Gilt Cabinets

A very fine French Louis XV style Palissandre, Tulipwood, mahogany and Marquetry Meuble D' Appui with one door and veined black marble top, Stamped: M. Descotte & Fils, circa 1880-18...

19th century Rococo top cabinet walnut root, Germany Walnut root veneer on solid wood. Top cabinet with 2-drawer fronts above a door with medallion shaped mirror, faceted. Gold-pla...

Aesthetic walnut serving cabinet, “Cherubs”, with 20 finely incised inlaid panels This is an original and beautiful handcrafted and hand incised wa...

Late 19th century the rectangular three-quarter galleried top with eared corners above the conforming case fitted with a fall-front opening to gilt and tooled leather-inset writing s...

A very fine Louis XVI style gilt bronze mounted mahogany side cabinet with a Brèche Violette marble top, by Henry Dasson. Stamped to the top of the carcass ‘Henry Dasson’. Thi...

These wonderful vitrines (display cabinets) were created in France in the early 20th century. They are designed in an elegant Art Nouveau style which was in vogue in this period. ...

A Fine Louis XV Style Gilt-bronze Mounted Japanned Side Cabinet, With A Breche D'Alep Marble Top, By Henri Nelson, Paris. French, circa 1900. Stamped to the carcass 'H. Nelson'. ...

An exceptional Regency period rosewood and parcel-gilt side cabinet, the later sienna marble top surmounting a rosewood case fitted with two short drawers showing ebonized mouldings ...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

A fine French 19th-20th century Louis XV Style gilt bronze-mounted, Mahogany and Tulipwood Marquetry Side Cabinet/Secretaire in the style of François Linke (1855-1946). The slender s...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A Louis XV style gilt bronze mounted mahogany Coiffeuse attributed to François Linke. French, circa 1910. François Linke (1855 - 1946) was the most important Parisian cabinet...

This wonderful side cabinet was created in France in the 19th century. The cabinet is crafted from amboyna burl wood, with inlaid ebony wood decoration and gilt bronze (ormolu) mount...

A pair of display cabinets By C. Mellier & Co. Constructed in fine satin birch, the demi-lune display cabinets having a gentle breakfront form, and rising from toupie feet, the glazed facets enclosed within ormolu stiff leaf moulding, the central lockable doors flanked by brass fluted pilasters; the interiors mahogany lined with a single shelf, and mirrored backs. The whole surmounted by Carrara marble tops with a three-quarter pierced gallery. Stamped "C. Mellier & Co." English, circa 1890 French born, Charles Mellier...

A very good quality pair of 19th century ebonised pier / side cabinet, with gilded scrolling foliate ormolu mounts to the frieze, classical monopodia supports, a single door to each...

Gervais Durand was an exceptional furniture maker of the later 19th century, known especially for his reproductions of 18th Century works, but also responsible for some strikingly or...

A spectacular antique French Louis XVI style gilt bronze mounted mahogany Chinese lacquered double door cabinet embellished with C...

An important side cabinet By Henry Dasson Constructed in amboyna and purpleheart, with ebony and boxwood stringing, dressed with fine ormolu mounts. Rising from tapering and bron...

Art Deco drop front secretary in the manner of Jean Pascaud. Made in France, circa 1935. Sycamore with a giltwood base, mahogany interior...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

Pair of early 20th century Venetian Baroque nighstands in massive gilt hand-carved walnut, black laquered. Gilt bronze handle. Restored and polished to wax. Measure cm: H 64 x W 6...

A great quality late 19th century louis xv style gilt bronze mounted kingwood vitrine. By François Linke - Varient of Index Number 38 and 1122. Surmounted by a Brèche d'Alep ma...

A fine Pair of Louis XVI Style Gilt Bronze Mounted Mahogany Cabinets by Paul Sormani. Paris, circa 1870. Signed to the lock...

A good pair of gilt bronze-mounted walnut side cabinets with Sèvres-style porcelain mounts. French, circa 1880. The rectangular tops having out-stepped corners above a single ...

A great quality late 19th century Louis xvi style gilt bronze-mounted vitrine. By François Linke. The rectangular paneled top with three-quarter gallery, above a conforming ent...

Beautiful TV Cabinet from an original 1920s Venetian Baroque low console, in gilt hand-carved walnut, black laquered. Gilt bronze handles. Measures cm: H 52, W 116, D 34.

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

A very fine pair of French Napoleon III figural ormolu and porcelain (probably Sevres) mounted tulipwood Meuble A Hauteur D'Appui. The rectangular shaped body fitted with a white mar...

A superb quality palatial French Louis XVI style ormolu mounted, satinwood, kingwood parquetry and Vernis Martin style paneling three-door raised Vitrine Display Cabinet attributed to Paul Sormani (1817-1877). The Vernis Martin Panels signed "V. Gossen." The lower part of the cabinet with three frieze drawers supported by two square-sectioned on tapered legs, fronting an ormolu mounted parquetry back panel, on toupie feet. The ormolu stamped with the initials "P.S." on the reverse. Circa: Paris, 1870. Height: 101 inches (256.5 cm). Width: 56 inches (142.2 cm). Depth: 20 inches (50.8 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A very fine late 19th century Louis XVI style gilt bronze-mounted commode. By Paul Sormani Beautiful marble top, above a bronze frieze, with one long drawer above two deep long...

This beautiful display cabinet was crafted by the prestigious furniture company, Maison Krieger. The firm was founded in 1826 by Antoine Krieger. Over the course of the 19th century,...

About as original as can be, this stellar antique only received a minimal amount of conservation in our highly regarded workshop. Constructed of exotic rosewood, the case packs quite...

A beautiful late 19th century Louis XVI style gilt bronze and Sèvres style porcelain mounted parquetry cabinet. A marble top above a single door adorned with Sèvres style porcelain plaques, the large plaque...

Wonderful pair of bleached walnut and gilt brass two-door cabinets by T.H Robsjohn-Gibbings for Saridis of Athens. Labelled.

A fine late 19th century gilt bronze mounted Transitional style Marquetry cabinet By Durand The marble top above two long inlaid floral doors which o...

French Consulat period mahogany commode with three-drawers, ebonized griffin feet and pilasters, and black fossil marble top. Gilt bronze escutcheons i...

A very fine French Napoleon III gilt bronze mounted and marquetry meuble d'appui à hauteur (Side cabinet). The rectangular variegated white marble top with outset corners over a gilt...

A fine pair of Louis XIV style gilt bronze mounted and boulle marquetry inlaid corner cabinets depicting the Four Seasons, in the manner of Andre-charles boulle, by Béfort Jeune. ...

A fantastic late 19th century gilt bronze-mounted Louis XVI style parquetry commode By Zwiener Jansen Successeur A marble top above a frieze set with three drawers with pierced laurel decoration, over three garland-hung parquetry cupboard doors each with shelves, the sides similarly decorated, on toupie feet. The bronze mounts stamped to the reverse ‘’ZJ’ for Zwiener / Jansen Successeur. The Lockplates stamped MON THEAU/THIEFFINE SUCCR/SERRURIER/PARIS. After the very famous 18th century model by Martin Carlin...

1940s cabinet from Lissone - Milano, Gio Ponti manner with walnut veneer, solid maple, door of the closed in veneered bird's-eye maple. Closed compartment with sliding glass embellis...

A Fine Louis XVth Style Meuble a Hauteur D'Appui In the Manner of J-E. Zwiener Constructed in Bois Violette, with well executed floral inlays, and having extensive gilt bronze moun...

Beginning 20th century low Venetian Baroque console in carved gold walnut, veneer walnut and burl walnut with inlay thread. Cabinet color fuch...

A Fine Pair of Cabinets by Henry Dasson Constructed in amaranth and amboyna, and dressed with high quality ormolu bronze mounts, and Verdun Breccia marble platforms; rising from ta...

A lovely late 19th century gilt bronze-mounted English cabinet / server By Hampton & Sons A bronze gallery above a single drawer and four gilt and painted columns, with a mirrored back over three gilt and figural-painted doors with shelved interiors, fluted legs with bronze mounts. Stamped Hampton & Sons Pall Mall East on the inside of the drawer. Established in 1830 in Cranbourn Street, Leicester Square by William Hampton, later being joined by his sons, George and William, the company moved to 8 Pall Mall East, adjacent to Trafalgar Square, in very large premises, trading as builders and surveyors, estate agents, ‘antique and modern furniture dealers’, general furnishers, upholsterers, plumbers and electricians. Their commissions included, inter alia, the furnishing of the Royal Yacht Britannia...

This rare, magnificent, fully carved, gilded cabinet was a scholar's treasure chest. hand-painted door panels depict the scholar's peaceful retirement life at the village. At one scene, he was tending to his garden while receiving a visitor. At another, he was reading a scroll book...

A Fantastic Quality Mid 19th Century Gilt Bronze Mounted Louis XVI Style Mahogany Commode By Pretot A marble top above a frieze applied with scrolling-vine mounts and fronted by tw...

A fine transitional style gilt bronze mounted Mahogany Chiffonier Tambour.  French, circa 1880. This fine chiffonier is of drum shape with a Brèche d’Alep marble top with a th...

A rare and palatial late 19th century gilt bronze-mounted Louis XVI style marquetry and parquetry cabinet. A heavy marble-top above a bronze frieze with three paneled doors decorated with inlaid floral marquetry designs. The center door with gilt bronze bearded men faces, the bottom is centered by a mask of a beautiful woman with two lion paws on her sides and a pair of floral cornucopia above her. The sides of the cabinet are quartered veneered, standing on six spiral bronze...

An exceptional late 19th century Louis XV style gilt bronze mounted lacquer commode By Henry Dasson. With a shaped marble top above two drawers veneered san traverse. Signed...

A fine Transitional style Marquetry-inlaid side cabinet with a Rouge de rance marble-top. French, dated 1912. Marked ‘SJ' and dated 1912 in the marquetry. This impressive side cabinet has a red and grey veined marble top above a concave frieze and gilt-bronze band. Below are two marquetry trellis inlaid panels centred by a shallow breakfront...

French Art Deco cabinet by Rousseau et Lardin, circa 1940, in rosewood with gilt-detailed parchment doors and bronze mount. Side vitrines lined in figur...

Rare and important 19th century French kingwood and parquetry inlaid display or vitrine cabinet, signed by the renowned designer and cabinet maker François Linke. The shaped bonnet atop large glass double doors and inset parquetry panels trimmed in bronze. Finely appointed overall with remarkably detailed gilt bronze mounts depicting caryatid masques, maiden busts, shells, acanthus leaves, and fleur de lis. The entire on gilt bronze animal...

A grand Nouveau cabinet with a carved floral motif, featuring five doors, two drawers and gilt bronze handles.

French rare 19th century cabinet. Kingwood and parquetry with fine quality gilt bronze mounts. Clock on top. Signed Francois Linke      

English Regency style (19/20th Century) black lacquered single door cabinet with gilt faux bamboo trim.

Bruce Talbert attributed to Gillows. A rare Aesthetic Movement oak cabinet with parcel-gilt carving to the demilune doors depicting vine grapes and a butterfly to the right, and the...

A very fine French Louis XVI style Belle Époque gilt bronze and carved verde green and parcel-gilt exhibition vitrine display cabinet with side doors, circa 1900, Paris. Measures:...

A one of kind cabinet with drawers crafted by Mexican artist Pedro Friedeberg (1937-). It features a red and gilt cabinet or chest of drawers supported by ten red-painted legs and gilt feet. Three tiers of drawers display a graduate width and retain the original bronze hardware pulls...