Hudson

Archival digital print 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer...

Archival digital scanograph 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank,...

Modern still life photograph of earth toned brown and green moss Archival digital scanograph 25 x 18 inches, edition of 75 Additional sizes available This contemporary, archival di...

Figurative, still life chalk drawing of black high heels on vintage collaged music sheets. Artwork measures 29 x 33 inches 30 x 37 inches framed, deckle edge paper is floated in natural wood moulding with glass. This modern, graphic chalk drawing on collaged vintage music sheets...

archival pigment print 24 x 24 inches unframed This contemporary, surrealist style photograph was printed by the artistic duo, Kahn & Selesnick, in 2010. The print is part of their 'Mar: Adrift on the Hourglass Sea' series which features deserted landscapes in outer space. In this image, a mysterious, concrete dish...

archival pigment print 24 x 24 inches unframed This contemporary, surrealist style photograph was printed by the artistic duo, Kahn & Selesnick, in 2010. The print is part of their ...

This table is very nicely shaped and has a great profile. The choice of veneers for the sides and top reinforce the rectilinear form of the table as does the string inlay on the top....

Abstract encaustic work on panel 24 x 20 x 1.5 This vertical contemporary pattern-based minimal encaustic work on panel was created by San Francisco-based artist Susan Stover. Stove...

Contemporary pigment print of blue ocean waves in white frame 36 x 33 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches Je...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

It has a wonderful old feeling. The wood is beautifully patinated and worn.

Acrylic on wood panel Each panel measures 24 x 24 x 1.5 inches This minimalist, non-objective painting is the work of Ginny Fox, whose process is based on overlapping streaks of pai...

Archival digital print, Edition of 25 (#358) Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch border $3200 Image size 32 x 48 inches with...

Archival digital print, Edition of 25 (#013) Image size 23.5 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with ...

Archival digital print 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer...

Abstract painting on curved canvas in warm, orange and yellow palette oil on canvas on unique artist made stretcher 36 x 74 inches This curved canvas was painted by abstract artist Christopher Engel in 2006. The abstract expressionist style painting contains dramatic splashes of canary and golden yellows, crimson, and coral against a dark umber background. A sturdy wire spanning the back of the painting provides for instant, professional-quality hanging. Christopher Engel is represented by Carrie Haddad Gallery in Hudson, NY. Artist Statement: The Fan Shaped Paintings evolved from the process of mixing paint in paper coffee cups. As I noticed the intriguing arrangement and patterns of color and shapes in the mixing cups I began to set the cups aside to save those images. Years later, I began unfolding the stacks of cups I had saved to see the images and patterns of color. I was also attracted to the fan-like shape of the opened cups. The spontaneous nature of the color and shapes on my palette of “coffee cups” became the genesis of the creation of the Fan Paintings. SOLO SHOWS: 2017 Carrie Haddad Gallery, Hudson, NY 2016 Carrie Haddad Gallery, Hudson, NY 2014 Commons Gallery Margaretville, NY 2014 Zoom Gallery, Fleishmanns, NY "Selections" 2006 Erpf Gallery, Arkville, NY “A Selection of Works” 2004 The Commons, Margaretville, NY “Survey from the 1980s to 2004 1991 Roxbury Arts Group, Roxbury, NY 1987 Soho Gallery, Seattle, WA, “Selected Works” 1986 Hundredwaters Gallery, Seattle, WA, “New Works” 1982 Hallwalls Gallery, Buffalo, NY, “Rites of Passage” GROUP SHOWS: 2017 WAAM Woodstock, NY “Abstract Evocative” 2014 Zoom Gallery, Fleishmanns, NY "Summer Show" 2011 Byrdcliffe Members Show 2010 Byrdcliffe Members Show 2010 Byrdcliffe Small Works Show 2010 Woodstock Artist Association and Museum Show 2008 Woodstock Artist Association and Museum Gray Matter Show 2008 Woodstock Artist Association and Museum Inside/Outside the Box 2008 Woodstock Artist Association and Museum Small Works on Paper 2004 Roxbury Arts Group, Roxbury, NY, “Now, Then and Before” 2003 Roxbury Arts Group, Roxbury, NY, 1994 Hallwalls Gallery, Buffalo, NY, “Men in Suits” 1989 Print Show, Ward-Nasse Gallery, NY 1988 Hundredwaters Gallery, Seattle, WA, “Art and Religion” 1987 New York Print Fair, Eldindean Press 1986 Summit Show, Seattle, WA 1986 Pierot Gallery, Seattle, WA 1985 Donnally Books Gallery, Seattle, WA, “Woodcuts” 1985 Fourwalls, Hoboken, NJ 1983 Sharpe Gallery, NY, “Self-Image” RESIDENCIES: 2012 and 2011 Byrdcliffe June Artist’s Residency Programs HONORS: Elected to the board of Woodstock Artist Association and Museum AWARDS: 2011 Woodstock Artist Association and Museum 3rd Annual Regional Show Honored for Best Abstract Painting in Show 2011 Woodstock Artist Association and Museum March Group Show Honorable Mention 1985 Grant from Change, Inc. Full Tuition Scholarship, Art Center College of Design COLLECTIONS: Bruno Bischofberger, Zurich, Switzerland Carol Pulin, Print Curator Smithsonian, Washington, DC Elizabeth Hahn, Print Specialist Christies, NYC Mary Lou Knode, Print Department MOMA, NYC Kathy Caraccio, Print Maker and Publisher of Etchings, NYC Leslie and Stuart Reiser, Wayne, NJ. Rouse Corporation, New York, NY Robert...

oil on canvas on unique artist made stretcher 36 x 74 inches This curved canvas was painted by abstract artist Christopher Engel in 2006. The abstract expressionist style painting contains dramatic splashes of dark umber against a vivid orange and yellow background. A sturdy wire spanning the back of the painting provides for instant, professional-quality hanging. Christopher Engel is represented by Carrie Haddad Gallery based in Hudson, NY. Artist Statement: The Fan Shaped Paintings evolved from the process of mixing paint in paper coffee cups. As I noticed the intriguing arrangement and patterns of color and shapes in the mixing cups I began to set the cups aside to save those images. Years later, I began unfolding the stacks of cups I had saved to see the images and patterns of color. I was also attracted to the fan-like shape of the opened cups. The spontaneous nature of the color and shapes on my palette of “coffee cups” became the genesis of the creation of the Fan Paintings. SOLO SHOWS: 2017 Carrie Haddad Gallery, Hudson, NY 2016 Carrie Haddad Gallery, Hudson, NY 2014 Commons Gallery Margaretville, NY 2014 Zoom Gallery, Fleishmanns, NY "Selections" 2006 Erpf Gallery, Arkville, NY “A Selection of Works” 2004 The Commons, Margaretville, NY “Survey from the 1980s to 2004 1991 Roxbury Arts Group, Roxbury, NY 1987 Soho Gallery, Seattle, WA, “Selected Works” 1986 Hundredwaters Gallery, Seattle, WA, “New Works” 1982 Hallwalls Gallery, Buffalo, NY, “Rites of Passage” GROUP SHOWS: 2017 WAAM Woodstock, NY “Abstract Evocative” 2014 Zoom Gallery, Fleishmanns, NY "Summer Show" 2011 Byrdcliffe Members Show 2010 Byrdcliffe Members Show 2010 Byrdcliffe Small Works Show 2010 Woodstock Artist Association and Museum Show 2008 Woodstock Artist Association and Museum Gray Matter Show 2008 Woodstock Artist Association and Museum Inside/Outside the Box 2008 Woodstock Artist Association and Museum Small Works on Paper 2004 Roxbury Arts Group, Roxbury, NY, “Now, Then and Before” 2003 Roxbury Arts Group, Roxbury, NY, 1994 Hallwalls Gallery, Buffalo, NY, “Men in Suits” 1989 Print Show, Ward-Nasse Gallery, NY 1988 Hundredwaters Gallery, Seattle, WA, “Art and Religion” 1987 New York Print Fair, Eldindean Press 1986 Summit Show, Seattle, WA 1986 Pierot Gallery, Seattle, WA 1985 Donnally Books Gallery, Seattle, WA, “Woodcuts” 1985 Fourwalls, Hoboken, NJ 1983 Sharpe Gallery, NY, “Self-Image” RESIDENCIES: 2012 and 2011 Byrdcliffe June Artist’s Residency Programs HONORS: Elected to the board of Woodstock Artist Association and Museum AWARDS: 2011 Woodstock Artist Association and Museum 3rd Annual Regional Show Honored for Best Abstract Painting in Show 2011 Woodstock Artist Association and Museum March Group Show Honorable Mention 1985 Grant from Change, Inc. Full Tuition Scholarship, Art Center College of Design COLLECTIONS: Bruno Bischofberger, Zurich, Switzerland Carol Pulin, Print Curator Smithsonian, Washington, DC Elizabeth Hahn, Print Specialist Christies, NYC Mary Lou Knode, Print Department MOMA, NYC Kathy Caraccio, Print Maker and Publisher of Etchings, NYC Leslie and Stuart Reiser, Wayne, NJ. Rouse Corporation, New York, NY Robert...

Regency carved giltwood convex mirror, circa 1820 in date. The convex mirror is surrounded by an ebonized elegant reeded slip and a giltwood moulded frieze with ball mounts. The car...

20 x 16 inches Unique chromoskedasic monoprint on black and white photo paper with gloss finish This contemporary, abstract style chromoskedasic monoprint was created by experimenta...

Archival digital print, edition of 25 (#256) 26 x 39 inches unframed 36 x 48 inch inches in simple black frame, 8-ply mat & AR non glare glass John Griebsch learned how to fly an ai...

Archival digital print, edition of 25 (#274) 26 x 39 inches unframed 36 x 48 inch inches in simple black frame, 8-ply mat & AR non glare glass John Griebsch learned how to fly an ai...

Wonderful group of sculptures by Italian American artist Marco Celotti. Created circumnineteen 70 this highly animated group of characters can only bring to mind thoughts of storyt...

Mounted archival pigment print photographs on pure cotton rag paper Artist made natural wood shadow box frames with AR non glare glass 63.5 x 24.5 inches hung vertically Editio...

18 x 14 inch drawing on 20 x 16 inch Aquarelle Arches Paper 24 x 20 x .5 inches framed Thin profile black metal frame, 8 ply white mat Ralph Stout's works on paper reveal a drau...

Contemporary color still life photograph of purple and green vegetables archival pigment print in artist-made white painted wood frame 30 x 37.5 inches unframed, 33 7/8 x 41 5/8 inch...

archival pigment print, edition of 10 white washed wood frame, 33 x 41 inches framed still life photography, formalism, formalist photography, red black white, modern still life,...

colored pencil and postage stamp on paper 11.5 x 11 inches unframed 15 x 15 inches framed This contemporary intricately drawn color pencil drawing was made by American artist, Andr...

A pair of white metal and chrome floor lamps with adjustable shade and arm. USA, circa 1970. Made by Robert Sonneman. Priced as two (2) floor lamps. Dimensions: 54.5 inch height 9...

This very large Chinese Qing Dynasty monochrome Mieping vase with a Yongzheng reign mark mounted as a lamp is in a rich bottle green while marked with a Yongzheng (1722- 1735) reign ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wi...

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in...

This lovely large single chair made in Italy perhaps the Tuscan region in the late 18th cnetury is crafted from fine walnut with a deep rich color and patina. The large deeply carved and decorated arms join uprights that are also carved and decorated the whole is set up and joined to a large center carved front and side stretchers . The construction is peg supported throughout & newly upholstered in a Quadrille fine linen. The upholstery is also enhanced by large cast bronze decorative tacks in several sizes and trimmed out in old bullion trim...

archival pigment print, edition of 20 image is 16 inches in diameter This minimalist circular archival pigment print depiccting a rusted length of chain is the work of Hudson Valley-based photographer David Halliday. Halliday adopts a nautical theme with this photograph, a choice that is consistent with much of his photography. Halliday splits the background of the composition horizontally and diametrically into textured taupe and non-textured white planes, grounding the composition, as ever, in minimalism and sophistication. About the artist: Whether traveling to a foreign land, wandering through a neighborhood marketto shop for food, or engaging in convivial conversation with a friend at his home,David Halliday is easily charmed, intrigued, excited, or amused by all that surroundshim. An artful documenter of life, Haliday uses his camera as a tool for recording themultitudinous special moments that capture his attention. Once in the darkroom, heeditorializes his finds, subtly embellishing each image until it somehow evokes thesensation that led him to photograph a subject in the first place. With the exception of a series of platinum print portraits, Halliday produces all of hisphotographs as sepia toned silver gelatin prints. Both processes are highly trad-itional and, in requiring that the artist avoid the use of any color other than sepia,they stand in sharp contrast to splashier modes such as Cibachrome, Polaroid, or digitally produced Iris prints […]. For Halliday, the warm tones afforded by age-old processes reflect his desire to reclaim the past or cherish the present in the form of soft, tranquil, frozen moments...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Contemporary still life photograph of bright orange and blue poppy flowers and fingerling potatoes on a crisp white tabletop background archival pigment print, edition 6 of 10 17 x 2...

archival pigment prints, edition of 25 white washed wood frame, 21 x 25 inches in frame still life photography, vegetable still life, carrot still life, orange, orange and grey...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Acrylic on canvas

This Photograph is currently on exhibition in Robin Rice Gallery's Summertime Salon 2018. It depicts the power of nature- showing a crashing wave next to a small bird. The Robin Ri...

This Louis XVI console table is made from carved wood that has been gessoed then painted and gilded in several colors creating a rich play of color. The deep apron is fully covered in carved and applied wood decorative floral detailing. This is centered with a cartouche filled with flower heads and rosettes all water gilded. The table's legs are carved in a wasting reeded form with a large egg and dart baluster top section. Terminating in a nice in turned stretcher centered on a large carved wood urn...

Set of three French faux bamboo gilt painted/distressed metal nesting tables with new smoked glass tops. Large table measures: 19" W x 19" D x 19" H. Medium table measures: 16" W x...

Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a...

A water gilt carved wood 19th century frame with beveled mirror plate. The caving is very deep and crisp, the bevel on the mirror is wide with a black liner.

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Mixed media on paper. Framed: 15" x 18" My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...

A spherical cork pen/pencil holder with brass swivel base. USA, circa 1960. Signed by maker. Dimensions: 6” H x 5” W

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

CURRENT EXHIBITION – runs from April 10th through June 12th, 2016. Any framed photographs purchased during the show will be available after May 12th. If the exhibition piece is sold ...

This table, circa 1780, is made of mahogany and has a new finish and replacement casters. This form of table has been in use since the 1600 but has in each successive generation been...

Abstract 1973 abstract lithograph by Hans Burkhardt. Image is 12" x 7 7/8 and sheet size is 20 3/4" x 14 3/4", edition is 3/12. Signed with both the artist's signature and date (H. ...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

30.5 x 30.5 inches Archival pigment print. 15" x 15" edition of 10, unframed, $1,800 30" x 30" edition of 10, unframed $3,450 Please allow at least 2 weeks for the photograph to ...

This modern abstract painting by Peter Keil is on a smooth masonite board with a taupe background, black abstract portrait and showered with many colors. Here you certainly see the P...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is produce...