Hudson

This is a photograph of a Swiss made Pilatus PC-12 airplane. There are other images in this series as well. A self-taught photographer, Phelps has won numerous awards for his photog...

Beautiful, rare Castiglioni floor lamp. Spun fiberglass "shade" with a chrome base and floor controls. Some minor foxing to the base of the lamp that is consistent with age.

Watercolor on paper 32 x 25 inches framed

18 x 14 inch drawing on 20 x 16 inch Aquarelle Arches Paper 24 x 20 x .5 inches framed Thin profile black metal frame, 8 ply white mat Ralph Stout's works on paper reveal a drau...

This unusual teak child's planters chair comes from the home shared by Michael and Eleanora Kennedy and their children in the Hampton's named Kilkare. Published in a number of articl...

Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige Acrylic on 3 wood panels Each panel is 24 x 18 x 2 inches Suggested installation is ...

C23-6, 2023 Geometric Abstract Color Field Panel Painting by Ginny Fox in Charcoal Gray Painting is on three panels (2) 24 x 18 inches, (1) 24 x 12 inches Can be oriented horizonta...

Abstract minimalist three-dimensional dark metal sculpture is oxidized brass My Shadow Always Watched, created by Joe Wheaton in 2019 24 inches high x 64 inches wide x 22 inches deep...

Plum blossom, baby pine and bamboo painted in mineral pigments on heavy gold leaf on paper. Silk brocade border with black lacquer trim and bronze hardware.

Set of six maple Art Deco Dining chairs. Fully restored and newly upholstered. Seat depth - 16"

Still Life painting of a pink peony in a domestic setting Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas 16 x 12 inches, 19.5 x 15.5 inches with an artist-...

This very detailed miniature work designed to be set into an album of works for private viewing is of the Great Moghul Emperor Shah Jahan and was painted in...

Abstract geometric graphite drawing inspired by the moon "Oculus III" by David Dew Bruner 2024 graphite on paper 15 x 11 inches unframed / 19 x 15 inches framed David Dew Bruner is ...

"Oopsie" by Joy Taylor in 2022 42 71 x 1 inches, currently unframed while the sides reveal the raw canvas so framing is optional Acrylic on Canvas, diptych (2 separate canvases that...

Elegant coffee table with a double swan base in brass. Their wings serve as the tabletop supports. The coffee table has a heavy, oval, clear glass top. This Hollywood Regency design ...

Taisho period (1912-1926) bronze vase with raised design of swimming carp with gold eye details. Removable insert for flower arranging. Excellent and delicate metal work. Signature r...

An unusual subject of a dream-like woodland landscape with a distant mountain. Heavy mineral pigments on paper with brown lacquer trim and bronze hardware.

10 available- Priced per chair Absolutely stunning butter soft leather Roger Sprunger for Dunbar office chairs on smooth gliding casters. All original chairs are in very good condit...

This fine period architects table was made in England, circa 1760 to 1770. Crafted from imported mahogany this was a costly and impressive form of furniture for a gentleman architect working in the country of a fashionable society interested in art, craft, engineering and aware of the burgeoning power of the Industrial revolution taking place throughout the world but very much so in England. Designed to expand, lift for standing work and to examine and hold large worksheets, the piece contains a full...

Eunju Kang’s monotype and watercolor compositions are spare and lively as the artist balances bold color and delicate forms within an abundant white space. Ever observant, the artist...

Archival digital print, edition of 25 (#161) Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch border $3200 Image size 32 x 48 inches wi...

Baby Face (16 x 16), 2011 - Abstract Contemporary Painting on wood panel 16" X 16" , encaustic on board A pale blue encaustic painting with abstract white a...

A signature hourglass shaped brass table lamp designed by Angelo Lelii for Arredoluce Monza. Made in Italy, circa 1960. Signed with sticker to underside of base. Takes a standard ...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the style of this negative photograph...

Back in the spring of 2025, Robin Rice visited the studio of John Dolan and Michele O’Hana, and she experienced a lightbulb moment. She imagined a family collaboration. The result is...

Abstract geometric graphite drawing inspired by the moon Oculus I by David Dew Bruner 2024 graphite on paper 15 x 11 inches unframed / 19 x 15 inches framed David Dew Bruner is a dr...

This large and impressive bust cast in plaster and then placed on a carved stone socle is truly a great decorative object. This figure is after the model produced by Caffieri and dep...

Rockface 27 by Andrew Buck archival pigment print, edition of 5 44 x 44 inches framed Print is dry mounted without glazing (no glass). Black metal frame is approx 1/2 inch face widt...

A pair of finely cast and chased Louis XV bronze candlesticks.

This beautiful period writing table was constructed in France circa 1790 to 1800 of rich imported mahogany and the woods have been carefully selected to create an overall pattern of ...

Vintage 1950's Mid-Century Modern Michael Taylor for Baker wooden stool with gently curved woven cane seat. Minimalist legs and base. Good vintage condition.

This table is very nicely shaped and has a great profile. The choice of veneers for the sides and top reinforce the rectilinear form of the table as does the string inlay on the top....

Sculptural suite of Biedermeier sidechairs with intricate carved detailing. Upholstered in black fabric.
Seat Depth - 15"
Seat Height - 17"

Gestural, abstract expressionist oil painting on canvas in earth tones of blue and orche, with pops of green and red Painted by Hudson Valley based artist, James O'Shea in 2021 Oil ...

"Autumn Magnolia No. 1" Abstract still life photograph of deep plum Magnolia petals and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused ...

18 x 14 inch drawing on 20 x 16 inch Aquarelle Arches Paper 24 x 20 x .5 inches framed Thin profile black metal frame, 8 ply white mat Ralph Stout's works on paper reveal a drau...

This lovely small étagère is part of a large type of export furniture made from the sea trade between east and west cultures in the 19th centuries, circa 1870. The structure is of im...

Burst (Contemporary Cosmic Abstract Painting on Canvas in Black and Fire Orange Red) painted by Cinda Sparling 16 x 20 x 1.5 inches oil on canvas, unfra...

Minimalist, abstract three dimensional wall sculpture in dark oxidized metal “DNA” made by Joe Wheaton in 2019 19 x 12 x 3.5 inches, oxidized steel Hangs of a French cleat, sculpture is lightweight (weighs about 5 lbs.) Signed, verso Joe Wheaton’s unique sculptural designs welded from dark, oxidized brass or brilliant silver steel showcase a contradictory set of relationships; “beautiful yet menacing, “threatening yet delicate” as described by the artist. Wheaton builds his metal compositions using a language of strokes and patterns. Geometric spears, disks and quadrangles alternate with wispy, sharp edged lines that trail off quietly to an undefined point. This visual sweep can be likened to the art of calligraphy, echoing the artist’s interest in early Asian arts and ceramics, as well as printmaking. Artist Statement: Familiar yet strange, beautiful yet menacing, threatening yet delicate. Reaching and solid, my work traverses many contradictions. As in life, beautiful lines have sharp edges, precarious forms balance with great certainty yet are vulnerable to nature's menacing ways. I am interested in using recognizable materials and relationships in configurations that will serve to re-evaluate how one perceives what might at first seem obvious. Dark forms stand in front of their ever-changing shadows. Lines motion and engage, but are like life, elusive and mysterious. Artist CV: Born in the Netherlands in 1959 Education: 1978-1981 Studied fine art at Alfred University Solo Exhibitions 2019 4 For Art, Lenox, MA Lauren Clark Fine Art, Great Barrington, MA 2018 Lauren Clark Fine Art, Great Barrington, MA 2017 Lauren Clark Fine Art, Great Barrington, MA 2016 Carrie Haddad, Hudson, NY Canyon Ranch, Lenox, MA 2015 DMG Gallery Saint Petersburg, FL 2013 Behnke Doherty gallery, Washington Depot, CT 2011 Behnke Doherty gallery, Washington Depot, CT 2010 Berkshire Museum, Pittsfield, MA 2008 Springstep, Medford, MA 2008 The Cherrystone gallery, Wellfleet, MA 2007 Carrie Haddad, Hudson, NY 2006 The Cherrystone gallery, Wellfleet, MA 2006 Carrie Haddad, Hudson NY 2005 The Haddad Lascano Gallery, Great Barrington, MA 2005 The Cherrystone gallery, Wellfleet, MA 2004 The Image Gallery, Stockbridge, MA 2004 The Haddad Lascano Gallery, Great Barrington, MA 2003 The Image Gallery, Stockbridge, MA 2003 Carrie Haddad, Hudson, NY 2002 Segreto Contemporary Art, Santa Fe, NM 2000Segreto Contemporary Art, Santa Fe, NM 1996 Canyon Ranch, Lenox, MA 1994 SPAZI Contemporary Art, Housatonic, MA Visual Projections 2019 Oceanside Museum of Art, Oceanside CA Blue Q Berkshire International Festival, Great Barrington, MA Hancock Shaker village, Hancock, NY CATA, Great Barrington, MA 2018 Oceanside Museum of Art, Oceanside, CA 2017 Jacobs Pillow Norman Rockwell Museum, Stockbridge, MA 2016 Music Video, Heaven in Stereo, Inle Lake, Myanmar Music video for Orange Sessions End Violence against women, Mongolia Music video for Orange Sessions, LGBR rights. Mongolia 2015 Made In The Berkshires intro film, Pittsfield, MA Stoneover Farm, Slideluck, Lenox MA The Norman Rockwell Museum Gala, Stockbridge, MA Music video, Star Booty Salon, St. Petersburg, FLA Building Projection , Rococco, St. Petersburg, FLA 2014 Food/Markets , An installation In collaboration with Barbara K Wheaton July- The Oxford Symposium on Food and Cookery, Oxford, England Made In The Berkshires An installation , Pittsfield, MA 2013 June- Harvard University, Cambridge, MA Material culture Material culture , A sensory rave. In collaboration with Barbara K Wheaton July- The Oxford Symposium on Food and Cookery, Oxford, England 2012 A digital visual mashup, The Colonial theatre, Pittsfield, MA Isis Chernobyl, written and directed by Pooja Roo, Housatonic, MA Rolled and stuffed, A brief food history rave In collaboration with Barbara K Wheaton The Oxford Symposium on Food and Cookery, Oxford, England 2011 In collaboration With Barbara K Wheaton A Brief Food History Rave, The Oxford Symposium on Food and Cookery, Oxford, England A audio visual celebration of 50 year of The Peace Corps, GWU, Washington, DC A brief Berkshire Rave, The Colonial Theater, Pittsfield, MA In collaboration with Anne Fredericks Group Exhibitions 2016 Carrie Haddad, Hudson, NY 2016 Lauren Clark Fine Art Great Barrington, Ma 2016 The Meetinghouse Gallery, New Marlborough, MA 2015 Lauren Clark Fine Art Great Barrington, Ma 2015 Carrie Haddad, Hudson, NY 2015 Stoneover Farm, Lenox, MA 2014 Lauren Clark Fine Art Great Barrington, Ma 2015 Carrie Haddad, Hudson, NY 2014 Portals, The Meetinghouse Gallery, New Marlborough, MA 2014 BAA Redux, Lichtenstein Center, Pittsfield, MA 2013 Lauren Clark Fine Art Great Barrington, Ma 2013 Behnke Doherty gallery, Washington Depot, CT 2012 Behnke Doherty gallery, Washington Depot, CT 2012 Cheryl Hazan Gallery, New York, New York 2012 Soprafina, Boston,MA 2012 The Shade Gallery, The Bookstore Lenox, Ma 2012 The Meetinghouse Gallery, New Marlborough, MA 2011 The Ferrin Gakkery, Pittsfield, MA 2011 Cheryl Hazan Gallery, New York, New York 2011 Soprafina, Boston,MA 2011 The Provincetown Fine Arts Work Center, Provincetown, MA 2011 The Meetinghouse Gallery, New Marlborough, MA 2010 The ferrin Gakkery, Pittsfield, MA 2010 Art in The Park, Key West, FLA 2010 Lichtenstein Center for the arts, Pittsfield, MA 2010 Cheryl Hazan Gallery, New York, New York 2010 Soprafina, Boston,MA 2009 Art in The Park, Key West, FLA 2009 Soprafina, Boston,MA 2009 Cheryl Hazan Gallery, New York, NY 2009 The ferrin Gakkery, Pittsfield, MA 2009 The Millbrook Gallery and Sculpture garden, Concord, NH 2008 The Storefront Artist project, Pittsfield, MA 2008 Art in The Park, Key West, FLA 2008 Cairn Croft Sculpture Garden, Dover, MA curated by Meredyth Moses 2008 The Millbrook Gallery and Sculpture garden, Concord, NH 2008 The Meetinghouse Gallery, New Marlborough, MA 2007 SKH Gallery, Great Barrington, MA 2007 NAGA Gallery...

Archival digital print, edition of 25 (#274) 26 x 39 inches unframed 36 x 48 inch inches in simple black frame, 8-ply mat & AR non glare glass John Griebsch learned how to fly an ai...

A brass and black metal table lamp; possibly by Walter Von Nessen. USA, circa 1940. Rewired with new sockets and French black silk twisted cord. Takes one standard US bulb, 75 watts...

This unusually large three-drawer commode or chest of drawers is of Dutch origins and was made between 1780 and 1800. The simple yet dynamic form is enlivened with large moldings and...

Modern abstract landscape painting of country fields and mountains "Church Road", painted by Hudson Valley based artist, Ricardo Mulero 12 x 19 inches, 13 x 10 inches with a custom e...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

With a banana leaf palm on the left, at water's edge with geese. Perhaps a scene from the southern islands. Mineral pigments on mulberry paper with gold leaf and a silk brocade border.

archival pigment print, edition of 10 32 x 60 inches unframed, $4200 Fish on Blue is a contemporary still life photograph of small, silver fish strewn across an icy blue farm table...

Four place settings in the Clearwater pattern by Wedgwood for Ralph Lauren. Features a cable knit motif at trim and brand stamp at undersides. Made in England, circa 2000. Origina...

A very nice mahogany and crotch mahogany veneered writing table raised up on marble columns with bronze bases. The writing surface is leather with gold tooling. This table though not...

image size: 8 x 10 inches Portrait of Tennessee Williams Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in penci...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Abstract painting made with light green encaustic and brown hemp leaves and branches resembling a tree Happanese, made by Allyson Levy in 2020 48 x 34 inches hemp leaves, branches, a...

A large elm-wood altar or console table with everted flanges or 'qiaotou' (commonly called "birds wings"), supported on recessed trestle legs with multiple carved, stylized ruyi in s...

Early Gustavian (Swedish Rococo) sofa with two bolsters and seat cushion.

Three shishi, also known as foo dogs or guardian lions, play next to a golden misty waterfall. They are seen as intimidating, mythical, lion-like creatures that symbolize prosperity,...

Abstract still life photograph of green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on three panels Edition 1/12, 36 x 34 i...

A spherical cork pen/pencil holder with brass swivel base. USA, circa 1960. Signed by maker. Dimensions: 6” H x 5” W

Horizontal minimalist abstract acrylic painting in color fields of aqua, deep blue and black. oil and alkyd on canvas in a Larson Juhl black wood recessed framed Inspired by stones, stains from nature, erosion and artists such as Rothko and Sam Francis, Snow produces meditative fields of brilliant aqua, blue and black color by layering oil paints with a fast drying alkyd medium. The network of layers are bound to a complex under-painting with broad bands of pigment while the rapid drying alkyd allows Snow to continue the succession quite quickly, revealing beautiful boundaries of color. With his painting Snow strives for purity, seeking depth without illusion, using horizons of colors as a harmonious language to create chords, scales and tones. The artist has exhibited extensively in the New England region and has shown with Carrie Haddad Gallery for more than ten years. Surface texture of this painting is incredibly smooth due to the combination of paint and chemicals used. Palette is a brilliant aqua and...

86 x 48 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of romance...

Japanese Two Panel Screen: Irises on Gold Showa period (1926 - 1989) painting, beautifully mounted with silvered hardware. Seal reads: Eishun. Mineral pigments on gold with a silk ...

Edo period (18th century) painting of a flowing array of various types of chrysanthemums painted on beautifully faceted heavy gold leaf and behind afinely painted fence. Petals of th...