Walnut Wardrobes and Armoires

Albert Parvin style mid century walnut highboy dresser The dresser measures: 42 wide x 20 deep x 49.5 inches high All pieces of furniture can be ha...

Carabottino is a collection made of a clever play of textures and transparencies, that makes these objects the centerpiece of any environment. A storage unit, a mirror or a table that establishes a dialogue between inside and outside. A wooden grating in a two-dimensional form traditionally made with wooden slats, carabottino is considered to be an accessory element of relative importance, similar to window and door...

Mid century sculpted walnut highboy armoire gentlemans chest This armoire measures: 37.5 wide x 20 deep x 50.25 inches high All pieces of furnit...

A 18th century "Hamburg Schapp". Walnut veneered on oak. In the second half of the 18th century, the first "Schapp" were created in northern Germany for the entryways of wealthy m...

Albert Parvin style mid century walnut gentlemans highboy dresser The dresser measures: 40 wide x 19 deep x 50 inches high All pieces of furniture can be had in what we call r...

Closed in walnut from the 17th century with diamond tip Very beautiful front closet which has the Maltese cross on their top and bottom panels which is rare It is in perfect condit...

Collection Jean Thuile Around the mid-sixteenth century French furnishing evolves in its conception and ornamentation. The start of major archi...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

Grand 20th century Spanish armario or wardrobe armoire constructed from walnut. Features a coffered case fronted by two doors. This massive cabinet made in Spain features beautiful w...

Outstanding 18th century French carved burl walnut four door armoire from Lyon. This stunning piece has so many functions. It could be a wonderful co...

French Arts & Crafts walnut mirror double door armoire This is a good quality tall piece not surprising as it is made in figured walnut and has...

Large Italian wardrobe, walnut, wood, glass, brass, Italy, 1950s This imposing and large Italian high board displays three double doors. The tw...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

A fine French 18th century Louis XV period walnut 'Deux Corps', mounted with all of its original hardware. The bottom is raised by cabriole legs and has two doors above a scalloped a...

Introducing the Cupid Collection, a pack leader in fierce and glamorous design. Infused with Art Deco influences and crafted with robustness in mind, this collection boasts intricate...

A light-brown, antique German sideboard, cabinet made of hand crafted polished Mahogany and walnut in good condition. The cupboard is composed...

Phillip Lloyd Powell illuminated bar cabinet USA, 1970s hand-carved walnut, glass, brass, found objects One of one bench-made Phil Powell bar cabinet. Side panels are hand-carved walnut. Doors are stained glass with backlit lighting to illuminate the stained glass cased in the black walnut. Door handles are brass found objects. The sides and the back of the interior are clad with a sectioned walnut. Found objects support the glass display shelving...

French Provencal closet, walnut wood, 1.60 cm wide at the body, 1.80 at the hat. Top quality wood, remains well proportioned even though it has huge measures. Present only one shel...

A rare carved walnut wardrobe opening with four door-leaves and two drawers in the lower part. The doors bear architectural views in low reliefs, fluted pilasters and Ionic capitals. Upper Body Two door-leaves with carved architectural perspectives open the wardrobe framed by three fluted pilasters with Ionic capitals. Each door-leaf depict two semi-circular arcades whose cornice and base shows a central vanishing point. Likewise the pavement’s lines act for the artisan as a way to create depth. The vaulting instead leads us to think the vanishing point has to be situated where the handle is, between the two complementaries reliefs. The elegant moulded belt hides an internal secret space, accessible through a moveable plank in the upper body. Lower Body Two door-leaves identical to those of the upper body framed by three fluted pilasters with Doric capitals. The base of the wardrobe opens with two large drawers. The sides also bear panels depicting architectural perspectives. The external pilasters share their Ionic capital with the facade’s pilasters. Thus we can observe on the wardrobe’s sides the capital’s lateral parts with the elegant volute specific to the Ionic order. This palace wardrobe is topped by an overlapping cornice standing on three consoles for the facade and two consoles on each sides. Placed right above the pilasters each console are adorned by fully expanded leaves. During the 15th century a major interest for architecture and perspective studies arises and influences patrons tastes. The work of great theorists such as Leon Battista Alberti...

Early 18th century French walnut bonnetiere or small wardrobe armoire. Beautiful patina of walnut, original finish, one door with nice original carvings. Great size.   

Italian, bergamasque wardrobe in solid walnut, made in the 17th century, measuring 240 x 165 x 65 cm, refined and elegant in every part including the superb construction of the hat. ...

Enhance your living space with the epitome of luxury furniture - the Cupid Chest of Drawer II. This exquisite piece, crafted by the talented Joao Botelho, is a true masterpiece that exudes elegance and sophistication. The sleek lines and strong frame of this remarkable chest of drawers are complemented by luxurious textures that will leave you irresistibly drawn to it. What's more, the wider and larger size of this furniture is adorned with beautiful brass accents from Buster and Punch...

Near pair of walnut wardrobes the architectural tops with rope twist and shell carving decoration. Above a pair of mirrored doors, one wardrobe fully fitted ...

A vintage Italian semainier, handcrafted and carved walnut, fitted with seven drawers, each with scrolling foliate marquetry, rising on bracket feet. circa 20th century; Italy. A...

Small French buffet with two bodies from the 17th century. This old cabinet in carved walnut wood from the Louis XIII period has four doors, four d...

This Renaissance Cabinet reveals the great mastery of the Lyon workshops which are at the origin of its realization. Sculptors and wood-carvers worked here in symbiosis to express an...

20th century French Provincial style walnut armoire by John Widdicomb, marked with plaque. Behind two doors: Upper area is fitted with rail to hold hanging clothes. Plus two adjus...

Bruce Talbert (1838-1881) for Gillow and co., a rare and important walnut, amboyna, ebonized, and gilt bedroom suite, each with differing carved rosettes, comprising: a triple mirror door wardrobe, 208cm high, 208cm wide, 58cm deep; a pair of bedside lockers, 85cm high, 38cm wide; and a pair of single bedsteads, 124cm wide Provenance: The famous Argentinian writer and suffragette Victoria Ocampo (1890-1979), bought from her estate and shipped back from Argentina. Bruce James Talbert originally trained as a carver and then an architect, and he became an influential and very successful furniture designer. He served an apprenticeship in Dundee and had his own carving business for two years where he learned the skills to apply carved details to furniture and then joined the architectural offices of Charles Edward. In 1856 he moved to Glasgow and worked for the architects W. N. Tait and Campbell Douglas. He moved to Manchester in the early 1860s, where he gained employment with the cabinetmakers Doveston, Bird, and Hull, which was short-lived, then moved to Coventry gaining work with Skidmore's Art Manufactures. In 1863 he won the competition to design the masthead for 'The Building News and in the mid-1860s moved to London, where he started designing furniture for Holland and Sons. His 'Pericles' Gothic sideboard was displayed on their stand at the Paris Exposition Universelle of 1867 where it was the Grand Prix winner. It was at this point that his most prolific period began and also when he started designing furniture for Gillows of Lancaster in 1868. in the same year, he published his very influential first book 'Gothic Forms Applied to Furniture, Metal Work and Decoration for Domestic Purposes', which he dedicated to George Edmund Street. This was followed in 1876 by 'Examples of Ancient and Modern Furniture, Metalwork, Tapestries and Modern Furniture' and in 1881 by 'Fashionable Furniture. Other companies he designed for were Marsh, Jones and Cribb, Jackson and Graham, and for a short time, was a partner with Daniel Cottier. He designed textiles for Templeton's, Warner's, Cowlishaw, and Barbour and Miller; carpet designs for Templeton's and Brinton and Co.; and his wallpaper designs were printed by Jeffrey and Co. He also designed church metalwork and furniture for Cox and Sons...

We are delighted to offer for sale this very rare one of a kind Pauly CIE Et stamped hand carved walnut armoire made by the genius that was Moses Michelangelo Guggenheim 1837-1910 Where to begin, this cabinet is stamped to the rear “Fabrique De Meubles Pauly & Cie Venise. Pauly & Cie” who were a world famous glass foundry and later equally famous furniture manufacturer. Their grotto furniture has an immense following across the world. This piece was most likely retailed through them as it was made by Moses Michelangelo Guggenheim who is a fellow venetian There is one other known example of his works which is very similar, it is currently retailing for no less than £900,000 however it is accompanied by a few other pieces from a drawing room suite. The suite came from Palazzo Papadopoli, a Renaissance palace on the Grand Canal in Venice built for the Coccini family by Giovanni de Grigi around 1560. I will include some further history below on both Pauly CIE ET and Moses Michelangelo Guggenheium On to the armoire, it is clearly the most ornate tour de force of carving you will ever see, I’m thankful it has managed to survive so long without being broken up by salvagers looking to reclaim the sculptures. You can see in the carving elements of Pauly’s inspiration in the form of shells. You also have Putti’s riding dolphins and so on. We have fully treated it as there were various signs of old worm, it’s then been cleaned waxed and polished. One of the hidden hinges has been replaced, otherwise it is in near perfect condition for the age. The insides houses three wood shelves Dimensions Height 255.5cm top to bottom, without the removable top carving 211cm Width 170cm arm to arm of the chaps on the outside, 172cm at the top, 166cm at the bottom Depth 63cm top, 55cm middle, 59cm bottom Please note all measurements are taken at the widest point Moses Michelangelo Guggenheim Leading expert of decorative arts in late 19th century Venice, Michelangelo Guggenheim (1831-1910) also was one of the greatest antiquarians and a modern furniture producer in the “City of Water”. His collections stored in the Balbi Palace on the Grand Canal were an outstanding sight, that art amateurs would recommend. At the age of 20, he founds a "Stabilimento d’arti decorative e industriali" which purpose is the industrial creation of objects bearing an artistic force. The furniture that made him worldwide famous re-imagines ancient styles, freeing their aesthetic powers to serve modern imagination. Often in walnut, his pieces of furniture sent to World Fairs impress people by the finesse of their sculptures. A prized designer as well, he reorganizes princely interiors in the same spirit. His most famous work is the Palazzo Papadopoli's design about 1874, where he unfolds the vocabulary of several periods. He conceives there a richly furnished Neo-Renaissance Cabinet that relived the Italian golden age. For the exceptional result he is awarded the Gold Medal of merit for science and arts by Ludwig II of Bavaria. Pauly & Cie Venise Since its foundation (1866), Pauly & C. has stood for elegance, creativity and Venetian luxury. The ancient Roman technique known as “murrine”, which today is the symbol of Murano glass, was reproduced for the first time in its workshops and was presented to the world at the Universal Exhibition in Paris in 1878. In 150 years of business Pauly & C. has produced unique works for royal palaces, public buildings, private villas and has served an international client base that includes some of the most prominent names from the world of culture and art, figures from the world of industry and finance, politicians and nobility. Pauly & C. - C.V.M. (compagnia Venezia Murano) works are currently held in many private collections and exhibited in some of the most prestigious museums in the world. In the last years of activity, Pauly has been active with three distinct brands: • Pauly & C. CVM, the time-honoured company that produces classic objects, recreating old designs and collections and offering modern reinterpretations of them. • Pauly Glass Factory, which continues its association with artists and designers to produce artistic works with modern lines. • MVM Interior operates throughout the world with architects, interior designers and design studios for the creation of prestigious personalized projects History Compagnia di Venezia e Murano C.V.M. began as Salviati &C. in London in 1866 under the direction of Vicenza attorney Antonio Salviati and with the backing of two British men: archaeologist Austen Henry Layard and antiquarian Sir William Drake. The company was dedicated to using ancient techniques and utilized master glassblowers in its efforts to do so. It called in specialists from other fields like goldsmithing and engraving to ensure authenticity and employed artist Giuseppe Devers to teach the techniques of enamelling and heat-applied glass gilding to company artisans. Archaeologist Layard was particularly interested in the mosaic glass techniques of Roman and pre-Roman artists, and he spent years personally overseeing the work of the company's technicians and glassblowers in attempting to revive those techniques. In 1872, the company was successful, managing to replicate the type of glass commonly known as "murrina". The company was renamed Venice and Murano Glass and Mosaic Company Limited in 1872, and, in 1877, Layard purchased Salviati's interest so that Salviati could pursue other interests. The company quickly earned a reputation for quality original glass art and reproductions as well as its many mural mosaics in Great Britain and elsewhere in Europe. In 1878, the murrine produced by Compagnia di Venezia e Murano was included in its exhibit at the International Exhibition in Paris, which was the chief attraction in Italian glass. In its observations of the display, the United States Commission to the Paris exposition commented not only on "Roman murrine glass", but also particularly on the mural glass mosaics, the "perfection of which" had "engaged the earnest attention of the company." Mosaics produced by the company during the time period are still in existence in diverse areas such as Gonville and Caius...

19th Baroque Louis XV Rococo style mirror cabinet in walnut with putti with 2 richly carved doors dimension height 265 cm for a width of 165 cm and depth of 55 cm. Part of a set including a wardrobe a bed a pair bedside tables...

This beautiful and massive armoire in French walnut, has been outfitted as a bar cabinet. The interior features a wine rack that will hold 47 bottles, ...

Massive antique Renaissance Revival walnut carved knockdown bookcase armoire Made from walnut with extensive carvings and matchbook veneered outer panels. There are three-door compa...

French Art Nouveau walnut and inlaid floral design 3 door armoire cabinet with shelf on bottom and top with spindle sides. (signed: LOUIS MAJORELLE).  ...

Northern German Baroque cabinet from the late 18th century. Walnut veneered on oak. Ebonized head strip and profile strips on the base. Two-door body standing on 5 feet with bevelled corners. Profiled base with large drawer. Curved, blown gable with center console. Original lock and key. Partly restored. Newer door...

Original 1960s coat stand in walnut and beech with umbrella stand Finishes in light wood Very elegant Special design. Comes from an old country house in the Pisa area of Tuscany. The...

Biedermeier Armoire, Walnut Veneer, Full Columns, Austria/Vienna around 1825 Beautiful restored neoclassical Biedermeier Armoire / Wardrobe / Cabinet Walnut veneered on softwood wi...

Important antique neoclassic wardrobe cupboard in hand-carved solid walnut with mirror and drawers. Restored and polished to wax Measures cm: H 222, W 236, D 80.

19th Century English inlaid miniature armoire cabinet, with walnut crossbanding and rosewood veneer. It has a single drawer with puzzle inlay. Other f...

Huge in scale and very impressive Louis XV style 3-part relief carved walnut and walnut veneer parquetry inlaid, beveled mirror armoire, second...

Grand 19th century Spanish armario or wardrobe armoire constructed from walnut. Features a coffered case fronted by two doors. This massive cabinet made in Spain features beautiful w...

Wardrobe Celeste with all structure in solid walnut wood, with 180° openable glass doors with a wooden frame. With iron base. Inside is lighted with LED strips along the inner sid...

French Provincial (18th Century) two door large scale armoire in walnut with original hardware and shield, bird, and foliate carving on cornice.  

This grand, monumental armoire is derived from the chateaux region of the Loire Valley of France. The region includes notable palaces including Cham...

Exquisite Biedermeier Armoire, Vienna 1820 This exquisite original Biedermeier wardrobe stands out for its beautiful walnut root veneer. Ebonized half colu...

Completely restored Czech Biedermeier glassed in display cabinet. Source: Czechia Period: 1840-1849 Material: Walnut.

The temple of dream is a freestanding open storage unit with a hanging solution and two shelves. This piece is handmade in solid wood and steel. It is an ideal hallway, bedroom, or k...

An elegant Louis XVI period corner cabinet or armoire (in French, "encoignure") in walnut. The facade of the armoire is curved, with inset panels in the doors (circa 1780). Nicely ca...

An impressive French Restauration period armoire, circa 1825, handcrafted of solid walnut accented with rich fruitwood marquetry inlay by talented artisans in Lyon, the capital city ...

This original Baroque armoire stands out for its exquisite hand-carved details. It dates back to 1750 and was made in southern Germany. The two door armoire is made of massif walnu...

This is an antique wardrobe in English walnut, a compactum bearing the cabinet makers name plate to the rear reading 'R. James Art Cabinet Maker & Carpet Factor, 14 Northgate St. Glo...

Empire cabinet with two doors, in solid and veneered walnut. The strict corpus is flanked by columns with floral ink painting on the capitals and bases. The...

This beautiful walnut armoire features a central door front flanked by two doors, which open to shelved storage. (Two shelves).  

Blackened steel, oxidized walnut, and black leather 2 doors and a fixed height shelf, 42” width x 38” height x 18” deep A seamlessly welded case holds mitered and radiused solid wood doors...

Large and stately 93" tall antique, 18th century, country French / Louis XV style armoire handcrafted in France of cherry and walnut wood. Item features a bonnet shaped cornice, hand...

Provencal style wardrobe. Walnut wood and root, wrought iron fittings. Century XVIII. Top trim missing. Double-door wardrobe with a drawer in the lower part raised on two legs in ...

Venetian Baroque exceptional wardrobe, in hand-carved walnut and burl walnut fillet inlay of the period 1920s, Testolini & Salviati attributed; only we just polished it with wax. Me...

Antique French Walnut China Cabinet, Vitrine, Bookcase or Armoire, probably constructed over 200-years ago. Our Old Plank restoration department, went through the Armoires structure,...

This Edmond Spence designed midcentury dresser features stunning marquetry combined with carefully sculpted "Checkerboard" front. Four lower drawers offer spacious storage while top ...