - albeit tortured - gait of small, light steps. These silk lotus slippers...

No self-respecting man in Qing-dynasty China would leave the house without some kind of hat. Headgear was central to social status and those of title relied on their hat to convey their rank and cultural identity. This conical hat is the summer hat of a Qing-dynasty official and would have been worn from the third month of the Chinese calendar...

This is a rare 31-star medallion printed American flag, celebrating the addition of California to the Union. The flag is printed on silk and has a spectacular “Great Star” canton pat...

This is an original 46-star American parade flag, printed on silk. Each star represents a state in the Union at the time. The official flag design would update every July 4th, to inc...

This antique military hat and fitted hat box was made by W. Cater of London England for the Brigadier General Lawrence Drummond in approximately 1...

This is an original 46-Star American parade flag, celebrating Oklahoma statehood. Each star on the flag's canton represents a state in the Union at the time. The official flag design would update every July 4th, to include any new states added to the Union in the past year. Oklahoma, the 46th state, entered the Union on November 16, 1907. As such, this 46–star flag was the official flag of the United States from July 4, 1908, until July 4, 1912. The silk flag has a dark blue canton with 46 white printed stars. The stars are printed in an 7-8-8-8-8-7 row configuration, or “Drum design.” The flag design is completed with 13 alternating red and white stripes, each stripe representing one of the original thirteen colonies. The land that comprises Oklahoma today was added to the United States as part of the Louisiana Purchase of 1803. Throughout the 19th century, the U.S. government relocated Indian tribes from the southeastern United States to the area, and by 1900, over 30 Indian tribes had been moved to what was originally called the Indian Territories. At the same time, ranchers in Texas began to move into the area in search of new pasture lands. Although stipulations in the Indian Relocation Act agreed that the land would forever be Indian Territory, the promise of fertile farmland trumped the government’s promise of sovereignty. On April 22, 1889, they opened the land to settlement by homesteaders, creating a land run in which settlers, called “Boomers,” were allowed to cross the Texas or Arkansas border at a particular hour to claim homesteads. Settlers who illegally crossed the border earlier to stake prime land were called “sooners,” which eventually became the state’s nickname. Wagons and the Santa Fe railroad carried cartloads of men and women to blank town sites and building plots, creating ten thousand-people communities in a matter of days. The following year, the region was further divided into Indian Territory and Oklahoma Territory...

These dainty, pointed slippers, made of blue silk and embroidered with pink flowers, were shaped to resemble a lotus bud and enhanced the diminutive shape of bound feet. A practice that began in the Tang dynasty and reached the height of its popularity in the Qing dynasty, foot binding was a painful process intended to make a woman's feet as small as possible by restricting bone growth from an early age. The smaller the feet the more attractive and erotic they were, giving elite women a mark of elegance and a distinctive - albeit tortured - gait of small, light steps. These embroidered silk lotus slippers...

The caption of this charming pen and ink, watercolor and gouache vignette reads "A troupe of Eastern Entertainers taken from diary of G. Copeland 1830." Perhaps a rememberance from...

For your consideration is this super stylish "Arvey" Genuine Corde bag in chocolate brown with original change purse. Three gold tone bars across the front f...

For your consideration is this superbly stylish and rare 1930s-1940s Art Deco black suede bakelite grab bag. Labelled 'Made in France' to the inside. This bag feels lovely to use with its soft body and light weight. Beautiful shape and size, a genuine Art Deco 1940s vintage black suede with stunning bakelite clasp and decorative accent. A French made bag that comes to you in excellent vintage condition with no major issues inside and out. It is fully lined in black rayon that is great condition, this one is a stunner. The interior is very generous in size and perfect for modern day use. Plenty of room here for everything, the bag measures a healthy 12" (30 cm) wide and 9" (22.5 cm) high with the large cherry bakelite...

For your consideration is this superbly stylish and rare 1930s black silk velvet clutch bag originating from England. Features a chrome frame and cla...

For your consideration is this superbly stylish and rare 1930s Art Deco pyramid box bag, a beautiful design. I can't sing the praises of this bag enough, it's an absolute delight. Th...

25th Design Patriotic American silk flag with 48 stars. Arizona Statehood Feb 14, 1912; New Mexico Statehood Jan 6, 1912 Period: 1912 Origin: United States Size: 12" x 17". Family ...

These pointed silk slippers are beautifully embroidered with colorful bats and golden coins, symbols of happiness and good luck, and were shaped to resemble a lotus bud to enhance one's bound feet. A practice that began in the Tang dynasty and reached the height of its popularity during the Qing dynasty, foot binding was a painful process intended to make a woman's feet as small as possible by restricting bone growth from an early age. The smaller the feet the more attractive and erotic they were, giving elite women a mark of elegance and a distinctive, albeit tortured, gait of small, light steps. These beautifully preserved lotus slippers...

These pointed silk slippers, beautifully embroidered with pink plum blossoms, were shaped to resemble a lotus bud and enhanced the diminutive shape of b...

Each of these pointed slippers, crafted of beautifully embroidered silk, were shaped to resemble a lotus bud and enhanced the diminutive shape of bound feet. A practice that began in the Tang dynasty and reached the height of its popularity during the Qing dynasty, foot binding was a painful process intended to make a woman's feet as small as possible by restricting bone growth from an early age. The smaller the feet the more attractive and erotic they were, giving elite women a mark of elegance and a distinctive - albeit tortured - gait of small, light steps. These beautifully preserved lotus slippers...

• A black underslip worn by Madonna in 1990 during rehearsals at LA's Landmark Studios for her Blonde Ambition tour. Madonna (1958-) is a globally-successful singer, toppling the mu...

These pointed slippers, beautifully embroidered with light blue plum blossoms on black silk, were shaped to resemble a lotus bud and enhanced the diminutive shape of bound feet. A practice that began in the Tang dynasty and reached the height of its popularity during the Qing dynasty, foot binding was a painful process intended to make a woman's feet as small as possible by restricting bone growth from an early age. The smaller the feet the more attractive and erotic they were, giving elite women a mark of elegance and a distinctive - albeit tortured - gait of small, light steps. These beautifully preserved lotus slippers...

Franco-American textile with the image of an eagle supporting knotted and draped american and French flags beneath four war planes; embroidered silk floss and metallic bullion thread...

Lord Roberts of Kandahar silk handkerchief. This wonderful souvenir handkerchief has been newly framed in a shadow box frame and is mounted onto a linen background. The handkerchief is printed with an image of Lord Roberts of Kandahar in his military regalia with the words 'India 1879-1893, South Africa 1900, Lord Roberts of Kandahar' around the image. Kandahar and skiing are synonymous with each other after Lord Roberts lent his name to the world's very first downhill ski race...

No self-respecting man in Qing-dynasty China would leave the house without some kind of hat. In fact, headgear was so central to social status that a boy’s passage into manhood was m...

COLORADO STATE FLAG OF EXCEPTIONAL QUALITY, MADE OF SILK, CIRCA 1911-1920’s, EXTRAORDINARILY RARE IN THIS PERIOD AND THE EARLIEST EXAMPLE THAT I HAVE EVER ENCOUNTERED Early state flags are few and far between. While I am asked for them constantly, most states did not actually have official flags until the 20th century. On May 6th, 1911, Colorado became among the last to adopt a design. The project of doing so was spearheaded by the Denver Chapter of the Daughters of the American Revolution. The bill was introduced by Senator W.H. Sharply and adopted by the Eighteenth General Assembly. The artwork was the product of A.C. [Andrew Carlisle] Carson, President of the Ohio Society of Colorado. The meanings behind the elements in the design are as follows: The large letter "C" stands for Colorado and simultaneously for the Centennial State (Colorado entered the Union in 1876, the year in which our nation celebrated its 100th anniversary of independence), as well as the Columbine State (reflecting the state flower). The red color is included due to the fact that the word Colorado translates to scarlet or red in Spanish. The circle represents the sun, while the gold color symbolizes all-the-year sunshine, Colorado’s status as the greatest gold state, and one Columbine color. It was also included so that the Colorado state flag would have one more color than the U.S. flag. The color white reflects Colorado’s status as the greatest silver state, its eternal mountain snow, and one Columbine color. Lastly, the shade of Yale blue symbolizes all-the-year blue sky and one Columbine Color. Members of the D.A.R. were proud to note that this was also their color. Made sometime between the initial year of the adoption of this design and the 1920’s, this particular flag is the earliest Colorado example that I have ever encountered. The blue and white bars, red “C,” and golden circle are a’’ made of silk taffeta. This was a costly fabric, reserved for the best material a flag-maker produced. The flag is constructed in the manner of a battle flag, to be carried on foot. Squarish in its overall profile, silk was the fabric of choice for flags employed in this function, due to the fact that it was light weight, and thus practical for hand-carrying, while simultaneously formal in appearance, appropriate for the sort of ceremonial use that military presentation often demands. The style of the hoist is also typical for field or parade use. Here the fabric was rolled over to form an open sleeve, through which a wooden staff could be inserted. The sleeve is lined on the interior with black cotton. Leather tabs, at the top and bottom, fit over metal posts on the staff, designed to accept them, to fix the flag in its proper position. The bars were pieced and joined with lineal machine stitching. The hoist and fly ends were finished and hemmed by the same method. The devices are double-appliquéd (applied to both sides) with a machine buttonhole / blanket stitch. Though machines that produced buttonholes were, remarkably, available alongside the earliest standard machines, in the 1850’s and 60’s, the use of this sort of stitch in a running format, for appliqué work, remained highly unusual, even as late as the first half of the twentieth century, probably because it used a ton of thread when compared to the zigzag or satin stitch. It could be expected to appear more often in the hands of a maker of very fine flags, that employed embroidery machines and commissioned custom, fancy work of all sorts. Though unsigned—in no way uncommon in early examples, which were seldom signed—that is precisely the sort of firm that produced the Colorado flag...

38 star antique American parade flag with scattered star orientation, made of silk, with generous scale and vivid colors, Colorado Statehood, 1876-1889 38 star American national p...

Elaborate sailor’s souvenir embroidery from the orient with a beautiful hand-painted image of Washington crossing the Delaware, surrounded by a large eagle, federal shield, crossed flags, a cannon, cannonballs, and anchor, circa 1885-1910: Between roughly 1880 and 1915, American sailors visiting the orient could obtain beautiful needlework embroideries on shore, with patriotic American themes. These extraordinary works of art were acquired as mementos of a long voyage, often with the hope that they might be presented as gifts for loved ones and friends. Using silk floss, elaborately embellished with both silver and gold metallic bullion thread...

13 HAND-EMBROIDERED STARS AND EXPERTLY HAND-SEWN STRIPES ON AN ANTIQUE AMERICAN FLAG MADE IN PHILADELPHIA BY SARAH M. WILSON, GREAT-GRANDDAUGHTER OF BETSY ROSS, SIGNED & DATED 1911: ...

48 crocheted stars on a very graphic, three-dimensional flag made from silk ribbon and crocheted rings, WWI Era (U.S. involvement 1917-18) Homemade, ha...

Rare violet & yellow Suffragette parade banner, the plate example illustrated in the text reference on the subject, made ca 1910-1920. Hand-painted banners...

Rare & Beautiful American Parade Flag With Images Of Teddy Roosevelt And His Great White Fleet, 1907-1909, Ex-richard Pierce Collection: 46 star parade ...

"EQUAL SUFFRAGE FOR MICHIGAN IN 1916," ADVERTISING FAN FOR THE BISSELL 'CYCO BALL BEARING CARPET SWEEPER,' COMMISSIONED BY ANNA BISSELL (1846-1934), AMERICA'S FIRST FEMALE CEO Oriental-made, twill-woven silk fan with gilt lettering that reads : "Bissell's 'Cyco Ball Bearing Carpet Sweeper' makes sweeping easy," set within an interesting, open, geometric design. A purposefully curved, paper label beneath was applied by the "Michigan Equal Suffrage Association, Kalamazoo, 405 So. Burdick St.," whose byline is along the bottom. On it, a terrific message reads: "OVER 100,000 WOMEN pay taxes in Michigan on property assessed at $177,596,938. In 1910 OVER 175,000 MICHIGAN WOMEN signed a petition sent to Congress asking for Equal Suffrage. 247,373 MICHIGAN MEN voted...

This is a printed silk handkerchief from the interwar period, with an Italian aviation theme. This handkerchief features four early aircraft plane models, two of which are seaplanes. The inner field of the handkerchief is pale blue and contained by a black three-line waving border. The outer field is medium blue, with a darker blue at each corner. A white and black fasces rests in each corner. The center of the silk features a golden spread-wing eagle. Above the eagle’s head floats a gold crown. The eagle’s talons grip a shield printed with the Savoy arms, a white cross on a red field. Two gold fasces adorn either side of the shield. In most historical accounts of the early days of military aviation, our reverence for the activities of the American Expeditionary Force and its French and British companions-in-arms on the western front has led us to overlook the immense Italian contribution to the formation of airpower doctrine. The first aerial force projection occurred on Nov. 1, 1911, when Lt. Giulio Gravotta, flying a German-built monoplane, dropped one bomb on Zard and another on Taciura -- in Libya -- during the Italian-Turkish War. This event occurred just a little more than a year after the first flight of an Italian-designed and built aircraft. At about the same time, Gianni Caproni, a young Italian engineer with a passion for innovation and a vast admiration for the Wright brothers, built his first flying machine. By May 23, 1915, the day Italy entered World War I, Caproni had become Italy's leading aircraft designer and manufacturer. Caprooni designed and built a multi-engine bomber with range and bomb capacities to make it a potent offensive weapon. On Aug. 20, 1915, two of these Caproni three-engine bombers attacked the Aisovizza aerodrome with explosive and incendiary bombs, a preview of the most sustained, effective air offensive of the First World War. By early 1916, regular raids against Austro-Hungarian targets were being conducted by seven squadrons of Caproni bombers, with some 540 bombing missions flown by the year's end. Missions were on the increase, both in distance to targets and number of aircraft involved. In late 1917, due to the lack of suitable training facilities in the United States, a contingent of some 500 Americans were sent to Foggia, Italy, to learn military flying. After completing their training, the new pilots were commissioned in the Army Air Service, and the majority of them were sent to France to serve with the American Expeditionary Force. About 75 remained in Italy under the command of Capt. Fiorello LaGuardia...

PATRIOTIC SILK KERCHIEF OF THE CIVIL WAR PERIOD, WITH AN ENGRAVED IMAGE OF GEORGE WASHINGTON, CROSSED 34 STAR FLAGS, AN EAGLE, AND "UNION FOREVER" SLOGAN: Patriotic kerchiefs that date prior to the 1876 Centennial of American Independence are rare among surviving 19th century textiles. Printed on silk and made during the opening years of the Civil War, this example consists of a white ground with red and blue borders. Inside is a prominent, copper engraved, device that consists of a large image of George Washington, crowned by a spread winged eagle that grasps a billowing streamer in its beak and talons. The ribbon boasts the Federal sentiment "Union Forever." The likeness of Washington is derived from Gilbert Stuart's Athenaeum portrait. Below this is a facsimile of Washington's signature, cradled by crossed American flags, each with 34 stars arranged in circular medallions. Although political textile historian Herbert Ridgway Collins associated this kerchief with the centennial of American independence,* there is overwhelming evidence that it was produced earlier. The large scale is much more indicative of kerchiefs produced in the 1860's and prior. Made of silk, the binding is hand-stitched, which is also common of those produced before 1876. When these facts are added to the pro-Union Civil War slogan and flags in the 34 star count, the combination of all these factors points firmly to Civil War period manufacture. Kansas was admitted into the Union as the 34th state on January 29th, 1861, about two-and-a-half months before the Confederate assault on Fort Sumter that marked the beginning of the Civil War. The 34th star was officially added on July 4th of that year and the star count remained official until July 4th, 1863. Further evidence can be found in an example of this kerchief that resides in the collection of the Adams County, Pennsylvania Historical Society, with firm provenance to a woman by the name of Emma Yount. The story goes like this: “With the Battle of Gettysburg looming and the countryside in turmoil, the Union cavalry rode into Gettysburg on the afternoon of June 30, 1863. The troopers dismounted and lounged in the town while awaiting further orders. During that time, the seven year old daughter of innkeeper Israel Yount, Emma, was playing outside their home when a cavalryman asked her to come and visit with him while he was resting. The cavalryman told her that he missed his young daughter at home and asked if little Emma would hug and kiss him on the cheek to remind him of his daughter, who he felt he might not ever see again. Emma asked her mother if she could do as the cavalryman suggested, and her mother considered the circumstances and allowed Emma to do so. Before leaving, the cavalryman gave young Emma a silk handkerchief he was carrying that featured George Washington's image and patriotic border and flags. Emma kept that handkerchief until her death in 1946 and it was then donated to the Adams County Historical Society.” The trio of brass rings, hand-sewn along the top edge, would have been added by a former owner so that it could be hung vertically. The textile itself is both beautiful in design and rare. Outside of an example pictured by Collins in his book “Threads of History” (Smithsonian Press, 1979), and the copy in the Adams County Historical Society, only three others like it are known to have surfaced, including this example. This condition is excellent for the period and it survives as an exceptional relic of the War Between the States. It is of interest to note that kerchief bears marked similarities to another, especially rare, pro-Union variety, that was produced in London for the American market. Notably larger in scale, but very much alike in terms of the fabric, the printing, the shades of red and blue, the verbiage, and the general overall graphic feel, it was produced by Foster & Porter, a known, English maker of printed kerchiefs. Instead of featuring George Washington, the imagery centers on a large cannon...