Hudson

Despite its formidable appearance and size, the Dobradura sculpture, shown here, is made of resin making it both lightweight and easy to install. Whether hung horizontal or vertical...

What makes this pair of wood planters even more desirable is their metal inserts and Lucite handles. Featuring a seasoned teak wood exterior, the planters are sure to draw attention...

"Ability #12" Acrylic on canvas 30 x 24 x .5 inches 2023 Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? Wh...

Contemporary Impressionist Encaustic Landscape Painting "The Marsh in Early Spring", made by Regina Quinn in 2022 Encaustic, oil with wax, and India Ink over watercolor on panel 8 x...

B+W Print w/Embossing pulled off 3D printed plate based on Artist Photograph Hand pulled by Artist on Etching Press On white BFK Rives Printmaking Paper Edition : Varied Edition (1 o...

"WhereTheRoadTakesYou" B+W Print w/Embossing pulled off 3D printed plate based on Artist Photograph Hand pulled by Artist on Etching Press On white BFK Rives Printmaking Paper Uniqu...

The Grandfather shell mark chair, shown here, is from Ceylon, circa 1820. Featuring an exquisite carved ebony frame—distinguished with a shell mark detail on the top rail—and hand-c...

The Bruges coffee table is distinctive for its iron frame base and leather covered top surface. Generous in size and solidly made. It is displayed here in Berkshire Bourbon leather. ...

An impressive Louis XVI style highly decorated gilt arm chair of exceptional quality and scale. The chair is upholstered in embossed green leather.

Century Plate Lithograph On white Fabbriano Artistico Paper Hand pulled by Artist on Lithography Press Edition : Varied Edition (1 of 5) Paper Size 10” x 14” Frame Size 14” x 18”

"UrbanFlow" Monoprint w/Chine Collé and Embossing On white BFK Printmaking Paper Handpulled by Artist on Etching Press Edition : Unique Plate Size: 3x3” Paper Size 8” x 10” 2023

Lovely directoire mahogany drop-leaf extending dining table. Oval table top rests on four ring turned tapering legs that terminate in brass caps and castors. Each drop-leaf measures:...

Abstract encaustic painting with a green, earth toned palette. Made with natural plant material (Northern Sea Oats) "Chasmanthium Insignias I" made by Allyson Levy in 2021 encaustic and plant material on wood panel, 24 x 24 x 1 inches Lightweight, hangs with one d-ring, Signed, verso This modern abstract encaustic painting by Allyson Levy is made with Northern Sea Oats and green encaustic, sealed with a layer of neutral wax on a wood panel. The artist begins by finding the organic material in her 4-acre garden in upstate New York which she then arranges and embeds with encaustic on a wooden panel. The brown, earth toned sea oats are laid in a linear pattern on a wood panel with a surface of green encaustic and then sealed with clear wax. The encaustic wraps around to the sides of the panel, revealing some bumps and downward drips, accumulated during the natural drying process. The piece is lightweight and hangs on one d-ring. About the artist and her work: After moving to the rural town of Stone Ridge, NY seventeen years ago and starting a 4-acre botanical garden with her husband, mixed media artist, Allyson Levy, has found endless inspiration in the plant kingdom that surrounds her. The garden itself, named “Hortus Conclusus”, consisting of thousands of rare plants and edibles, remains at the epicenter of Levy’s art making. A fascination with earth’s bounty is expressed with her works in encaustic. Assorted organic material such as leaves, seeds, branches, insect wings...

A pair of round pedestals made of elm wood with a beautiful, old patina.

Collage, paper and paint on paper

Artwork measures 29" x 43" and framed 30 3/4" x 44" x 2" Signed "Stanley Twardowicz" verso. Stanley Twardowicz's poured enamel and oil breakthrough works of the mid-1950's came as ...

Arcahorn is an Italian company founded in 1958 by Mario Guerra. His family's company meticulously produces luxury decorative objects in zebu horn and other natural materials. This ha...

Oil Monotype On white BFK Rives Printmaking Paper Hand pulled by Artist on Etching Press Edition : Unique Paper Size 7”x 10” Frame Size 11” x 13”

Canvas measures 24" x 30" and framed 30" x 36" x 3" About this artist: Anni Baldaugh was the daughter of Anthonius Hendricus Schade van Westrum. With a father who was a naval officer, the van Westrum family spent significant amounts of time in the Dutch East Indies. After returning to Europe, Baldaugh studied art with various teachers in Vienna, Munich and Paris. She and her husband ended up living in Los Angeles, though they suffered financial losses during World War I. While in Los Angeles, Baldaugh joined the California Watercolor Club, the California Society of Miniature Painters, the Bookplate Association International, the Laguna Beach Art Association, and the San Diego Fine Arts Society. She also became a member of the Connecticut Academy of Fine Arts. During the Great Depression...

The artwork measures 18" x 24", and the frame 25" x 29.5" x 1.75". Upon request a video clip of this work may be provided. About this artist: Julio De Diego crafted a formidable per...

The Swedish-style arm chair, shown here, defies its grace by being made of metal. It is painted in a honey-colored, faux bois birch finish reminiscent of Beidermier furniture. The ...

Antique veined alabaster pendant light fixture with period bronze fittings and custom silk wrapped stem. Wired for USA; takes 2 standard bulbs, 40 watts max each. UL certification ...

"Four is More #3" Acrylic on canvas 40 x 30 x .5 inches 2023 Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see...

Beautiful wooden table with carved out corner details , turned legs and a low cross stretcher. Wonderful addition to any home.

The exquisite carved wood frame mirror, shown here, is from France, c. 1890. Featuring an intricate carved wood frame, the mirror foliage scro...

12 solid teak dining chairs and 2 armchairs. Saddle-shaped seat, back with handle. Produced by A. Hansen & Søn. Literature: Møbelfabrikanten, June 1951. Minor signs of wear.

One of a group of over 100 works personally selected by the artist and gifted to a close personal friend in 1969, this work was never matted, framed, glued, taped or exposed to light...

2 drawers and 2 pullout leathered extentions. With tapered legs and bronze feet.

The distinctive Scottie dog-inspired fireplace andiron, shown here, serves its intended purpose with a bit of whimsy. Designed to mimic the look of a Scottie terrier, the decorative ...

Functionally chic teak tabletop inspired by old growth tree roots supported by a stainless steel base. Wonderful live wood table, robust yet petit.

"TheForestForTheTrees" B+W Print w/Embossing pulled off 3D printed plate based on Artist Photograph Hand pulled by Artist on Etching Press On white BFK Rives Printmaking Paper Editi...

A very handsome and minimal 18th century American trestle table. Perfect for a work table, desk, hall table, console or would also make a great...

Abstract cubist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi 12” by Hudson Valley artist, David Dew Bruner, made...

Rose in Blue Glass Vase Photograph of Found Objects Printed in Cyanotype 10" x 8" image on 14" x 11" paper, edition of 5 19 x 15 inches matted and framed Wire backing, ready to hang Signed on front Available in additional sizes Other available sizes: 20" x 16" image on 24" x 18" paper, edition of 5 40" x 32", edition of 5 Contemporary still life cyanotype photograph of delicate rose poised in a blue glass vase. David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...

This modernist Mategot-style flower pot basket was produced in France in the 1960s. Sold as a set of two, each flower pot basket is made of white lacquered metal with a round brass ...

The natural coral base of this decorative table lamp makes it a true "one-of-a-kind" accent. Mounted on a square marble base, the single bulb fixture is topped with its original sha...

Signed and dated "Biederman 4-35" lower right. About this artist: Charles Joseph Biederman was a twentieth century abstract American artist best known for his constructivist, cubist...

An antique oak parlor table with turned legs from the Victorian period. USA, circa early 20th century. Features a lower shelf and carved ap...

Edward Fields all wool designer rug with floral green, pink and off white pattern. USA, circa 1960. Signed Edward Fields. Measures approximately 9 feet x 9 feet. Exact Dimensions: 109" W x 111” L Condition: Good to fair. Vintage/Pre-owned. Notable overall wear. May be viewed in our Hudson NY...

Chinese dry lacquer table with gold designs depicting floral arrangements and accoutrements.

This unique pair of highly styled postmodern accent chairs are covered in a richly toned durable upholstery. The chairs feature great lines with a striking fanned back and curved arm...

Signed lower right: "Atherton", inscribed "John Atherton Original Tempera 7/28/50" on verso. Artwork measures 16" x 20" and framed 20" x 24" x 2 ½" About this artists: John Atherton (1900-1952) did not show an early aptitude for art; rather, his first love was nature and the activities he relished there, mainly fishing and hunting. Born in Brainerd, Minnesota in 1900, he learned to fish with his father from the age of four. Later the family moved to Spokane, Washington, and when he was old enough, Atherton worked at a variety of jobs to help support his family. One such job, in the sorting plant of a lead and silver mine, paid $4.25 a day—a good wage, though he never had time to spend his money, since he worked seven days a week. After serving in the Navy for a year during World War I, Atherton was determined to get an education. He worked as a sign painter and played the banjo in a dance band, finally accumulating enough money to enroll in the California School of Fine Arts in San Francisco. Once there, he worked like a fiend, attending classes both during the day and at night, getting the best training available. Though he had always intended to be a fine artist, Atherton’s first jobs were for commercial art firms. In 1929, using the prize money won for a painting he entered in an art competition, Atherton and his wife moved to New York City. Though the economic situation was difficult in those years, he managed to keep going by taking commissions for magazine illustrations, and over the years he would paint more than forty covers for The Saturday Evening Post. In 1938, an artist friend suggested that he use the same flat, decorative style as his commercial work for his gallery paintings. This was a breakthrough for Atherton; soon afterwards he held a one-man show at the Julien Levy Gallery in New York, and his paintings began to be collected by museums including the Museum of Modern Art in New York and the Metropolitan Museum of Art. Atherton’s reputation increased to a national scale when he designed the art deco stone lithograph poster for the 1939 World’s Fair that strikingly depicted Earth and its atmospheric layers in the lap of Liberty. Atherton was highly influenced by the magic realist...

The pair of vintage nightstands, shown here, are designer by T.H. Robsjohn-Gibbings for John Widdicomb. Finished in an ebony finish, each nightstand features one large bottom drawer...

Bold, gestural paint strokes and scribed "graffiti" sketch lines are illustrative of the technique that Christopher Draghi has adopted throughout his years in fine art. This work in...

Amazing and elegant tessellated stone table with incredible yet subtle detailing including brass detail at feet. Maitland Smith after Karl SPRINGER 1970s.

Meiji period painting (1868 - 1912) of a sparrow investigating the area beneath blooming wildflowers, including blue colored bell flower. Painted in mineral pigments on silk with go...

Signed and dated "H Burkhardt 1973" lower right.

This handsome book records the discovery and contemporary re-creation of Greek furniture designs virtually ignored for more than two thousand years. T. H. Robsjohn-Gibbings, internat...

Unlike her abstracts in bold colors, this neural palette "Earthbeat" triptych by British artist Jan Erika still reveals her passion for shape, form, and pattern. Available in a limi...

People dressed in ceremonial robes and masks celebrate the New Year. On New Year's eve a traditional Japanese custom is to ward off evil spirits by pretending to chase away people w...

This sculpture grouping titled "Caryatids" was created in 1977 by listed American artist Gerald DiGiusto. The inspiration for Gerald DiGiusto to create these incredible pieces was f...

Krys Fox is an American photographer based out of New York City whose work is known for its cinematic imagery and strong personal aesthetic. His works are often instantly recognizab...

A set of 8 (eight) place settings in the Meredith pattern by Wedgwood for Ralph Lauren Home collection. Bone china. Signed. Made in England, production period 1993 - 2001. Fea...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Impressionist still life painting on panel of red tomatoes on a rustic wood table with a pale blue background "Season", painted by David Konigsberg, in 2023 oil on paper, mounted on ...

Square abstract expressionist oil painting on canvas in stone blue, green, dusty pink, and brown, with hints of orange throughout 'Meet June' painted by Hudson Valley artist, Jenny Nelson, in 2023 Oil on canvas 30 x 30 x 1 inches, with white painted sides Excellent condition, ready to hang Signed, verso This square abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2023. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of green, stone blue, and brown. The contrasting patches of dusty pink, teal, and brighter greens pop against the subtle pale gray background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. To say that Jenny Nelson’s paintings are a celebration of process as much as their final, balanced composition would be an understatement. Each one of Nelson’s compositions is a unique roadmap into how her brain operates. Curious, experimental, persistent, dedicated; hers is a confidence built over years of sustained diligence in the studio. Based in Woodstock, NY, Nelson has developed a unique language of artistic expression. Paintings in this series present improvisational, gestural strokes balanced with structure and open space. “By layering, adding and subtracting, a history develops on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected have an emotional charge. What started as a wild party ends up as a contemplative, carefully edited composition, involving precise modifications, while hopefully leaving some life force intact”, says the artist of this process. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Abstract encaustic and fabric painting in off-white and light blue with accents of green, beige, and navy blue "Enfolding Form II" made by Hudson Valley artist, Alaina Enslen, in 2023 Encaustic (beeswax) and cloth on cradled Birch panel 48 x 48 x 2 inches Excellent condition, ready to hang Signed, verso Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Amazing style and patina. This dates to about 1920-40. Very nice wear and perfect amount of original old paint.

"Color Field 619", painted by Tracy Helgeson in 2022 18 x 14 x 2 inches, oil on wood panel Ready to hang as is, no frame required, edges of the panel are painted soft black Artist si...