Hudson

"Drawing Summer 1", by Hudson Valley artist, Jenny Nelson, in 2025 Charcoal on Strathmore paper 30 x 22 inches, 37.75 x 30 inches framed with 8 ply window mat and light gray stain w...

Abstract expressionist style painting on canvas paper in teal, dark blue, and pink with accents of green 'Untitled 2 (Blue & Pink)' by Jenny Nelson Oil on canvas paper, Painted in 2016 14.5 x 10.5 inch painting in 20 x 16 inch white 8-ply mat This modern abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2016. The colorful abstract is composed of calming tones of teal and dark blue. The contrasting patches of pinks and green beautifully pop against the subtle pale pink background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting includes an 20 x 16 inch 8 ply matte and is signed on the lower right hand corner. About the Artist: It is with her commitment to a lifelong, organic process that Jenny Nelson has achieved what so many artists and creatives work for; a language and a technique that is very much her own. She has wooed audiences here and abroad with consistently exquisite and balanced abstract paintings in neutral palettes of blues and grays that give way to pops of pink and orange. But to pin her as solely an abstractionist would be limiting her skill and versatility as a painter. Classically trained at Bard College, Nelson’s thorough knowledge of composition and color relationships as experienced through drawing from life are the tools that prepared her to work in abstraction and develop her technique. Nelson begins all her paintings the same way; she mixes an extensive palette of colors, preps the square canvas, and goes to town obliterating the surface with lots of color and wild gestures using oil sticks and brushes. After sitting with the discomfort and rawness that remains, Nelson turns the canvas around and around until a shape or color comes to the foreground. The next step is reductive as she blocks out bits of chaos with a solid color applied with a palette knife, oil sticks and brushes. Tension is built through the push and pull of paint as it is layered over colors and unruly forms. Nelson studies the painting at all stages of this process, waiting for it to communicate the next step until harmony and balance is achieved. Each work, with its own identity demanding attention and complete surrender to the process, may seem daunting at the onset. But Nelson is comforted by the perspective that painting is infinite and each new canvas is just one of many, therefore easing her expectations. Some pieces in this new body of work differ from previous paintings in that the abstractions are once again rooted in life. Inspired by the photographs of artist Joseph Podlesnik, Nelson uses his architectural and observational compositions as the framework for her new work. While the origins of the photographs’ subjects are not recognizable in the finished painting, she channels the energy discovered in his real-life findings to her canvas for a result that is entirely abstract. Invigorated by this approach, Nelson bravely moves forward, prepared to shift genres if that is where her journey takes her. A graduate of Bard College, Jenny Nelson also studied at the Lacoste School of the Arts in France and Maine College of Art. She completed a Residency at Byrdcliffe Art Colony from 2004 – 2008 and has exhibited regionally and nationally for many years. Nelson currently teaches workshops and an ongoing weekly class at the Woodstock School of Art. More about the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally including, Tria Gallery, Manhattan, NY; Hidell Brooks Gallery in Charlotte, North Carolina; Carrie Haddad, Hudson, NY. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...

Pair of small Mid-Century Asian style black lacquered occasional tables. Restored condition.

Ganymede was a Trojan prince in Greek mythology, known for his compelling beauty. Because of his alluring good looks, Ganymede was abducted by Zeus to serve as cup-bearer in Olympus....

A two-level square chrome coffee table inset with smoked glass and casters. USA, circa 1970. Unsigned. Attributed to Knoll. Reminiscent of ...

This fine piece of furniture is made from rich deeply grained rosewood. Even the pedestal support is turned and carved from solid rosewood. The table is further accentuated with a wi...

Chrome and black canvas stool / ottoman by Jerry Johnson, USA, circa 1970. This ottoman goes with the matching Jerry Johnson armchair (not included).

Contemporary Impressionist Encaustic Landscape Painting "Spring Snow", made by Regina Quinn in 2023 Encaustic, oil with wax, and India Ink on panel 16 x 12 inches, 17.25 x 13.25 x 2...

Seal on bottom reads: Koun.

Italian Mid-Century faux bamboo gilded metal occasional table with glass top.

"Gerber Daisy" by Carl Grauer Contemporary Still Life Painting of Pink Flower Pot on Kitchen Window Sill Acrylic on Canvas in Custom Frame 40 x 30 inch...

Abstract minimalist three-dimensional wall sculpture in light grey and black "Please Leave Us Alone" by Dai Ban, 2020 29 x 24 x 10 inches Precision board, Venetian Plaster, Beeswax, Pigment Lightweight sculpture (weighs about 5 lbs.) and hangs on the wall with a French cleat Excellent condition and ready to hang as is Signed, verso This contemporary, abstract horizontal wall sculpture...

This fine Chinese urn carving from the early 19th century has been in the late 19th century placed on a carved wood base that has been gilded creating a dramatic foil for the carving...

Beautiful pair of Paul Frankl for Brown Saltman two-tier occasional tables with splayed and tapered legs and espresso finish.

A sophisticated yet playful piece from the Assemblage collection, the 'Akimbo' table light is a masterful study in form and texture. Hand-constructed using an assortment of matte-painted mid-century modern lighting components, the fixture rests on a beautifully weighted matte-painted wood base. The light is fitted with two custom-designed, hand-glazed silk shades in a warm taupe hue that emits a moody, diffuse glow. Thoughtful artisan details include a period-correct taupe twisted-cotton cord and a seamless on-off switch integrated directly into the base. Specifications: • Creator: Stephen McKay...

Tlaloc and the Tiger (1939) Oil on panel 16" x 12" 23 ¾" x 18 ¾"x 2 ½" framed Signed and dated (and inscribed) "de Diego 39" lower left. Provenance: The artist; private collection Ch...

The tole tray painted in America, circa 1850 is sweet and charming showing sprays of Daisies amidst vining flowers and leaves. Painted in warm yellows and whites on a black ground th...

This very impressive console table comes from the famous American Country house Blairsden. This house built in Peapack NJ for C. Ledyard Blair and Mrs. Florence Blair between 1898 and 1903. The house was created and decorated by the important architectural firm of Carrere & Hastings. The firm produced many homes, churches, monuments and public buildings for America's gilded age notables. Blairsden boasts extensive landscaped gardens in the manner of the French Baroque in the tradition of Andre Le Notre. The interiors as well where extensively set out and incorporated appropriate French and English furniture complimenting the decorative schemes. No expense was spared to create this house and grounds based on the ideals of Edwardian splendor and the ideal modern residence. This house was listed in 1903 upon its completion in the survey of American Estates & Gardens published by Barr Ferree. While much was spoken of its location, setting, architectural accomplishments and style the summation of the listing called "Blairsden one of the most elaborate and extensive schemes of its kind ever carried out in America." This table was formally part of the dining rooms complete redecoration by the architectural firm carried out in 1913. The room was originally planned around dark paneling and a warm even family-style catering to their children. The new rooms scheme was greatly enlarged and lightened up considerably by extensive plasterwork and painting in the Adams style. This table and a mate was used to center two opposing walls and complimented the inset painted panels and plasterwork ceiling which contained many references to swags, pateria, and other classical motifs. This table has been pictured in several period photographs and the house is extensively spoken of in the comprehensive book published in 2006 by Acanthus Press encompassing the principles ideals and the extent of there work especially in the Beaux-Arts...

Baby Face (16 x 16), 2011 - Abstract Contemporary Painting on wood panel 16" X 16" , encaustic on board A pale blue encaustic painting with abstract white a...

Animals of the Japanese zodiac dancing in colorful costumes celebrating the New Year.

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

Thinking of Pompeii (Mixed Media Collage on Board in Tones of Red)), made by Hudson Valley based artist, Donise English, in 2025 mixed media collage on board, framed Image size: 16 x...

Bright, Maximalist style still life photograph of purple and green flowers and yellow lights against a black background Archival digital print, made to order 24 x 24 inches, edition ...

Field and Orchard (Land and Skyscape with Open Field and Dark Treeline) by David Konigsberg 2025, oil on panel, 23.5 x 24 inches Konigsberg is a conceptual realist who works across ...

This very fine table made in Rome in the very late 19th or early 20th century is of dramatic design and using costly material. The base carved from solid travertine is in a Renaissan...

70 x 40 x 1.5 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of r...

This Gothic revival cut crystal bowl is of a good size and simple yet impressive design. One of the major export elemnts from Ierland in the 19th century, cut crystal from this count...

The phrase rattan sofa might conjure visions of your grandmother’s Palm Beach sunroom with mai tais, ceiling fans, and the blissful era before you filed your own taxes. Nostalgic? Ye...

Contemporary landscape oil painting reminiscent of Hudson River School & Romanticist painters oil on canvas 40 x 48 inches Highly romantic (yet modern) Hudson River oil landsca...

C18-13 (ABC), 2018 16" x 20" x 1" each acrylic on three panels 16" x 64" x 1" (hung horizontal) 48" x 20 x 1 (hung vertical) Abstract triptych made of three horizontal, rectangula...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Milled wood and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own firms fo...

Minimalist, New Brutalism abstract three dimensional wall sculpture in white "Closing Gate Faster Than We Wished", by Japanese born artist, Dai Ban, in 2...

Kissing Priests image size: 8 x 10 inches Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom right corn...

Anatomy Lesson, Segment 8 (modern figurative oil painting of a hand being measured with wooden calipers) by Robert Goldstrom 2024 oil on linen 12 x 12 inches signed and in excellent ...

Best Laid Plan (Mixed Media Collage on Board in Bright Colors), made by Hudson Valley based artist, Donise English, in 2025 mixed media collage on board, framed Image size: 20.50 x 2...

Japanese Two Panel Screen: Late Nineteenth Century Kimono Fabric Mounted on Early Twentieth Century Screen. In the Heian period (eighth century to the twelfth century), noblemen wou...

"Fruit of Poet" by Dai Ban, 2021 42" X 22" X 12" Foam Board, Venetian Plaster, Beeswax, Pigment Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...

"A Way in Light" by Susan Hope Fogel oil on canvas panel 9 x 12 inches, 14.5 x 17 inches in gold leaf frame wire on reverse for easy installation signature in lower left Susan Hope...

Jay Van Everen was a pioneering early American abstractionist known for his affiliation with the Synchromists. His abstract color studies would take him to the forefront of the Ameri...

10 available- Priced per chair Absolutely stunning butter soft leather Roger Sprunger for Dunbar office chairs on smooth gliding casters. All original chairs are in very good condit...

Contemporary black and white photograph of the New York City skyline and The Statue of Liberty archival pigment print on watercolor paper, unframed & made to order 50 x 40 inch paper...

This very good table has all the elements associated with the finest of industrial furniture. Conceived at a time, circa 1890-1900 when art and industry were combined to create modern wonders of the age and who’s ideals had the intent of recreating for man a new way of life. The heavy metal supports are both industrial and neoclassical in design taking elements from Roman forms and marrying them to the new iron structures and manufacturing processes then being used in such things at the Effiel Tower...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Robsjohn-Gibbings for Widdicomb headboard for full size bed. Newly restored in an expresso finish. Matching mirror also available.

Danish Jens Risom attributed Mid-Century Modern armchairs with new wool felt upholstery, circa 1960s . Button tufted. Tapered legs with minor loses and fading to wood. Good original ...

sepia toned silver gelatin print, edition 1 of 25 10 x 15.5 inches, 22.5 x 26.5 inches framed still life photography, food still life, milk and egg still life, modern still life, sepia still life, formalism, formalist still life, modern, simple, kitchen photography...

"Evening Blue Clouds" By Carl Grauer Oil on Canvas 20x20 inches 21 x 21 x 3 inches framed, custom painted white wood floater frame Signed en verso Artist Carl Grauer captures the qu...

Entrance to the City (Cairo, Illinois) (Vibrant Red/Pink Oil Painting Cityscape) Made in 2024 by Berkshire based artist Margaret G. Still Oil on Canvas, 18 x 24 inches Margaret G. S...

This is a sweet, diminutive Dutch brass mirror. Created in the 19th century, this little beauty is filled with charm. A definite statement piece, mu...

Archival digital print, edition of 25 (#274) 26 x 39 inches unframed 36 x 48 inch inches in simple black frame, 8-ply mat & AR non glare glass John Griebsch learned how to fly an ai...

56 x 58 x 2 inches oil on canvas, white wood frame Through expressionistic gestures and a sophisticated handling of paint, David Konigsberg's works take on a life of their own, so that even inanimate objects seem filled with energy and intent. This painting captures a delightful scene of a lazy cat taking a nap in the abundant late afternoon light on a porch. David Konigsberg is a conceptual realist who works across media and painting genres to portray transitional spaces, metaphoric moments and alternative histories. A long-time member of the Gowanus and Red Hook artist communities in Brooklyn, he is now based in Hudson and employs the area's landscapes as the setting and sometimes subject of his work. The artist’s work has been exhibited throughout out the United States and has been featured in The New York Times, Chronogram and Brooklyn Journal and numerous art and culture blogs. David Konigsberg lives and works in Hudson, New York. RESUME Selected Exhibitions: · Nigh Season (2014) · Troposphere (2012) · Largo Arenula (2008) Allen Sheppard Gallery...

Colorful abstract painting with geometric details in bright hues of blue, red, green, and yellow, against a black background "Instead", painted by Anne Francey in 2017 Mixed media on Masonite 10 x 10 x 2 inches, sides reveal raw wood Excellent condition, signed verso Ready to hang Anne Francey has been working with subject matter inspired by nature for most of her artistic career. Since the pandemic, this focus has become ever more apparent as her new acrylic paintings on paper demonstrate her intuitive process of reinterpreting literal subjects like leaves, flowers, birds, or bugs into vibrant worlds of layered color. She begins by drawing from life but then allows fluctuating colors, traces of the hand, and evidence of the physical medium to be introduced as the composition evolves and finds its final imprint on the surface. The spontaneity of her process welcomes the unknown, she explains: “The things that moved me first…might have become by now just a faint whispering. But I know that a story is being told, even if I don’t understand yet all the words.” About the artist: Anne Francey was born in 1956 in Grandson, Switzerland. She attended the Ecole des Beaux-Arts de Lausanne (ECBA) from 1976 to 1981, where she received a diploma of Fine Arts in painting. In 1981, she moved to New York where she attended the School of Visual Arts and the graduate program of Fine Arts at Hunter College. She graduated in 1987 with a Master of Fine Arts (MFA). EDUCATION 1983-1987 Hunter College: Master of Fine Arts, New York EXHIBITIONS (Most recent) 2021 Le Comptoir des Motifs, Artefactory, Geneva, Switzerland, fabric design, group show 2018 Eric Laffer Gallery, Upstate Invitational, 3 person show, Schuylerville, NY The Arts Center of the Capital Region, Configurations, one person show, Troy, NY Carrie Haddad gallery, Ebb and Flow, Hudson, NY Saratoga Arts, Then and Now, Saratoga Springs, NY 12866 2017 Byrdcliffe Kleinert/James Center, The Ritual of Construction, group show, Woodstock, NY Carrie Haddad gallery, Summer, group show Thompson Giroux gallery, En Masse, group show Eric Laffer gallery, Winter Show, Schuylerville, NY 2016 Saratoga Arts, 30th Anniversary Invitational, Saratoga Springs, NY Carrie Haddad Gallery, Summer Color, Hudson, NY Laffer Gallery, 5th Annual Juried Group Show, Schuylerville, NY 2015 Carrie Haddad Gallery, Paper, group show, Hudson, NY 2014 Luminarté, Contemporary Islamic Art, group show, Dallas, TX Spring Street Gallery, Where are you from? 3 persons show, Saratoga Spgs, NY Albany Institute of History and Art, Mohawk Hudson Regional, group show NY Albany International Airport, Natural Gestures, 3 persons show Albany, NY Laffer Gallery, Winter show, Schuylerville, NY COMMUNITY MURALS, GRANTS, RESIDENCIES, SYMPOSIUMS, 2021 Community Mural United Nations International school, NY “The Year that Zoomed by” 2020 Fulbright U.S. Scholar award 2020-2021 (travel postponed to 2021-2022) 2019 1001 Hands (“1001 Mains”) Concept, design and direction of a 150 sqft community ceramic mural with 600 participants, Ibn Rachiq Art Center,Tunis, Tunisia. Funded through the US Embassy and the Swiss Embassy in Tunis. Colors of the City, Wall Ceramic and Architecture in Tunis, International symposium, Tunis/Tunisia 1997- 2018 Artist in residence at various schools for the creation of community murals 2018 Bir-el Bey...

A whimsical table lamp by Ingo Maurer, signed, BiBiBiBi, made in Germany.

Impressionistic, en plein air summer landscape of a rural country field overlooking a barn and silo Bright, sunny palette of green, blue and beige #5712 Gardenworks, painted by Harr...

Golden clouds encompass the islands of Matsushima, located in the north-east of Sendai in Miyagi prefecture in the Tohoku region. Beautifully painted with mineral pigments, gold leaf...

Figurative, still life chalk drawing of black high heels on vintage collaged music sheets. Artwork measures 29 x 33 inches 30 x 37 inches framed, deckle edge paper is floated in natural wood moulding with glass. This modern, graphic chalk drawing on collaged vintage music sheets...

Abstract landscape sepia toned photograph of clouds on a sky horizon Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inc...

Rockface 27 by Andrew Buck archival pigment print, edition of 5 44 x 44 inches framed Print is dry mounted without glazing (no glass). Black metal frame is approx 1/2 inch face widt...

sepia toned archival pigment print, edition 4 of 25 Item size: 24 x 20 inches, 100% cotton rag paper Image size: 22 x 17 inches This modern, sepia toned landscape print was made by ...