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William Clutz
Tompkins Square (Abstract Figurative Urban Landscape Painting of New York City)

1960

$7,200
£5,413.82
€6,286.76
CA$10,054.65
A$11,151.35
CHF 5,856.14
MX$136,946.51
NOK 74,133.20
SEK 69,908.60
DKK 46,906.13
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About the Item

Abstract Figurative city landscape painting of Tompkins Square in Manhattan "Tompkins Square" painted by William Clutz in 1960 Oil on canvas, signed at bottom 30 x 25 inches, 30.5 x 20.5 in natural wood frame This oil on canvas, abstracted city landscape painting was made in 1960 by William Clutz. The abstract figures highlighted in mustard yellow, bright pink and black act as pedestrians crossing Tompkins Square in New York City. What is perhaps most striking about Clutz's depictions of everyday, commonplace activity is how he magnifies and glorifies the subject with magnificent sunlight through pops of color and simple brushwork. This work straddles the artist's personal interest and commercial trends of abstraction in painting, while also rooting the looseness and obscurity in a shape that is clearly a figure on a street in a busy city. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947-51 University of Iowa, B.A. 1951-55 Arts Student League, NYC 1957 Solo Exhibitions Katharina Rich Perlow Gallery, NY 2008, 2005, 2002, 2001, 2000, 1999 New York Stock Exchange, NY 2002 Nicholas Davies Gallery, NY Retrospect 1955-1973 1997 Carrie Haddad Gallery, Hudson NY 2013, 2008, 1993 Washington County Museum of Fine Arts Hagerstown, MD Retropective 1991 Tatistcheff Gallery, Los Angeles, CA 1992, 1998 P.B. van Voorst van Beest Gallery, The Hague 1984 John Stoller Gallery, Minneapolis, MN 1987, 1983, 1980 Gallery 333, Dayton, OH 1980 Alonzo Gallery, NY 1979, 1978, 1977 Mellon Art Center, Choate Rosemary Hall Wallingford, CT 1979 Walther-Rathenau-Saal, Berlin, West Germany 1978 Moravian College, Bethlehem, PA 1977 Mercersburg Academy, Mercersburg, PA 1976 Brooke Alexander, NY 1973 Lamont Gallery, Exeter, NH 1973 Addison Gallery, Phillips Academy, Andover, MA 1973 Graham Gallery, NY 1972 Bertha Schaefer Gallery, NY 1969, 1966, 1964, 1963 Brooklyn College, NY 1969 Triangle Gallery, San Francisco, CA 1967 David Herbert Gallery, NY 1962 Condon Riley, NY 1959 Selected Group Exhibitions Albright Know, Museum, Members Gallery, Buffalo, NY 2002, 2001 Center for the Arts, Vero Beach, FL, Collector Series 2001 Tatistcheff Gallery, Los Angeles, CA 1995, 1994, 1988 Metropolitan Museum of Arts, NYC Revivals and Revitalization: American Pastels in the Metropolitan 1990-1989 Montclair Art Museum, NJ Art of the 80’s 1989 Kornbluth Gallery, Fair Lawn, NJ 1989 Christian A. Johnson Memorial Art Gallery, Middlebury, VT 1988 Tatistcheff & Co., MY 1987, 1985 Chemical Bank Gallery, MY 1987 Selected Group Exhibitions (cont’d.) San Francisco Museum of Modern Art, CA American Realism 1985 Schoelkopf Gallery, NY 1985 Art and the Law, West Publishing Co. MN 1985 Squibb Gallery, Princeton NJ 1985 Rahr-West Gallery, St. Paul, MN Traveling Exhibit 1984 Brooklyn Museum, NY The Great East River Bridge 1983 Robert R. Woodruff Arts Center, Atlanta GA 1983 Collegiate School, NY 1982 Of Time and Place, American Figurative Art from The Corcoran Collection, Traveling Exhibit Smithsonian Institution, Wash. DC 1981 Hirschl & Adler, NY 1980 Westmoreland County Museum, Greensburg, PA The New American Still Life 1978 Smithsonian Inst., Wash., DC American Drawings, 1976, Traveling 1977 Brooke Alexander, NY 1973 Columbus Gallery of Fine Arts, OH 1970 Ringling Museum of Art, Sarasota, FL 1969 Purdue University, West Lafayette, IN 1968 Tweed Gallery, University of Minnesota, Duluth, MN 1968 University of Wisconsin Madison, WI 1967 Pennsylvania Academy of Fine Arts, Philadelphia, PA Annual 1966,1965,1964 Hunter Gallery of Art, Chattanooga, TN 1966 University of Colorado, Boulder, CO 1966 Storm King Art Center, Mountainville, NY 1966 Norfolk Museum of Arts and Sciences, VA Annual 1966 Museum of Art, Rhode Island School of Design, Providence, RI 1965 Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE Annual 1965 Ontario East Gallery, Chicago, IL 1965 Joslyn Art Museum, Omaha NE 1964 The American Federation of Arts, Traveling Exhibition: The Figure International 1963 Museum of Modern Art, NY Recent Painting USA: The Figure 1962 Contemporary Arts Museum, Houston, TX The Emerging Figure 1961 Museum of Modern Art, NY Recent Drawings USA 1956 Des Moines Art Center, Iowa Annual: Honorable Mention 1954 Cumberland Valley Artists, First Prize, MD 1952 Selected Collections: Museums, Universities Museum of Modern Art, NY Solomon R. Guggenheim Museum, NY Metropolitan Museum, NY Hirshhorn Museum & Sculpture Garden, Washington, DC Museum of the City of New York Fogg Art Museum, Harvard University, Cambridge, MA Brooklyn College, Brooklyn, NY Addison Gallery of American Art, Andover, MA The Newark Museum, NJ Telfair Museum, Savannah, GA Huntsville Museum, AL Hudson River Museum, NY Frances Lehman Loeb Art Center, Vassar College, NY Dutchess County Community College, Poughkeepsie, NY Sheldon Memorial Museum, University of Nebraska, Lincoln, NE Washington County Museum of Fine Arts, Hagerstown, MD University of Massachusetts Art Collection, Amherst, MD Minnesota Museum, St. Paul MN New York University Collection, NY Tweed Museum, Duluth, MN Dayton Art Institute, OH Miles College, Atlanta, GA Phillips Exeter Academy, NH Mercersburg Academy, PA Boise Art Museum, ID Selected Collections: Corporations AT & T, NY Minnesota Mutual Life Insurance, St. Paul, MI Chase Manhattan Bank, NY Donaldson, Lufkin, Jenrette, NY Third National Bank and Trust, Dayton, OH Solomon Brothers, NY Schroeder Bank, NY Wausau Insurance Company, WI Bradley Family Foundation, New Orleans, LA Simpson, Thatcher and Bartlett, NY New York Stock Exchange, NY McKinsey and Company, NY Southeast Banking Corporation, Miami, FL Mobil Corporation, Fairfax, VA Shearson / Lehman Brothers, NY Amerada Hess, NY Milbank, Tweed, Hadley, McCloy, Washington, DC Ashland Oil Company, KY J. Walter Thompson, NY First Bank, Minneapolis, MN
  • Creator:
    William Clutz (1933, American)
  • Creation Year:
    1960
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 25 in (63.5 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: LU2275146982

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Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...
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Park Spring (Impressionistic Figurative Painting of Figures in a Park Landscape)
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Modern impressionist style figurative painting of a family in a colorful park landscape “Park Spring” painted by William Clutz in 1996 60 x 50 inches in a natural wood floater frame Wire backing, signed lower right This figurative oil on canvas painting was made in 1996 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. In this piece, Clutz captures a joyful moment of a mother and father walking in a sunlit park landscape with their young child. Bright sunlight radiates through lush fall foliage and fills the scene with a soft orange light. With broad, expressionistic brushstrokes, he discovers the extraordinary in the ordinary, by emphasizing the effects of sunlight on the human form. The painting is in excellent condition and is framed in a natural wood floater frame. More about the artist: In New York in the early 50's and 60's, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...
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What Do I know of This Place 5 (Abstract Expressionist Painting on Canvas)
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Vertical, abstract expressionist oil painting on canvas in stone blue, dusty peach, green and black, against an off-white grey background 'What Do I know of This Place (5)' painted by Hudson Valley artist, Jenny Nelson, in 2021 Oil on canvas 20 x 16 x 2 inches, with white painted sides Excellent condition, ready to hang Signed, verso This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, midnight blue, dusty peach, and green. The contrasting patches of dark yellow and forest green pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. 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About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. 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Vertical, abstract expressionist oil painting on canvas in blue, stone blue, green and midnight blue, with pops of green, peach, and yellow on an off-white background 'What Do I know of This Place (1)' painted by Hudson Valley artist, Jenny Nelson, in 2021 Oil on canvas 20 x 16 x 2 inches, with white painted sides Excellent condition, ready to hang Signed, verso This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, teal, and midnight blue. The contrasting patches of dusty yellow, peach, and green beautifully pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. 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