Hudson

Mineral pigments and gold on mulberry paper. Signature reads: Bunrei-Ga.

A perfectly proportioned swivel armchair in the style of Milo Baughman. USA, circa 1970. Unsigned. Offered in COM (Clients Own Material); reupholstery labor cost included in price; buyer to provide material (9 yards of fabric...

Beautifully painted dove on a branch in the early morning mist in a muted wooded landscape. Ink on buff mulberry paper with silk brocade border and black lacquer trim. Seal reads: ...

“Friends of Friends” explores a playful world where dreams and reality meld together to create surreal moments. When engaging with Piussi's work, we enter an arena where we are imme...

Teak bar stool with arms and upholstered seat. Denmark, circa 1960. Signed. Features blue-gray wool fabric as shown.

This fine sofa made in France circa 1750 is from the period of the reign of Louis XV. The carved beech wood frame is decorated with flowers and extensively modeled rails. The piece i...

Impressionistic, en plein air summer landscape of a rural country field overlooking a barn and silo Bright, sunny palette of green, blue and beige #5712 Gardenworks, painted by Harr...

Originally used for writing, as made evident by the ink stains on top. Serpentine stretchers in each corner in the style of a 17th century table.

Figurative drawing with graphite, charcoal, and conte crayon on Arches paper 30 x 19 inches, unframed One piece of 30 x 19 inch Arches paper. Two drawings on opposite sides. These u...

A set of1 12 (twelve) place settings in the Hampton Floral pattern by Ralph Lauren Home collection for Wedgwood. Porcelain. Signed, circa 1995-1996. Features a tartan border with colorful floral pattern on white with gold rim...

The "Yara" side tables, shown here, were designed in 1965 by Brazilian architect and designer Sergio Rodrigues. Made in solid native Brazilian hardwood, each table feature a glass t...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, including The Hunderton Art Museum, Clinton, NJ (2014), the Rosenfeld Gallery, Philadelphia, PA (2013); Therese A. Maloney Art Gallery, College of Saint Elizabeth, Morristown, NJ; group shows at SEFA; and Butters Gallery, Portland...

19th C. Folk art grain painted and iron blanket chest

17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Nebatieh, Lebanon, with the hand painted N...

Figurative chalk drawing of black Greyhound dog and red birds on vintage collaged book pages 'The Searchers' by Louise Laplante in 2022 chalk on vintage collaged book pages 28 x 46 1/2 inches unframed, 32 x 52 inches in natural wood frame with non-glare plexi This graphic, figurative drawing in black chalk with collaged antique...

Abstract mixed media painting on board made with copper leaf and accents of blue, green, and sienna oil paint "Abstract 1", Painted by Hudson Valley based artist, James O'Shea in 2021 Oil, copper leaf, and pencil on board 10 x 10 inches unframed, 12 x 12 x 2 inches in an off-white painted wood floater frame Wire backing, ready to hang Excellent condition James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...

Contemporary aerial landscape photograph of a light grey stone quarry with dark dramatic shadows shot by photographer, John Griebsch, while flying his plane over Louisburg, NC Archiv...

The set of six vintage orchestra chairs, shown here, were designed in 1932 by Sven Markelius and originally used in the Helsingborg Concert Hall, Sweden. Made of beech wood, the sta...

Oil painting on canvas, unframed 32 x 27 inches This still life oil painting of a bouquet of vibrant lilies, roses and irises was painted by Hudson Valley-based artist Dale Payson. The range of canary and pastel yellows, emerald green, beige and burnt umber hues that span the canvas are complimented by Payson's skillfully executed impasto technique. Payson captures the essence of her subject matter and abstracts it in the same stroke, rendering each painting somewhere between representation and interpretation. About the artist: Payson studied extensively at the School of Visual Arts in New York and eventually taught at this prestigious institution. Before painting became her sole ambition, she was a freelance book illustrator and has more than 25 books to her credit. Dale Payson also studied under Robert...

Flowers / Bouquet / Flora 29.75 x 29.75 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale...

Grey portrait of woman with white polka dots and a swath of green collaged media "Becca" by Ransome 2023 graphite, acrylic and collage on panel 8 x 8 x 2 inches, unframed Piece can b...

Sepia toned silver gelatin print, edition 4 of 25 Custom black stained wood molding with visible grain 8-ply antique white mat with AR non glare glass. 4.5 x 4.5 inches unframed, 17 x 17 inches framed This square sepia toned silver gelatin print of a Victorian spiraling staircase...

Japanese six-panel screen: Winter landscape with flowering plum, Meiji period (1868-1912) painting of a full moon with wild grasses between river's edge and a snow covered plum tree ...

34.5 X 35 Inches framed This piece is featured in A’Court’’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography: A...

Tree and Pond, Ghent NY, 2018 pigment print on watercolor paper, signed dated and numbered on face 20 X 24, edition of 25 $2,500.00 also available in 13 x 16 inches, edition of 25 $1,500 This Black and White Sepia-toned print of a pond in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a leafy tree streaming with sunlight. The pond in the background is surrounded by trees and reflects some of the golden light. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

Stunning black leather Nicos Zogrophos club chairs. Priced per chair. 4 chaiors available. Nicos Zographos made his name during his time at the renown architecture firm Skidmore, Ow...

Abstract painting on paper image: 18 x 24 inches paper size: 22 x 30 inches Contemporary minimalist abstract painting on a beautiful thick, creamy white Arches paper, unframed. Ins...

Roses/ Love / Bouquet / Pink / Happiness / Couple Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elements of oil painting, folk art and commercial illustration...

Figurative abstract cubist style drawing inspired by the Infanta Margarita in an antique gold frame “Infanta IV” by Hudson Valley artist, David Dew Bruner, made in 2015 23 x 18 inch...

16 x 16 x 2 inches encaustic on square wood panel HOSTESS is an abstracted painting in rich encaustic (pigmented wax) on wood panel. A dark, cross-hatched pattern is overlaid with ...

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

Edward Fields all wool designer rug with floral green, pink and off white pattern. USA, circa 1960. Signed Edward Fields. Measures approximately 9 feet x 9 feet. Exact Dimensions: 109" W x 111” L Condition: Good to fair. Vintage/Pre-owned. Notable overall wear. May be viewed in our Hudson NY...

archival inkjet print on watercolor paper 10 x 13 inches unframed 2016 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance. This photograph is available unframed. The image measures 10 x 13 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Impressionist style en plein air landscape painting on linen of a barn on a country farm, featuring bright tones of greens against a light blue sky #4494 Overgrown Barn, painted by H...

Antique English Regency Mahogany two-tier Etagere or trolley table with square top, lower shelf, one drawer, finished back, turned supports and legs ending in brass casters. English...

Betsy Weis (Photography) Dusk Lilies, 2006 20" X 30" archival inkjet print on watercolor paper 27 x 37 inches in white frame with white mat & AR non-glare glass Image: 20 x 30 inche...

How could we pass up an exquisite table like this? Finished in mother of pearl and faux bone inlay, the intricate detailing of this Syrian tilt-top occasional table decorates every s...

This pair of manuscript pages are 18th century and are done it water colour and gauche. The images are of people in landscapes and the colors are still...

With 2 drawers.

Edo period (18th century) painting of a flowing array of various types of chrysanthemums painted on beautifully faceted heavy gold leaf and behind afinely painted fence. Petals of th...

Vintage 1960's Mid-Century modern rectangular coffee table with 2 panels flanking a central marble section. Tapered legs and woven cane shelf. Good condition with slight watermarks t...

Landscape watercolor by Allen Tucker of an oak tree. This piece, along with several others, was gifted to Una Brage, a friend of the artist in the 1930s. More about this artist: Allen Tucker, was an architect and painter so influenced by Vincent Van Gogh that he was called "Vincent in America". (Gerdts 291) Robert Henri and Maurice Prendergast were also credited as having an influence on Tucker's brushwork and compositions, the latter decisively. However, as his painting evolved, he did not fit into any tidy slot for description and was known as an individualist not easily categorized in American art history. Tucker was born in Brooklyn in 1866 and graduated from the School of Mines of Columbia University with a degree in architecture and took a job as an architectural draftsman in the architectural firm of McIvaine and Tucker, his fathers business. During that time, he studied painting at the Art Students League with Impressionist John H. Twachtman, but it was not until around 1904, when he was 38, that Tucker became a full-time painter, leaving architecture behind. Many of his early canvases were classically Impressionistic with poplar trees resembling those of Van Gogh and haystacks and corn shocks...

60 x 72 x 1.5 inches acrylic on canvas being offered by CARRIE HADDAD GALLERY in Hudson, NY. Large, horizontal abstract painting with a palette of turquoise, saffron orange, teal an...

Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. The Tenreiro-designed desk, shown here, is made in solid wood a...

oil on linen on homasote board, unframed 14.5 x 19 inches Harry Orlyk is celebrated for his ability to capture a rural country landscape with impressionistic brushstrokes and a bright color palette. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. '#5418 A Washington County Vineyard' is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a lush green field towards the end of summer. Orange leaves begin to appear atop green trees, creating a bright contrast with the blue mountains lining the horizon. Thick layers of paint are applied with expressive brushstrokes and culminate onto a textured surface. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...

This large vintage Edwardian style sofa made in the 20th century is crafted from mahogany and features ring turned arm supports with matching front l...

The Roll chair by LikeMindedObjects is a contemporary lounge chair combining architectural shapes with comfort. Made from healthy materials like Bull denim,...

Contemporary Abstract Painting of grid in pastel blue, grey, white, green and pink "When the World is a Monster" painted by Hudson Valley, NY based painter, Anthony Finta, in 2020 40...

This fine pair of consoles are made in the Tuscan manner and come from Italy. Crafted in the late 18th century from walnut that has by now attained a great color and surface patina o...

30 x 24 x 1 inches oil on canvas Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

The first screen is depicting a mother watching her young frolicking under pine tree by river's edge, the second, a mother and her young playing under a ...

A glass ginger jar filled with specimen sea shells on a custom made sand encrusted base with scallop shell feet. The rim of the jar is also sand encrusted and the top of the lamp is...

Antique industrial task lamp with an aluminum shade and black cast iron base. USA, 1920-1930. Features: *Rewired with French silk twist cord *Takes standard bulb, 60 watts ma...

Couple / Pair / Lovers / Love / Wedding / Romance / Flowers / Bouquet / Still life Angela A’Court’s narrative and still life drawings use a simple and direct vocabulary to show the ...

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Japanese Four Panel Screen: Early Spring Into Summer, Meiji period (1868 -1912) painting of plum in bloom with red camellias on the right and peony and thistle on the left. A clutc...

Minimalist rectangular mirror with flat bar aluminum frame. Made by Hart Mirror Plate Company, Grand Rapids, Michigan. USA, circa 1960. Finely crafted...

Golden sun viewed through red maple above turbulent waves. Mineral pigments on gold and silver ground with silk brocade border.

Pair of Louis XVI French carved wood leather armchairs with columnal fluted legs and nailhead trim. Great patination to green painted legs. Button tufted seat with newly refreshed do...

This work cast in bronze with a gold fleck finish to the clothing was made in the last quarter of the 19th century. The patina and color of the figure has lovely rub through and sits...