Minimalist Abstract Sculptures

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering be...

Abstract and stylised, the bent wooden sculpture is made of black walnut with a red limestone base. The sculpture represents a swan in movement on water .The swan symbolizes love, grace purity and sincerity. In Japan, a legend tells that the swan is a bird sent by the children as a peace messenger. The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee Chee...

18 x 24 x 8 inches styrofoam and venetian plaster Black and white three dimensional floating high contrast wall sculpture with clean lines Dai Ban presents new series of minimalis...

This amazing Triangular sculpture by Vasa Mihich can completely transform any spot and be future forward as well in the vision of what sculpture and 3 dimensional form can do in spac...

Untitled, 1967 Donald Judd From Ten From Leo Castelli Folded stainless steel multiple Signed in black felt-tip pen and numbered from the edition 186 of 200 on a paper label affix...

This piece consists of pieces of spalled brick, which had crumbled from the artist's chimney. The artist has used natural string to tie these brick pieces in a neat package. The brick package is delicately placed on a pile of bright orange chalk powder. Brian Russell...

This stunning interactive kinetic sculpture in stainless steel easily rotates when pushed by hand. The outside surfaces have emphasized grinding marks that contrast beautifully with ...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

32 x 12 x 6.5 carved precision board & Venetian plaster This contemporary, abstract minimalist wall sculpture was made by Japanese artist, Dai Ban in 2017. The elegant minimali...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys. Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

DONALD JUDD (1928-1994) Bookshelf 60 2017 Traffic black, RAL 9017 100 x 100 x 50 cm 39.37 x 39.37 x 19.69 inches Inscribed "Donald Judd TM

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Emerald Green by Ginny Fox Acrylic on 2 panels Each panel is 30 x 40 x 2 inches Overall measurement for horizontal install with 2 inch recommended spacing, 30" X 82" X 2" *Panels may be oriented in various configurations Ginny Fox achieves a smooth and complex surface by applying multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Lime Green and yellows Acrylic on 3 panels Each panel is 24 x 24 x 2 inches can be oriented vertically or horizontally Overall measurement for horizontal install with 1-2 inch recommended spacing, 24 x 76 x 2 inches horizontally We are amazed by Ginny Fox's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Folded Flat Linen 01 2016 Dimensions: H: 36 cm / W: 35 cm / D: 9 cm Materials: architectural wire mesh, raw linen Born in 1962 in Boulogne-Billancourt, France, Sebastien De Ganay studied political science and film at Columbia University in New York 1986-1990 ( (Bachelor of Political Science, Master of Fine Arts in Cinema) and is co-founder and editor of the art book publishing house onestar press. In addition to numerous exhibition participations, including the Centre Pompidou in Paris and the Landesmuseum Österreich in St. Pölten, Austria, the Institut Français in Vienna showed a comprehensive solo exhibition of the artist in 2014. In 2017, de Ganay realized a highly acclaimed installation for the Kunsthalle Krems. de Ganay lives and works in Austria. de Ganay produces minimalist abstract art works, painting, relief and wall sculpture. Sculptures made of aluminum, linen fabric, plastic, oil painting, wood and other materials. de Ganay joins a tradition of experimental artists. In this sense, for example, the Achromes by the Italian Arte-Povera artist Piero Manzoni, created in the 1960s, point the way for de Ganay's examination of folded linen fabric. "The process of de Ganay's Painting is the process of thought itself; it is a process which turns not away from painting, but towards it. And rather than seeing painting as closure, he presents his work to us as a space of multiple openings, layers, shadows and reflections. Painting is, as much as an object or a process, a state of flux." (Adrian Searle, art critic for The Guardian, London (1994)) In the style of Readymades and Arte Povera, de Ganay starts out from a simple utility material and combines this with an examination of the surface in the tradition of Minimal Art. He designed a limited edition chair "PLEASE" a “4 Piece Chair” customized by John Baldessari, Lawrence Weiner and Rirkrit Tiravanija. SELECT SOLO EXHIBITIONS: 2019 CRISS CROSS - Sébastien de Ganay, Raffaella della Olga, Galerie Steinek, Wien, Österreich "Flip, Flop, Flux", Galerie Ruzicska, Salzburg, Austria 2018 "und, und, und", rauminhalt harald bichler, Vienna, Austria 2017 "Fold on Fold", Häusler Contemporary, Lustenau, Austria "Transposition an Reproduction", Kunsthalle Krems in der Dominikanerkirche, Krems, Austria 2016 "Space on the Move", Hausler Contemporary, Zurich, Switzerland 2015 "Fold", Häusler Contemporary, Munich, Germany "Folded Flat" Galerie Ruzicska, Salzburg, Austria 2014 "Turn the green light on", Institut Français in Palais Clam-Gallas, Vienna, Austria "over again forever" Galerie Steinek, Vienna, Austria 2013 Sébastien de Ganay, "Carton Sculptures", rauminhalt harald bichler, Vienna, Austria St. Moritz Art Masters, Schlosserei, St. Moritz, Switzerland "you are here", Galerie Günter Salzmann, Innsbruck, Austria 2010 Presentation of the "All in one"-project, Galerie Renos Xippas, Paris, France 2009 "Catalogue", Daniel Abate Galeria, Buenos Aires, Argentina 2005 "Máscaras, más cajas, más caras", Daniel Abate Galeria, Buenos Aires, Argentina 2004 "Artist Quarterly", Sotheby’s, Vienna, Austria 2002 Galerie Jacqueline Rabouan-Moussion, Paris, France 2001 "Blanchiment d’argent et haute couture", Galerie Jacqueline Rabouan-Moussion, Paris, France SELECT GROUP EXHIBITIONS: 2019 "THE OTHER IS ONESELF", FRANZ JOSEFS KAI 3, Vienna, Austria "Sculptura", Iris Andraschek, Babi Badalov, Khaled Barakeh, Bernhard Cella, Adriana Czerni, Ramesch Daha, Sébastien de Ganay, Raffaella della Olga, Julius Deutschbauer, Sylvia Eckermann, Anna Jermolaewa, Bouchra Khalili, Thomas Locher, Jonathan Monk, Klaus Mosettig, Rudolf Polansky, Hans Schabus, Slavs & Tatars Gerold Tagwerker, Florian Unterberger, Costa Vece, Martin Walde, Lawrence Weiner, Nil Yalter...

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"Notched Wave" in stainless steel and bronze is a beautifully minimalist vertical water sculpture. With its own stainless steel water containment, the self-contained fountain is perfect for a contemporary setting indoors or outdoors. Archie Held...

Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige Acrylic on 3 wood panels Each panel is 24 x 18 x 2 inches Suggested installation is ...

Folded Flat Linen 03 Unique work 2016 Dimensions: H: 35 cm / W: 36 cm / D: 9 cm Materials: architectural wire mesh, raw linen Born in 1962 in Boulogne-Billancourt, France, Sebastien De Ganay studied political science and film at Columbia University in New York 1986-1990 ( (Bachelor of Political Science, Master of Fine Arts in Cinema) and is co-founder and editor of the art book publishing house onestar press. In addition to numerous exhibition participations, including the Centre Pompidou in Paris and the Landesmuseum Österreich in St. Pölten, Austria, the Institut Français in Vienna showed a comprehensive solo exhibition of the artist in 2014. In 2017, de Ganay realized a highly acclaimed installation for the Kunsthalle Krems. de Ganay lives and works in Austria. de Ganay produces minimalist abstract art works, painting, relief and wall sculpture. Sculptures made of aluminum, linen fabric, plastic, oil painting, wood and other materials. de Ganay joins a tradition of experimental artists. In this sense, for example, the Achromes by the Italian Arte-Povera artist Piero Manzoni, created in the 1960s, point the way for de Ganay's examination of folded linen fabric. "The process of de Ganay's Painting is the process of thought itself; it is a process which turns not away from painting, but towards it. And rather than seeing painting as closure, he presents his work to us as a space of multiple openings, layers, shadows and reflections. Painting is, as much as an object or a process, a state of flux." (Adrian Searle, art critic for The Guardian, London (1994)) In the style of Readymades and Arte Povera, de Ganay starts out from a simple utility material and combines this with an examination of the surface in the tradition of Minimal Art. He designed a limited edition chair "PLEASE" a “4 Piece Chair” customized by John Baldessari, Lawrence Weiner and Rirkrit Tiravanija. SELECT SOLO EXHIBITIONS: 2019 CRISS CROSS - Sébastien de Ganay, Raffaella della Olga, Galerie Steinek, Wien, Österreich "Flip, Flop, Flux", Galerie Ruzicska, Salzburg, Austria 2018 "und, und, und", rauminhalt harald bichler, Vienna, Austria 2017 "Fold on Fold", Häusler Contemporary, Lustenau, Austria "Transposition an Reproduction", Kunsthalle Krems in der Dominikanerkirche, Krems, Austria 2016 "Space on the Move", Hausler Contemporary, Zurich, Switzerland 2015 "Fold", Häusler Contemporary, Munich, Germany "Folded Flat" Galerie Ruzicska, Salzburg, Austria 2014 "Turn the green light on", Institut Français in Palais Clam-Gallas, Vienna, Austria "over again forever" Galerie Steinek, Vienna, Austria 2013 Sébastien de Ganay, "Carton Sculptures", rauminhalt harald bichler, Vienna, Austria St. Moritz Art Masters, Schlosserei, St. Moritz, Switzerland "you are here", Galerie Günter Salzmann, Innsbruck, Austria 2010 Presentation of the "All in one"-project, Galerie Renos Xippas, Paris, France 2009 "Catalogue", Daniel Abate Galeria, Buenos Aires, Argentina 2005 "Máscaras, más cajas, más caras", Daniel Abate Galeria, Buenos Aires, Argentina 2004 "Artist Quarterly", Sotheby’s, Vienna, Austria 2002 Galerie Jacqueline Rabouan-Moussion, Paris, France 2001 "Blanchiment d’argent et haute couture", Galerie Jacqueline Rabouan-Moussion, Paris, France SELECT GROUP EXHIBITIONS: 2019 "THE OTHER IS ONESELF", FRANZ JOSEFS KAI 3, Vienna, Austria "Sculptura", Iris Andraschek, Babi Badalov, Khaled Barakeh, Bernhard Cella, Adriana Czerni, Ramesch Daha, Sébastien de Ganay, Raffaella della Olga, Julius Deutschbauer, Sylvia Eckermann, Anna Jermolaewa, Bouchra Khalili, Thomas Locher, Jonathan Monk, Klaus Mosettig, Rudolf Polansky, Hans Schabus, Slavs & Tatars Gerold Tagwerker, Florian Unterberger, Costa Vece, Martin Walde, Lawrence Weiner, Nil Yalter...

Elijah David Herschler (1940-2023) Ribbon sculpture Chromed metal Signed to curled end: elijah d herschler 29.5" H x 12" Dia. approximately Modern, abstract minimalist free hanging ...

Elijah David Herschler (1940-2023) Ribbon sculpture, 1985 Chromed metal Signed and dated to one end: elijah david herschler Dimensions: 38" H x 4" Dia. approximately Modern, abstract...

Colourfield by EDMUND DE WAAL (b. 1964) Ten glazed porcelain vessels Largest 9.2 high x 19.9 cm in diameter (3 ⁵/₈ x 7 ⁷/₈ inches) Impressed with the ar...

Artist: Rosana Castrillo Diaz Title: Untitled Date: 2011 Medium: Mica Paint on paper Dimensions: 25 x 25 x 3.25 inches Frame Dimensions: 26.75 x 26.75 inches

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York. Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch...

Sinuosity sculpture. Pedestal mount. No wall mount available. Black Cherry metallic finish. 24"x22"x12" keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of ...

"EQUILIBRIUM" Abstract Sculpture 108" x 36" x 36" in by Shawn Kolodny Medium: Stainless Steel Creating art to reflect the times we live in, Kolodny creates art for our short attent...

These Robert Therrien “Chapel” works are consider Therrien’s iconic works - especially those done in the color red. A work very similar to this one was used on the cover of his first...

This version of Archie Held's "Eve" sculpture in aluminum offers a slick vertical sculpture for a contemporary setting indoors or outdoors. "Eve" is also a...

Kosso Eloul (1920-1995) is one of our favorite sculptors and an important contributor to public art in Toronto. In addition to the numerous public sculptures in Toronto by Eloul, his works can be found in many other prominent open spaces around the world, from California to Israel. Most familiar with Eloul associate his work with his signature forms; large brushed aluminum (or steel) angled rectangles. However his earlier work was realized in stone. This fine sculpture, a form that is revisited and eventually created in metal, is made of Jerusalem Stone...

Artist Commentary: This ceramic vessel was inspired by The Wave Rock formation that's found in northern Arizona. Details: Black Stoneware clay; Cone 5/6 Oxidation Firing Keywords: minimal, abstract, modern, texture Artist Biography: Beverly Morrison...

William Crovello Hakuin, 1984 Mirrored, reflective brass sculpture on plinth De-accessioned from the GE Corporate Art Collection Signed and dated Crovello '84 Measurements: 13 x 13-3...

Alexander Liberman Aim I, 1980 Painted aluminum 83 high x 26 wide x 26 deep inches Edition of 15 Regarded as a groundbreaking Minimalist artist, Alexander Liberman created pieces t...

Abstract minimalist three-dimensional dark metal sculpture is oxidized brass My Shadow Always Watched, created by Joe Wheaton in 2019 24 inches high x 64 inches wide x 22 inches deep...

Epitafios Plexiglass wall sculpture Dimensions: 10.25 in. H x 9.5 in. W x 1.4 in. D One of a kind Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture, and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

This steam-bent wooden sculpture is made of black walnut with a red sandstone base. The wood grain and the color are uniqueness of this sculpture. The wood has magnificent stripe patterns of paler and darker colors. The title, Toward the Sky, could have different meanings to humans during this hard period. One of them is to stay positive and keep hope. In some cultures, a heron symbolizes contemplation, vigilance, divine wisdom, and inner quietness. As a Chinese symbol, a heron represents strength, purity, patience and long life. In Africa, herons were thought to communicate with the Gods. The elegance and purity of the lines are reminiscent of Native American art from Western Canada.The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee...

stone on granite pedestal b. 1949, Washington, DC Woods Davy has completed over 35 large scale commissions including works for -Carlton Highlands in Lake Tahoe, CA; Cedars-Sinai Hos...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture, energy and matter. It employs shizen (自然): the Japanese concept of naturalness, absence of pretense, or artificiality. Material is stretched over a supporting three-dimensional framework, like a tent, and coated with paint allowing shadows and reflections to fill the spaces in between. This sculptural three-dimensional 18-inches square and 5-inch deep post-minimalist artwork is wired and ready to hang. It is created with mixed media on canvas, stretched over a three-dimensional wooden form. The artist finishes the sides of this artwork as a continuation of the front and signs and titles the artwork on the back. Convenient local Los Angeles area delivery. Affordable worldwide shipping for US and international art collectors. A certificate of authenticity issued by the art gallery is included. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is characterized by “mindful artlessness” and simplicity. The natural-like radiation that comes from the structure of the materials and color schemes expresses calmness. With a fusion of art and architecture, Klikunas presents compositions focused on abstract reliefs based on regularity and geometry that defy conventional perceptions. Through strategic placement and a rich color palette that also includes monochrome paintings, he creates three-dimensional structures that engage viewers in a captivating visual experience. Len Klikunas' sculptural minimalist works are represented by Artspace Warehouse Los Angeles. They have been included in numerous exhibitions at galleries and art fairs as well as private and public collections throughout the world. REPRESENTATION Artspace Warehouse, Los Angeles, California EDUCATION 1966 BA Stanford University 1970 MA California State University Fullerton 1973 Photography Mt. Hood Community College SOLO EXHIBITIONS 2018 Lacy Lines, The District, Boise, Idaho Horizons, Landscapes, The District, Boise, Idaho 2013 Block in the Void, The District, Boise, Idaho 2012 Back of the Light, The District, Boise, Idaho 1979 Nudes by Klikunas, Courtyard Gallery, Portland, Oregon 1976 Solar Votives, Clackamas College Gallery, Oregon City, Oregon GROUP EXHIBITIONS 2022 “Lines In Motion”, Artspace Warehouse, Los Angeles, CA 2020 Midnight Blue, Artspace Warehouse, Los Angeles, CA Reflections and Shadows, Meridian Library, ID Behind the Red Door, Initial Point Gallery, ID 2019 Affordable Art Fair, New York, NY Roots, Nampa Civic Center, Nampa, ID Binary Response, Artspace Warehouse, Los Angeles, CA After Dark: A Duality, Nampa Civic Center, Nampa, ID 2018 Affordable Art Fair, New York, NY Artspace Warehouse, Los Angeles, CA Art Palm Springs, CA 2017 Artspace Warehouse, Los Angeles, CA 2016 6 by Six, Art Source Gallery, Boise, Idaho (juried) This American Life, Treasure Valley Artists Alliance, Boise, Idaho (juried) Celebrating Private Idaho, Treasure Valley Artists Alliance, Boise, Idaho (juried) Inner Workings, Surel's Place, Winston C. Mitchell and Surel L. Mitchell Family Foundation honorarium, Garden City, Idaho (juried) 2015 Hunting and Gathering Exhibition, Treasure Valley Artists Alliance, Boise, Idaho (juried) Artspace Warehouse, Los Angeles, California 2nd 2015 Showcase Competition, winner, Artslant Bellingham National Salon des Refusés, Whatcom Museum, Bellingham, Washington 2011 Elon University Gallery, Elon, North Carolina 2010 Idaho Triennial, Boise Art Museum, Boise, Idaho TV & FILM The Kardashians, Hulu 911 S5, Fox Minx, HBO American Housewife S5 The Laundromat, Netflix Good Time Charlie, TBS PUBLICATIONS 2010 ArtDaily 2010 Boise Weekly 2010 Sustain + Expand, Boise Art Museum, Boise, Idaho 2010 Idaho Statesman, Boise, Idaho, Taking the Pulse of Idaho’s Art...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture. polished finish on one side. not sure if theese are stell or aluminium. they are cast and signed in Hebrew with initials and numbered 9/9. It is 2 parts that nest together. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in Aaron Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in Aharon Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi...

Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 33.25 in. x 17 in. COA provided Danielle Weigandt explores the construct of events in time and their role in our lives. Time ...

In this abstract sculpture by Ruth Vollmer, the fusion between contrasting concepts: mathematical precision and natural "organicism", materials in both raw and manipulated states are evident. Signed by the artist. Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich. She was born in 1903 and named Ruth Landshoff. Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer. Their family was Jewish. At age 19 she began to work as an artist and took the advice of her father to draw every day. She also had many connections to the teachers and students at the Bauhaus. In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin. Ruth and Hermann move from Germany to New York in 1935. Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores. Her displays experimented with wire, steel, and copper mesh to create figural forms. In 1943, Vollmer becomes a U.S. citizen. In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress." Vollumer continues to work with wire mesh and shows her work Composition in Space at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design." In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency. Vollumer visits Giacometti for a second time during the summer of 1951. During the 1950s she begins to works with clay as well. Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties. In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell. 1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space. Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times. In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on. By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids. Sol LeWitt wrote a short essay on Vollmer's work for Studio International titled "Ruth Vollmer: Mathematical Forms." Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971. In 1976, she had a large one-person exhibition at the Neuberger Museum of Art. In 1982, Ruth Vollmer dies after a long battle with Alzheimer's. A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA. Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Vardea Chryssa. Exhibitions 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

Etapas 1-3 and black box by Alejandro Valencia Plexiglass Overall dimensions: 38 in. H x 9.5 in. W x 3 in. D Epitafos dimensions: 10.25 in. H x 9.5 in. W x 1.4 in. D Etapas 1-3 individual dimensions: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

Epitafios by Alejandro Valencia Plexiglass Measures: 9.25 in. H x 18 in. W x 3 in. D Individual size: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...