Hudson

Vessel 7 Green, Yellow, Blue Abstract Expressionist Painting Made by Ragellah Rourke in 2025 oil on canvas 30 x 30 inches, unframed The sides are cleanly painted light grey so framin...

Beautifully painted by Kido So (1899 - 1984). Born in Kyoto So studied painting at the Kyoto Municipal School of Painting under Yamamoto Shunkyo (1871...

Strong brush strokes in sumi ink on mulberry paper. Dark red lacquer trim with original intricate silver hardware. Top seal reads: Soushoan, Bottom seals read: Getsujo

This fine old urn cast as an honorific nod to the ancient past of China was made circa 1600-1650. The shape or Hue was a common and well-represented form in the Han dynasty in pottery and bronze. This urn shows thin casting to the walls with incorporated toe tia or facial masks...

Early 19th Century Dutch Marquetry Writing Table with Inlay. Stunning example of marquetry craftsmanship with turned legs and inlay on the stretchers. Desk has a single drawer.

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Golden Angel 1, Study (Sepia Toned Oil Painting of Sailing Ship and Figure) by Robert Goldstrom 10 x 8 inches, oil on cradled panel This original, contemporary oil painting by Rober...

This large carved Vicenza urn now used with a glass top to create a center table is of an impressive size. The table would be perfect in a modern interior with a classical bent. The ...

Incredible pair of silk tufted Dorothy Draper style benches or ottomans. These stools are painted in a lively lemon yellow with a complimentary yellow silk pillow...

Hand-painted cyanotype still life of pink flowers on indigo with custom frame Nocturnal Nature (Double Hibiscus, Rose) — painted cyanotype by Julia Whitney Barnes 2024 watercolor, go...

archival inkjet print on watercolor paper 10 x 13 inches unframed 2016 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance. This photograph is available unframed. The image measures 10 x 13 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Meiji period (1868 - 1912) calligraphy painting. Abstract character reads: Kumo (cloud). Seal on the upper right reads Shogazen, seal on the upper left reads Hosai. Ink on mulberr...

Contemporary aerial photograph of Iceland landscape archival digital print, edition of 25 Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch...

Blooming cherry grove on rivers edge with pieces of gold leaf creating gold mist. Mineral pigments on mulberry paper with black lacquer trim and bronze mounts.

"Oopsie" by Joy Taylor in 2022 42 71 x 1 inches, currently unframed while the sides reveal the raw canvas so framing is optional Acrylic on Canvas, diptych (2 separate canvases that...

Minimalist landscape photograph of black and white waterlilies "Summer Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Contemporary Abstract geometric painting in vivid shades of yellow, greys, white, and black "Ospedale III" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24...

graphite, conte crayon and charcoal on Arches paper 30 x 19.5 inches unframed Signed 'Beard 1999' lower left corner Atelier stamp in lower right corner Unique figurative life study drawing of a seated male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...

Abstract oil painting on canvas with pastel palette with red and green “Day of the Swans”, painted by Ragellah Rourke in 2021 48 x 36 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2021. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and red tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

A set of 6 (six) pieces in the Wedgwood Wild Oats dinnerware pattern. Includes the following 6 (six) pieces: 2 Dinner plates, 10.25 inches W 2 Salad plates, 8 inches W 2 ...

Japanese Four-Panel Screen: Nadeshiko on Gold Leaf This Japanese four-panel screen, dating to the mid-Edo period (circa 1750), depicts graceful clusters of nadeshiko (fringed pinks)...

Figurative, still life chalk drawing of flowers in a vase against collaged vintage book pages 'One Red One' by Louise Laplante in 2024 pastel on collaged vintage book pages 27.5 x 29...

A perfectly proportioned swivel armchair in the style of Milo Baughman. USA, circa 1970. Unsigned. Offered in COM (Clients Own Material); reupholstery labor cost included in price; buyer to provide material (9 yards of fabric...

Minimalist, abstract three dimensional wall sculpture in dark oxidized metal “DNA” made by Joe Wheaton in 2019 19 x 12 x 3.5 inches, oxidized steel Hangs of a French cleat, sculpture is lightweight (weighs about 5 lbs.) Signed, verso Joe Wheaton’s unique sculptural designs welded from dark, oxidized brass or brilliant silver steel showcase a contradictory set of relationships; “beautiful yet menacing, “threatening yet delicate” as described by the artist. Wheaton builds his metal compositions using a language of strokes and patterns. Geometric spears, disks and quadrangles alternate with wispy, sharp edged lines that trail off quietly to an undefined point. This visual sweep can be likened to the art of calligraphy, echoing the artist’s interest in early Asian arts and ceramics, as well as printmaking. Artist Statement: Familiar yet strange, beautiful yet menacing, threatening yet delicate. Reaching and solid, my work traverses many contradictions. As in life, beautiful lines have sharp edges, precarious forms balance with great certainty yet are vulnerable to nature's menacing ways. I am interested in using recognizable materials and relationships in configurations that will serve to re-evaluate how one perceives what might at first seem obvious. Dark forms stand in front of their ever-changing shadows. Lines motion and engage, but are like life, elusive and mysterious. Artist CV: Born in the Netherlands in 1959 Education: 1978-1981 Studied fine art at Alfred University Solo Exhibitions 2019 4 For Art, Lenox, MA Lauren Clark Fine Art, Great Barrington, MA 2018 Lauren Clark Fine Art, Great Barrington, MA 2017 Lauren Clark Fine Art, Great Barrington, MA 2016 Carrie Haddad, Hudson, NY Canyon Ranch, Lenox, MA 2015 DMG Gallery Saint Petersburg, FL 2013 Behnke Doherty gallery, Washington Depot, CT 2011 Behnke Doherty gallery, Washington Depot, CT 2010 Berkshire Museum, Pittsfield, MA 2008 Springstep, Medford, MA 2008 The Cherrystone gallery, Wellfleet, MA 2007 Carrie Haddad, Hudson, NY 2006 The Cherrystone gallery, Wellfleet, MA 2006 Carrie Haddad, Hudson NY 2005 The Haddad Lascano Gallery, Great Barrington, MA 2005 The Cherrystone gallery, Wellfleet, MA 2004 The Image Gallery, Stockbridge, MA 2004 The Haddad Lascano Gallery, Great Barrington, MA 2003 The Image Gallery, Stockbridge, MA 2003 Carrie Haddad, Hudson, NY 2002 Segreto Contemporary Art, Santa Fe, NM 2000Segreto Contemporary Art, Santa Fe, NM 1996 Canyon Ranch, Lenox, MA 1994 SPAZI Contemporary Art, Housatonic, MA Visual Projections 2019 Oceanside Museum of Art, Oceanside CA Blue Q Berkshire International Festival, Great Barrington, MA Hancock Shaker village, Hancock, NY CATA, Great Barrington, MA 2018 Oceanside Museum of Art, Oceanside, CA 2017 Jacobs Pillow Norman Rockwell Museum, Stockbridge, MA 2016 Music Video, Heaven in Stereo, Inle Lake, Myanmar Music video for Orange Sessions End Violence against women, Mongolia Music video for Orange Sessions, LGBR rights. Mongolia 2015 Made In The Berkshires intro film, Pittsfield, MA Stoneover Farm, Slideluck, Lenox MA The Norman Rockwell Museum Gala, Stockbridge, MA Music video, Star Booty Salon, St. Petersburg, FLA Building Projection , Rococco, St. Petersburg, FLA 2014 Food/Markets , An installation In collaboration with Barbara K Wheaton July- The Oxford Symposium on Food and Cookery, Oxford, England Made In The Berkshires An installation , Pittsfield, MA 2013 June- Harvard University, Cambridge, MA Material culture Material culture , A sensory rave. In collaboration with Barbara K Wheaton July- The Oxford Symposium on Food and Cookery, Oxford, England 2012 A digital visual mashup, The Colonial theatre, Pittsfield, MA Isis Chernobyl, written and directed by Pooja Roo, Housatonic, MA Rolled and stuffed, A brief food history rave In collaboration with Barbara K Wheaton The Oxford Symposium on Food and Cookery, Oxford, England 2011 In collaboration With Barbara K Wheaton A Brief Food History Rave, The Oxford Symposium on Food and Cookery, Oxford, England A audio visual celebration of 50 year of The Peace Corps, GWU, Washington, DC A brief Berkshire Rave, The Colonial Theater, Pittsfield, MA In collaboration with Anne Fredericks Group Exhibitions 2016 Carrie Haddad, Hudson, NY 2016 Lauren Clark Fine Art Great Barrington, Ma 2016 The Meetinghouse Gallery, New Marlborough, MA 2015 Lauren Clark Fine Art Great Barrington, Ma 2015 Carrie Haddad, Hudson, NY 2015 Stoneover Farm, Lenox, MA 2014 Lauren Clark Fine Art Great Barrington, Ma 2015 Carrie Haddad, Hudson, NY 2014 Portals, The Meetinghouse Gallery, New Marlborough, MA 2014 BAA Redux, Lichtenstein Center, Pittsfield, MA 2013 Lauren Clark Fine Art Great Barrington, Ma 2013 Behnke Doherty gallery, Washington Depot, CT 2012 Behnke Doherty gallery, Washington Depot, CT 2012 Cheryl Hazan Gallery, New York, New York 2012 Soprafina, Boston,MA 2012 The Shade Gallery, The Bookstore Lenox, Ma 2012 The Meetinghouse Gallery, New Marlborough, MA 2011 The Ferrin Gakkery, Pittsfield, MA 2011 Cheryl Hazan Gallery, New York, New York 2011 Soprafina, Boston,MA 2011 The Provincetown Fine Arts Work Center, Provincetown, MA 2011 The Meetinghouse Gallery, New Marlborough, MA 2010 The ferrin Gakkery, Pittsfield, MA 2010 Art in The Park, Key West, FLA 2010 Lichtenstein Center for the arts, Pittsfield, MA 2010 Cheryl Hazan Gallery, New York, New York 2010 Soprafina, Boston,MA 2009 Art in The Park, Key West, FLA 2009 Soprafina, Boston,MA 2009 Cheryl Hazan Gallery, New York, NY 2009 The ferrin Gakkery, Pittsfield, MA 2009 The Millbrook Gallery and Sculpture garden, Concord, NH 2008 The Storefront Artist project, Pittsfield, MA 2008 Art in The Park, Key West, FLA 2008 Cairn Croft Sculpture Garden, Dover, MA curated by Meredyth Moses 2008 The Millbrook Gallery and Sculpture garden, Concord, NH 2008 The Meetinghouse Gallery, New Marlborough, MA 2007 SKH Gallery, Great Barrington, MA 2007 NAGA Gallery...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the style of this negative photograph...

Abstract encaustic painting with brown branches with dark red berries against a light beige background "Winter Berry Diptych" made by Hudson Valley based artist, Allyson Levy, in 201...

Stylish, Italian Modern dining table with decorative inlaid design top, brass stretcher and brass sabots. Circa 1950's. Newly restored. No ...

Post modern sculptural wood side table. Faux birch painted. Geometric and ever changing design when altering viewpoint. Very interesting and super fun to look at.

Anatomy Lesson, Segment 3 (modern figurative oil painting of male bust in profile with hand) by Robert Goldstrom 2024 oil on linen 12 x 12 inches signed and in excellent condition T...

Painted blanket chest with bracketed feet and beautiful saw tooth apron. Top with molded edge and stepped cleats. An absolute delight, this festive 18th century jewel...

Oversized upholstered armchair. Recently upholstered in French linen.

Unusual pair of étagères, made circa 1845-1850 in England in a round form are masculine and formal but not fussy or over decorated. The Mahogany color is warm and light not a deep re...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the bright yellow spiky petals of the zucchini's flower is gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Parallel Fields (Brightly Colored Square Abstract Painting on canvas with a cool, pastel blue palette) by Ragellah Rourke 2024 oil on canvas 48 x 48 inches The sides are cleanly pain...

This Louis XVI console table is made from carved wood that has been gessoed then painted and gilded in several colors creating a rich play of color. The deep apron is fully covered in carved and applied wood decorative floral detailing. This is centered with a cartouche filled with flower heads and rosettes all water gilded. The table's legs are carved in a wasting reeded form with a large egg and dart baluster top section. Terminating in a nice in turned stretcher centered on a large carved wood urn...

Japanese Two-Panel Screen: Snow Scene on the Marsh This Japanese two-panel screen, dating to the Edo period (circa 1700), depicts a tranquil winter marsh inhabited by a heron amid s...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Red and yellow chrysanthemums and pampass grasses. Meiji period (1868 - 1912), Rimpa style painting in mineral pigments on mulberry paper with a silk brocade border.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Abstract cubist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi 12” by Hudson Valley artist, David Dew Bruner, made...

The Lonely Road (1940) Tempera on panel 12" x 16" 19 1/2" x 23 1/2" x 1 1/2" framed Hand-signed "Palmer '40" lower center. Provenance: Midtown Galleries, New York, NY (labels verso...

Mineral pigments and gold on mulberry paper. Signature reads: Bunrei-Ga.

Found antique Calacatta marble cylinder base / Aged brass column w/ dimmer socket / Custom-mde hand-painted light grey, glazed linen, semi-closed shade / Brown twisted silk cord 2025

This fine painted decorated planter in the manner of Angelica Kauffman was created in England circa 1890 to 1900. Hepplewhite in style the planter was made in England during the Edwardian era. This time saw a great rise in revival styles and culminated with the out break of the first world war. Hepplewhite design is most often associated with fine detail contrasting wood veneers and inlay , delicate painted details and a definite reference to historical precedents. Referencing Kauffman herself the piece is reminiscent of works in her historical painterly style. She i known to have painted a number of commissions on furniture while living in England as well a being one of only two female founding members of the Royal Academy. She classified herself as a painter of historical imagery but is also known for her many significant painting and portraits and scenes of late 18th century upper class life. Many engravings used as pattern survive giving her style and work a great reach in paint decorated furniture...

Still Life painting of a pink peony in a domestic setting Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas 16 x 12 inches, 19.5 x 15.5 inches with an artist-...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

A fine, rare to find matched pair of Boston federal servers / dressing tables with backboard and scrolled sideboards on rectangular tops. The frame has ...

Gralfex by Luciana Pampalone, features a woman dressed in all white, shielding herself from the blinding Hamptons sun with a sunhat, secured to her head with a polka-dot harness, whi...

Pair of wood fluted columns with gilt band on base. Columns show their age beautifully. Small cracks in base that do not effect their struc...

Gestural, abstract expressionist oil painting on canvas in earth tones of blue and orche, with pops of green and red Painted by Hudson Valley based artist, James O'Shea in 2021 Oil ...

"A Way in Light" by Susan Hope Fogel oil on canvas panel 9 x 12 inches, 14.5 x 17 inches in gold leaf frame wire on reverse for easy installation signature in lower left Susan Hope...

Golden Sail 13, Study (Sepia Toned Oil Painting of Sailing Ship and Figure) by Robert Goldstrom 10 x 8 inches, oil on cradled panel This original, contemporary oil painting by Rober...

A charger in the Pocketwatch pattern by Wedgwood for Ralph Lauren Home. England, circa 1990. Bone china. Multiple available; priced per charger. Dimensions: 12.32 inches wide.  

A beautifully soft painting of a water's edge with wild grasses and flowers. Mineral pigments and gold dust on mulberry paper with a black lacquer frame. Signature reads: Setsurei.

Beautiful pair of Paul Frankl for Brown Saltman two-tier occasional tables with splayed and tapered legs and espresso finish.

Pair of Paul Frankl black cerused Mid-Century modern end tables with stepped motif and smoke glass top.

Silver and Gold (Abstract Landscape of Winter Forest in Blue & Yellow Encaustic) by Regina Quinn 2024 encaustic, India ink, and oil with wax on panel 6 x 6 unframed / 8 x 8 framed "...

This Roman table made in the Baroque taste is a fine example of the type of furniture made for stylish and demanding customers in the eternal city. Made in the late 17th century to e...

A Primitive Pictograph (Abstract Painting in Metallic Gold & Splashed of Color), 2021 by Bruce Murphy 38 x 38 inches, unframed, enamel paint on archival paper Signed, verso This ges...