Hudson

sepia toned archival pigment print, edition 4 of 25 Item size: 24 x 20 inches, 100% cotton rag paper Image size: 22 x 17 inches This modern, sepia toned landscape print was made by ...

Abstract oil painting on canvas with pastel palette with red and green “Day of the Swans”, painted by Ragellah Rourke in 2021 48 x 36 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2021. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and red tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

An antique Caucasian Soumac from Karabagh circa 1890. A hand-woven flatweave wool rug, with soft madder red, blue tones and coral accents The border coloration varies from indigo to ...

Blooming cherry grove on rivers edge with pieces of gold leaf creating gold mist. Mineral pigments on mulberry paper with black lacquer trim and bronze mounts.

Engaging winter scene of plains and mountains in mineral pigments on paper. Silk brocade border and dark brown lacquer trim with bronze hardware. Signature and seal read: Taniguchi H...

This fine lovely English pole screen circa 1780 would have been used to block direct heat from fires when makeup often contained large portions of with wax. The face of the screen is composed of Quilled paper...

Abstract geometric mixed media collage in black, white, and grey with details of bright red "Layered Plan #6", made by Hudson Valley artist, Donise English, in 2009 15 x 12 inches, 2...

Screen A: Quail in autumn landscape with autumnal flowers in mineral pigments on gold with black lacquer trim. Signature and seal read: Keika. Screen B: Chinese pheasant in a summer...

This is an absolutely beautiful little jewel by American artist Charles Day Hunt. Created at some point in the 1870-1880's, this autumnal Hudson Valley / Adirondacks view, is just so...

A spectacular union of cosmic mid-century geometry and pristine material brilliance, this multi-light "Solar Flare" chandelier is a singular creation remade by Stephen McKay...

Big Little #146 (Small, Square Abstract Painting with Linear Patterns) by Vincent Pomilio acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed signed, verso Th...

Protection II (Contemporary Still Life in Blue and Green Tones of Kettle In Jar) Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas Signed verso Excellent cond...

Highway Signage (Oil Painting of Signs in the Distance) Made in 2023 by Berkshire based artist Margaret G. Still Oil on Canvas, 10 x 8 inches The placement of the large sign in the ...

Abstract acrylic painting on canvas with a pastel purple, yellow, and green palette “Beneath the Shining Sun”, painted by Ragellah Rourke in 2022 30 x 30 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2022. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and purple tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

Contemporary aerial photograph of Iceland landscape archival digital print, edition of 25 Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch...

Rimpa painting of flowers including morning glories, hollyhocks, sweet peas, nadeshiko, and daisies. Signature and seal read: Bisui

About the Artist: Carlos Puyol graduated from the Instituto Universitario Nacional de Arte (IUNA) in Buenos Aires, Argentina. In 2000 he moved to Catalonia to pursue doctorate stud...

Late winter scene of egret, willow and daffodil in mineral pigments on gold leaf with accents of gold dust. Silk brocade border and black lacquer trim. Kano School Panting.

Mahogany William IV English double pedestal sideboard, circa 1820 Height: 48" to the top of the back 40" to the surface.

Art Deco figural bronze of a javelin thrower with patina mounted on a black marble base.

This atmospheric eight-panel screen, dating to circa 1880, depicts a tranquil waterside landscape framed by the cascading branches of a willow tree. Two white egrets forage along the...

"Dune Grasses" by Susan Hope Fogel oil on canvas panel 9 x 12 inches, 17.5 x 21.5 x 1 inches in gold leaf frame wire on reverse for easy installation sign...

Moon Noon (Figurative Painting of Young Woman Reaching to Cloudy Yellow Sky) by Annika Tucksmith 2024 oil on panel 16 x 20 inches, unframed With the occasional exception, the subjec...

A very rare example from the limited production Block Island collection designed by John Hutton (1947-2006) for Donghia. The chocolate colored version is very rare- only a few were p...

Stunning black leather Nicos Zogrophos club chairs. Priced per chair. 2 available Nicos Zographos made his name during his time at the renown architecture firm Skidmore, Owings & Me...

People dressed in ceremonial robes and masks celebrate the New Year. On New Year's eve a traditional Japanese custom is to ward off evil spirits by pretending to chase away people w...

"Autumn Magnolia No. 1" Abstract still life photograph of deep plum Magnolia petals and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused ...

Sepia toned silver gelatin print, edition 4 of 25 Custom black stained wood molding with visible grain 8-ply antique white mat with AR non glare glass. 4.5 x 4.5 inches unframed, 17 x 17 inches framed This square sepia toned silver gelatin print of a Victorian spiraling staircase...

Gestural abstract expressionist painting on archival paper with gold and silver metallic powders and accents of blue, burgundy, and green enamel paint "Platonic Solids...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Stylish, Italian Modern dining table with decorative inlaid design top, brass stretcher and brass sabots. Circa 1950's. Newly restored. No ...

Eucalyptus and Framed Birds, 2010 40 x 15.5 inches, edition of 30 (Pictured in Gallery View - 94 x 36 inches, edition of 15) archival digital print, unframed This contemporary, arch...

American hardwood console with compartments, drawers and shelves on tapered feet.

Vintage rare Danish diamond pattern rope-backed sofa by Emil Finkelstein with beautiful large swooping arms and unique seat back. 23.5" seat depth

This work is one of a group of over 100 works personally selected by the artist, and gifted to a close personal friend in 1969. Exhibited: 1967 National Academy Annual Exhibition -...

Peonies, marigolds and pinks next to a garden stone with soft mountain peaks in the background. Late Edo (1603 - 1868) period painting in mineral pigmen...

A lifetime collection of birds. A set of 25 some made of porcelain some carved from wood or resin. Of the 25 of them 5 are music boxes. I actually think it's quite charming. Siz...

Chinese Gray Scholar's Rock, of naturalistic form, on early 19th century rosewood stand.

Contemporary color aerial landscape photograph above a beach near Martha's Vineyard, MA Archival digital print, Edition of 25 (#085) Image size 26 x 39 inches with 2 inch border, unf...

Abstracted landscape color photograph of clouds and blue sky on 4 panels Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36...

Abstract landscape painting of a gestural blue cloud over an olive green field "Hayfields" painted by David Konigsberg in 2015 oil on wood panel, 23 x 24 x 2 inches Ready to hang, s...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

acrylic on paper

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

French faux bamboo dining table, made of hard wood carved to imitate Asian style and materials. Distance between skirt and floor 22 3/4".

This tall and dramatic pedestal created of English terracotta was made in the mid 19th century. Fashioned in a modeling process the piece is stamped by the maker and has an amazing a...

Modern abstract landscape painting of country fields and mountains "Church Road", painted by Hudson Valley based artist, Ricardo Mulero 12 x 19 inches, 13 x 10 inches with a custom e...

This finely made Louis XV style side table is of mahogany and kingwood. The proportions are very refined and its dramatic dark wood banding offsetting the king wood central panels cr...

A vintage milk glass and brass hanging light fixture. Features a vintage glass shade suspended from a custom brass rod frame. Shade is vintage; circa 1940. Brass hanging frame may ...

Barn, New Concord pigment print on watercolor paper Available in the following sizes: 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 40x50, edition of 25 $6,500 This Black and White Sepia-toned print of a barn in the snow was taken by photographer, James Bleecker. The nearly monochromatic, picturesque landscape depicts an idealistic rural scene lit beautifully by an overcast sky. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

The Roll Daybed by LikeMindedObjects is a contemporary seating element combining architectural shapes with comfort. Made from healthy materials like Bull denim, compressed paper, wood, and shredded recycled textile filling, the piece marries high-end aesthetics with sustainability. The supporting structure is made of a combination of wood stretchers joined into densely compressed paper round legs. The frame is wrapped in the same durable denim as the roll cushions...

Contemporary pigment print 36 x 34 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photo...

Calligraphy reads: Raku (Pleasure). Ink on silver in a black lacquered wooden trim. Seal is illegible.

Mineral pigments on gold, signature reads: Okyo.

Edward Fields all wool designer rug with floral green, pink and off white pattern. USA, circa 1960. Signed Edward Fields. Measures approximately 9 feet x 9 feet. Exact Dimensions: 109" W x 111” L Condition: Good to fair. Vintage/Pre-owned. Notable overall wear. May be viewed in our Hudson NY...

This very unusual vintage convex mirror is actually a series of convex mirrors set down on a mirror in a round Regency style ball decorated fram...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

Minimalist landscape photograph of black and white lily pads on water "End of Summer", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Mahogany Art Deco cabinet with fluted doors, peach color beveled mirror doors and marble foot, circa 1930's. Located in one of our Hudson, NY...

"Oopsie" by Joy Taylor in 2022 42 71 x 1 inches, currently unframed while the sides reveal the raw canvas so framing is optional Acrylic on Canvas, diptych (2 separate canvases that...