California - Decorative Art

A large, luminous, and captivating 2004 en plein air impressionist oil painting on masonite board in giltwood frame titled “Spring Thaw – Lake Tahoe” by award-winning Northern California landscape artist Silvio Silvestri. Strikingly beautiful and vibrant depiction of a tree-lined, turquoise-toned, snow melt stream in Lake Tahoe, California. Dotted by pops of colorful wildflowers, with a majestic lavender-hued mountain range and bright blue cloud-dappled sky in the distance. Excellent technique and eye for detail and atmosphere on display throughout. Signed at lower right, and titled and signed on verso. In original giltwood frame with hand-carved details. Dimensions listed are overall; sight is H 23.38 inches x W 29.38 inches. Silvio Silvestri (b. 1948) is a celebrated Northern California-based plein air artist who paints on location throughout the western United States and Europe, and whose work is influenced by French, American, Spanish, and Russian Impressionists. He studied with Kenn Backhaus, Ron Rencher, George Strickland, T.M. Nicholas, and Robert Sandidge. Silvestri began painting in the mid-1970s as a hobby, and embarked upon a professional art career in the early 1990s. His awards include 2nd place, Napa Museum Plein Air Exhibition, 2003; 1st place, Catalina Art Festival...

Mid-Century Modern brass and chrome wall art in the manner of Jere. The pieces are put together in a three-dimensional pattern that shows the chosen co...

Picasso's Guitarist is rendered in a 3D embossed tinted aluminum metal sculpted Art Piece, Signed by Artist. Picasso's "The Guitarist" Embossed Tint...

A painted black & gold wooden sign, "The Armoire" with hooks that are 66" apart.

A solid wood panel with deep relief carvings of lotus in various stages of blooming. A pair of birds with one in motion of landing and the other on the ground echoing each other. On ...

This is an amazing work in semi precious stones in Hardstones or Pietra Dura work. This is a Museum quality work. Framed measures 21 x 24 inches. In back has a partial detail of ston...

Set of Four midcentury Signed Enamel plaques by MarCo Gaia and Marine Gaia 3 of the frames Measure 12 x 12 and the single largest frame is 13 x 13 to...

Mid-Century Modern abstract graphic textile wall art.

Salvador Dali Signed Lithograph, 1970s.

Islamic Arabic calligraphy circular tray with silver overlay. Round Egyptian brass tray overlaid with metal silver and copper Islamic calligraphy ...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890's. Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

A circa 1980 limited edition signed and numbered gold foil embossed serigraph titled “Kings of Jerusalem” by renowned Israeli artist Moshe Castel (b. 1909–1991), professionally frame...

US Mint Bicentennial Double Eagle plate symbolizing 200th years of the United States. It is made of fine bone china with 24k gold in a cobalt blue box ...

Large, bold, signed, oil-on-canvas painting by Michael Raburn "Dawsons View". Southwestern landscape signed original art. Southwestern landscape large painting by highly regarded American artist Michael Raburn. Hand-signed and title by the artist. Oil acrylic on canvas stretched on wood. Circa 1980's. by Michael Raburn December 29, 1951 ~ September 11, 2021. Beautiful Arizona Sunset...

A vintage handmade block print of a cat in a warm wood frame is a charming and unique addition to any home. This delightful piece of art captures the pla...

Hand painted ceramic Greek motif plate, made in Greece. It is ready to be displayed on wall. Black, white and brown in color. There is some crackling in the glaze.

Vintage Female Nude Torso of backside hanging wall art in cast aluminum metal. Painted-patinated. Wood frame in Black. Paint flaking off. Art wo...

Royal Vienna & Haviland Limoges Porcelain Signed Plate Female Beauty, circa 1900 Beautiful Hand Painted Women in Red White & With Auburn Flowing Hair &...

A large and impactful Brutalist etched copper work of wall art by Bernhard Rohne for Metallic Design Studio, signed, numbered, and dated. German-born, Vancouver-based artist and d...

I have owned this Patrick Nagel original silkscreen “Seated Man” since it was released in 1981. I was in fashion college then and Patrick and hi...

Fabulous very large handcrafted oval decorative brass tray. Very fine metalwork, hand-hammered & embossed with a floral pattern & center medallion with a fluted edge. Great to use on...

Tamar Markova Folk Art painting, 1970s.

Pair Royal Vienna Austria Hand Painted Art Nouveau Porcelain wall chargers,c1890 A cobalt blue ground to the edge with gilt flower decoration. Ima...

A large Flemish 17th-18th century baroque pictorial tapestry "The Royal Garden". The large tapestry depicting an allegorical park-scene of R...

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...

German Porcelain Hand Painted Plaque of The Penitent Magdalene; Gold, circa 1900 Golden wooden frame. Original label on the back. Addition...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

1980s Wall Art Wood Framed Modern Pottery Geometric Design tiles 24.75 x 14 tall Art 18.75 x 8.25 Original vintage condition. Refer to images provided.  

Art Deco cubist painting of guitar player by Bela De Kristo. Strong cubist style and colors, original and of the period. The image representing a solo g...

John Galliano Cafe Society print pants, flared leg trousers late 90s. Vintage John Galliano silk like pants with all over a Cafe Society inspired illustrated print. Vintage John Galliano graphic printed pants. Iconic Cafe Society print meets remarkable craftsmanship! Tag with John Galliano Paris, Made in France. Composition: 98% cotton, 2% Lycra. Size F 40, GB 12, D 38, USA 6. Can easily be dressed up or down. Looks amazing on! Fabric stretches allowing perfect fit, this piece can be truly appreciated when worn. Made in France. Measurements: (slight stretch) 28 inch waist 36-38 inch hips 28 inch inseam Excellent Vintage Condition. Pants were never worn! About the Designer John Galliano Known for introducing rich theatricality and memorable fashion spectacles to the runway, John Galliano has enjoyed a singular career. The audacious British designer has garnered universal acclaim for genre-breaking collections not only at his eponymous label but also for Givenchy and Christian Dior. From his embroidered absinthe-green Oscars gown for actress Nicole Kidman to the iconic sleeveless newspaper-print dress that Sex and the City’s Carrie Bradshaw made famous, Galliano’s intricate and multifaceted work is reliably newsworthy, drawing on history as often as it embodies a fresh and forward-looking sensibility, and over the years the designer has helped shape an ever-broadening new legion of enthusiasts for Parisian couture.Born in Gibraltar but raised in South London by strict Roman Catholic working-class parents, Galliano attended the all-boys Church of England grammar school, where his flamboyance and interest in art attracted the attention of bullies. Eventually, Galliano ended up at the prestigious design and art school Central Saint Martins College (then called Saint Martin’s School of Art), where fellow British designers Stella McCartney and Alexander McQueen also trained.Galliano flourished at Central Saint Martins. While a student, he worked in the costume department at the National Theatre in London. His graduate collection...

Eduardo León Garrido (Spanish, 1856-1949) A very Fine oil on panel "Dressing for the Ball" depicting 18th century scene of a young 'High Society' maiden getting dressed for the ball,...

Mid-Century Modern style bas relief decorative wall sculpture framed in American oak.

Great esoteric clay painting / sculpture. Wheel thrown clay with sculpted stalagmites. No cracks, but has some barely visible hidden minor chips on the stalagmites (covered in black ...

Italian Monumental Tiled Augustus Wall Art. Black and white contrast to create a wonderful large scale tiled art face of Augustus. Wonderful design. Thousands of pieces used to crea...

This excellent Mid-Century Modern oil painting artwork depicts Hong Kong and is signed "M. Dick" in the lower left portion of the canvas. The painting is lined in linen and framed in...

Vintage Italian ceramic sculpture by Otello Rsa for San Polo of Venezia, pink Othello design, signed back of ceramic not visible due to wood pa...

Mid-Century Modern graphic Textile wall art.

Early 20th century blue Moroccan Ceramic plate hand made in Fez. Handcrafted and glazed decorative ceramic bowl from Fez, Morocco. Featuring an elaborate hand-painted Moorish pattern...

This ornate, antique paper hand fan was crafted in France, circa 1850. the one side showing a candlelit interior where Gallant scene on the reverse with a box but no glass of box. Se...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

Artist: Moser (American, 20th/21th century) Title: Adam & Eve, 1980s Medium: Serigraph with Gold-Foil Stamping Signature: Rare matching set pair. Hand signed by the artist in penc...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

A set of three mounted hand painted wallpaper panels in simple wood frames. Beautifully and elaborate painted scenes with birds, flowers,...

1970s Modern Wall Art Brutalist Perforated copper metal on Wood In the style of Paul Vanders and Paul Evans 11.75 tall x 35 w x 1 d Preowned origina...

Embark on a journey of artistic excellence with our mid-century modern wall sculpture, a testament to the innovative design and craftsmanship of the era. This hand-crafted masterpiec...

Set of three Brutalist copper walls pieces in industrial metal frames. Uniquely textured and boldly graphic, this set of three unsigned French midcentury decorative abstract artworks...

Unique Continental Enamel on Curved Copper Plaque, 19th century or Earlier. Charming hand painted plaque period era women in the woods. Signed CS ENGERY t...

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

This unique brutalist wall relief was sculpted with bronzed resin over wood, in the style of Paul Evans, circa 1970s. Incredible textures and col...

Vintage 1967 original Etching titled, dated, signed and numbered "St. Petersburg" #6/6 H. Valoff 1967. 1967 Original Etching by Artist H. Valoff is framed and ready to hang. St. ...

Art Deco painting depicting panther in the wild. Unusual dimensional treatment with all the paint. Look closely at the texture of this piece. In an original frame that also has a pai...

Vintage Delft tile featuring a noble man riding a horse. This characterful Delftware tile a man on horseback in expressive blue coloring on a whit...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Happy and full of joy, this vintage woodcut of a seated little girl titled 'Wish'n Puff' is a complete delight. This charming hand-colored piece is signed by the artist Sister Mary C...

Mesmerizing French still life oil painting on board. The midcentury painting depicts a pheasant on a tablecloth with green cabbage. Amazing detail and brushwork set in a distressed g...

Original Hand Made Art Mask, a lifelike image of Itallion actor Marcello Mastroianni. This mask is very dimensional with great artistic details an...

One of a kind melted crayon Emmy award covered in resin with wood frame by Mauro Oliveira

19th century Italian hand hammered painted and parcel gilt metal panel. The panel is decorated with gold leaf flowers swirling throughout.