European Drawings

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018)....

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018). A pastel study of exceptional qua...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018)....

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018). A pastel study of exceptional qua...

Florentine or Flemish school 17th century study of the Medici Lion by Flaminio Vacca. Measures: Sheet 31.7 x 48.8 cm. (12.5 x 19.2 in.) Framed under Museum glass in a flemish 1...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018). A pastel study of exceptional qua...

Jean Hélion Ink on paper Framed: H68 x W 49 cm x D2 Unframed: h 49 cm x 32 cm 1965 Signed and dated lower right Ref /2 Price : 3500.

Pair of French etchings in nice wood gold frame. We have other similar set in our listing so collect them all. Art piece: 12.5" x 9"

Reproduction of a Flipart engraving, "The Holy Virgin". He made reproductions from contemporary artists, often burdened by severe chiaroscuro.

Charcoal drawing and white chalk highlights on paper. Collioure, return from fishing. Signed lower right. Jacques Martin-Ferrieres (1893-1972). He finds himself, from his birth...

Gouache and charcoal drawing by Jean Poulain 1939 Oak frame Frame dimensions included: 115 x 80 cm Size of work: 95 x 68 cm Biographie Jean Poulain was a Belgian artist bor...

Superb pair of aquatints representing the life of an Iberian village in the Balearic region. Very nice performance and creation from the 50s/60s. It is rare to find a pair of this si...

A gorgeous vintage fashion portrait by the renowned British artist Poppy Waddilove. Signed on the lower left corner. Acquired at a Palm Beach...

A stunning vintage Regency Original sketch of a woman. A beautiful composition of a model in profile. Signed and dated by the artist 2015. Acquired from a Palm Beach estate.

19th C French Drawing of a Handsome Monarchie de Juillet Cadet, Paris, 1833 Apparently Unsigned, Not examined out of the frame. A well drawn oval portrait of a handsome French c...

Artist proof lithograph by French artist Ludmilla Tcherina which is a drawing of the sculpture that was titled "Europe at Heart". The piece is signed and marked "EA" epreuve d'art...

Antique Italian painting from the 17th century. Oil on canvas artwork of the Neapolitan school depicting Bacchanal of cherubs of excellent pictorial quality. Painting of great size a...

Pastel on paper dating from the 1930s representing the portrait of a woman. Poetic and aesthetic, this painting does not lack beauty and delicacy. It will be perfect in a vintage ...

Large manuscript sheet with Gregorian Chant on parchment "Sacerdos In Eternum" Gregorian Chant composition book sheet as wall decoration, Spain before XVth century...

A stunning 19th century Belgian oil on linen still life painting depicting a hare hunting trophy with incredible attention to detail including the tactile appeal of the hare's fur. H...

Lithograph 'Anette' made by Alberto Giacometti. Especially created by the artist in 1964 for Made for the book titled "Prints from the Mourlot Press" published in Paris, 1964 The b...

Italian painting from the second half of the 20th century. Artwork oil on canvas depicting a view of Venice in impressionist style of good pictorial quality. Artwork that develops vertically, of contained size, with wooden frame complete with fabric passe-partout (see photo). Painting signed lower left (see photo) A. Marangoni attributable to the painter Aldo Marangoni...

Matted and Framed 19th c French Academia Drawing of a Seated Woman. With school stamp embossed on lower right. Paper has watermark that is pictured. I...

Antique Italian painting from the end of the 18th century. Neoclassical artwork, oil on canvas, depicting a Roman historical subject of good picto...

Italian painting from the second half of the 20th century. Artwork oil on canvas depicting a city view with characters in impressionist style of good pictorial quality. Painting that develops vertically, of contained size, with wooden frame complete with fabric passe-partout (see photo). Painting signed lower left (see photo) A. Marangoni attributable to the painter Aldo Marangoni...

Large Color lithograph after the work by Henri Matisse, circa 1970. Signed in the stone. Edited by Edition des Nouvelles Images, France. Framed. Henri Matisse whether working...

Study for a man seated sculpture Michael Kenny RA Original Artist: Michael Kenny RA (1941-1999) Chalk numbers on verso Born in Liverpool 1941, he son of an engineer. Studied at Liverpool art school, alongside Stuart Sutcliffe (an early Beatle) and John Lennon. He then went onto Slade in 1961 to study under Reg Butler, who nicknamed his protege "the Liverpool Italian". His distinguished career began when exhibited in Oxford in 1964. Michael was one of the most influential British sculptors of his generation and his contemplative geometric stone works became increasingly well regarded. He was elected associate member of the Royal Academy in 1976 and a Royal Academician in 1986. Today his work is held in museums all over the world including the British Museum, The Tate Gallery and the V&A in London. He has had solo shows in Germany, Sweden, Milan, Paris, Los Angeles, London, Japan and Dubai. Subsequently many corporations and private collectors throughout the world hold examples of his work. On Michael Kenny's gravestone in Highgate cemetery is the title of one of his sculptures, More Loved Than Known. The legend has been prophetic. He has a passionate following among the thousands of students he taught, who include Antony Gormley and Damien Hurst. Michael Kenny: Sculpture & Drawings This was an exhibition of Michael Kenny’s recent sculptures and drawings, from 1975 to 1977. Kenny (1941-1999) first studied in his home city of Liverpool before moving to London to continue his studies at the Slade. Following a successful international career, he was appointed a Royal Academician in 1986, and in 1997, two years before his death, he had a solo exhibition at the Royal Academy. Several of the sculptures in this Serpentine exhibition derived from his earliest pre-occupation, the human figure. In the works displayed, Kenny took particular inspiration from the female figure, lying or sitting, occupying, and informing an intimate space. We can see the workings of the Artist and possible preparatory sketch for the included sculpture in the following images. Michael Kenny was a sculptor and a painter, a prolific draughtsman and a print-maker. His early sculptures are dramatic, dealing with the isolation and loneliness of the individual. In later years, he worked mainly in stone in a quest for a sculpture that is simple in form and rich in meaning. With over 60 illustrations and key excerpts from the sculptor's own notebooks, this book provides the first opportunity to examine in detail the progress of Michael Kenny's career. Peter Davies...

Original Pen & Ink Drawing Signed, by Charles Joseph Travies Travies, Charles Joseph (Swiss, 1804 – 1859) Original Pen and Ink drawing...

Magnificent album of 25 plates and 60 sketches, taken on the northern front, with attestation from the commanders of the camps where they were taken, enhanced with watercolor and retouched with wash. This beautiful album was printed in 250 copies on bubble wrap, it bears the number 35. The author is none other than Louis Dauphin...

Italian modern colored tempera work of art painted signed by G. Maffei, 1970s Abstract painting in tempera, painted with thick brushstroke with various colors, with chromed steel fr...

Theophile Alexandre Steinlen Works on Paper Woman heophile Alexandre (Switzerland, 1859-1923) original works on paper (unprinted), woma...

Rare pen drawing by Giovanni Gariboldi for Paolo Buffa.

Gorgeous French 18th century etching of an architectural scene with watercolor details. Add some classic architecture to your home, very nice gil...

Group of 4 (individual) lithographs of important men of their day. Finely detailed. Framed and matted with bone linen matte. Silver-leafed frames. 21 available.

Italian modern black and white artwork on glass with wooden frame by Tarantino, 1983. Work on glass with black background and satin design depicting an expanse of water and a waning...

François-Xavier Lalanne (1927-2008) Minotaure, 2005 Techniques : watercolored woodcut, hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the pa...

Lucio Fontana. "Concepto spaziale", 1965. China ink on paper. Dimensions: 30 x 20 cm. With certificate. This is a preparatory work that is re...

Italian Master Drawings: From the Wolfgang Ratjen Collection 1525--1835, Personal Property of Herbert Kasper. Published by Paul Holberton Publis...

Portrait of the Madonna in wood. Craftsmanship, dates back to the 1980s. Painted on walnut wood panel.

Rare and beautiful painted work by Fortunato Depero from 1948. The work bears the Signature in the lower left-hand corner. Work archived at the Archivio Unico per il catalogo delle o...

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

Very nice pastel on paper featuring a young girl noblewoman. This painting, never before on the market, comes from a private collection and is beautified by an impressive XVIII Cent...

A handsome pair of early to mid-19th century Old Master style academic studies of nude men, pencil on paper, each measuring approximately 10 x 14 in (25 x 35.5 cm) Unsigned, probably...

Well drawn and unsigned. Depicting a silhouette of a classical Greek gentleman with red headband. Very well drawn by good artist by unsigned.

Antique reprint of the first half of the 20th century, engraved reproduction depicting a famous drawing by Giuseppe Zocchi represents the composition o...

BIC blue colored pen on paper. Serie "The Italian Dream" Nº2 Ed 50/75, 2009 Juan Francisco Casas Ruiz 1976: He has had numerous individual exhibi...

This beautiful work features on the front a lithograph from a 1958 drawing by Henry Moore from the series 'Heads, figures and ideas'. on the verso an origi...

Drawing in Transparency, 20th century Transparency drawing on canvas, 20th century, unsigned, unframed. Measures: H: 100 cm, W: 81 cm, D: 2 cm.

Rare Poster. John Lennon Kite Poster 22'' x 28'' Unframed in Good Condition.

Pastel painting by Robert Duflos (1898-1960). “Nude and mirror”.

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a black wood frame. Part of a large collection of black and white etchings by th...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a charcoal grey wood frame. Part of a large collection of black and white etchings...

Wonderful and powerful work of a cat washing itself by Dutch artist Estella den Boer. Such a pleasure to look at. This trusting cat in utmost concentration to clean its coat. It i...

Dutch painting of the 20th Century. Work in Impressionist style oil on canvas depicting View of cathedral of good pictorial hand. Highly detailed painting with pleasant color use, of...

This fantastic collection of 9 sketches were most likely composed in a figure study art class in France during the 20th century. Drawn with pencil on ...

Superb lithograph under frame on the theme of Christianity depicting a nun in Carmelite dress, haloed, holding in her hands a crucified Christ and a bouquet of white and golden roses. A rosary is also visible on the left. The portrait is framed by two columns and an arch. We read the inscriptions: "Je veux passer mon ciel à faire du bien sur la Terre" ("I want to spend my heaven doing good on Earth") and "Sainte Thérèse de l'Enfant-Jésus" ("Saint Thérèse...