Late 20th Century Decorative Art

Author unknown Color lithograph Work dimensions 51/47 The work is framed The piece in the trend of primitivism, naive art. Work in original condition. The frame shows minor signs o...

Rosario Calì, Cromatismo Ermetico, 1970s Mixed technique The work is signed by the artist Work dimensions 52/37 The work is framed Rosario Calì was born in 1943. He's an Italian art...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Late 20th century decorative wall ornament Gucci letters made in golden brass from one of their retail store By: Gucci Material: brass, copper, metal, zi...

Author unknown Color lithograph Work dimensions 53/38 The work is framed The piece in the trend of primitivism, naive art. Work in original condition. The frame shows minor signs o...

Framed wall embroidery features beautiful floral motif on dark khaki fabric with wood frame, circa 1970s. Very good condition.

1970's Studio pottery ceramic face Hand made in Vallauris One of a kind

Gérard Gosselin, Hommage à Lorca, 1986 Color lithograph E.A. number XIV/L This work is signed by the artist and has an individual title, number and date (pencil) Work dimensions 72/5...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

A set of 4 framed panels in the Japanese style, created by a decorative painter who'd worked on many Palm Beach estates. Each panel depicts a still life vignette using elegant, every...

Signed And Dated "PEBE 79". PEBE (Paul Bader, 1928-2019) PEBE Paul Bader, born and raised in the German Southwest, is an artist whose paintings and illustrations have developed an u...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

A rare Gilbert PORTANIER born in 1926 ceramic plate / bowl with a design of an abstract polychrome painted inspiration in the middle. Monogrammed on with Portanier 77.

1970s, Italian silkscreen and collage on paper by Lucio Del Pezzo 'Casellario' n. 148/200. Inside a geometric panel the artist has applied through collage a series of reproductions o...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

A beautiful pair of Chinese Silk Embroideries by Soicher-Marin Inc. for Bernhard Halkin Interiors circa 1970s in the original square frames.

A rare Gilbert PORTANIER born in 1926 ceramic plate / bowl with a design of an abstract polychrome painted inspiration in the middle, bright blue surround and red rim. Unique piece. ...

This small rectangular frame is made of a very fine carved wood with semi-precious stones incrustations. This is a French work. Circa 1970

The project includes 51 images. The original works were printed on Ilfochrome. Verso on the backing board signed, inscribed and dated. 1994 – 1997 respectively. Ilfochrome Photo 48 x...

Spectacular pop art wall light by Matius (Haute-Provence), France, 1977. "Inca" sculpture in fractal resin. Large and very decorative. Measurement: 112 x 83 cm (44 x 32 1/2 inches), ...

A very good limited edition serigraph (silkscreen) by noted British graphic artist Derek Hirst (1930-2006). Printed on archival deckle edge paper, the bottom margin embossed with bl...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Signed E. Townsend and dated 1974. Number 1 (Chiff Chaff), 2 (Robin), 3 (Chaffinches) and 4 (Wrens) of 15. From a limited edition of 25 sets. British bird subjects by the Worcester R...

Keith Haring, signed and numbered. Abstract silkscreen, suggesting a character, in black and white tones and in its blond oak frame. Numbered 56/150. American work realized in the...

The Frigate Essex, Signed Will B. Robedee Painted September 30, 1976, Oil on Canvas on Board, The large framed painting on canvas applied to board depicts the Frigate Essex. The Es...

Large Pop Art wood sculpture of a Queen of Hearst. Entire piece is made of wood. Super unique object. Great scale. Excellent vintage condition.

Saul Mamakeesick, Protection, 1980 Acrylic on art paper Number 181/295 The work signed by the artist's signature. Has individual number, title and date. Sheet dimensions 53/68 The wo...

Signed E. Townsend and dated 1974. Number 5 (Goldcrests), 6 (Meadow Pipit), 7 (Grey Wagtail) and 8 (Moorhen Chick) of 15. From a limited edition of 25 sets. British bird subjects by ...

Victor Vasarely (French/Hungarian, 1906-1997) Serigraph In Colors On Wove Paper, C. 1975, Chess, H 29'' W 29'' Signed in pencil and numbered 279/300. Organic surrealist forms on a c...

Introducing the exquisite Romain de Tirtoff Erté 1987 Loge De Theatre Framed Silk Scarf Wall Art, Signed. This stunning piece combines the elegance of ...

1970s VICTOR VASARELY "Live and let live love and let love". Rosenthal collectible framed German plate. Victor Vasarely Rosenthal Studio Line Limited Edition Porcelain Plate. By Vasarely born 1936. "Leben und Leben lassen, Lieben und Lieben lassen" "Live and let live - love and let love". Limited edition, signed and numbered. Plate is in good condition, size is 12". Frame is not in good condition, white became yellowish shows wear. Victor Vasarely, born as Győző Vásárhelyi on April 9, 1906, in Pécs, Hungary, was a Hungarian-French artist widely regarded as the "father of Op Art" (Optical Art). He is known for his pioneering work in geometric abstraction and the use of optical illusions to create visually captivating and dynamic artworks. Vasarely's early career involved studying medicine in Budapest, but he later decided to pursue his passion for art and enrolled in the Műhely (Workshop) academy in Hungary. He initially experimented with various styles, including Impressionism and Post-Impressionism, but his interest in geometric abstraction grew stronger over time. In the 1930s, Vasarely moved to Paris, where he continued to explore geometric patterns, lines, and shapes in his art. He believed that art should not merely imitate nature but should create its own language of forms and colors to engage the viewer's perception actively. This philosophy led to the development of Op Art, a movement that emerged in the 1960s and focused on creating optical illusions and visual effects through precise geometric patterns and colors. Vasarely's artworks often featured meticulously arranged geometric shapes, giving the impression of movement and three-dimensionality. He employed various optical tricks, such as the juxtaposition of contrasting colors and the use of repetition, to create an illusion of depth and visual dynamism. His artworks can evoke a sense of visual vibration and often challenge the viewer's perception. Throughout his career, Vasarely's influence extended beyond the art world. He believed in the democratization of art and wanted to make art accessible to a wider audience. He embraced mass production techniques, creating what he called "multiple originals" or "serigraphs" (a form of screen printing). These serigraphs allowed him to produce multiple copies of his artworks at affordable prices, making them more accessible to art enthusiasts. Vasarely's artistic legacy continues to be celebrated around the world. His work has been exhibited in numerous galleries and museums, and he remains an influential figure in the fields of Op Art and abstract geometric art. He passed away on March 15, 1997, in Paris, leaving behind a vast body of work that continues to captivate audiences and inspire artists to this day. About Rosenthal: German porcelain manufactory Rosenthal was originally founded as a ceramics-painting studio by Philipp Rosenthal Sr. (1855-1937) in 1879 at Schloss Erkersreuth in Bavaria, near the Czech border. Its first highly popular product was an ashtray inscribed with the words “Resting place for lit cigars.” In 1890, the company moved to the neighboring hamlet of Selb and, a year later, began to manufacture its own porcelain, since white porcelain was, at that time, in short supply. Rosenthal’s first complete table service was called Empire; it was exhibited along with other lines at Paris’s Exposition Universelle in 1900. With the dawn of the 20th century, Rosenthal began producing porcelain tableware and services formed and decorated in the latest styles, like the Jugendstil Botticelli (1903), the Art Nouveau Darmstadt (1905), and the all-white Maria (1916) lines. Successes with this au courant approach led the company to launch an art pottery division in 1910, dedicated to luxury tableware, vases, and other decorative objects. By the 1930s, figurines were another important Rosenthal product, most notably the Disney-licensed Mickey Mouse pieces introduced in 1931. In 1934, Philipp Rosenthal was forced to leave his company and country when his Jewish ancestry came under persecution by the Nazi regime. Despite the loss of its founder, the Rosenthal company remained the premier supplier of high-quality porcelain tableware to the Third Reich. After the war, in 1950, Philip Rosenthal Jr. (1916-2001) joined his father's company as an advertising manager. By 1958, he had become its CEO, continuing his father’s vision to produce high-quality porcelain in line with progressive tastes. Through the rest of the 20th century, Rosenthal was the most commercially successful porcelain producer in Germany. In the postwar era, Rosenthal’s most famous tableware lines have included 2000 by Raymond Loewy and Richard Latham (1954), Magic Flute by Bjørn Wiinblad (1959), Suomi by Timo Sarpaneva (1976), and Moon by Jasper Morrison (1997). The company has enjoyed many popular and critically acclaimed collaborations with designers and brands, like Salvador Dalì, Tapio Wirkkala, Walter Gropius, Andy Warhol, Ron Arad, Enzo Mari, Konstantin Grcic, and Versace. Rosenthal's product lines have encompassed more than ceramics over the years. In 1972, the company began producing furniture, under the subsidiary Rosenthal Einrichtung, in Espelkamp, Germany. Standouts from this arm of Rosenthal include Gunter Ferdinand Ris and Herbert Selldorf’s futuristic Sunball Lounge Chair (1969), Verner Panton’s Relaxer Rocking Chair (1974), Burchard Vogtherr's Vario Pillo...

This is a set of nine very large scale British Colonial style framed reproduction tropical fruit prints. They are nicely framed and matted. They would make a stunning wall! The print...

Bring home art that is truly "cosmopolitan" with this stunning wall hanging from Curtis Jeré- the mid-century modern metalwork masters. Welded sheet metal and bent steel come togeth...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Sam Francis (1923–1994) Paradise of Ash (SF-276) (one panel), 1981. Lithograph in colors on HMP Koller handmade off-white paper measuring 46¼ h × 32¼ w in (117 × 82 cm). Oak frame 36...

Wooden panel with back-decorated plexiglass with optical effect flowers, 1970s. Slight marks due to age and use.

This is a rather special piece of Art by renowned French painter Jean Langlois. The painting depicts a French cupboard with two pots and a rush seated chair. The almost monochrome co...

Lorenzo Burchiellaro, wall panel, wood, aluminum, Italy, 1970s Abstract wall panel in aluminum by Italian designer Lorenzo Burchiellaro in the 1970s. Burchiellaro is recognized for ...

Very nice decorative wall hanger . Mexico Aztecan Handmade . Brass with stone work .

Great late 20th century Chinese decorative panel. Artwork on silk and tissue, embroidered, colored and painted, depicting a landscape with fi...

Author unknown, Black and red composition Color lithograph The work is signed by the artist Work dimensions 70/79 The work is framed Work in original vintage condition. It has a sig...

1970s earthenware wall decoration with thistle decorations. Earthenware wall decoration / dish with glazed front with thistle decorations and a matte backside signed by the ceramicis...

1980s Chinese pair of oil on canvas bonsai paintings from a private collection. Dimensions each: 27.5 x 19cm.

Framed plywood wall decoration 1970s craftmanship. Framed plywood wall decoration 1970s craftmanship. Handmade piece of plywood from an old Danish mill K.Ø...

Acrylic Relief Painting by Paul Maxwell "Ridgemont" - 1985, USA. Dimensions 60" width x 36" height Condition Good vintage condition; professionally cleaned.

Rosenthal Studio-Line, thick porcelain cutting boards, breakfast boards, with black and white motifs by Danish designer Björn Winblad from the magical Four Heavens series, with an or...

JAMES RIZZI "City People" Rosenthal Germany Collectible Plate Limited Edition. 1970s Rosenthal collectible porcelain plate 'City People', designed by James Rizzi, Executed by Rosenthal, Germany, limited edition, no./1500 Limited edition, signed and numbered. Framed plate is in excellent condition, plate size is 12". Frames is not in good condition, white became yellowish shows wear. About James Rizzi: AMERICAN, 1950-2011 James Rizzi (October 5, 1950 – December 26, 2011) was an American pop artist who was born and raised in Brooklyn, New York. Best known for his vibrant, youthful graphics and his three-dimensional prints. He was the official artist for the 1996 Olympic Games in Atlanta, adorning the famous logo with his noodle-like drawing style. Rizzi was most famous for his 3D artwork, "especially the large, elaborate prints and teeming anthropomorphic cityscapes. His merry maximalism and delight in delirious detail and elaborate minutiae created a true art brand, a trademark style as recognizable as any in the world." About Rosenthal: German porcelain manufactory Rosenthal was originally founded as a ceramics-painting studio by Philipp Rosenthal Sr. (1855-1937) in 1879 at Schloss Erkersreuth in Bavaria, near the Czech border. Its first highly popular product was an ashtray inscribed with the words “Resting place for lit cigars.” In 1890, the company moved to the neighboring hamlet of Selb and, a year later, began to manufacture its own porcelain, since white porcelain was, at that time, in short supply. Rosenthal’s first complete table service was called Empire; it was exhibited along with other lines at Paris’s Exposition Universelle in 1900. With the dawn of the 20th century, Rosenthal began producing porcelain tableware and services formed and decorated in the latest styles, like the Jugendstil Botticelli (1903), the Art Nouveau Darmstadt (1905), and the all-white Maria (1916) lines. Successes with this au courant approach led the company to launch an art pottery division in 1910, dedicated to luxury tableware, vases, and other decorative objects. By the 1930s, figurines were another important Rosenthal product, most notably the Disney-licensed Mickey Mouse pieces introduced in 1931. In 1934, Philipp Rosenthal was forced to leave his company and country when his Jewish ancestry came under persecution by the Nazi regime. Despite the loss of its founder, the Rosenthal company remained the premier supplier of high-quality porcelain tableware to the Third Reich. After the war, in 1950, Philip Rosenthal Jr. (1916-2001) joined his father's company as an advertising manager. By 1958, he had become its CEO, continuing his father’s vision to produce high-quality porcelain in line with progressive tastes. Through the rest of the 20th century, Rosenthal was the most commercially successful porcelain producer in Germany. In the postwar era, Rosenthal’s most famous tableware lines have included 2000 by Raymond Loewy and Richard Latham (1954), Magic Flute by Bjørn Wiinblad (1959), Suomi by Timo Sarpaneva (1976), and Moon by Jasper Morrison (1997). The company has enjoyed many popular and critically acclaimed collaborations with designers and brands, like Salvador Dalì, Tapio Wirkkala, Walter Gropius, Andy Warhol, Ron Arad, Enzo Mari, Konstantin Grcic, and Versace. Rosenthal's product lines have encompassed more than ceramics over the years. In 1972, the company began producing furniture, under the subsidiary Rosenthal Einrichtung, in Espelkamp, Germany. Standouts from this arm of Rosenthal include Gunter Ferdinand Ris and Herbert Selldorf’s futuristic Sunball Lounge Chair (1969), Verner Panton’s Relaxer Rocking Chair (1974), Burchard Vogtherr's Vario Pillo...

Gorgeous blue hand painted Baroque cherub or angel 18th century style Portuguese ceramic tile/azulejo The tile painted in cobalt blue over white in typical 18th century Portugal set ...

Acrylic Relief Painting by Paul Maxwell "Exterior Concerns" - 1985, USA. Dimensions 48" width x 30" height Condition Good vintage condition; professionally cleaned.

an unsual and well detailed example of wire wall decorative art

Vintage Islamic Moroccan tile with the Hand of Fatima, pair of Fishes and a Gazelle, the Hand of Fatima is here to protect against negative energy, fishes and the gazelle are to bring good energy for business and wealth homes. The Hand of Fatima, also known as the Hamsa, can indeed be adorned with various decorative elements, including fishes and gazelle designs. These additional motifs can carry their own symbic meanings, which can vary based on ctural and personal interpretations. 1) Fishes: In some interpretations, fishes can symbize fertility, abundance, and sustenance. In Christian symbism, fishes are associated with Jesus and his disciples. In the context of the Hand of Fatima, fishes cod signify blessings and prosperity. 2) Gazelle: Gazelles are often associated with grace, beauty, and swiftness. They can also represent a connection to nature and the natural world. The addition of a gazelle to the Hand of Fatima design might emphasize qualities such as protection, elegance, and harmony. When combined with the Hand of Fatima, these designs cod amplify the protective and positive energies associated with the symb itself. However, it's important to note that interpretations can vary widely depending on ctural backgrounds, religious beliefs, and personal associations. The final meaning wod timately depend on the intent of the wearer or the person displaying the symbs. A Hamsa is a hand-shaped amet which is found across North Africa, and is often seen in Arabic and Jewish jewellery...

Set of 22 decorative tiles wall decorations in cast aluminum by a Milano foundry in Italy. Circa 1990 / 2000 Each tile imitates a different piece of wood. A very unique set that can ...

Stephen Whittle Etching "Wisteria Arch " limited edition vintage gold framed. Limited edition signed and titled in pencil. Stephen Whittle Limi...

USA, 1970s Driftwood bas relief mounted on a wooden board. Purchased from the estate of the artist on Lake Michigan. Great detail to this piece, plainly composed of pieces found whil...

Joan Miró, Agora I, 1971 Color lithography Work signed by the artist Working dimensions 71/51 Framed work Lithographic poster for an exhibition of artists represented by Galeria Maeght at the Musée d'Art Moderne Strasbourg in 1971. Poster by Joan Miró, a Catalan painter, sculptor and ceramicist. The surrealist master is one of the most important Spanish artists of the 20th century and one of the greatest artists of contemporary art. A picture is made of brushstrokes, just as a poem is made of words. - Joan Miro Miró's works are interpreted as belonging to surrealism, as an expression of a return to childhood and as sandboxes for the subconscious. The Miró style consists of vivid colors combined with simplified forms, reminiscent of drawings of a small child. Initially, Miró created in various fashionable styles, for example, Fauvist and Cubist. In 1920 he traveled to Paris several times, and a year later he settled there permanently. He met Pablo Picasso, Vasily Kandinsky and many other outstanding artists. In 1924 he joined the surrealists of André Breton's circle, but - despite the fact that he worked under their influence - he remained on the outskirts of this trend, maintaining the position of an outsider. Influenced by Surrealist poets and writers, he began to develop his own style: a map of weightless colored signs and poetic forms that evoke both the seemingly naive freshness of invention and the exuberant and baroque Catalan...