Foam Sofas

STUDIO Sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Outdoor Setup 3 (2x large,1x small, 2x armrest): L300cm / P96cm / H70cm / Seating H42cm Modular sofa: assemble differ...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Outdoor Measures: Setup 1 (2x medium, 1x ottoman, 1x armrest): L. 240 cm / P. 96 cm / H. 70 cm / Seating H. 42cm Modu...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Outdoor Measures: Setup 1 (2x medium, 1x ottoman, 1x armrest): L. 240 cm / P. 96 cm / H. 70 cm / Seating H. 42cm Modu...

Original condition.

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 1972. The search for a new...

cognac leather Le Bambole-seater Sofa designed by Mario Bellini for B&B Italia in 1978. Price per sofa, second matching sofa available. The Bambole series today is a true icon amo...

Camaleonda sofa, designed by Mario Bellini and manufactured by B&B Italia in 1972. The set features seven modules with backrest (four big modules and three small ones) and one armre...

Mario Bellini "Le Bambole" living room set for B&B Italia, three-seater sofa and two armchairs, faux-fur, foam and metal, Italy, 1971, set of three. The search for a new shape for u...

We have ONE brick red/cordovan leather sofa and matching armchair. Two pieces total. (The second sofa has been sold). Price shown is for the sofa and the chair together. An import...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

A sofa bed, how boring! Boring, my ass. How many configurations you can create with six Curt modules, we didn't even calculate anymore because we were lazy. Without a doubt, with ...

Original condition.

Archizoom vintage original white "Superonda" sofa for Poltronova, Italy, 1960s An icon of Italian Design of the Post-modern Radical design era. The Superonda was a symbol of the new...

Togo modular sofa, designed by Michel Ducaroy and manufactured by Ligne Roset in 1974. The set is composed of 2 modules. Purple cotton upholstery. Ex...

Le Bambole leather pouf or foot rest, designed by Mario Bellini for B&B Italia. Price for the foot rest only ! The Le Bambole Sofas are available i...

Mr Olsen 3 seater Oak Mosaic Royal Blue by Warm Nordic Dimensions: D201 x W79 x H 78/46 cm Material: Textile upholstery, Foam, Spring system, Solid oiled oak legs, Solid smoked oak...

1980s curved sofa daybed Price is for the set of 2 Wooden frame upholstered in red fabric supported with five black painted globe-shaped wooden ...

Gorgeous vintage mid-century modern turquoise Lawson style 4 cushion sofa attributed to Milo Baughman for James Inc. Comprised of four loose zippered seat cushions, six tapered walnut legs, and turquoise hopsacking fabric with back button detail. This piece has been attributed based upon archived research including online sources, vintage documentation and catalogs, designer literature, and other materials. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. The sofa deck has new fabric plus a new dust cover. It also has its original arm covers. We repaired a button with fabric found on bottom. It has been professionally shampooed. Legs were refinished. The foam in the cushions is soft, however it could use some more padding and new zippers. We have priced accordingly. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, Mid-20th Century. Tremendous style and TERIFFIC-LY TURQUOISE!!!! Wow!!! This is a gorgeous vintage mid-century modern Lawson style four cushion sofa Attributed to Milo Baughman for James Inc. It wears its original hopsacking fabric which is comprised of lovely turquoise and green threads that create a gorgeous dark turquoise hue. It’s a phenomenal color with back button details!! It has four loose seat cushions with soft foam, but they could benefit from a bit more padding which would be easily achieved as they have zippers. And the four-cushion feature gives it an extra-long width, so a taller person can stretch out nicely. This marvelous blue...

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

Yeti sofa by Pepe Albargues Design by Vladimir Naumov Dimensions: Width 202 - depth 110 - height 82 - seat 44 cm. Materials: Pine wood structure, plywood...

Two-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. An azure velvet big seat completes the sofa. The min...

Fabulous Contemporary NaughtOne for Herman Miller Hush high wing back sofa or settee with yellow & black fabric and polyester powder coated yellow metal wire sled base, 3 available selling separately. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. They have been professionally cleaned. No outstanding flaws have been detected. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, Early 21st Century. Do you know where a Bee sits??? On it’s BEE-HIND!!! LOL! Ok, just a little fun about the beautiful black & yellow fabric that we think is the bees-knees!!! It’s striking! We have three (selling separately) NaughtOne for Herman Miller Hush high wing back sofas or settees comprised of molded plywood inner frames with distinctive profiles and a metal wire sled base finished in a hard-wearing polyester bright yellow powder coat to match the fabulous horizontal channeled, high quality foam seat & back cushions. The wing style sides, and inner frame is covered in a wonderful black & white tweed, some call it the “bumblebee look.” Aren’t they AWESOME??? We certainly think they are something to BUZZ about!!!! Ha ha! NaughtOne is owned and sold by Herman Miller and the Hush high wing back sofa is available with two or three seat capacity, ours are the two-seater sofas. The Hush sofa...

Baika 3 seater sofa, elegantly encased in dark chestnut wood, becomes the most understated yet striking piece in your home. This unique sofa captivates attention with its distinctive...

Designed in 1966 - Paradisoterrestre Edition 2019 Materials: polyurethane foam; slightly elastic fabric Pugi RG. Upholstery available in different fabrics and colours. Please note t...

Fantastic vintage MCM (a.k.a.) mid-century modern Broyhill Furniture flared tuxedo style sofa with light yellow floral tapestry fabric by Lenoir...

Afra & Tobia Scarpa “Soriana” chaise longue, leather and metal, Italy, 1969. The Soriana lounge chair is low and soft and invites the sitter to sink in. Its peculiar feature is the ...

Measures: W81 D42 H29 Handcrafted curved “Crest” sofa by vintage on point. We make this guy completely in house. Item is built of a solid alder interior frame with new foam and ne...

Cylindrical pouf with 48cm/19" seat height, upholstered in felt wool in a wide range of available colors. From the pen of Corrado Corradi Dell'Acqua, TATO recovers this hidden gem designed in 1961, which consists of a trio of cylindrical poufs with backrests...

2-seater sofa with foam padding, alcantara upholstery and enamelled metal and brass frame.

Iconic Lara sofa designed by Noti Massari, Roberto Pamio and Renato Toso for Stilwood, Italy – 1968. The sofa consists of two pieces that come together in the middle. It is comple...

Sumo sofa designed by Thomas Dariel L 185 x D 80 x H 80 cm Structure in solid timber and plywood Memory Foam Legs and seating fully upholstered in fabric...

Cylindrical pouf with 38cm/15" seat height, upholstered in felt wool in a wide range of available colors. From the pen of Corrado Corradi Dell'Acqua, TATO recovers this hidden gem designed in 1961, which consists of a trio of cylindrical poufs with backrests...

Pangolin sofa by Egg Designs Dimensions: 200 L x 130 D x 75 H Materials: Foam inner, leather upholstery Founded by South Africans and life partners, Greg and Roche Dry - Egg is ...

Cylindrical pouf with 68cm/27" seat height, upholstered in felt wool in a wide range of available colors. From the pen of Corrado Corradi Dell'Acqua, TATO recovers this hidden gem designed in 1961, which consists of a trio of cylindrical poufs with backrests...

Customizable, just ask. Oversized round lounge / club chair with recessed based and roll arm back. Upholstered with eight-way hand-tied springs and high density foam. Features perfo...

“Camaleonda” sofa, in red cotton upholstery, designed by Mario Bellini and manufactured by B&B Italia in 1972. Fully restored and reupholstered in Italy. The sofa is very comfo...

Two-seat sofa upholstered in felt wool, with a wide range of available colors. Truno is a compact two-seater sofa designed by Corrado Corradi Dell'Acqua in 1960. The seat composed of a single cushion embraced on three sides by the wide back anticipates the shapes that would be repeated by the designer also in some of his later products, such as the very famous Angolo armchair. Its deep, leg...

Handsome club-like sofa with horizontal channel tufting on outside back and tight seat and back. Frame is made with solid hardwood and upholstery is don...

Three seater major tom sofa designed by Thomas Dariel Dimensions: D 90 x W 240 x H 89 cm Materials: Structure in solid timber and plywood. Memory foam base and seating fully uphols...

3 seater sofa, foam padding, leather upholstery. Good conditions, with small signs of usage.

Two seater major Tom sofa designed by Thomas Dariel. Dimensions: D 89 x W 174 x H 87 cm. Materials: structure in solid timber and plywood. Memory foam base and seating fully uphols...

Pair of Alky Armchairs by Giancarlo Piretti for Castelli. Produced by Anonima Castelli in 1972. Base in brushed steel, padding in foam rubber, cover...

Iconic modular sofa designed by Mario Bellini and produced by C&B since 1970. Padded in polyurethane foam, covered in original fabric in excellent condition, 70s edition branded B&B...

Soft, round and bold. Lupin Sofa was designed for comfort, the perfect sofa to relax after a long day. Seat and cushions are made with memory foam. Lupin is made to order and handma...

Soft, round and bold. Lupin Sofa was designed for comfort, the perfect sofa to relax after a long day. Seat and cushions are made with memory foam. Lupin is made to order and handma...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

Original early B&B Italia Organic Modern 2-piece Camaleonda sectional sofa by Mario Bellini in orange cord fabric. Consists of two lounge chairs of the largest 3x3 format in the seri...

Two seats "Continuous Sofa" by Faudet-Harrison Dimensions: 166 x 89 x 75cm Materials: European hardwood frame, zig-zag springs, jute webbing, hessian straps. Natural fiber, animal ...

Alastair sofa by Marta Sala Editions Dimensions: W 230 x D 96 x H 78 cm Materials: Mohair velvet, polyurethane foam Variations of Material and Dimension are available. Collect...

Mario Bellini “Le Bambole” living room set for B&B Italia, two-seater sofa and pouf, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 19...

Yeti Sofa by Pepe Albargues by Vladimir Naumov Dimensions: W 202 x D 110 x H 82 cm. Materials: Mongolia fur, pine wood structure, plywood and tablex, foam cm...

Soft, round and bold. Lupin Sofa was designed for comfort, the perfect sofa to relax after a long day. Seat and cushions are made with memory foam. Lupin is made to order and handma...

Mr Olsen 3 seater oak rusty rose by Warm Nordic Dimensions: D201 x W79 x H 78/46 cm Material: Textile upholstery, Foam, Spring system, Solid oiled oak legs, Solid smoked oak legs ...

Dwell 2 seater sheepskin moonlight by Warm Nordic. Dimensions: D137 x W66 x H 73 cm. Material: sheepskin upholstery, solid smoked or white oiled oak legs, wooden frame, foam, sprin...

Galore 3 seater Vintage rose by Warm Nordic Dimensions: D222 x W83 x H 76 cm Material: Textile upholstery, Powder coated black steel legs, Wooden frame, foam, spring system. Weigh...

Galore seater Module center vintage rose by Warm Nordic Dimensions: D 76 x W 80 x H 76 cm Material: Textile upholstery, powder coated black steel legs, wooden frame, foam, spring s...

Galore Seater Module Right Forest Green by Warm Nordic Dimensions: D82 x W83 x H 76 cm Material: Textile upholstery, Powder coated black steel legs, Wooden frame, foam, spring syst...

Haven 3 seater cream by Warm Nordic Dimensions: D220 x W84 x H 110/40 cm Material: Textile upholstery, Foam, Spring system, Wood Weight: 84 kg Also available in different colours and finishes. Haven is a contemporary sofa with a simple, soft idiom. With its high, embracing back, the sofa creates a sanctuary, where you can sit, gently shielded off from your surroundings, curled up with a book or enjoying an in-depth conversation in your living room. Haven is also ideal for a conference room or lobby, either alone or with two sofas facing each other, thereby expanding the private space. The Haven Lounge Chair and Pouf make the perfect complement. For a perfect holistic impression the Haven range is covered with the exclusive furnishing fabrics, Hero, whose soft, almost felt-like surface complements the sofas organic shape...