Hudson

Abstract geometric, minimalist, three dimensional wall sculpture in light grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the scul...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Academic life drawing of male nude with charcoal and graphite by Mark Beard graphite, Conte crayon and charcoal on Arches paper 30 x 19.5 inches unframed Signed, lower left Strong f...

"Lineto I" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 36 x 48 x 2 inches unframed, sides reveal raw panel and wrapped fa...

Titled by the artist. This screen depicts a plum tree on rivers edge with a solitary nightingale. Mineral pigments on gold with silk brocade boarder and black lacquer trim with bron...

Luxurious golden pine with gold raised relief on gold silk with silk brocade border and black lacquer trim with bronze mounts. Signature and seal read: Takuyo. Back Label Reads: ...

Figurative nude drawing made with graphite, conte crayon and charcoal on Arches paper 30 x 19 inches unframed This unique life study drawing of two male nude models was made by Mark...

Sumi Ink on Mulberry paper with silk brocade border and lacquer trim. Signature reads: Sobun. Seal reads: Morikawa Notes about the Artist: Morikawa Sobun (1847-1902) was born into ...

Abstract expressionist painting in the style of Gerhard Richter in a blue, teal, and green palette with accents of peach, yellow, and pink "Absorbed in Brilliance", made by Bruce Mur...

We have 6 VERY EARLY all original Eero Saarinen for Knoll Executive side chairs. They are very heavy. Much heavier than the newer production chairs of the same. These chairs are like...

The Monopoly game set designed by Michael Graves (b. 1934 Indianapolis, IN - 2015 Princeton, NJ) for Parker Brothers. Circa 2002. Signed with Graves' signature incised in small metal disk on underside. Features a cherry-finished wood box that opens up to a game board, with a built-in, pull-out drawer contaning original game pieces and accessories including 6 polished metal game tokens, 2 dice, classic Monopoly money, Chance and Community card sets, and also two velour drawstring bags to hold houses and hotels. Dimensions of board: ??Closed: 16 inches L x 8 inches D x 3.5 inches H / Open: 16 inches L x 16 inches D x 3 inches H Notes from the Archive: ?American architect, Michael Graves' legacy includes designing over 350 buildings, and 2000 products. The Michael Graves Design brand at Target was the first example of an architect/designer having his own consumer brand of products. This collection transformed the retailer from a discount store to a design destination. It was Graves' own idea to design new versions of classic games beginning with a chess set in 2000 with inspiration from the famous Bauhaus Chess Set...

THIS LISTING IS FOR A SET OF 4 Knoll Brno chair designed by Mies Van der Rohe. These chairs are upholstered in Knoll's Cato upholstery. Color is 'natural'- which reads as a pale oat...

10 available- Priced per chair Absolutely stunning butter soft leather Roger Sprunger for Dunbar office chairs on smooth gliding casters. All original chairs are in very good condit...

Lovely solid hard rock maple chairs manufactured by Cushman of Vermont. These chairs are quite rare and from a small line produced by Cushman called ...

Four place settings in the Clearwater pattern by Wedgwood for Ralph Lauren. Features a cable knit motif at trim and brand stamp at undersides. Made in England, circa 2000. Origina...

Limited edition 'Pinocchio' screen print by Pop Art icon, Jim Dine (b. 1935) Published by Lincoln Center for the Performing Arts 41 x 29.5 inches in black frame Seven color screen ...

A set of1 12 (twelve) place settings in the Hampton Floral pattern by Ralph Lauren Home collection for Wedgwood. Porcelain. Signed, circa 1995-1996. Features a tartan border with colorful floral pattern on white with gold rim...

Stunning and elegant cantilevered lounge chairs designed by Antonio Citterio for Vitra. Textured leather is soft yet exteremely durable. These chairs will last a lifetime! Chromed ca...

Polaroid transfer drawing of a reclining male nude on Rive BFK paper by Mark Beard 9.5 x 7 inch image size 22 x 15 inch paper size Ed. 5/6, Polaroid Transfer on Rives BFK paper, unfr...

Set of 6 cane Mid-Century Modern style dining chairs with newly upholstered leather seat in Holly Hunt leather. Sculptural legs, sturdy. Frames in good original condition with a slig...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Simply stunning 'B3' Lounge Chair designed by Fabien Baron for Bernhardt. Bernhardt has upped it game with this stunning design. These chairs were custom made with a butter soft tann...

Gestural abstract expressionist painting on canvas in colorful hues blue, pink, and green on a silver background "Untitled Blue", 2022 by Bruce Murphy 40.5 x 40.5 inches, enamel pai...

Embossed gold paper in a lattice design with silk brocade border and black lacquer trim with bronze hardware.

Donise English Busy Blue, 2020 14" X 17" gouache and collage on paper This abstract geometric composition on paper features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Round Up (B&W Photograph from 1950s of amusement park ride and apartments) by Arthur King, 1958 Silver Gelatin print on Archival paper 24 x 20 in, 28 x 27in framed All prints are Li...

Abstract landscape painting of a gestural blue cloud over an olive green field "Hayfields" painted by David Konigsberg in 2015 oil on wood panel, 23 x 24 x 2 inches Ready to hang, s...

Beautiful, rare Castiglioni floor lamp. Spun fiberglass "shade" with a chrome base and floor controls. Some minor foxing to the base of the lamp that is consistent with age.

Abstract acrylic painting on canvas with a pastel pink, yellow, and gold palette “The Return of Spring”, painted by Ragellah Rourke in 2019 48 x 36 inches, acrylic on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2019. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and gold tones with hints of green radiate upwards into a background of pastel pink, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad...

Amazing and elegant tessellated stone table with incredible yet subtle detailing including brass detail at feet. Maitland Smith after Karl SPRINGER 1970s.

Hudson River School inspired landscape painting of sunset with orange glow “Evocation” painted by Jane Bloodgood-Abrams in 2014 oil on canvas 48 x 60 inches / 49.25 x 61.5 inches wi...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, including The Hunderton Art Museum, Clinton, NJ (2014), the Rosenfeld Gallery, Philadelphia, PA (2013); Therese A. Maloney Art Gallery, College of Saint Elizabeth, Morristown, NJ; group shows at SEFA; and Butters Gallery, Portland...

A globe hanging light fixture with acrylic shade in the midcentury style. New production and available in quantity. See our other listing for this style with a glass shade. Originall...

Acrylic on 3 wood panels Each panel is 36 x 18 x 1 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall dimensions: 36 x 56 x 1...

This is an 18th century primitive settle bench that came out of the second oldest home in Torrington, Connecticut, built in 1736. Unique details incl...

Beautiful early nineteenth century French trumeau mirror. Retaining original painted and gilded surface with very delicate and beautiful carving and a wonderful patina. Please examin...

French art deco c. 1920 Wrought iron base with scrolls and cut v decoration. Beautiful and lively figured onyx top in neutral tones. For garden or indoors. Stone top is original a...

Figurative drawing of two male nudes made with graphite, charcoal, and conte crayon on Arches paper 30 x 14 inches, unframed This unique life study drawing of two standing nude m...

This pair of vintage 3-legged low stools or tables from the designer Alvar Aalto were first introduced in the 1930s. Both made circa 1955 and clearly having always lived their life t...

This daybed or sofa was made originally in France circa 1870 in the Napoleon III style and is constructed of walnut and burled walnut veneers used to dramatically show off the wood selection and grain patterns. Large profiles and massive flat or concave and convex long grained area of regular walnut have been used to border complex very figured areas of veneered burl walnut Boldly scaled and very masculine the original rail on one side has been removed and a permanent rail with a notched upper area in the head and foot boards to accommodate an upholstered wooden back which was clearly just screwed in in the past allowing for the use as a sofa in a guest room also used as a sitting room. The head and foot boards are finished on both side so its clear that it was always meant to be seen form an alcove bed...

Abstract modernist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi II” by Hudson Valley artist, David Dew Bruner, m...

MB 702 (Contemporary Life Drawing of Male Nude by Mark Beard) graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Con...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, a bunch of radishes with their deep pink skins are are gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

This fine old mirror from circa 1740 is created in carved wood, gessoed and silver gilded. Its bold and heavy frame is centered at the top by a dramatic openwork crest consisting of ...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 023" graphite, Conte crayon and charcoal on Arches paper 30.5 x 17.5 inches unframed Signed, lower le...

Black and white still life photograph of a white shell on a simple white background "Shell", photographed by David Halliday in 2003 Sepia toned silv...

Gestural, abstract expressionist oil painting on canvas in earth tones of blue and green, with accents of burgundy and pale yellow "May 29", Painted by Hudson Valley based artist, James O'Shea in 2021 Oil on canvas, 26 x 26 inches unframed, raw canvas sides Wire backing, ready to hang Signed verso James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...

This fine drawing while unsigned is an excellent example of sketch work done in sanguine as preparatory work for large finished paintings. Created in France during the days of artist...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through May 6, 2018. Any framed photographs purchased during the show will be aft...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

A sculpted bronze and glass “Stalagmite” coffee table, the thick round glass top sits on top of a bronze base, decorated with thick impasto like application of bronze over an iron fr...

Abstract modernist, minimal, Brancusi inspired three dimensional wall sculpture in light grey. Made of carved high-density foam, epoxy resin, pigment and gypsum cement. Despite it's ...

19th C Hemlock 7 drawer chest with wardrobes All the storage you will ever need! Three pieces. Drawers are all free and work nicely. Great craftsma...

A Primitive Pictograph (Abstract Painting in Metallic Gold & Splashed of Color), 2021 by Bruce Murphy 38 x 38 inches, unframed, enamel paint on archival paper Signed, verso This ges...

A perfectly proportioned swivel armchair in the style of Milo Baughman. USA, circa 1970. Unsigned. Offered in COM (Clients Own Material); reupholstery labor cost included in price; buyer to provide material (9 yards of fabric...

Brood (Collage Landscape of Chicken Farm and Reclining Female Figure) by Olan Quattro 2024, gouache, paper, and acrylic on wood panel, 18 x 24 inches Olan Quattro's subtle and sophi...

This fine old urn cast as an honorific nod to the ancient past of China was made circa 1600-1650. The shape or Hue was a common and well-represented form in the Han dynasty in pottery and bronze. This urn shows thin casting to the walls with incorporated toe tia or facial masks...

Favorite Day (Abstracted Moody Landscape in Earth tones) by David Konigsberg 2025, oil on panel, 24 x 32 inches Konigsberg is a conceptual realist who works across media and paintin...

Abstract cityscape painting of Hudson, NY rooftops with accents of pink, magenta, green, yellow and teal "Rooftops Power Lines and Five & Diamond," by Hudson, NY based artist, Ricardo Mulero 12 x 6 inch oil on wood panel, Painted in 2021 Excellent condition, ready to hang as is Signed, lower left Ricardo Mulero is fascinated with capturing the brilliance of light and the contrast of natural beauty with utilitarian landscapes. Here, he abstracted the city skyline of Hudson, NY. Buildings and rooftops in shades of magenta, teal, and green are segmented in the foreground and cropped with black power lines. A soft yellow sky is layered with thin strokes of gesturally applied pale blue paint, furthering abstracting the city landscape. The piece is in excellent condition and ready to hang as is. The sides are painted a very dark, warm magenta so framing is not necessary. About the Artist: Growing up in Puerto Rico, I observed how people and nature could co-exist in harmony. Today, that principle guides my design and artistic work. My paintings are expressions that draw upon my life experiences, traditions, and surroundings. These unique environments inspire my oil paintings: Puerto Rico, where I grew up, New York City, Fire Island Pines...

This collection of weights from the Ashanti tribe was gathered in Ghana in the middle of the 20th century. The casting of brass or bronze has been a long-standing tradition of the Ashanti tribes in this region since the 17th century but comes from the longer tradition of the Akan peoples as far back as the 1400s and continues to this day. Through trade in gold dust theses, regins have been powerful and demanding locations creating rich artistic traditions. The production of gold weights...