Hudson

Yorik (Skull and Orb Vanitas Still Life Oil Painting in Cool Colors) Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas Signed verso Excellent condition NATU...

Abstract expressionist painting in the style of Gerhard Richter in a gold and deep lapis blue palette with accents of orange, pink, and silver "Endless Clarity", made by Bruce Murphy...

Made in Vermont circa 1820 this fine old country drop leaf table retains if not its original surface a very old one. Constructed by a craftsmen using pegs and hand plained local tige...

Made in the 70s this low cube table is a perfect accent in a modern interior. Clean and fresh without surfaced detail but long on design-savvy and clearly is the product of the international style...

Love of Solitude (Abstract Gestural Pastel Palette Vertical Oil Painting) by Ragellah Rourke 2024 oil on canvas 48 x 36 inches The sides are cleanly painted so framing is optional A...

Abstract geometric, minimalist three-dimensional wood wall sculpture in grey and dark taupe with paper collage "Stelae", hand-carved wooden wall sculpture by Hudson Valley artist, St...

Antique Balinese Wooden Sculpture of Vishnu Riding Dragon Serpents. Rare late 19th century Balinese Temple sculpture, polychrome wood . The sculpture c...

Contemporary landscape oil painting of a pond and the Catskill Mountains in the distance with Billowing White Clouds 'Pond at Livingston' by Joseph Rapp 12 x 16 inches, oil on canvas...

Abstract modernist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi II” by Hudson Valley artist, David Dew Bruner, m...

This lovely pair of Campania form urns on painted and marbleized bases are from the 19th century. The urns show more wear and surface than the pedestals and both were used indoors as...

Horizontal photo-realist still life painting on canvas of green lotus leaves on a light grey background 'Lotus Number Fifteen' by Frank Depietro, made i...

Beautiful, rare Castiglioni floor lamp. Spun fiberglass "shade" with a chrome base and floor controls. Some minor foxing to the base of the lamp that is consistent with age.

"Summer Solstice", this photo-realist painting of a man and a woman swimming in a pool is painted by Hudson Valley artist, Samantha French made in 2024...

Circa 1935, this tranquil two-panel screen by Kyoto painter Oyabu Shunkō (born 1901) captures the quiet emergence of early spring through a grove of slender birch trees. Delicate blo...

Academic style figurative oil painting of a handsome football player against a country landscape 'Ready to Play', Painted by Mark Beard as Bruce Sargeant (pseudonym in homage to the...

This interesting two-part piece of furniture is an example of the Spanish dominion over the Americas during the global colonization associated with Empire and trade supremacy. The to...

These elaborate and deeply carved panels are mid-20th century. The carving is very detailed and on a rather deep heavy wooden panel. All the raised areas are richly detailed and gild...

A set of 4 (four) place settings in the academy platinum pattern by Ralph Lauren Home collection. Bone china. Signed. Imported, production period 1995-2002. Features a platinum/silv...

Dating to circa 1880, this Japanese two-panel screen presents an idealized mountain landscape inspired by the classical Chinese painting tradition, a style long embraced by Japanese ...

Various flowers on water's edge with a garden fence and gold dust with heavy gold leaf clouds. Mineral pigments on gold with a silk brocade border and black lacquer trim. Back of scr...

Very early Unkoku school painting of a flock of egrets, willow, plum and other various birds alongside a rushing river. Softly painted in mineral pigments on mulberry paper with a si...

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...

This large coffee or cocktail table is designed by Ralph Lauren and carries his brass label. The table is constructed of fine grained light mahogany making it modern and sophisticate...

This nicely carved bird figure is done in an 18th-century style but is from the very late 19th century to early republic period. The stone is a soft mellow celadon green with dark br...

Vessel 7 Green, Yellow, Blue Abstract Expressionist Painting Made by Ragellah Rourke in 2025 oil on canvas 30 x 30 inches, unframed The sides are cleanly painted light grey so framin...

Vertical abstract expressionist oil painting on canvas in earthy shades of sky blue and Payne's grey, with accents of green and peach against an off-white foreground 'When the Tide Goes Out' painted by Hudson Valley artist, Jenny Nelson, in 2022 Oil on canvas 60 x 54 x 1.5 inches, with white painted sides Excellent condition, ready to hang Signed, verso This abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2022. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of dusty blue, stone blue, and green. The contrasting patches of pale pink and peach pop against the subtle pale beige and light blue background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides, so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox...

An Austrian Biedermeier style small pedestal sofa in fruitwood represents the high point in this design form. Amazing in its day the style is sleek and dramatic and still is to this ...

Hummingbird Augury (Circular Cobalt Blue Pastel Drawing of Golden Hummingbird and Stars on Indian Handmade Cotton Paper by Kahn & Selesnick) 11 inch diameter unframed pastel, conte c...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

An arched-top Venetian overmantel mirror with amber glass accents. Amber glass is more the color of that in the lighter photos. the over height is 3...

Abstract encaustic painting with a green, earth toned palette. Made with natural plant material (Northern Sea Oats) "Chasmanthium Insignias I" made by Allyson Levy in 2021 encaustic and plant material on wood panel, 24 x 24 x 1 inches Lightweight, hangs with one d-ring, Signed, verso This modern abstract encaustic painting by Allyson Levy is made with Northern Sea Oats and green encaustic, sealed with a layer of neutral wax on a wood panel. The artist begins by finding the organic material in her 4-acre garden in upstate New York which she then arranges and embeds with encaustic on a wooden panel. The brown, earth toned sea oats are laid in a linear pattern on a wood panel with a surface of green encaustic and then sealed with clear wax. The encaustic wraps around to the sides of the panel, revealing some bumps and downward drips, accumulated during the natural drying process. The piece is lightweight and hangs on one d-ring. About the artist and her work: After moving to the rural town of Stone Ridge, NY seventeen years ago and starting a 4-acre botanical garden with her husband, mixed media artist, Allyson Levy, has found endless inspiration in the plant kingdom that surrounds her. The garden itself, named “Hortus Conclusus”, consisting of thousands of rare plants and edibles, remains at the epicenter of Levy’s art making. A fascination with earth’s bounty is expressed with her works in encaustic. Assorted organic material such as leaves, seeds, branches, insect wings...

Golden Hour (Brightly Colored Square Abstract Expressionist Painting in Light Pink, Grey, and Yellow) by Ragellah Rourke made in 2024 oil on panel 60 x 60 inches, unframed The sides ...

Luxurious golden pine with gold raised relief on gold silk with silk brocade border and black lacquer trim with bronze mounts. Signature and seal read: Takuyo. Back Label Reads: ...

A glass ginger jar filled with specimen sea shells on a custom made sand encrusted base with scallop shell feet. The rim of the jar is also sand encrusted and the top of the lamp is...

Pair of Mid-Century Modern Scandinavian lounge/reclining chairs with new upholstery. Very unique slotted reclining system. Leather welt and button tufting to seat back. High quality ...

A wild landscape of rolling hills, cherry trees, willow and pines with cherry blossoms dropping their petals. Beautifully executed use of gold leaf with good veining and gold dust cr...

Vertical, abstract expressionist oil painting on canvas in stone blue, dusty peach, green and black, against an off-white grey background 'What Do I know of This Place (5)' painted by Hudson Valley artist, Jenny Nelson, in 2021 Oil on canvas 20 x 16 x 2 inches, with white painted sides Excellent condition, ready to hang Signed, verso This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, midnight blue, dusty peach, and green. The contrasting patches of dark yellow and forest green pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...

Exceptional pair of solid wood dressers designed by Michael Taylor for the very collectable "Far East Collection" by Baker Furniture. This pair has been expertly refinished by Columb...

Romantic, tonalist style landscape drawing by Sue Bryan charcoal and acrylic on book pages on wood 8 x 10 inches Hangs flush to the wall, with nail notch on back Signed verso Clean, ...

Circa 1900, this elegant two-panel screen depicts a white peacock displaying its magnificent plumage before a white peahen, capturing a quiet moment of courtship. Executed in mineral...

Abstract painting on paper image: 18 x 24 inches paper size: 22 x 30 inches Contemporary minimalist abstract painting on a beautiful thick, creamy white Arches paper, unframed. Ins...

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Mixed media still life of black and white bottles inspired by Giorgio Morandi still life paintings Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White) b...

Four place settings in the Clearwater pattern by Wedgwood for Ralph Lauren. Features a cable knit motif at trim and brand stamp at undersides. Made in England, circa 2000. Origina...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Lytegem lamp in off-white with spherical metal shade, cube base and chrome arm. Designed by Michael Lax for Lightolier. USA, circa 1990. Named by the late Industrial designer Jay Doblin as one of the 20th century's 100 great product designs. The Lytegem emits localized light for reading and other tasks. Features a telescoping neck that adjusts from 6.5 inches to 15 inches; lamp head that swivels 360°. Anchored by a cube base. Light intensity can be changed from low to high...

Brood (Collage Landscape of Chicken Farm and Reclining Female Figure) by Olan Quattro 2024, gouache, paper, and acrylic on wood panel, 18 x 24 inches Olan Quattro's subtle and sophi...

Nature-Inspired Minimalist Abstract Color Field Painting on 3 Panels in Sage Green Acrylic on 3 wood panels Each panel is 20 x 16 x 2 inches Suggested installation is 1-2 inches bet...

Ottoman recently reupholstered with tiger stripe fabric and feather down cushion in 2015.

Impressionist style en plein air landscape painting on linen of a rural country barn with a bright yellow sunset and earth toned plowed farm fields #3991 Warren's Barn, painted by Ha...

Antique ceramic melon jar vase in a fine famille rose design. Chinese, Qing dynasty, Tongzhi period, early 20th century.

This pair of bowls made of lapis lazuli in the 20th century are set up on older gilded bronze stands. They are made not from the solid but veneered in the manner of Russian furniture, urns or columns and other table top accessories...

This sculpture created by Ken Butler is part guitar part surfboard. It is made in the spirit of absurdity many surrealists embraced using found objects in functional scenarios. signe...

"Workstation 16", 2023 (Gestural, Abstract Expressionist Painting on Canvas Paper with energetic line and vivid color) by Jenny Nelson 24 x 18 inches Unframed Oil on canvas paper T...

Abstract geometric drawing on paper in bright sunflower yellow and red, with a custom light wood frame 'Yellow and Red Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...

Unusual subject matter of a rural farm setting with grasses and pine in mineral pigments on paper with silk brocade border and black lacquer trim with bronze hardware. Signature and...

This beautifully restored Herter Brothers Sofa is upholstered in supple brown calfskin. It has a tight seat, a 3-part tufted back and nailhead trim. The Herter Brothers, Gustave and ...

sepia toned silver gelatin print, edition 1 of 25 17.5 x 17.5 inches unframed, 30.5 x 30.5 inches framed Frame is dark brown wood molding, 8 ply antique white mat and glass Sepia toned silver gelatin print of a serenely still lake in Louisiana When Time Stands Still. The Photographs of David Halliday Whether traveling to a foreign land, wandering through a neighborhood marketto shop for food, or engaging in convivial conversation with a friend at his home,David Halliday is easily charmed, intrigued, excited, or amused by all that surroundshim. An artful documenter of life, Haliday uses his camera as a tool for recording themultitudinous special moments that capture his attention. Once in the darkroom, heeditorializes his finds, subtly embellishing each image until it somehow evokes thesensation that led him to photograph a subject in the first place. With the exception of a series of platinum print portraits, Halliday produces all of hisphotographs as sepia toned silver gelatin prints. Both processes are highly trad-itional and, in requiring that the artist avoid the use of any color other than sepia,they stand in sharp contrast to splashier modes such as Cibachrome, Polaroid, or digitally produced Iris prints […]. For Halliday, the warm tones afforded by age-old processes reflect his desire to reclaim the past or cherish the present in the form of soft, tranquil, frozen moments...