Hudson

Contemporary still life photograph of bright orange and blue poppy flowers and fingerling potatoes on a crisp white tabletop background archival pigment print, edition 6 of 10 17 x 2...

Italian Cities: Venice-Madonna dell'Orto (Mixed Media drawing with graphite pencil, color pencil, gouache, pen on paper on panel Image size: 11 x 11 inches Ebonized walnut floater fr...

In a garden landscape with vibrant red camellias on a natural garden stone sculpture, mineral pigments and silver dust on mulberry paper.

This fine Chinese urn carving from the early 19th century has been in the late 19th century placed on a carved wood base that has been gilded creating a dramatic foil for the carving...

This poster for an exhibition undertaken by the Smithsonian Institution and was produced as a Resident Associates Program Exhibit for the organizations 10th anniversary. The work is pencil signed and numbered 80 of 200. Davis was born in Washington DC in 1920 and died in the city he gave so much to in 1985. A major 20th-century figure in American painting Davis's contributions to Washington were invaluable in helping to establish DC as a center for contemporary art. Davis is also recognized as a prime mover in the national and international Color Abstract Movement and his ascendance to prominence started in the 1960s. He was never formally trained and learned his craft by constant gallery and museum visits and later said that this lack of boundaries from education freed him from any limitation on his work or process. Davis worked within the loosely formed Washington color school of painters which included other artists like Kenneth Nolan...

Golden Sail 13, Study (Sepia Toned Oil Painting of Sailing Ship and Figure) by Robert Goldstrom 10 x 8 inches, oil on cradled panel This original, contemporary oil painting by Rober...

"Fruit of Poet" by Dai Ban, 2021 42" X 22" X 12" Foam Board, Venetian Plaster, Beeswax, Pigment Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...

Italian Cities: Pompeii (Mixed Media drawing with graphite pencil, color pencil, gouache, pen on paper on panel Image size: 10.5 x 10.5 inches Ebonized walnut floater frame, 12 x 12 ...

This large carved Vicenza urn now used with a glass top to create a center table is of an impressive size. The table would be perfect in a modern interior with a classical bent. The ...

Vintage 1950's Neoclassical style etagere with antiqued mirror shelves and "X" form crossbars to sides and top. Black metal frame and gold painted finials. Good condition.

An outstanding pair of a rock crystal lamps by Carole Stupell, ca' 1950's. Original biomorphic shades, stepped bases, rock crystal finials.

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

This good sized bowl is a great example of the majolica wares produced in Italy throughout the 15th, 16th, 17, and 18th centuries. Humble and simple but highly decorative and enterta...

This fine pair of carved marble urns made of Rouge Royale, a favorite stone of the Bourbon kings has been cut from the solid material and thinned down to ...

Incredible pair of silk tufted Dorothy Draper style benches or ottomans. These stools are painted in a lively lemon yellow with a complimentary yellow silk pillow...

Hand-painted cyanotype still life of pink flowers on indigo with custom frame Nocturnal Nature (Double Hibiscus, Rose) — painted cyanotype by Julia Whitney Barnes 2024 watercolor, go...

Abstract painting on paper image: 18 x 24 inches paper size: 22 x 30 inches Contemporary minimalist abstract painting on a beautiful thick, creamy white Arches paper, unframed. Ins...

A beautifully soft painting of a water's edge with wild grasses and flowers. Mineral pigments and gold dust on mulberry paper with a black lacquer frame. Signature reads: Setsurei.

Edo period (18th century) painting of a flowing array of various types of chrysanthemums painted on beautifully faceted heavy gold leaf and behind afinely painted fence. Petals of th...

Antique chemist lab stand / Old steel finish / Vintage black ceramic sockets / Various globe bulb sizes / Twisted black silk cord Note : Height can be adjusted Quantity : (1) Mat...

Abstract minimalist three-dimensional dark metal sculpture is oxidized brass My Shadow Always Watched, created by Joe Wheaton in 2019 24 inches high x 64 inches wide x 22 inches deep...

Abstract geometric mixed media collage in black, white, and grey with details of bright red "Layered Plan #6", made by Hudson Valley artist, Donise English, in 2009 15 x 12 inches, 2...

"Backyard Sunset" By Carl Grauer Oil on Canvas 20x20 inches, 21 x 21 x 3 inches framed in painted white wood floater frame Signed en verso Artist Carl Grauer expertly and astutely c...

Chic 1950s American wingback armchair with apricot velvet. Great original condition. Measure: 21.25" seat width. 21" seat depth. 18.25" arm height.

Romantic, tonalist style landscape drawing by Sue Bryan charcoal and acrylic on book pages on wood 8 x 10 inches Hangs flush to the wall, with nail notch on back Signed verso Clean, ...

Beautiful early nineteenth century French trumeau mirror. Retaining original painted and gilded surface with very delicate and beautiful carving and a wonderful patina. Please examin...

oil on linen on homasote board, unframed 14.5 x 19 inches Harry Orlyk is celebrated for his ability to capture a rural country landscape with impressionistic brushstrokes and a bright color palette. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. '#5418 A Washington County Vineyard' is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a lush green field towards the end of summer. Orange leaves begin to appear atop green trees, creating a bright contrast with the blue mountains lining the horizon. Thick layers of paint are applied with expressive brushstrokes and culminate onto a textured surface. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...

Field and Orchard (Land and Skyscape with Open Field and Dark Treeline) by David Konigsberg 2025, oil on panel, 23.5 x 24 inches Konigsberg is a conceptual realist who works across ...

American Flag (Sepia Toned Still Life of Vintage Flag Leaning Against Wall) by David Halliday Sepia toned silver gelatin print, edition 11 of 25 Custom bl...

Signed on lower left, attributed to Nicolai Kuznetsove (1850-1929). From the estate of David Kleinberg. Painting: 32 x 39", with frame: 38 x 46".

Impressionist style en plein air landscape painting on linen of a rural country barn with a bright yellow sunset and earth toned plowed farm fields #3991 Warren's Barn, painted by Ha...

Moon Noon (Figurative Painting of Young Woman Reaching to Cloudy Yellow Sky) by Annika Tucksmith 2024 oil on panel 16 x 20 inches, unframed With the occasional exception, the subjec...

Jay Van Everen was a pioneering early American abstractionist known for his affiliation with the Synchromists. His abstract color studies would take him to the forefront of the Ameri...

poppy and encaustic on wood panel 14 x 14 x 1 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by Allyson L...

Allison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an e...

Watercolor on paper BIOGRAPHY: Eunju Kang was born in 1962 and raised in Daegu, Korea. She moved to California at 14 years old with her mother and two sisters in the 1970s. Kang was...

Kano School, Mineral pigments on gold leaf with silk brocade border and lacquer wood trim.

18 x 14 inch drawing on 20 x 16 inch Aquarelle Arches Paper 24 x 20 x .5 inches framed Thin profile black metal frame, 8 ply white mat Ralph Stout's works on paper reveal a drau...

Baby Face (16 x 16), 2011 - Abstract Contemporary Painting on wood panel 16" X 16" , encaustic on board A pale blue encaustic painting with abstract white a...

Elegant sofa designed by Carl Malmsten (1888-1972) and retailed by Nordiska Kompaniet. Classical form with gracefully curved sides and open frame back. B...

Four place settings in the Clearwater pattern by Wedgwood for Ralph Lauren. Features a cable knit motif at trim and brand stamp at undersides. Made in England, circa 2000. Origina...

Late 18th century Queen Anne side chair with cabriole legs and newly upholstered textural leather seat. Peg hardware on a very sturd...

Figurative abstract style black, white, and blue acrylic painting of the Greek Goddess, Nike, "Winged Victory of Samothrace" with an antique wood f...

Strong brush strokes in sumi ink on mulberry paper. Dark red lacquer trim with original intricate silver hardware. Top seal reads: Soushoan, Bottom seals read: Getsujo

sepia toned archival pigment print, edition 4 of 25 Item size: 24 x 20 inches, 100% cotton rag paper Image size: 22 x 17 inches This modern, sepia toned landscape print was made by ...

"Sargasso" hand-carved wooden New Brutalism wall sculpture by Hudson Valley artist, Stephen Walling, made in 2013 36 x 40 x 2.5 inches Carved wood and ac...

Impressionistic, en plein air summer landscape of a rural country field overlooking a barn and silo Bright, sunny palette of green, blue and beige #5712 Gardenworks, painted by Harr...

This very detailed miniature work designed to be set into an album of works for private viewing is of the Great Moghul Emperor Shah Jahan and was painted in...

Oil on panel

Beautiful all-over patina and hand carvings on the apron.

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

Reconfigured standing reading lamp / Articulating light/shade / Mahogany finished maple / Custom hand-glazed drum shade w/ semi-closed top / Twisted brown silk cord w/ on-off switch ...

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

Sepia toned silver gelatin print, edition 4 of 25 Custom black stained wood molding with visible grain 8-ply antique white mat with AR non glare glass. 4.5 x 4.5 inches unframed, 17 x 17 inches framed This square sepia toned silver gelatin print of a Victorian spiraling staircase...

Archival digital print, edition of 25 (#161) Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch border $3200 Image size 32 x 48 inches wi...

Cubist style abstract mixed-media sculpture titled 'Blue Tone Tower' was created using various materials including wood, papier-mache, and paint by Bill Low ...

1950s French iron neoclassical style etagere with five mirror shelves, gold ball feet and detail. Light age to mirror. Very good condition for age! M...

The left two panels is the intersection of the Tokaido (an important and historical road that connects Kyoto with Tokyo) at Sanjo (Sanjo translates to "Third Street" and is the main ...

Abstract landscape sepia toned photograph of clouds on a sky horizon Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inc...

Upholstered in orange velvet, signs of normal wear on the velvet. Mahogany has been recently polished and is in excellent condition.