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Ginny FoxMinimalist Abstract Color Field Painting in Light Brown & Beige (C19-2)2018
2018
$4,200
£3,124.09
€3,657.69
CA$5,860.43
A$6,557.98
CHF 3,424.27
MX$80,623.56
NOK 43,201.11
SEK 40,652.03
DKK 27,289.19
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About the Item
Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige
Acrylic on 3 wood panels
Each panel is 24 x 18 x 2 inches
Suggested installation is 1-2 inches between each panel
Panels can be oriented in any direction
Overall measurement for vertical install: 56 x 24 x 2 inches
Overall measurement for horizontal install: 24 x 56 x 2 inches
We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off to create a subtle yet distinctive woven texture on a perfectly smooth surface. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy palette of striated light brown and green. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hover on the wall and can be arranged in any number of ways, highlighting the work's sculptural element.
Artist's Statement:
My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe.
Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S.
- Creator:
- Creation Year:2018
- Dimensions:Height: 24 in (60.96 cm)Width: 56 in (142.24 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2274912962
Ginny Fox
Artist Statement:
My paintings are a merging of textures and colors referencing both organic and fabricated materials. I am inspired equally by patterns in nature, as well as those in textiles, architecture, and a myriad of manufactured elements. After many years living in the Bronx, I recently moved back to the Upper West Side of Manhattan, where the confluence of the Hudson River, its rocky environs, and multiple architectural structures has become a renewed source of inspiration. My studio in Yonkers, N.Y. is in a turn of the century carpet mill overlooking hills and industrial complexes, another locale containing the merging of elements so integral to my work. Layers of time evident in random markings on stone; light raked across water and sky; the open weave of moss covered earth -- all inform the work, resulting in a cohesive entity. By layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Many of the paintings are comprised of multiple panels, allowing for a subtle narrative of a nuanced and evolving universe.
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Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray
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Each panel is 8 x 24 x 2 inches
Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches
Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches
We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element.
Artist's Statement:
My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe.
Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S.
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We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element.
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My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe.
Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S.
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