Hudson

Artisan made iron cattle sculpture by Dan Whitbeck. Signed/dated. Made in the US; 1999.

Upholstered in orange velvet, signs of normal wear on the velvet. Mahogany has been recently polished and is in excellent condition.

This unusually large three-drawer commode or chest of drawers is of Dutch origins and was made between 1780 and 1800. The simple yet dynamic form is enlivened with large moldings and...

Hand-signed and dated "Freimark 1963" lower right. Signed, titled and dated "Photography / pol. 1963 / Robert Freimark" verso. Provenance: -Gift from Robert Freimark to his friend T...

Signed and dated "Vytlacil 38" lower left, and signed and dated verso. Provenance: Estate of the artist #1602; Martin Diamond Fine Art About this artist: Born in 1892 to Czechoslov...

Sparrows ravish freshly harvested rice, drying on stakes, beyond wild chrysanthemum. Mineral pigments on silk. Signed in the lower left corner, signature reads: Soetsu. With a simple...

40"x60" limited edition historic photograph, edition 1/5. This historic photograph depicts the recently completed World Trade Center shot from tip of Ellis Island in 1974. The mist w...

17th century French walnut cabinet. A two-part cabinet in Dutch style.

1950's round ebonized Giuseppe Scapinelli cofffee table with glass top and natural wood raised lower shelf. Beautiful curved "J" shaped legs. Downward taper to wooden edge to flat gl...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

This nice medium-sized bowl has underglaze and overglaze painted details and was made circa 1945 to 1950. It is decorated in an asymmetrical pattern of prunus and chrysanthemums with...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

This fine work table made in England, circa 1810 is of an unusual sculptural form and relates to the work of George Smith one of the periods most influential designers. Made of a sar...

This unique piece of ceramic has beautiful color. It also has a collector's box.

Mineral pigments and gold on mulberry paper. Signature reads: Bunrei-Ga.

Japanese Two-Panel Screen: Horses in a Pine Landscape This Japanese two-panel screen, dating to the Edo period (circa 1800), depicts a peaceful herd of horses and colts gathered wit...

This lovely small étagère is part of a large type of export furniture made from the sea trade between east and west cultures in the 19th centuries, circa 1870. The structure is of im...

Center hall Louis Phillipe marble-top table.

Acrylic on 3 wood panels Each panel measures 6 x 24 x 2 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall measurement for pic...

This very fine drawing from the early Baroque period is in Sanguine on laid paper. this Italian drawing in a rich brown-red is framed in a fine old gilded frame...

Absolutely stunning curved sculptural sidebar constructed of tessellated natural stone by Maitland Smith. This is an incredible piece that is a sculpture on it's own. Tesssealed ston...

(6) 1920s faux Malachite hand painted wood and gold ormolu wall sconces with fluted and curved arms and finial to top. High quality construction. Heavy and sturdy. Price is per item.

French walnut deco side table.

Monoprint

Beech-Nut Packing Co. began in the 1890s mainly focused on smoked hams and bacon. In the early 1940s, the company developed a vacuum jar and this manufacturing system allowed them t...

Poems refer to moon gazers. Ink on mulberry paper with a silk brocade border. Seals read: Roku-roku sai.

Japanese six-panel screen: Winter landscape with flowering plum, Meiji period (1868-1912) painting of a full moon with wild grasses between river's edge and a snow covered plum tree ...

Moroccan pierced brass shades / Red resin jewels / Aged brass finish Note : Height cannot be adjusted Quantity : (1) Materials : Aged Brass / Resin Color : Gold / Red Dimensions :...

Watercolor on paper 32 x 25 inches framed

Large, brightly saturated red color field abstract geometric painting in various shades of bright green, blue, purple and deep red. "The Field Across the Road" made by Hudson Valley ...

Oculus VII (Geometric Abstract Graphite Drawing in Antique Frame) by David Dew Bruner Made in 2026 graphite on paper 7.5 x 5.5 unframed 11 x 9 inches framed *there is minor wear on f...

Farewell To Summer Contemporary Abstract painting. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship f...

Japanese six-panel screen: Buck and doe at dawn. Showa period (1926-1989) painting of a rising sun seen through a woodland scene with a pair of deer. In Japan, deer are thought to be...

Mineral pigments on gold leaf, signature and seal read: Kenzan.

This very detailed miniature work designed to be set into an album of works for private viewing is of the Great Moghul Emperor Shah Jahan and was painted in...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Shell design on front.

Beautiful small stool in sycamore wood. Newly upholstered in brown leather. Attributed to Andre Arbus.

This fine and small Enconignure (corner cabinet) is constructed of book-matched and quarter paneled Tulip-wood veneer bordered by marquetry line inlays and marquetry stop fluting at ...

Mineral pigment on gold silk. Signature reads: Nana Keicho Ho, Shinsho, Gachu ; Seal reads: Soju ; Seal on reverse reads: Koto Fusai.

This finely made English regency period metamorphic bookcase-desk is also of an interesting and useful small scale. The mahogany construction is done in a clean simple straight-grain...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

This fine painted decorated planter in the manner of Angelica Kauffman was created in England circa 1890 to 1900. Hepplewhite in style the planter was made in England during the Edwardian era. This time saw a great rise in revival styles and culminated with the out break of the first world war. Hepplewhite design is most often associated with fine detail contrasting wood veneers and inlay , delicate painted details and a definite reference to historical precedents. Referencing Kauffman herself the piece is reminiscent of works in her historical painterly style. She i known to have painted a number of commissions on furniture while living in England as well a being one of only two female founding members of the Royal Academy. She classified herself as a painter of historical imagery but is also known for her many significant painting and portraits and scenes of late 18th century upper class life. Many engravings used as pattern survive giving her style and work a great reach in paint decorated furniture...

acrylic and graphite on original lenticular Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting...

acrylic on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is only a silhou...

A pair of carved white granite classical urns with floral decoration on the bodies. Custom-made marbleized wood pedestals. Measure: urns are 26.5 tall...

Acrylic and organza on Yupo, mounted on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each pain...

Watercolor monoprint

Horizon pastel on paper 6 x 6inches 12 x 12 inches 2023

Cream painted parcel gilt mirror with urn and column detail.

The large well-shaped frame with numerous openings showing mirror set behind, circa 1740. The frame is carved to depict cartouches composed of foliate borders and vining elements. Th...

Highly animated bronzes of Apollo (left) and Vulcan (right). 17th century bronze copies of 16th century Venetian marbles by Alessandro Vittoria. Patina is a rich nut brown. Apollo...

Hand forged wrought Spanish Revival Chandelier. Elongated shape. Perfect for entryway, living room, kitchen island and dining rooms. Feat...

39 x 39 inches framed Please allow at least 2 weeks for the photograph to be printed and shipped.

A fine diminutive 18th century American Chippendale mirror with cut-out scroll work crests and ears in mahogany retaining original dry surf...

This antique hand mirror is a stunning piece that once added elegance to a stylish Georgian Lady’s Dressing table. Made in England about 1820, during the late Georgian period. It fea...

Acrylic and graphite on gessoboard

This very nice light fixture done in an 18th-century style is part of the resurgence in antique style so loved by Cafe Society in the early part of the century. Italian and painted i...