Hudson

This fine old urn cast as an honorific nod to the ancient past of China was made circa 1600-1650. The shape or Hue was a common and well-represented form in the Han dynasty in pottery and bronze. This urn shows thin casting to the walls with incorporated toe tia or facial masks...

Beautiful and charming Louis XV style bench. Looks as though it is standing on its tip toes. Carved , and polychromed frame with the perfect amount of wear make this so very BOHO chic. Upholstered with hair on cow hide and antique brass tacks...

An orange a d white case glass handled vase. Italy, circa 1960. Unsigned. Dimensions: 13” H x 6” W

An imaginary garden with flowers from all seasons including spring lilies, summer hibiscuses, autumn chrysanthemums, and winter berries. Wild autumn grasses move in a soft breeze wit...

Monotype 32 x 25 inches framed

Beautifully painted garden lanscape with red and white azalias, old wisteria vine in bloom with doves. Mineral pigments on silk with black lacquer trim and beautiful bronze hardware....

Lotus No. 1 (Contemporary Hard Edge Realist Still Life painting of Lotus Leaves) by Frank DePietro 30 x 48 x 1.5 inches, oil on canvas 31 x 49 x 1.5 inc...

Ebonized and Parcel-Gilt with black leather top and gilded greek key design trim. 2 drawers on front and 2 false drawers on backside. With original castors and hardware.

Japanese Wakasa lacquer table with coral quince design. Signature not readable.

Showa period (1926 - 1989) painting with a strong design of exotic lilies and a cluster of nadeshiko (dianthus) under a silver moon on gold. This painting has a modern flair, which ...

These aluminum handrails which once graced the center of the grand staircase of the S S United States exemplifies the sophisticated sleek aesthetic of Mid-Century American design. When launched in July 1952 the S S United States was the culmination of years planning and design. On the heels of WW II, the U S Government saw the need to have modern ships that could be easily converted to troop transport ships in wartime constructed with safety and speed as the top priorities. They worked in partnership with the United States Line and underwrote a great deal of the liner's finished cost of 72 million as well as the future operating and maintenance cost of this proud symbol of her country and her age. The designer of the ship William Francis Gibbs had to incorporate the requirements of the government into his designs for the great liner. From her knife-edge bow across the superstructure and a pair of massive blue white and red raked funnels to the perfect arc of her stern, she sat proudly in the water and conveyed a sense of movement and speed even when still. His design incorporated a "secret" hull, numerous bulkheads which limited the grand open spaces of most liners of the time, no flammable material used in construction and fitting out other than the Steinway grand piano...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Beautifully stylized with gilded base. Reupholstered in 2015 with Clarence House fabric with Tiger design. Seat height:20"h.

poppy and encaustic on wood panel 14 x 14 x 1 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by Allyson L...

This exquisite Art Deco dining table is from France, circa 1930s and features an ash burl wood top supported with two square pedestal bases that sit on a raised rectangular base. The...

A set of 18 pieces of dinnerware by American Atelier at home in the Blue Jardiniere pattern. Features a three-dimensional gold scroll and ...

Abstract painting made with light green encaustic and brown hemp leaves and branches resembling a tree Happanese, made by Allyson Levy in 2020 48 x 34 inches hemp leaves, branches, a...

A collection of Annie Leibovitz's most classic photographs. The photographs made up her first museum show, which "took place in 1991 at the National Portrait Gallery in Washington, D...

This handsome book records the discovery and contemporary re-creation of Greek furniture designs virtually ignored for more than two thousand years. T. H. Robsjohn-Gibbings, internat...

Polaroid transfer drawing of a Classical column base on Rives BFK paper by Mark Beard 7 x 9.5 inch image size 22 x 15 inch paper size Ed. 1/6, Polaroid Transfer on Rives BFK paper, u...

Abstract geometric mixed media collage in black, white, and grey with details of bright red "Layered Plan #6", made by Hudson Valley artist, Donise English, in 2009 15 x 12 inches, 2...

Hudson River, Frozen (Minimal Winter Landscape Oil Painting on Canvas) 36.6 x 60.5 inches oil on canvas, unframed (thin wood stripping only) Contemporary Hudson River winter landsca...

Beautiful pair of Paul Frankl for Brown Saltman two-tier occasional tables with splayed and tapered legs and espresso finish.

Horizontal, monochromatic impressionist style blood orange and red abstract landscape oil painting on canvas "Fallow Field" painted by Richard Britell in 2020 oil on canvas 20 x 48 x...

Rockface 27 by Andrew Buck archival pigment print, edition of 5 44 x 44 inches framed Print is dry mounted without glazing (no glass). Black metal frame is approx 1/2 inch face widt...

Japanese two panel screen: Summer flowers on silver. Meiji period painting (1868 - 1912) of Summer flowers including morning glories and daisies against a garden fence. Signature and...

Kano School painting, of the edge of a bamboo grove in early winter snow with very fine gold mist. Mineral pigments and gold dust on mulberry paper with 18th century brocade.

Figurative abstract style black, white, and blue acrylic painting of the Greek Goddess, Nike, "Winged Victory of Samothrace" with an antique wood f...

Archival digital scanograph 18 x 13 inches, edition of 225 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

Acrylic and oil pastel on canvas

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

Hasegawa School painting in ink and gold dust accents on mulberry paper.

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

Abstracted realist gridded landscape showing the change of seasons with a blooming yellow forsythia bush in front of the artist's home "Forsythia Blooming" by Hudson Valley based art...

Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige Acrylic on 3 wood panels Each panel is 24 x 18 x 2 inches Suggested installation is ...

This is a glorious set of three child transferware alphabet or ABC plates dating from the early to mid-19th century. The plates measures just 5-1/8 inches in...

30 x 40 inches horizontal photo realist oil painting on canvas of neo-classical architecture Mr. Britell's subject matter is drawn from the world of pre-modernist architecture. Wha...

archival pigment print 24 x 24 inches unframed This contemporary, surrealist style photograph was printed by the artistic duo, Kahn & Selesnick, in 2010. The print is part of their 'Mar: Adrift on the Hourglass Sea' series which features deserted landscapes in outer space. In this image, a mysterious and otherworldly mechanism floats through the Martian landscape. It is unknown who or what is operating it. With this imagery, the artists entice an imaginative narrative where the viewer is left to conjure up their own story. About the series: "Mars: Adrift on the Hourglass Sea" is Kahn and Selesnick’s first project to feature a female protagonist; a woman finds herself alone in a wasteland that appears to be Mars. It is uncertain how she arrived in this place, via spacecraft, through a fold in the space-time continuum or perhaps the landscape is a mental projection. Either way, it is clear that she has escaped an unnamed catastrophe on Earth. In a series of hallucinatory episodes she simultaneously explores the planet and builds a mock-life for herself from a combination of high-tech and stone-age materials. Mars is revealed to have ruined artifacts and monuments from a previous, or perhaps future, civilization. The remains of massive stone listening devices are littered about the landscape, leading us to wonder: is this a colony that has collapsed and lost touch with earth? How did its occupants become stranded? Or are these the nocturnal imaginings of a post-apocalyptic survivor? About the artists: The ultimate storytellers, who have been showing with Carrie Haddad Gallery for more than 20 years, are Nicholas Kahn and Richard Selesnick...

Very heavy chairs. Stunning French Modernist chairs with a beautifully patinated leather arm detail. Solid steel frames with solid black metal detail on the frame. These chairs are ...

Nautical color still life photograph of a white oar and coiled rope archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size This contemporary nautical still life photograph was made by Hudson Valley based photographer, David Halliday. The antique white oar image is part of the artist's 'Portal' series photographed in an old fish shanty...

Framed still life photograph of single magnolia leaf Sepia toned silver gelatin print, vintage uneditioned print Custom black stained wood molding with visible grain 8-ply antique w...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

This pair of rattan lounge chairs are new arrivals from Sweden. Made in the 1950s both chairs are in remarkably good condition showing no major signs of wear, damage or repair. We di...

Betsy Weis (Photography) Dusk Lilies, 2006 20" X 30" archival inkjet print on watercolor paper (Available in 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,00...

Betsy Weis (Photography) Summer Lilies, 2006 20" X 30" $1,700.00 archival inkjet print on watercolor paper (Also available with 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,000) Image: 20 x 30 inches Paper: 24 x 36 inches Photographed in Wellfleet in Cape Cod, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...

Nautical color still life photograph of blue and orange buoys on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size This contemporary nautical still life photograph was made by Hudson Valley based photographer, David Halliday. The image of colorful fishing buoys...

Recycled textiles, thread, batting, wood, chair legs, acrylic paint 40 x 50 x 22 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clothing, fur...

Vintage Mid-Century Modern set of 4 Italian corded jute dining chairs with ladder back. Elegant design and a beautiful minimalist style. Seat on all chairs in very good condition, on...

Newly upholstered 1950's Louis XVI style carved wood sofa with columnal legs and carved ornamental details to corners. Single welting and arm cushions. Down wrapped seat. Age appropr...

19th C French Bronze Snake Candlesticks Beautiful original patina in red. Gilt bronze snake.

Dramatic and beautifully executed cherry blossoms trickle down the two panels with natural willows calmly coexisting with luminous gold dust fading to the ground. Mineral pigments an...

Forms derived from the Mayan church columns of Chajul, Guatemala are reinterpreted by the master carvers of the Oku tribes in the African grasslands of C...

Allison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an e...

Monotype on three sheets of paper Unframed Rachel Burgess is a visual artist based in New York. Originally from Boston, she received a B.A. in Literature from Yale University and a...

Stunning floating walnut table sturdily built on top of elegant stilt styled legs. Simple yet elegant design attributed to Jens Risom. Original built in tiles add a unique design ele...

The Lonely Road (1940) Tempera on panel 12" x 16" 19 1/2" x 23 1/2" x 1 1/2" framed Hand-signed "Palmer '40" lower center. Provenance: Midtown Galleries, New York, NY (labels verso...

Bamboo grove on a knoll with stylized gold mist. Mineral pigments on gold leaf with silk brocade border.

Elegant sofa designed by Carl Malmsten (1888-1972) and retailed by Nordiska Kompaniet. Classical form with gracefully curved sides and open frame back. B...