Hudson

Abstract encaustic painting with dyed teal, indigo, beige, and white dyed fabrics "Blue Ochre & White Lies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 16 x 20 inches, 17 x 21 inches framed Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...

Protection II (Contemporary Still Life in Blue and Green Tones of Kettle In Jar) Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas Signed verso Excellent cond...

Best Laid Plan (Mixed Media Collage on Board in Bright Colors), made by Hudson Valley based artist, Donise English, in 2025 mixed media collage on board, framed Image size: 20.50 x 2...

18 x 14 inch drawing on 20 x 16 inch Aquarelle Arches Paper 24 x 20 x .5 inches framed Thin profile black metal frame, 8 ply white mat Ralph Stout's works on paper reveal a drau...

An antique caucasian Cloudband Kazak wool rug, very low pile, with deep rust red, navy, yellow and ivory. The colors are so rich and the large scale cloudband design has a great grap...

Mineral pigments on silk, mounted on board. With a gilded wood frame.

Pair of abstract geometric graphite drawings inspired by the moon in white frames "Oculus I and III" by David Dew Bruner made in 2024 graphite on paper Each individual drawing measur...

Abstract modernist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi II” by Hudson Valley artist, David Dew Bruner, m...

Horizontal, monochromatic impressionist style blood orange and red abstract landscape oil painting on canvas "Fallow Field" painted by Richard Britell in 2020 oil on canvas 20 x 48 x...

Very heavy decorative wrought iron and glass table with solid brass feet and finials. This table is absolutely stunning. This table is unmarked. European. It is very heavy and will ...

Park Avenue Lady Table Lamp No.20T $3,200.00 Polished and lacquered antique brass candlestick / Custom, hand-sewn, off-white pleated silk shade / Polished and lacquered brass hardwar...

Gestural abstract expressionist painting on archival paper mounted to panel with gold and silver metallic powders and accents of blue, mauve, and teal enamel paint "Involved and Obsc...

Mid-Century terracotta lamp base, evenly striped in narrow, dark brown ceramic lines / Hand-painted, glazed linen, matching terracotta shade w/ a semi closed top / Brown silk cord w/...

Realistic, Modern Still-Life Painting of Watermelon and a Pine Forest Made is 2022, by Berkshire based artist Ann Getsinger oil on linen 11 x 14 inches 16 x 13 inches in a walnut fl...

This nicely carved bird figure is done in an 18th-century style but is from the very late 19th century to early republic period. The stone is a soft mellow celadon green with dark br...

Tonalist style, abstract figurative watercolor by Susan Hope Fogel watercolor on Arches heavy-weight paper 30 x 44 inches, diptych of two sheets measuring 30 x 22 inches each 35.5 x...

Abstract still life photograph of green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on three panels Edition 1/12, 36 x 34 i...

Abstract minimalist three-dimensional dark metal sculpture is oxidized brass My Shadow Always Watched, created by Joe Wheaton in 2019 24 inches high x 64 inches wide x 22 inches deep...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Abstracted still-life painting on panel of a black vase with a flower and a seed pod David Konigsberg Black Vase, 2023 11" x 9" oil and monotype collage o...

"Fruit of Poet" by Dai Ban, 2021 42" X 22" X 12" Foam Board, Venetian Plaster, Beeswax, Pigment Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...

Contemporary, abstracted landscape reminiscent of Hudson River School & Romanticist painters oil on canvas 40 x 48 inches Romantic (yet modern) Hudson River oil landscape painting of a vast field in the foreground with a red and blue sunset sky in the background. This painting is of a horizontal orientation and is finished with an olive green border painted directly onto the canvas. The edges are finished with the same color, so no additional frame required here. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception in 1991. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

Contemporary Abstract Architectural painting in black and yellow "Ospedale II" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24 inches oil, enamel and pap...

Stunning and sturdy three part credenza or dresser which consists of a pair of Pierre Cardin designed nightstands with a separate 40" wide chest placed between. Practical yet elegant...

acrylic on paper

Horizontal photo-realist still life painting on canvas of green lotus leaves on a light grey background 'Lotus Number Fifteen' by Frank Depietro, made i...

Modern Luminist, Hudson River School landscape painting on canvas of the expansive view over the Hudson River as observed at the top of Olana, the historic home of Frederic Church "In the Afterglow" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 48 x 60 x 1 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left Acclaimed artist of the Hudson Valley, Jane Bloodgood, takes her painting to a new level with a new work entitled "In the Afterglow". Her interpretation of this very iconic view (observed from the top of Olana, the historic home of Frederic Church located near Hudson, NY) is set during the very quiet moments of a summer's evening when the sun has dipped beyond the mountains. The crystal blue sky illuminates with the sun's setting rays; a golden band of yellow haze otherwise known as "The Venus Belt" is an atmospheric phenomenon only visible shortly before sunrise or right before sunset. The water reflects the pink and purple glow that forms near the horizon; the dusty shadows of trees tower over the water's edge. We marvel at how simply Jane captures a complex phenomenon, evidence of her unparalleled ability to paint light and endow her work with luminosity. Yet this painting succeeds not only in its representation of the actual landscape and the awe produced by the experience, but also in its contemporary abstraction of atomsphere. The big, open blue sky is stacked with the colors of the sunset against the horizon, calling to mind a Rothko or the other great color field painters who achieve mood and depth from singular color. About the work: Painter Jane Bloodgood-Abrams has become one of the area’s most celebrated artists, gracing viewers with her compositions of sky, river, and earth. Being less concerned with documenting specific scenes, Bloodgood-Abrams is focused on capturing nature’s essence, “the deeply profound moments, where there is a connection to a vital energy.” Her process begins with being in nature, where she allows the emotional energy of the landscape to filter through her psyche. The memory is then translated onto canvas after being worked over a period of time with layers of paint that is applied, wiped away, and reworked. The result is a radiantly dramatic remembrance of Bloodgood-Abram’s encounter with “something beyond everyday life”. The artist’s final hope is for these images to evoke remembrances within the viewer's own personal relationship with nature. Artist Biography: Jane Bloodgood Abrams was born in Queens, New York. She received her Bachelor’s of Fine Arts from the College of Saint Rose in Albany, in 1985. Three years later, she earned a Master’s of Fine Arts at the State University of New York in New Paltz. Now she paints in the Hudson River Valley and the Berkshires. EDUCATION Master of Fine Arts Painting - (cum laude) State University of New York at New Paltz 1988 Bachelor of Studio Arts - (cum laude) College of Saint Rose, Albany 1985 SELECTED SOLO EXHIBITIONS: 2015 Carrie Haddad Gallery, Hudson, NY 2014 Mark Gruber Gallery, New Paltz, NY Carrie Haddad Gallery, Hudson, NY 2013 Christopher Clark Fine Art, San Francisco, CA The Harrison Gallery, Williamstown, MA 2012 Carrie Haddad Gallery, Hudson NY River Gallery, Chattanooga, TN The Storefront Gallery, Kingston, NY "Beyond the Real" 2011 The Harrison Gallery, Williamstown, MA Carrie Haddad Gallery, Hudson, NY Locust Grove State Historical Site, Poughkeepsie, NY 2010 Carrie Haddad Gallery, Hudson, NY 2009 Carrie Haddad Gallery, Hudson, NY 2008 DFN Gallery, New York, NY 2007 Meyer East Gallery, Santa Fe, NM The Harrison Gallery, Williamstown, MA Carrie Haddad Gallery, Hudson, NY 2006 Mendenhall-Sobieski Gallery, Los Angeles, CA DFN Gallery, New York, NY Carrie Haddad Gallery, Hudson, NY 2005 Carrie Haddad Gallery, Hudson, NY River Gallery, Chattanooga, TN 2004 Albert Shahinian Galleries, Poughkeepsie, NY Carrie Haddad Gallery, Hudson, NY 2003 Carrie Haddad Gallery, Hudson, NY Living Room Gallery, Kingston, NY River Gallery, Chattanooga, TN 2002 Carrie Haddad Gallery, Hudson, NY 2001 Carrie Haddad Gallery, Hudson, NY Artforms Gallery, Albany, NY 2000 Carrie Haddad Gallery, Hudson, NY Mark Gruber Gallery, "Romancing the Landscape" New Paltz, NY 1999 River Gallery, Chattanooga, TN 1998 Alan Sheppard Gallery, Piermont, NY "New Traditions" 1997 Coffey Gallery, Kingston, NY SELECTED JURIED AND INVITATIONAL MULTI-ARTIST EXHIBITIONS: 2016 Byrdcliffe’s Legacy: An ode to Nature and Place, Kleinert Art Center, Woodstock, NY Artists of the Mohawk-Hudson Region, Hyde Collection Museum, Glens Falls, NY ARTBAR Gallery, Kingston, NY 2015 The Laffer Gallery, Schuylerville, NY Jessica Hagen Fine Art, Newport, RI 2014 Jessica Hagen Fine Art, Newport, RI “Riverscapes,” The Harrison Gallery, Williamstown, MA "Far and Wide" Regional Juried Exhibition, Woodstock Art Association and Museum, Woodstock, NY 2013 Artists of the Mohawk-Hudson Region, Hyde Collection Museum, Glens Falls, NY Far and Wide" Regional Juried Exhibition, Woodstock Art Association and Museum, Woodstock, NY 2012 "Riverscapes," The Harrison Gallery, Williamstown, MA “The Great Hudson River Exhibition,” Mill Street...

"Autumn Magnolia No. 1" Abstract still life photograph of deep plum Magnolia petals and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused ...

poppy and encaustic on wood panel 14 x 14 x 1 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by Allyson L...

Nature-Inspired Minimalist Abstract Color Field Painting on 2 Panels in light blue and white with details of earthy brown Acrylic on 2 wood panels Each panel is 36 x 24 x 2 inches Su...

Oil painting on canvas, unframed 32 x 27 inches This still life oil painting of a bouquet of vibrant lilies, roses and irises was painted by Hudson Valley-based artist Dale Payson. The range of canary and pastel yellows, emerald green, beige and burnt umber hues that span the canvas are complimented by Payson's skillfully executed impasto technique. Payson captures the essence of her subject matter and abstracts it in the same stroke, rendering each painting somewhere between representation and interpretation. About the artist: Payson studied extensively at the School of Visual Arts in New York and eventually taught at this prestigious institution. Before painting became her sole ambition, she was a freelance book illustrator and has more than 25 books to her credit. Dale Payson also studied under Robert...

Contemporary black and white photograph of the New York City skyline and The Statue of Liberty archival pigment print on watercolor paper, unframed & made to order 50 x 40 inch paper...

This very impressive console table comes from the famous American Country house Blairsden. This house built in Peapack NJ for C. Ledyard Blair and Mrs. Florence Blair between 1898 and 1903. The house was created and decorated by the important architectural firm of Carrere & Hastings. The firm produced many homes, churches, monuments and public buildings for America's gilded age notables. Blairsden boasts extensive landscaped gardens in the manner of the French Baroque in the tradition of Andre Le Notre. The interiors as well where extensively set out and incorporated appropriate French and English furniture complimenting the decorative schemes. No expense was spared to create this house and grounds based on the ideals of Edwardian splendor and the ideal modern residence. This house was listed in 1903 upon its completion in the survey of American Estates & Gardens published by Barr Ferree. While much was spoken of its location, setting, architectural accomplishments and style the summation of the listing called "Blairsden one of the most elaborate and extensive schemes of its kind ever carried out in America." This table was formally part of the dining rooms complete redecoration by the architectural firm carried out in 1913. The room was originally planned around dark paneling and a warm even family-style catering to their children. The new rooms scheme was greatly enlarged and lightened up considerably by extensive plasterwork and painting in the Adams style. This table and a mate was used to center two opposing walls and complimented the inset painted panels and plasterwork ceiling which contained many references to swags, pateria, and other classical motifs. This table has been pictured in several period photographs and the house is extensively spoken of in the comprehensive book published in 2006 by Acanthus Press encompassing the principles ideals and the extent of there work especially in the Beaux-Arts...

Modern Luminist, Hudson River School landscape painting on canvas of a creek and river meeting around a forest bend with mountains in the distance "Where Creek Meets River" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 36 x 48 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left This modern Hudson...

Watercolor on paper 32 x 25 inches framed

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

A set of 4 (four) place settings in the academy platinum pattern by Ralph Lauren Home collection. Bone china. Signed. Imported, production period 1995-2002. Features a platinum/silv...

Archival digital print, edition of 25 (#161) Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch border $3200 Image size 32 x 48 inches wi...

Figurative abstract cubist style drawing inspired by the Infanta Margarita in an antique gold frame “Infanta IV” by Hudson Valley artist, David Dew Bruner, made in 2015 23 x 18 inch...

This natural rock crystal sphere containing expected color changes and inclusions is a gem from nature. The sphere is 9 inches in diameter and runs from clear to crazed inclusions th...

Hummingbird Augury (Circular Cobalt Blue Pastel Drawing of Golden Hummingbird and Stars on Indian Handmade Cotton Paper by Kahn & Selesnick) 11 inch diameter unframed pastel, conte c...

25 x 55 inches horizontal, monochromatic lavender purple landscape acrylic painting on canvas This contemporary, horizontal landscape acrylic paintin...

image size: 8 x 10 inches Portrait of Tennessee Williams Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in penci...

Modern Luminist, Hudson River School landscape painting on canvas of a Riverbank, richly colored foliage and moon on the horizon "An Autumn Reverie" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 36 x 48 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower right This modern Hudson...

oil on vellum 8 x 8 inches, 13.25 x 13.25 in white frame This work on paper is offered by Carrie Haddad Gallery, located in Hudson, NY. This modern, abstract blue and white painting...

This pair of Chinese provincial elm stands, circa 1890-1900. Probably at one time completely covered in lacquer the wood has been exposed in areas creating an interesting contrast of...

This fine piece of furniture is made from rich deeply grained rosewood. Even the pedestal support is turned and carved from solid rosewood. The table is further accentuated with a wi...

sepia toned silver gelatin print, edition 1 of 25 17.5 x 17.5 inches unframed, 30.5 x 30.5 inches framed Frame is dark brown wood molding, 8 ply antique white mat and glass Sepia toned silver gelatin print of a serenely still lake in Louisiana When Time Stands Still. The Photographs of David Halliday Whether traveling to a foreign land, wandering through a neighborhood marketto shop for food, or engaging in convivial conversation with a friend at his home,David Halliday is easily charmed, intrigued, excited, or amused by all that surroundshim. An artful documenter of life, Haliday uses his camera as a tool for recording themultitudinous special moments that capture his attention. Once in the darkroom, heeditorializes his finds, subtly embellishing each image until it somehow evokes thesensation that led him to photograph a subject in the first place. With the exception of a series of platinum print portraits, Halliday produces all of hisphotographs as sepia toned silver gelatin prints. Both processes are highly trad-itional and, in requiring that the artist avoid the use of any color other than sepia,they stand in sharp contrast to splashier modes such as Cibachrome, Polaroid, or digitally produced Iris prints […]. For Halliday, the warm tones afforded by age-old processes reflect his desire to reclaim the past or cherish the present in the form of soft, tranquil, frozen moments...

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

A vibrant celebration of spring using a colorful ensemble of coxcomb, irises, lilies, hybiscus, and a blossoming cherry tree. Great examples of "tarashikomi" or "painting-in", a Rim...

This very nice carved plaque of good size comes from China and was made circa 1900. The stone is a rich combination of dark, light and emerald green. Sliced from a boulder washed and...

This classically inspired cast iron table has an Italian specimen marble top in three colors. The iron base incorporates acanthus leaf cast...

Elemental Drift Grey, White , Blue Abstract Expressionist Painting Made by Ragellah Rourke in 2025 oil on canvas 36 x 48 inches, unframed The sides are cleanly painted light grey so ...

The Lonely Road (1940) Tempera on panel 12" x 16" 19 1/2" x 23 1/2" x 1 1/2" framed Hand-signed "Palmer '40" lower center. Provenance: Midtown Galleries, New York, NY (labels verso...

This table crafted in carved painted and gilded wood was made in Italy, circa 1700. The style is fully Baroque and at one point may have had a specimen marble top. The present top is...

Made in France circa 1840s this finely cast pair of sphinxes are represented in the recumbent position most associated with the form. Showing on both figures are two hieroglyphic car...

This large and impressive Mandarin food storage box is very detailed and well-constructed. The case, made of finely carved wood, houses five different stackable storage boxes. Each b...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...