Hudson

French Empire Snake Candlesticks

Kissing Priests image size: 8 x 10 inches Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom right corn...

Painting measures 16" x 20" and framed 24 ¼" x 28 ¼". Signed "Aaron Bohrod" lower center. About this artist: Aaron Bohrod was known for the range of styles from social realism to la...

"Hip, Hip, Hooray!", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2019 24 x 24 x 2.5 inches Carved wood and acrylic paint on panel Signed, ver...

Figurative drawing with graphite, charcoal, and conte crayon on Arches paper 30 x 19 inches, unframed One piece of 30 x 19 inch Arches paper. Two drawings on opposite sides. These u...

Abstract landscape painting of a gestural blue cloud over an olive green field "Hayfields" painted by David Konigsberg in 2015 oil on wood panel, 23 x 24 x 2 inches Ready to hang, s...

Three dimensional abstract sky blue, indigo, mauve, purple, and violet wooden wall sculpture Dyed and painted wood on panel with paper collage detail 36 x 24 x 2 inches Can be orie...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

The artwork measures 18" x 24", and the frame 25" x 29.5" x 1.75". Upon request a video clip of this work may be provided. About this artist: Julio De Diego crafted a formidable per...

Red (Abstracted Red Flowers in Dark Green Vase) by David Konigsberg 2021, oil on panel, 19 x 23 inches Konigsberg is a conceptual realist who works across media and painting genres ...

A two-level square chrome coffee table inset with smoked glass and casters. USA, circa 1970. Unsigned. Attributed to Knoll. Reminiscent of ...

Abstracted figurative print 12 x 22 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton, has deckled edges and is acid-free Signed lower right T...

Japanese six-panel screen: Winter landscape with flowering plum, Meiji period (1868-1912) painting of a full moon with wild grasses between river's edge and a snow covered plum tree ...

"Sweet Gum" painted by Joy Taylor in 2022 28 x 22 inches, 37 x 29 inches framed acrylic on paper Custom Frame with White Wood Molding, Window Mat and Tru Vu AR Glass Joy Taylor’s paintings transform botany into a personal vision. Her recent series on canvas, playfully titled the “Boo-K” paintings, defy traditional still life depictions that often seek to tame and order the objects of the world. On the contrary, Taylor’s subjects are never still. Her floral forms have the crisp, clean qualities of cut paper; sharp, decisive lines slice through blocks of pure pigment to create defined edges of leaves, vines and blossoms. The colors are constructed as well as the form. Her exuberant palette of oranges, blues, magenta and green echo the complimentary colors favored by the Fauvists. Color is an element in and of itself in her work. This balance of sparkling color and form is irrepressible, at times disconcerting and even dangerous in its boldness. In a series of original paintings on paper, Joy pairs down the form by focusing on a single bloom or leaf. As a specimen under a microscope, Taylor dives into the crevices and details of each leaflet on this bright green Sweet...

Photorealist still life painting of green lotus flower petals and a brown lotus pod against a light blue background oil on canvas, 16 x 16 inches, 17 x 17 inches in dark wood moulding Signed lower left Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPetiro features a brown lotus pod with lush green leaves on a pale grey-blue background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Hasegawa School painting in ink and gold dust accents on mulberry paper.

This pair of objects were made around 1900 to 1910 in Italy. They are crafted from hand-molded terra cotta that has been marbleized with colored slip and fired in low heat creating a...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

Lakeview (Expansive Blue + Green Landscape Reminiscent of Color Field Painting) by Tracy Helgeson 2024 oil on panel 36 x 48 inches unframed The disparate traditions of American folk...

Black and white still life photograph of a white shell on a simple white background "Shell", photographed by David Halliday in 2003 Sepia toned silv...

A vintage milk glass and brass hanging light fixture. Features a vintage glass shade suspended from a custom brass rod frame. Shade is vintage; circa 1940. Brass hanging frame may ...

Vintage 1960's American of Martinsville desk with structural details and original pulls. Nice corner details. Marked inside drawer. Two f...

Teak bar stool with arms and upholstered seat. Denmark, circa 1960. Signed. Features blue-gray wool fabric as shown.

Abstract graphite drawing on paper in vintage pewter frame 5.75 x 4.5 inches This abstract figurative graphite drawing on paper was inspired by academic...

Large photo-realist still life painting on canvas of a pink lotus flower with green leaves on a sky blue background 'Lotus Number Twenty-Five' by Frank Depietro...

poppy and encaustic on wood panel 14 x 14 x 1 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by Allyson L...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

A tall, chunky, single-drawered console, the Gigi is made in the Hudson Valley with an oxidized oak top and cedar legs, but can also be made in a single wood species or in any combin...

George III partners desk. Red leather and gilded trim top with bronze mounts. Four drawers on one side five drawers on the other.

Edward Fields all wool designer rug with floral green, pink and off white pattern. USA, circa 1960. Signed Edward Fields. Measures approximately 9 feet x 9 feet. Exact Dimensions: 109" W x 111” L Condition: Good to fair. Vintage/Pre-owned. Notable overall wear. May be viewed in our Hudson NY...

Werkstätte Carl Auböck, Vienna, Austria, 1950s. Table number 11. Untouched and with 70 years of patina. Beautiful and warm. Large scale and proper proportions.

Black and white country landscape drawing on paper charcoal and carbon on Arches cotton paper mounted on wood 4 x 4 inches This contemporary charcoal drawing on Arches cotton paper ...

Pair of chrome deco torcheres (floor lamps).

Abstract minimalist three-dimensional wall sculpture in light grey and black "Please Leave Us Alone" by Dai Ban, 2020 29 x 24 x 10 inches Precision board, Venetian Plaster, Beeswax, Pigment Lightweight sculpture (weighs about 5 lbs.) and hangs on the wall with a French cleat Excellent condition and ready to hang as is Signed, verso This contemporary, abstract horizontal wall sculpture...

with Lion Head Handles. Ceramic, 19th century Original Japanese Collector's box.

These vintage French candlesticks have been brilliantly repurposed into quaint table lamps. With delicately painted floral motifs, these la...

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

The Willow floor lamp is a perfect combination of slender elegance and sheer mass. The hand-shaped black walnut base comes from a tree that fell from a neighbor on to the designer's ...

Archival digital scanograph 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank,...

These chairs from circa 1840 are well made and retain the original split cane woven inset seat mats. The wood is finished in a deep rich red transparent lacquer giving the wood a lustrous finish . They are generous in scale and comfortable and original throughout. The arms are carved in a bamboo pattern and the central splat is decorated with a pierced Chinese linguistic character. Condition Disclosure: While we do our best to carefully inspect and give a full report on the condition of any item we sell, pointing out any repairs or alterations that may have been done to the best of our knowledge, as is the case with any antique and vintage item, there is a possibility that at some point in the life of the piece that there may have been damaged which has been professionally repaired and as such a repair undetectable, it is therefore impossible for us to disclose... we recommend that you also read and agree to the 1st dibs user agreement...

Abstracted still-life painting on panel of a black vase with a flower and a seed pod David Konigsberg Black Vase, 2023 11" x 9" oil and monotype collage o...

A pair of carved white granite classical urns with floral decoration on the bodies. Custom-made marbleized wood pedestals. Measure: urns are 26.5 tall...

Colorful abstract geometric painting in various shades of red, orange, green and blue, with accents of white, black, pink and light yellow "Partly Perpendicular", made by Hudson Vall...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x 42.5 x 1.5 inches 35.5 x 43 inches with an ebonized walnut floater...

Kano School, Mineral pigments on gold leaf with silk brocade border and lacquer wood trim.

oil on linen on homasote board, unframed 14.5 x 19 inches Harry Orlyk is celebrated for his ability to capture a rural country landscape with impressionistic brushstrokes and a bright color palette. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. '#5418 A Washington County Vineyard' is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a lush green field towards the end of summer. Orange leaves begin to appear atop green trees, creating a bright contrast with the blue mountains lining the horizon. Thick layers of paint are applied with expressive brushstrokes and culminate onto a textured surface. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...

Minimalist, abstract three dimensional wall sculpture in dark oxidized metal “DNA” made by Joe Wheaton in 2019 19 x 12 x 3.5 inches, oxidized steel Hangs of a French cleat, sculpture is lightweight (weighs about 5 lbs.) Signed, verso Joe Wheaton’s unique sculptural designs welded from dark, oxidized brass or brilliant silver steel showcase a contradictory set of relationships; “beautiful yet menacing, “threatening yet delicate” as described by the artist. Wheaton builds his metal compositions using a language of strokes and patterns. Geometric spears, disks and quadrangles alternate with wispy, sharp edged lines that trail off quietly to an undefined point. This visual sweep can be likened to the art of calligraphy, echoing the artist’s interest in early Asian arts and ceramics, as well as printmaking. Artist Statement: Familiar yet strange, beautiful yet menacing, threatening yet delicate. Reaching and solid, my work traverses many contradictions. As in life, beautiful lines have sharp edges, precarious forms balance with great certainty yet are vulnerable to nature's menacing ways. I am interested in using recognizable materials and relationships in configurations that will serve to re-evaluate how one perceives what might at first seem obvious. Dark forms stand in front of their ever-changing shadows. Lines motion and engage, but are like life, elusive and mysterious. Artist CV: Born in the Netherlands in 1959 Education: 1978-1981 Studied fine art at Alfred University Solo Exhibitions 2019 4 For Art, Lenox, MA Lauren Clark Fine Art, Great Barrington, MA 2018 Lauren Clark Fine Art, Great Barrington, MA 2017 Lauren Clark Fine Art, Great Barrington, MA 2016 Carrie Haddad, Hudson, NY Canyon Ranch, Lenox, MA 2015 DMG Gallery Saint Petersburg, FL 2013 Behnke Doherty gallery, Washington Depot, CT 2011 Behnke Doherty gallery, Washington Depot, CT 2010 Berkshire Museum, Pittsfield, MA 2008 Springstep, Medford, MA 2008 The Cherrystone gallery, Wellfleet, MA 2007 Carrie Haddad, Hudson, NY 2006 The Cherrystone gallery, Wellfleet, MA 2006 Carrie Haddad, Hudson NY 2005 The Haddad Lascano Gallery, Great Barrington, MA 2005 The Cherrystone gallery, Wellfleet, MA 2004 The Image Gallery, Stockbridge, MA 2004 The Haddad Lascano Gallery, Great Barrington, MA 2003 The Image Gallery, Stockbridge, MA 2003 Carrie Haddad, Hudson, NY 2002 Segreto Contemporary Art, Santa Fe, NM 2000Segreto Contemporary Art, Santa Fe, NM 1996 Canyon Ranch, Lenox, MA 1994 SPAZI Contemporary Art, Housatonic, MA Visual Projections 2019 Oceanside Museum of Art, Oceanside CA Blue Q Berkshire International Festival, Great Barrington, MA Hancock Shaker village, Hancock, NY CATA, Great Barrington, MA 2018 Oceanside Museum of Art, Oceanside, CA 2017 Jacobs Pillow Norman Rockwell Museum, Stockbridge, MA 2016 Music Video, Heaven in Stereo, Inle Lake, Myanmar Music video for Orange Sessions End Violence against women, Mongolia Music video for Orange Sessions, LGBR rights. Mongolia 2015 Made In The Berkshires intro film, Pittsfield, MA Stoneover Farm, Slideluck, Lenox MA The Norman Rockwell Museum Gala, Stockbridge, MA Music video, Star Booty Salon, St. Petersburg, FLA Building Projection , Rococco, St. Petersburg, FLA 2014 Food/Markets , An installation In collaboration with Barbara K Wheaton July- The Oxford Symposium on Food and Cookery, Oxford, England Made In The Berkshires An installation , Pittsfield, MA 2013 June- Harvard University, Cambridge, MA Material culture Material culture , A sensory rave. In collaboration with Barbara K Wheaton July- The Oxford Symposium on Food and Cookery, Oxford, England 2012 A digital visual mashup, The Colonial theatre, Pittsfield, MA Isis Chernobyl, written and directed by Pooja Roo, Housatonic, MA Rolled and stuffed, A brief food history rave In collaboration with Barbara K Wheaton The Oxford Symposium on Food and Cookery, Oxford, England 2011 In collaboration With Barbara K Wheaton A Brief Food History Rave, The Oxford Symposium on Food and Cookery, Oxford, England A audio visual celebration of 50 year of The Peace Corps, GWU, Washington, DC A brief Berkshire Rave, The Colonial Theater, Pittsfield, MA In collaboration with Anne Fredericks Group Exhibitions 2016 Carrie Haddad, Hudson, NY 2016 Lauren Clark Fine Art Great Barrington, Ma 2016 The Meetinghouse Gallery, New Marlborough, MA 2015 Lauren Clark Fine Art Great Barrington, Ma 2015 Carrie Haddad, Hudson, NY 2015 Stoneover Farm, Lenox, MA 2014 Lauren Clark Fine Art Great Barrington, Ma 2015 Carrie Haddad, Hudson, NY 2014 Portals, The Meetinghouse Gallery, New Marlborough, MA 2014 BAA Redux, Lichtenstein Center, Pittsfield, MA 2013 Lauren Clark Fine Art Great Barrington, Ma 2013 Behnke Doherty gallery, Washington Depot, CT 2012 Behnke Doherty gallery, Washington Depot, CT 2012 Cheryl Hazan Gallery, New York, New York 2012 Soprafina, Boston,MA 2012 The Shade Gallery, The Bookstore Lenox, Ma 2012 The Meetinghouse Gallery, New Marlborough, MA 2011 The Ferrin Gakkery, Pittsfield, MA 2011 Cheryl Hazan Gallery, New York, New York 2011 Soprafina, Boston,MA 2011 The Provincetown Fine Arts Work Center, Provincetown, MA 2011 The Meetinghouse Gallery, New Marlborough, MA 2010 The ferrin Gakkery, Pittsfield, MA 2010 Art in The Park, Key West, FLA 2010 Lichtenstein Center for the arts, Pittsfield, MA 2010 Cheryl Hazan Gallery, New York, New York 2010 Soprafina, Boston,MA 2009 Art in The Park, Key West, FLA 2009 Soprafina, Boston,MA 2009 Cheryl Hazan Gallery, New York, NY 2009 The ferrin Gakkery, Pittsfield, MA 2009 The Millbrook Gallery and Sculpture garden, Concord, NH 2008 The Storefront Artist project, Pittsfield, MA 2008 Art in The Park, Key West, FLA 2008 Cairn Croft Sculpture Garden, Dover, MA curated by Meredyth Moses 2008 The Millbrook Gallery and Sculpture garden, Concord, NH 2008 The Meetinghouse Gallery, New Marlborough, MA 2007 SKH Gallery, Great Barrington, MA 2007 NAGA Gallery...

Blue Mother Drawing #2, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

A lotus scene with flowers in bloom floating on the water's surface. As the lotus rise from below for an enlightening process that brings an abundance of purity and beauty. Mineral p...

This exquisite Arcahorn oval mirror exemplifies the quality craftsmanship and luxurious finishes for which the company is known. Featuring a black lacquer frame detailed top and bot...

An octagonal-shaped wall mirror having a beaded brass frame with an oil drop inlaid decoration reminiscent of tortoiseshell. Made by LaBarge. Circa 1970. A substantial and beau...

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

graphite, conte crayon and charcoal on Arches paper 30 x 19.5 inches unframed Signed 'Beard 1999' lower left corner Atelier stamp in lower right corner Unique figurative life study drawing of a seated male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...

"Sargasso" hand-carved wooden New Brutalism wall sculpture by Hudson Valley artist, Stephen Walling, made in 2013 36 x 40 x 2.5 inches Carved wood and ac...

Contemporary landscape oil painting reminiscent of Hudson River School & Romanticist painters oil on canvas 40 x 48 inches Highly romantic (yet modern) Hudson River oil landsca...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Emerald Green by Ginny Fox Acrylic on 2 panels Each panel is 30 x 40 x 2 inches Overall measurement for horizontal install with 2 inch recommended spacing, 30" X 82" X 2" *Panels may be oriented in various configurations Ginny Fox achieves a smooth and complex surface by applying multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Pink + purple portrait of women in profile surrounded by collaged floral discs "Lori" by Ransome 2023 graphite, acrylic and collage on panel 8 x 8 x 2 inches, unframed Piece can be h...

This very impressive console table comes from the famous American Country house Blairsden. This house built in Peapack NJ for C. Ledyard Blair and Mrs. Florence Blair between 1898 and 1903. The house was created and decorated by the important architectural firm of Carrere & Hastings. The firm produced many homes, churches, monuments and public buildings for America's gilded age notables. Blairsden boasts extensive landscaped gardens in the manner of the French Baroque in the tradition of Andre Le Notre. The interiors as well where extensively set out and incorporated appropriate French and English furniture complimenting the decorative schemes. No expense was spared to create this house and grounds based on the ideals of Edwardian splendor and the ideal modern residence. This house was listed in 1903 upon its completion in the survey of American Estates & Gardens published by Barr Ferree. While much was spoken of its location, setting, architectural accomplishments and style the summation of the listing called "Blairsden one of the most elaborate and extensive schemes of its kind ever carried out in America." This table was formally part of the dining rooms complete redecoration by the architectural firm carried out in 1913. The room was originally planned around dark paneling and a warm even family-style catering to their children. The new rooms scheme was greatly enlarged and lightened up considerably by extensive plasterwork and painting in the Adams style. This table and a mate was used to center two opposing walls and complimented the inset painted panels and plasterwork ceiling which contained many references to swags, pateria, and other classical motifs. This table has been pictured in several period photographs and the house is extensively spoken of in the comprehensive book published in 2006 by Acanthus Press encompassing the principles ideals and the extent of there work especially in the Beaux-Arts...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Golden sun viewed through red maple above turbulent waves. Mineral pigments on gold and silver ground with silk brocade border.