Hudson

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings "Morandi 19” by Hudson Valley artist, David Dew Bruner, made in 2023 Graphite on pap...

Figurative Still Life painting of pale blue and white flowers on an indigo cyanotype background "Cyanotype Painting (Queen Anne's Lace, Ferns, Leaves etc.), made by Hudson Valley ar...

Signed "Martha Cahoon" lower right. Provenance: private collection, Palm Beach Florida About this artist: Born of Swedish immigrant parents in 1905, in Rosindale, Massachusetts, Martha Farham Cahoon had a highly successful business partnership with her husband Ralph Cahoon...

An antique oak parlor table with turned legs from the Victorian period. USA, circa early 20th century. Features a lower shelf and carved ap...

Functionally chic teak tabletop inspired by old growth tree roots supported by a stainless steel base. Wonderful live wood table, robust yet petit.

The Swedish-style arm chair, shown here, defies its grace by being made of metal. It is painted in a honey-colored, faux bois birch finish reminiscent of Beidermier furniture. The ...

Hand forged wrought Spanish Revival Chandelier. Elongated shape. Perfect for entryway, living room, kitchen island and dining rooms. Feat...

The natural coral base of this decorative table lamp makes it a true "one-of-a-kind" accent. Mounted on a square marble base, the single bulb fixture is topped with its original sha...

The artwork measures 18" x 24", and the frame 25" x 29.5" x 1.75". Upon request a video clip of this work may be provided. About this artist: Julio De Diego crafted a formidable per...

This modernist Mategot-style flower pot basket was produced in France in the 1960s. Sold as a set of two, each flower pot basket is made of white lacquered metal with a round brass ...

Signed lower right: "Atherton", inscribed "John Atherton Original Tempera 7/28/50" on verso. Artwork measures 16" x 20" and framed 20" x 24" x 2 ½" About this artists: John Atherton (1900-1952) did not show an early aptitude for art; rather, his first love was nature and the activities he relished there, mainly fishing and hunting. Born in Brainerd, Minnesota in 1900, he learned to fish with his father from the age of four. Later the family moved to Spokane, Washington, and when he was old enough, Atherton worked at a variety of jobs to help support his family. One such job, in the sorting plant of a lead and silver mine, paid $4.25 a day—a good wage, though he never had time to spend his money, since he worked seven days a week. After serving in the Navy for a year during World War I, Atherton was determined to get an education. He worked as a sign painter and played the banjo in a dance band, finally accumulating enough money to enroll in the California School of Fine Arts in San Francisco. Once there, he worked like a fiend, attending classes both during the day and at night, getting the best training available. Though he had always intended to be a fine artist, Atherton’s first jobs were for commercial art firms. In 1929, using the prize money won for a painting he entered in an art competition, Atherton and his wife moved to New York City. Though the economic situation was difficult in those years, he managed to keep going by taking commissions for magazine illustrations, and over the years he would paint more than forty covers for The Saturday Evening Post. In 1938, an artist friend suggested that he use the same flat, decorative style as his commercial work for his gallery paintings. This was a breakthrough for Atherton; soon afterwards he held a one-man show at the Julien Levy Gallery in New York, and his paintings began to be collected by museums including the Museum of Modern Art in New York and the Metropolitan Museum of Art. Atherton’s reputation increased to a national scale when he designed the art deco stone lithograph poster for the 1939 World’s Fair that strikingly depicted Earth and its atmospheric layers in the lap of Liberty. Atherton was highly influenced by the magic realist...

This handsome book records the discovery and contemporary re-creation of Greek furniture designs virtually ignored for more than two thousand years. T. H. Robsjohn-Gibbings, internat...

Bold, gestural paint strokes and scribed "graffiti" sketch lines are illustrative of the technique that Christopher Draghi has adopted throughout his years in fine art. This work in...

This unique pair of highly styled postmodern accent chairs are covered in a richly toned durable upholstery. The chairs feature great lines with a striking fanned back and curved arm...

Beautifully painted garden lanscape with red and white azalias, old wisteria vine in bloom with doves. Mineral pigments on silk with black lacquer trim and beautiful bronze hardware....

Signed and dated "H Burkhardt 1973" lower right.

Signed and dated "Allen Tucker 1930" lower left. Artwork measures 14" x 11 ¾" and framed 19" x 16 ½" x 2 ¼". Provenance: Gift from the artist to his friend Una Brage, USA/Switzerlan...

Abstract, three-dimensional standing sculpture in colorful shades of aqua blue, blood orange, green, black, gray, and beige "Play Tower #3", made by Hudson Valley artist, Donise Engl...

One of a group of over 100 works personally selected by the artist and gifted to a close personal friend in 1969, this work was never matted, framed, glued, taped or exposed to light...

Bowl of Cherries Contemporary Still Life Cyanotype Photograph of a bowl of cherries Image is 20 x 16 inches, paper size is 24 x 18 inches, ed of 5 Unframed David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...

Edward Fields all wool designer rug with floral green, pink and off white pattern. USA, circa 1960. Signed Edward Fields. Measures approximately 9 feet x 9 feet. Exact Dimensions: 109" W x 111” L Condition: Good to fair. Vintage/Pre-owned. Notable overall wear. May be viewed in our Hudson NY...

Stamp says: Arte Italica, Made in Italy.

The pair of vintage nightstands, shown here, are designer by T.H. Robsjohn-Gibbings for John Widdicomb. Finished in an ebony finish, each nightstand features one large bottom drawer...

Abstract cubist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi 12” by Hudson Valley artist, David Dew Bruner, made...

Small still-life painting on panel of a black poppy flower on a pastel yellow and slate grey background Black Poppy, made by David Konigsberg, in 2023 monotype, oil, and collage on p...

Rose in Blue Glass Vase Photograph of Found Objects Printed in Cyanotype 10" x 8" image on 14" x 11" paper, edition of 5 19 x 15 inches matted and framed Wire backing, ready to hang Signed on front Available in additional sizes Other available sizes: 20" x 16" image on 24" x 18" paper, edition of 5 40" x 32", edition of 5 Contemporary still life cyanotype photograph of delicate rose poised in a blue glass vase. David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...

Unlike her abstracts in bold colors, this neural palette "Earthbeat" triptych by British artist Jan Erika still reveals her passion for shape, form, and pattern. Available in a limi...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Krys Fox is an American photographer based out of New York City whose work is known for its cinematic imagery and strong personal aesthetic. His works are often instantly recognizab...

Figurative oil on canvas painting of a young athletic male 24 x 20 inches, 29.5 x 23.5 inches vintage gold painted wood frame signed B. Sargeant in red in upper right hand corner T...

Antique veined alabaster pendant light fixture with period bronze fittings and custom silk wrapped stem. Wired for USA; takes 2 standard bulbs, 40 watts max each. UL certification ...

The French bamboo daybed, shown here, was made in the 1960s. Solidly built and in very good vintage condition, the bamboo daybed is distinguished...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis

2 drawers and 2 pullout leathered extentions. With tapered legs and bronze feet.

Chinese dry lacquer table with gold designs depicting floral arrangements and accoutrements.

Signed and dated "Biederman 4-35" lower right. About this artist: Charles Joseph Biederman was a twentieth century abstract American artist best known for his constructivist, cubist...

This sculpture grouping titled "Caryatids" was created in 1977 by listed American artist Gerald DiGiusto. The inspiration for Gerald DiGiusto to create these incredible pieces was f...

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

Contemporary Impressionist Encaustic Landscape Painting "The Marsh in Early Spring", made by Regina Quinn in 2022 Encaustic, oil with wax, and India Ink over watercolor on panel 8 x...

Impressionist still life painting on panel of red tomatoes on a rustic wood table with a pale blue background "Season", painted by David Konigsberg, in 2023 oil on paper, mounted on ...

Square abstract expressionist oil painting on canvas in stone blue, green, dusty pink, and brown, with hints of orange throughout 'Meet June' painted by Hudson Valley artist, Jenny Nelson, in 2023 Oil on canvas 30 x 30 x 1 inches, with white painted sides Excellent condition, ready to hang Signed, verso This square abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2023. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of green, stone blue, and brown. The contrasting patches of dusty pink, teal, and brighter greens pop against the subtle pale gray background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. To say that Jenny Nelson’s paintings are a celebration of process as much as their final, balanced composition would be an understatement. Each one of Nelson’s compositions is a unique roadmap into how her brain operates. Curious, experimental, persistent, dedicated; hers is a confidence built over years of sustained diligence in the studio. Based in Woodstock, NY, Nelson has developed a unique language of artistic expression. Paintings in this series present improvisational, gestural strokes balanced with structure and open space. “By layering, adding and subtracting, a history develops on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected have an emotional charge. What started as a wild party ends up as a contemplative, carefully edited composition, involving precise modifications, while hopefully leaving some life force intact”, says the artist of this process. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY...

Transform your dining room with this exquisite Early 20th Century Italian Hand-Carved Walnut Neoclassical Style Dining Table. This oval-shaped dining table is a true masterpiece, met...

Pair of American Art modern cabinets with brass pulls.

A 24 (twenty-four) piece set of dinnerware by Lauren/Ralph Lauren in the Reed Natural pattern. Features a tan wicker patterned border on white complemented by brown trim. Includes ...

This fun old hide rug from the early 20th century retains its old felt backing and shows an all over pattern of well placed black and white spots. An unusual surviver of the time ru...

Canvas measures 21.25" x 19.5" and the frame measures 30.5" x 25.5" x 3" Ferdinand Wagner II studied art initially with his father, a vocational art teacher. Later he attended the Munich Academy of Arts working closely with Karl von Piloty. Much of Wagner's career focused on commissions as a decorative painter. He did ceiling frescos...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis

The vintage butler's tray table, shown here, features a rectangular serving tray set upon a turned-wood, folding X-shape stand. The removable tray is designed with a raised, molded e...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Striking painting depicting scattered fans painted on gold leaf. Featuring various scenes from classic Japanese literature, flowers and birds. Mineral pigmen...

Handmade leather sling chair in tobacco leather fixed to a blackened steel frame with a heavy saddle stitch and hammered brass rivets. Ergonomically designed for comfort. Designed an...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

These fine desk accessories are made in England in the 19th century. Crafted from Sheffield silver plate on brass and mounted with deer horn the set typifies the Victorian love and n...

Contemporary Impressionist Encaustic Landscape Painting "Calm Amidst Tumult", made by Regina Quinn in 2023 Encaustic and India Ink on wood panel 16 x 12 inches, 17 x 13 x 2 inches in a brown wood float frame Excellent condition, ready to hang Signed, verso This landscape painting was made by upstate New York based artist, Regina Quinn, in 2022. Typically know for her dark and beautifully moody landscape paintings...

Meiji period (1868 - 1912) sumi-e (or ink painting) on paper of a venerable pine tree with limbs stretching out over a bluff. Beautiful signature and seal read: Biei. Ink on paper ...

Abstract encaustic and fabric painting in off-white and light blue with accents of green, beige, and navy blue "Enfolding Form II" made by Hudson Valley artist, Alaina Enslen, in 2023 Encaustic (beeswax) and cloth on cradled Birch panel 48 x 48 x 2 inches Excellent condition, ready to hang Signed, verso Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 2/5

James Patrick Maher (20th Century), bronze Sculpture of a nude woman. James P. Maher, was a renowned artist whose drawings, paintings and sculptures reflected an innate appreciation ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...