Hudson

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Made in America circa 1940 this pair of lamps is crafted by blowing the glass vases and then reverse painting them on the inside. These are done in a rich marbled green / black that ...

Allison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an e...

Allison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an e...

Framed still life photograph of an indigo blue Morning Glory flower on a solid black background “Untitled 36” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...

Framed still life photograph of a pastel orange and pink rose flower on a crisp white background “Untitled 21” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...

Untitled- Flower 147 (White) by Chad Kleitsch Contemporary still life photograph of dandelion parachutes Archival pigment print on Hahnemuhle photo rag matte paper 40 x 30 inch (40 x...

With raised twig fence and poultry cages (used for chicken, pheasants, etc). Wood vine on the fence, and some seasonal flowers in bloom. Delicately painted with wonderful colors and ...

Modern open square armchair inspired by the Bauhaus Movement. Finishes available in blonde primavera wood with braided abaca or ebonized rosa morada wood with ebonized rattan. Cushio...

A fine classical basket chandelier in a Prussian blue tole, with gilded decoration. The whole thing in its original un-wired state and completely collapsible. If being electrified is...

A striking pair of Royal Worcester urns. The body of the urns are deep blue with gilt decoration with gilt handles, rims and base. The reserve on the front has finely painted flowers while the reserve on the reverse has matte and burnished gilt trophies.

Minimalist gestural abstract drawing on paper with black ink "Energy Clearing #1", by Jeanette Fintz, 2019 22 x 30 inches, 28 x 35.5 inches in natural wood frame Wire and d-rings for...

Contemporary scanograph still life photograph of a child's bib on a white background. "Aliboo Bib", by Chad Kleitsch 2011 Archival pigment print on Hahnemuhle paper, edition of 6 30 ...

Contemporary still life photograph of white tulip flower on white background "Untitled - Number 149 (White)", by Chad Kleitsch, 2010 Archival pigment print on Hahnemuhle photo rag ma...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Contemporary still life photograph of dandelion flowers on a white background Untitled- Flower 147 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte paper...

Untitled - Number 149 (White), by Chad Kleitsch, 2010 Contemporary still life photograph of white tulip flower on white background Archival pigment print on Hahnemuhle photo rag matt...

Contemporary still life photograph of white tulip flower on white background Untitled - Number 149 (White), by Chad Kleitsch, 2010 Archival pigment print on Hahnemuhle photo rag matt...

'Ali Baby', by Chad Kleitsch, 2011 Archival pigment print on Hahnemuhle paper, edition of 6 20 x 24 inches - unframed Contemporary scanograph still life photograph of a baby's white...

Untitled - Number 149 (White), by Chad Kleitsch, 2010 Contemporary still life photograph of white tulip flower on white background Archival pigment print on Hahnemuhle photo rag matt...

Contemporary sepia toned photograph of New York City's High Line, the iconic raised walkway in Manhattan's west side neighborhood 'High Line: Column' by James Bleecker archival pigme...

French silver plate neoclassical chandelier with applied ram's heads supporting a lower fluted bowl with eight arms. Similar style canopy included (not pictured).

"I work largely with the figure, concentrating on women. In awe of the strength women behold, I feel the need to express their character through my work. I can't explain how I choose...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

These photographs are Dye Sublimation Prints. Framing options available. "Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes th...

Abstracted floral still life color photograph, yellow magnolias in an abstract motif Archival digital print 30 x 30 inches, edition of 30 Print is unframed and made to order Addition...

Contemporary minimalist aerial landscape photograph of a plowed yellow field with dark blue shadow Archival digital print, Edition of 25 (#013) Image size 31 x 39 inches unframed, m...

Abstracted still life photograph of white leaves with accents of cream, blush, and white gold Archival digital print, made to order 30 x 30 inches, edition of 30 Additional sizes av...

Minimalist aerial landscape photograph of trees in a snowy white field Archival digital print, Edition of 25 (#121) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a barren orchard and popular trees in a snowy white field above Sodus, New York. The shadows from the trees cast a dramatic shadow against the white field while the brown colored paved road provides a striking contrast in composition. When seen from above, the aerial landscape photograph looks like a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

This pair of French pedestals exhibit a large and highly decorative three dimensional carved wood application of rams heads, garlanded laurel ...

Figurative, Polaroid transfer of a young boy in vintage cowboy costume against an orange background PT 25, Made in 1998 Edition 1 of 6 9 x 7 in...

Cast Bronze work by Paris based artist and sculptor Manuel Fernandez entitled “The Walker” cast in 2001. The original single work, done in 2000, has a solid cast bronze slab base as ...

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

Mid-Century Asian style Ed Wormley for Dunbar coffee table with Eglomise mirrored inset top. Fully restored in deep espresso finish.

Eucalyptus with Turtles and Honeycomb, 2010 40 x 15.5 inches, edition of 30 (Pictured in Gallery View - 94 x 36 inches, edition of 15) archival digital print, unframed This contempo...

archival digital print 94 x 36 inches, edition of 15 unframed This contemporary, archival digital print was made by fine art photographer, Lisa Frank, in 2010. The botanical still l...

Eucalyptus and Framed Birds, 2010 40 x 15.5 inches, edition of 30 (Pictured in Gallery View - 94 x 36 inches, edition of 15) archival digital print, unframed This contemporary, arch...

Sepia Toned Photograph of Five Ceremonial Canes from Tonga ed. 4/25 17 x 17 inches silver gelatin print on archival paper, unframed Tonga was once at the center of a vast trading empire stretching...

Sepia Toned Silver Gelatin Photograph of Six Ceremonial Canes from Ancient Tonga 17 x 17 inches, edition of 8/25 signature on face Tonga was once at the center of a vast trading empire stretching...

Sepia Toned Photograph of Eight Wooden Bailers 17 x 17, edition of 25 Tonga was once at the center of a vast trading empire stretching 500,000 square ...

Sepia Toned Still Life of Wooden Antique Headrest from Tonga 17 x 17, edition of 25 Silver Gelatin Print, unframed David Halliday's series consists ...

Sepia Toned Still Life of an Antique Shoemaker's Tool from Tonga 17 x 17, edition 9 of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives of antique objects from Tonga, a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited. He took these still lives during his trip there in 1997. Tonga was once at the center of a vast trading empire stretching...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four blue and white panels...

Contemporary pigment print 36 x 34 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, three blue and white panels...

Contemporary pigment print 36 x 34 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photo...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's pho...

Ankony Farm pigment print on watercolor paper 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 This Sepia-toned print of Ankony Farm was taken by photographer, James Bleecker. The photograph depicts the barns on a farm in Rhinebeck, New York. The light reflects beautifully over the landscape, shining through an overcast sky. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry...

Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland) by Betsy Weis black and white archival inkjet print on watercolor paper 10 x 15 inches unframed 16.5 x 21.5 inches framed $1250 Photographed in Finland, this black and white archival pigment print by Betsy Weis captures trees in the mist during winter. The forest is softened by the snow and mist that envelopes them and there is a serenity despite the cold conditions of this landscape. This photograph is also available unframed for $950. The image measures 10 x 15 inches. 16.5 x 21.5 inches framed $1250 Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

archival inkjet print on watercolor paper 16 x 16 inches unframed 2018 Photographed in Maine, this color archival pigment print by Betsy Weis captures a grouping of trees at dusk. The serenity of the moon's gentle light against a deep blue evening sky illuminates the dark forest below. This photograph is available unframed. The image measures 16 x 16 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Side Table with Chain and Window Stay (Diptych), 2017 Upper: 16 x 20 inches framed Lower: 14 x 10.5 inches framed toned silver gelatin prints in vintage fr...

Rope and Side Table, 2017 31 1/2" X 21" framed sepia toned silver gelatin print, edition of 10 Top 17 x 21 inches, Bottom 14.5 x 11.75 inches This sepia toned silver gelatin dip...

Candle Stand, 2017 15" X 12" framed sepia toned silver gelatin print This vertical sepia toned silver gelatin print still life of a candle stand was captured by photographer, David...

Piano Stool , 2017 Sepia Toned Silver Gelatin Print Still Life in Vintage Frame 16 × 12 in; 40.6 × 30.5 cm framed Edition of 10 This sepia toned silver gelatin print still life of a...

This unusual Baroque figure of Christ carved circa 1670 and 1700 is in a form associated with his removal from the cross after crucifixion but before his...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Archival digital print 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer, ...

Archival digital print 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer...

Archival digital scanograph 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank,...