Hudson

Originating from the vibrant markets of Morocco, these lanterns are not just decorative pieces but also serve a functional purpose, providing a warm and inviting ambiance to any room...

Architectural Abstract Marble Sculpture unsigned. modernist. mid to late 20th c. Contact me with any questions or for shipping quotes

Abstract drawing on paper of graphic bold lines in an antique wood frame with gold detail Graphite and pale blue colored pencil 28 x 21 inches framed This vertical, black, white and light blue graphite and acrylic drawing was inspired by the Russian Constructivist art movement. The work is drawn in an abstracted cubist style where the artist composes bold white overlapping arcs on a black background with cross hatching details of light blue acrylic. Through the continuous layering of the graphite pencil and acrylic the artist makes interesting thick, shard like shapes. The pale blue acrylic is concentrated at the center of the drawing and radiates outward, creating interesting depth and textural effects. The artist fit the original drawing to a mid century modern wood frame, measuring 28 x 21 inches. The frame exhibits some wear consistent with age, which is an intentional decision made by the artist. About the artist: A recent visit to David Dew Bruner’s train depot converted artist studio in Valatie, NY confirmed that the man does not sleep. Nor has he entirely put to rest the various series of graphite drawings on paper presented in a stunning array of mid-century and antique frames that were exhibited at the gallery last year. The still lives and figures inspired by artists like Velasquez, Morandi, and Lindner are morphing on a continuum of brilliance; the highly graphic influences of the Italian futurists like Giacomo Balla and Marcel du Champs, as well as the more obscure English Vortex movement have taken hold of Bruner’s intuitive approach to design as he channels it into his own drawings. The series of Infanta figures are emboldened with a new perspective and scaled up in size. A recent series of Arcs reference the gestural abstract shapes prevalent in the aesthetic of the Russian Constructivists. These works explore depth, movement, space and repetition that is more about design than reference. Bruner tastefully pairs drawings with a vintage frame from his collection, refashioning mirror frames from the 1960s or hand painting an antique Italian frame...

1950's round ebonized Giuseppe Scapinelli cofffee table with glass top and natural wood raised lower shelf. Beautiful curved "J" shaped legs. Downward taper to wooden edge to flat gl...

Japanese SHIBAYAMA carving with mushroom, insects and phallus ~ Meiji

Rimpa School painting featuring cascading chrysanthemums as well as cockscombs, summer wild flowers, and a climbing morning glory vine. Beautifully executed, fine painting in mineral...

These elaborate and deeply carved panels are mid-20th century. The carving is very detailed and on a rather deep heavy wooden panel. All the raised areas are richly detailed and gild...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

C23-6, 2023 Geometric Abstract Color Field Panel Painting by Ginny Fox in Charcoal Gray Painting is on three panels (2) 24 x 18 inches, (1) 24 x 12 inches Can be oriented horizonta...

Jens Quistgaard Odin for Dansk Silverware, 40 pieces creating service for 8. This service was manufactured in three different countries, Germany, Kore...

Abstracted, figurative monotype of six figures in a landscape 12 x 24 inch image on 22 x 33 inch Rives BFK paper Rives BFK paper is made of cotton, has deckled edges and is acid-fre...

Modern abstract landscape painting of green and teal mountains against a gestural, expressionistic green and light yellow sky "South Greenport", painted by Hudson Valley based artist...

This very fine bookcase is in excellent condition and has great color and style. The book case has four shelves and can work for books or as pictured hear as a display cabinet for ob...

This beautiful period writing table was constructed in France circa 1790 to 1800 of rich imported mahogany and the woods have been carefully selected to create an overall pattern of ...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

This pair of Georgian style two-light wall scones were made in England during the first part of the 1900s. During the Edwardian era, decorative objects such as these were made from f...

A monumental 18th century black lacquer and cinnabar embellished cabinet. Brass and steel hardware with three drawers at the base. Fitted wide interior shelves.

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

This work by Nell Blaine was exhibited at the Poindexter Gallery, as well as the Tibor de Nagy Gallery, both in New York City. It is signed lower left, and signed, titled, and dated ...

Large photo-realist still life painting on canvas of a pink lotus flower with green leaves on a sky blue background 'Lotus Number Twenty-Five' by Frank Depietro...

Unusual subject matter of cherry blossoms in the moonlight on dyed silk and applied gold in a grey lacquer trim. Signature and seal read: Adachi Masakazu. ...

Panel with Snakes, Turtles, and Dove, 2010 54 x 20.75 inches, edition of 20 (Pictured Gallery view shown - 94 x 36 inches, edition of 15) archival digital print, unframed This conte...

#5715 Overgrown Barn, 2019 by Harry Orlyk (Impressionistic, en plein air autumn landscape of a sunlit barn in a field) oil on linen mounted on homasote board, ready to hang as is 14.5 x 14.5 inches unframed Signed lower right corner Harry Orlyk is celebrated for his ability to capture rural country landscapes with impressionistic brushstrokes and bright color palettes. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. This painting is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a quaint country landscape in a range of warm, golden tones. Orlyk's signature use of soft yellows creates a gently luminous atmosphere. The scene is made with gestural strokes of paint that culminate onto a textured, impasto surface. The artist's signature is located in the lower right corner. The artist prefers to leave his paintings unframed. The painting can be installed with one nail, hammered behind the linen and through the homasote board. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...

Minimalist aerial landscape photograph of golden brown logs in a midnight blue body of water Log Rafts - Port of Tacoma, Washington, USA Archival digital print, Edition of 25 (#080) Image size 21.7 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs golden brown logs floating on a dark blue, almost black, body of water. When seen from above, the cross hatching warm brown colored logs resemble an abstract shape that can be likened to an abstract minimalist painting. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...

Gestural, abstract expressionist oil painting on canvas in earth tones of blue and orche, with pops of green and red Painted by Hudson Valley based artist, James O'Shea in 2021 Oil ...

Everything about these chairs is right on the money. The perfect amount of upholstery, wood and quality. The lies are strong ad angular, suggesting movement. The seats are wide ad co...

Large, photo-realist painting on canvas featuring a crimson red and yellow industrial boatyard lift against a bright sky blue background 47 x 31 x 2 inches oil on canvas, thin wood stripping signed verso, "Joseph E. Richards" Hangs with wire installed on the back This precisely detailed photo-realist painting was made by Joseph E. Richards in 2001. The artist painted this piece when he was 71 years old during a long career of painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, industrial cranes. With a photo-realist approach to the subject, Richards was able to capture detailed changes in light and shadow, shape and form. The red and yellow crane, painted with extreme detail and focus, vividly contrasts against a bright blue sky. Areas of brown rust, attesting to the machine's power and longevity, are captured with immaculate precision. Since the painting has a very smooth surface, one could easily mistake this painting with a photograph. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with pre-installed wire. The artist's signature is located on the back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, including The Hunderton Art Museum, Clinton, NJ (2014), the Rosenfeld Gallery, Philadelphia, PA (2013); Therese A. Maloney Art Gallery, College of Saint Elizabeth, Morristown, NJ; group shows at SEFA; and Butters Gallery, Portland...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

This vintage chain floor lamp was discovered during a Paris buying trip. Made in the 1950s, the vertical welded iron chain links are supported with a tri-p...

Peonies, marigolds and pinks next to a garden stone with soft mountain peaks in the background. Late Edo (1603 - 1868) period painting in mineral pigmen...

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

Rimpa Floral Scene with Chrysanthemum, Morning Glories and Blue Bell Flowers. Pigment on gilded silk, signature and seal read: Hattori Shunyo. Bold colors and strong design elements combined with the trademark tarashikomi (diluted elements created when water is applied to the surface before or after pigments causing them to diffuse) exhibit the artists deep devotion to this important Japanese painting tradition. Notes about artist: Hattori Shunyo (b. 1883) was an artist from Kyoto who graduated the (now) Kyoto Municipal University of Art and fell under the circle of Yamamoto Shunkyo...

Horizontal abstract acrylic painting on canvas in colorful hues of periwinkle blue, red, golden yellow, peach, black and green. 40 x 84 inches unframed This contemporary abstract ...

Sesshu-style painting in ink on mulberry paper with gold dust accents and a silk brocade border.

Modernist Sandstone Sculpture

All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks Contemporary close-up view of a cream colored rose with on a crisp black background. P...

Bright, Maximalist style still life photograph of purple and green flowers and yellow lights against a black background Archival digital print, made to order 24 x 24 inches, edition ...

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

White What's Left (Contemporary Abstract Painting with Colorful Paper Collage) 20 x 20 x 2 inches encaustic, collage on wood panel Signed on rev...

Moon and bamboo in ink on gold paper with red and black lacquered negoro frame. (Meiji period) Calligraphy reads: Beauty in ink painting with standing woods and branches, like in par...

The Grandfather shell mark chair, shown here, is from Ceylon, circa 1820. Featuring an exquisite carved ebony frame—distinguished with a shell mark detail on the top rail—and hand-c...

Stunning little american folkhart water color of a young gentleman. Sitting with his arm over the back of what appears to be a tiger maple chair of the period. In the lower right corner we can see what is a tiger maple table...

Ganymede was a Trojan prince in Greek mythology, known for his compelling beauty. Because of his alluring good looks, Ganymede was abducted by Zeus to serve as cup-bearer in Olympus....

Peter Keil's textured painting on canvas. Signed and dated 1997. This one is stunning in person. Background paint is textured on the canvas. Amazing gilt frame with a textured fabric...

Kabuki Series, Distraction Came as Dawn by Joseph Wheaton 2021 53" x 34" x 8" Oxidized Steel, wax (Lightweight contemporary three-dimensional wall sculpture) Dimensions are variable...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...

Abstract cityscape painting of Hudson, NY rooftops with accents of pink, magenta, green, yellow and teal "Rooftops Power Lines and Five & Diamond," by Hudson, NY based artist, Ricardo Mulero 12 x 6 inch oil on wood panel, Painted in 2021 Excellent condition, ready to hang as is Signed, lower left Ricardo Mulero is fascinated with capturing the brilliance of light and the contrast of natural beauty with utilitarian landscapes. Here, he abstracted the city skyline of Hudson, NY. Buildings and rooftops in shades of magenta, teal, and green are segmented in the foreground and cropped with black power lines. A soft yellow sky is layered with thin strokes of gesturally applied pale blue paint, furthering abstracting the city landscape. The piece is in excellent condition and ready to hang as is. The sides are painted a very dark, warm magenta so framing is not necessary. About the Artist: Growing up in Puerto Rico, I observed how people and nature could co-exist in harmony. Today, that principle guides my design and artistic work. My paintings are expressions that draw upon my life experiences, traditions, and surroundings. These unique environments inspire my oil paintings: Puerto Rico, where I grew up, New York City, Fire Island Pines...

Mineral pigment on gold silk. Signature reads: Nana Keicho Ho, Shinsho, Gachu ; Seal reads: Soju ; Seal on reverse reads: Koto Fusai.

Very heavy decorative wrought iron and glass table with solid brass feet and finials. This table is absolutely stunning. This table is unmarked. European. It is very heavy and will ...

31 x 61 x 1 inches oil on canvas, framed with thin black wood stripping This is a contemporary landscape painting of Guadalupe Hill, a 3,317-metre (10,883 ft) high hill...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys. Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

A vintage milk glass and brass hanging light fixture. Features a vintage glass shade suspended from a custom brass rod frame. Shade is vintage; circa 1940. Brass hanging frame may ...

Tuareg rugs are made by the Tuareg tribes of Mauritania. They are decorated with stitched straw and camel embroidered leather. With their unique geometric d...

Bamboo construction with twisted rope design. Artist signature reads: Chikubi-Sai (opening measures: 6 1/4" diameter).

A pair of finely cast and chased Louis XV bronze candlesticks.

Set of 6 freshly upholstered dining chairs model 5296 and 5297 designed by Edward Wormley for Dunbar Furniture Company. Stunning curved back design with sculpted back legs that are s...

Photo-realist oil painting of a classic red brick building exterior in New York City Oil on linen mounted on panel in a handmade walnut frame 10 x 27 x 2 inches framed Wire backing ...

Fully restored and newly upholstered Jens Risom attributed armchair with gently curved arms and button tufting on the back. Measures: Seat depth - 20.5". Arm height - 24".