Hudson

Academic style figurative portrait painting of a handsome young men "After the Game", By Mark Beard as Bruce Sargeant (pseudonym in homage to the fashion photographer, Bruce Weber, a...

A pair of antique alabaster pendant lights with vintage bronze hardware. French, circa 1920. Fully rewired/restored. Each pendant measures 12 inches wide x 20 inches drop height....

A set of 60 pieces of porcelain dinnerware in the Herend Rothschild Queen Victoria pattern with Green border. Vintage; the pieces in this set were produced between 1950 to 1980. All...

'Golden' painted by Hudson Valley artist, Jenny Nelson, in 2025 Oil on canvas 30 x 30 inches with white painted sides, unframed Excellent condition, ready to hang Signed, verso T...

Waterlilies V: Modern, Abstracted Pencil Drawing of Flowers (Waterlilies) graphite drawing on paper Paper size: 16 x 35 inches This grap...

Oil on canvas 60 x 48 inches This large vertical painting of an expansive pastoral landscape was created by artist Leigh Palmer a few years after his move to the Hudson River Valley...

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

Abstract painting with green encaustic and light yellow flower petals on wood panel "Wallpaper 2" made by Allyson Levy in 2020 encaustic and flower petals on wood panel, 24 x 24 x 2 ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Abstract painting on canvas in an bright, earthy blue and green palette "Orchard", made in 2010 oil on board 33.5 x 32 inches 35 x 33 x 2 inches with a natural maple floater frame S...

"Workstation 16", 2023 (Gestural, Abstract Expressionist Painting on Canvas Paper with energetic line and vivid color) by Jenny Nelson 24 x 18 inches Unframed Oil on canvas paper T...

A set of 8 (eight) place settings in the Spectator black pattern by Ralph Lauren Home Collection. Porcelain. Signed, circa 1995-1996. This pattern is currently out of production. ...

Minimal, Vertical abstracted landscape painting of a fuschia pink field with evergreen and red trees under a pale blue sky "Color Field 500", painted by Tracy Helgeson in 2021 36 x ...

A snowy bamboo and flowering plum tree and pheasant flowing into a spring landscape of spring flowers and waterfowl. Mineral pigments and gold dust on gold leaf with silk brocade bor...

"Lineto I" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 36 x 48 x 2 inches unframed, sides reveal raw panel and wrapped fa...

Eames Molded Plywood Dining Chair Wood Base (DCW) in Red stained Ash The Eames Molded Plywood Dining Chair (1946) began as an experiment in Charles and Ray Eameses’ apartment and be...

Landscape with summer flowers and waterfall with a family of pheasants. Mineral pigments and gold dust on gold leaf with silk brocade boarder and black lacquer trim with bronze hardw...

A set of 60 pieces in the Herend Rothschild Bird pattern porcelain dinnerware. Vintage; the pieces in this set were produced between 1950 to 1980. All marked. Hand painted and craft...

Olana-inspired Middle Eastern shape / Custom cream linen shade / Raw brass metal finish / Twisted gold silk cord Note : Height cannot be adjusted. Quantity : (1) Materials : Raw ...

A set of 8 (eight) place settings (40 total pieces) in the signature Casablanca pattern by Christian Dior. Features a white, gold and multicolor pattern with panther and palm tree motifs throughout, gilt accents throughout and brand stamp at undersides. Includes the following 40 pieces: 8 dinner plates...

Vintage pair of Brutalist Ilana Goor style iron and leather side chairs with beautiful patina. Red painted over black frames with each color coming through in different areas (See ph...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

We have approximately 35 of these available. They are priced per chair. Clean and elegant stool made of flexing steel to offer surprising comfort. Shaped se...

A set of 8 (eight) serving pieces in the Herend Rothschild Bird pattern porcelain dinnerware. Vintage; the pieces in this set were produced between 1950 to 1980. All marked. Hand pa...

36 available. Elegant grey framed school chairs with bent birch plywood seats and backs. These are vintage midcentury school chairs th...

THIS LISTING IS FOR A SET OF 4 Knoll Brno chair designed by Mies Van der Rohe. These chairs are upholstered in Knoll's Cato upholstery. Color is 'natural'- which reads as a pale oat...

Large, highly detailed charcoal and acrylic landscape featuring a lush country forest against a sunlit sky "Some Twilight Land" by Sue Bryan charcoal, acrylic, and pastel on canvas, ...

The Monopoly game set designed by Michael Graves (b. 1934 Indianapolis, IN - 2015 Princeton, NJ) for Parker Brothers. Circa 2002. Signed with Graves' signature incised in small metal disk on underside. Features a cherry-finished wood box that opens up to a game board, with a built-in, pull-out drawer contaning original game pieces and accessories including 6 polished metal game tokens, 2 dice, classic Monopoly money, Chance and Community card sets, and also two velour drawstring bags to hold houses and hotels. Dimensions of board: ??Closed: 16 inches L x 8 inches D x 3.5 inches H / Open: 16 inches L x 16 inches D x 3 inches H Notes from the Archive: ?American architect, Michael Graves' legacy includes designing over 350 buildings, and 2000 products. The Michael Graves Design brand at Target was the first example of an architect/designer having his own consumer brand of products. This collection transformed the retailer from a discount store to a design destination. It was Graves' own idea to design new versions of classic games beginning with a chess set in 2000 with inspiration from the famous Bauhaus Chess Set...

A backgammon board designed by famed architect Michael Graves. New in box; only opened for photography. Imported, circa 1990. Signed with metal tag. Finely constructed of cherr...

A 12 piece dinnerware set in the Farmstead blue and white pattern by Ralph Lauren Home collection. Signed. Ironstone. Made in England; cir...

Photorealist still life painting of green lotus flower petals and a brown lotus pod against a light blue background oil on canvas, 16 x 16 inches, 17 x 17 inches in dark wood moulding Signed lower left Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPetiro features a brown lotus pod with lush green leaves on a pale grey-blue background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Gestural abstract expressionist painting on archival paper with gold and silver metallic powders and accents of blue, burgundy, and green enamel paint "Platonic Solids...

Exceptional pair of solid wood dressers designed by Michael Taylor for the very collectable "Far East Collection" by Baker Furniture. This pair has been expertly refinished by Columbia County's premier woodworker Michael Gregorio. This finish shows the action or the original wood which appears to be elm. The double ring door pulls which are the Michael Taylor signature complete the look. The design of these dressers are the definition of style meets function.Although elegantly styled- the pieces are solid and very usable. We are offering the pair in this listing as well as a second pair which you can find in our other listings. We also have available the companion "vanity" piece which can be added between any of the pieces as shown in the last few photographs. All dressers...

Set of 6 1940's French oak dining chairs with "X" form back and woven seat and back detail. Classic rustic style with solid wooden frames and decorative carved details on legs and ap...

A set of 4 (four) place settings in the academy platinum pattern by Ralph Lauren Home collection. Bone china. Signed. Imported, production period 1995-2002. Features a platinum/silv...

Gestural abstract painting on paper with gold metallic powders and cobalt blue, pastel green, and rust colored enamel paint "New Looking Methods", made in 2022 by Hudson Valley paint...

A Primitive Pictograph (Abstract Painting in Metallic Gold & Splashed of Color), 2021 by Bruce Murphy 38 x 38 inches, unframed, enamel paint on archival paper Signed, verso This ges...

Square, abstract expressionist oil painting on canvas in aqua, teal, blue, and green against pale grey with accents of yellow, peach, and mauve 'Delta' by Jenny Nelson Oil on linen, ...

A vintage milk glass and brass hanging light fixture. Features a vintage glass shade suspended from a custom brass rod frame. Shade is vintage; circa 1940. Brass hanging frame may ...

Tulip coffee table by Saarinen for Knoll. USA, cira 1960 to 1970. Signed with early Knoll red/white label. Features a 36 inch round top in matte white laminate with matte white...

Oxblood red shoulder vase with white interior by Diane Love by Mikasa. Signed. Japan, circa 1980. Dimensions: 6.25” H x 5.5” W

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

A set of sterling silverware in the Tjorn pattern designed by Jens Quistgaard for Dansk. Priced per five-piece place setting. Up to 12 (twel...

Set of 4 Knoll Brno chairs designed by Mies Van der Rohe. These chairs are upholstered in Knoll's Cato upholstery. Color is 'natural'- which reads as a pale oatmeal color. These chai...

Perfectly aged Louis XVI carved wood stool with newly upholstered cushion and leaf details to legs. Wonderful carved details throughout.

Sunsets on the Hudson (Abstract Painting in Blue, Pink and Metallic Gold), 2019 by Bruce Murphy 38 x 42 inches, unframed, enamel paint on archival paper Signed, verso This gestural ...

Gestural abstract painting on paper with gold metallic powders and peach, blue, green and yellow colored enamel paint "Beyond Mind and Matter", made in 2022 by Hudson Valley painter,...

This will be shipped direct from the artist to you or your framer. In this photograph a silhouetted horse follows a silhouetted figure closely as they trek through a field. The use of abstracted figures helps emphasize the emotional aspect of Kelly's main theme: the bond between humans and animals. Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and power in the beauty of the urban landscape. "I try to see beauty around me, drawing beauty from ugliness by capturing close up textures of fading paint or graffiti, or by reducing the shape of the subject to silhouette." Kelly's fascination with photography, the quality, and flexibility of the medium began at a very early age. Born in England in 1966, and as the son of a military man, Kelly spent most of his childhood growing up in West Germany. After leaving school Kelly enrolled in a photography course with the R. A. F Photographic Unit, based in Wildenrath in Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveller, Kelly initially decided to return to the UK,
to study Graphic Design at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in America,
Kelly began working as a Photographers Assistant. Working closely with a range of photographers allowed him to intrinsically develop his own
refined sense of aesthetic as well as develop and master photographic theory and technique. Now working as a Fine Art Photographer in his own right,
 Pete Kelly utilizes the most cutting edge equipment and techniques,
 painting with photography by compositing and layering photographs...

Chrome and black canvas stool / ottoman by Jerry Johnson, USA, circa 1970. This ottoman goes with the matching Jerry Johnson armchair (not included).

A vintage and tall art glass vase made by Jacob Bang for Kastrup. Denmark, circa 1950. Please note that top of vase has a tiny chip; otherwise in...

Golden Sail 12, Study (Sepia Toned Oil Painting of Sailing Ship and Figure) by Robert Goldstrom 10 x 8 inches, oil on cradled panel This original, contemporary oil painting by Rober...

Made in Vermont circa 1820 this fine old country drop leaf table retains if not its original surface a very old one. Constructed by a craftsmen using pegs and hand plained local tige...

Golden clouds encompass the islands of Matsushima, located in the north-east of Sendai in Miyagi prefecture in the Tohoku region. Beautifully painted with mineral pigments, gold leaf...

These elaborate and deeply carved panels are mid-20th century. The carving is very detailed and on a rather deep heavy wooden panel. All the raised areas are richly detailed and gild...

A four (4) piece up and saucer set in the Patchwork pattern by Wedgwood for Ralph Lauren. Made in England, circa 1990. This rare and out of production pattern features a blue/white...

Luminist, Hudson River School inspired landscape of Catskill mountains with moonlit blue sky "Moonrise in the Mountains", painted by Hudson Valley artist, Jane Bloodgood-Abrams in 20...

Pair of Mid-Century Modern Scandinavian lounge/reclining chairs with new upholstery. Very unique slotted reclining system. Leather welt and button tufting to seat back. High quality ...

An arched-top Venetian overmantel mirror with amber glass accents. Amber glass is more the color of that in the lighter photos. the over height is 3...