Minimalist Abstract Sculptures

DONALD JUDD (1928-1994) Armchair 47/48 2017 Painted aluminium, Turquoise blue, RAL 5018 75 x 50 x 50 cm 29.53 x 19.69 x 19.69 inches Signed, inscribed, dated and numbered "Donald Jud...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture. polished finish on one side. not sure if theese are stell or aluminium. they are cast...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Abstract Minimalist Ceramic Sculpture in White Organic and minimalist sculpture by "Toki" John Toki (Japanese, 20th Century). This piece was pressed by hand from a mold. There is a ...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering be...

Liquitex on shaped canvas Exhibited: Waddell Gallery, New York, Artists for the Scholarship, Education, and Defense Fund, April 28-May 6, l967. Butchkes, who spent much of his care...

This version of Archie Held's "Eve" sculpture in aluminum offers a slick vertical sculpture for a contemporary setting indoors or outdoors. "Eve" is also a...

"Notched Wave" in stainless steel and bronze is a beautifully minimalist vertical water sculpture. With its own stainless steel water containment, the self-contained fountain is perfect for a contemporary setting indoors or outdoors. Archie Held...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

William Crovello Hakuin, 1984 Mirrored, reflective brass sculptue on plinth De-accessioned from the GE Corporate Art Collection Signed and dated Crovello '84 Measurements: 13 x 13-3/4 x 2-1/4 inches (33.0 x 34.9 x 5.7 cm) (work) 1 x 17-1/2 x 10-1/2 inches (2.5 x 44.5 x 26.7 cm) (plinth) This work is named after a legendary, Japanese Zen Buddhist Hakuin Ekaku, a major historical figure William Crovello Biography (written by Marshall Price, Nasher Museum Curator and former curator of the National Academy Museum): Best known for his large public sculpture. New York City native William Crovello initially studied painting at the Rhode Island School of Design from 1947 to 1951. He entered the air force in 1952 and was stationed in Japan from 1954 to 1955. Following his military duty, Crovello, seeking his expressive muse, returned to Japan in 1957 for four years and became enchanted with the rich tradition of classical calligraphy. The artist absorbed both the deep philosophy and technical execution of the ancient script by immersing himself in calligraphic study. After returning to New York in 1961, the artist moved to Spain in 1968 and shifted from painting to sculpture, creating forms whose presence activated three-dimensional space. His stone and metal works draw directly from the smooth strokes of the Japanese brush, echoing the graceful brevity and elegant fluidity of an ancient tradition. Following the movement of the calligraphic stroke, Crovello created numerous public sculptures, such as the painted steel Cubed Curve installed in 1972 outside of the Time-Life Building in New York City, and the Swedish...

Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the circle, the square...

Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the circle, the square...

Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the circle, the square...

Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the circle, the square...

Title: Mater Dolorosa Gallery's item number: DTL200703 Year: 2020 Medium: Serpentine stone on anvil Artist: Tulip Duong (aka Duong Thuy Lieu)

This beautiful pink minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work,...

This beautiful minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, mono...

This beautiful red minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, ...

This beautiful minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, mono...

This beautiful green minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work...

This beautiful orange minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural wor...

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Tech...

Utilizing geometric abstraction, Billy Criswell creates asymmetrical compositions that explore light, color, perspective and space. His modern sculptures evoke a sense of imploding/exploding and motion/counter-motion, challenging viewer perception. Reminiscent of the abstracted forms of Cubism, combined with Louise Nevelson’s monumental wooden assemblages, the intimate scale of Criswell’s abstract one-of-a-kind sculptures reflects a profound response to 20th century modernism. Visual elements of celestial bodies, aerodynamics, architecture and nature challenge viewers to develop their own perceptions of the work. This 22 inch high by 24 inch wide blue wooden sculpture is ready to be displayed. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Based in Southern California, Criswell’s works have been exhibited in solo and group exhibitions in museums and galleries throughout the United States, including the Nahcotta Gallery in Portsmouth, New Hampshire and the Pierce-Dunham Gallery in Houston, Texas. In addition, his work is part of many public and corporate collections, including the Chicago Arts Council in Chicago; Pfizer Corporate Headquarters in New York, NY; the Grand Hyatt Hotel in Tokyo, Japan; and Disney Studios in Los Angeles, CA. Criswell is also a recipient of the 2011 United States Artists Foundation Project Grant, as well as a Pollock-Krasner Foundation Grantee in 2010. EDUCATION 2007-2010 Guest Art Consultant, Pasadena Art Center 1996-2000 School of Design, Art & Architecture, Santa Monica, CA 1980-1984 University of Maryland, Bachelor of Fine Arts EXHIBITIONS 2016 Artspace Warehouse, Los Angeles, CA 2014 Artspace Warehouse, Los Angeles, CA 2010 International Print Center, New York, NY 2010 Enormous Tiny Art...

Martin Wöhrl’s wide-ranging practice routinely incorporates reinterpreted motifs and strategies drawn from the history of art, architecture, and design and is characterized by an ell...

In this abstract sculpture by Ruth Vollmer, the fusion between contrasting concepts: mathematical precision and natural "organicism", materials in both raw and manipulated states are evident. Signed by the artist. Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich. She was born in 1903 and named Ruth Landshoff. Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer. Their family was Jewish. At age 19 she began to work as an artist and took the advice of her father to draw every day. She also had many connections to the teachers and students at the Bauhaus. In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin. Ruth and Hermann move from Germany to New York in 1935. Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores. Her displays experimented with wire, steel, and copper mesh to create figural forms. In 1943, Vollmer becomes a U.S. citizen. In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress." Vollumer continues to work with wire mesh and shows her work Composition in Space at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design." In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency. Vollumer visits Giacometti for a second time during the summer of 1951. During the 1950s she begins to works with clay as well. Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties. In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell. 1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space. Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times. In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on. By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids. Sol LeWitt wrote a short essay on Vollmer's work for Studio International titled "Ruth Vollmer: Mathematical Forms." Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971. In 1976, she had a large one-person exhibition at the Neuberger Museum of Art. In 1982, Ruth Vollmer dies after a long battle with Alzheimer's. A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA. Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Vardea Chryssa. Exhibitions 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

STEEL ROOM, 1989, steel sculpture, 8 x 8 x 8”, signed and dated. Peter Lodato was born in 1946 in Los Angeles, California, has exhibited extensively and received significant acclai...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 33.25 in. x 17 in. COA provided Danielle Weigandt explores the construct of events in time and their role in our lives. Time ...

miniature glass vessels with wooden texture, volume VII, limited edition of 12 unique pieces approximate dimensions: 5-6 cm / 75-100 ml These little glass sculptures can be used as ...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture, energy and matter. It employs shizen (自然): the Japanese concept of naturalness, absence of pretense, or artificiality. Material is stretched over a supporting three-dimensional framework, like a tent, and coated with paint allowing shadows and reflections to fill the spaces in between. This sculptural three-dimensional 18-inches square and 5-inch deep post-minimalist artwork is wired and ready to hang. It is created with mixed media on canvas, stretched over a three-dimensional wooden form. The artist finishes the sides of this artwork as a continuation of the front and signs and titles the artwork on the back. Convenient local Los Angeles area delivery. Affordable worldwide shipping for US and international art collectors. A certificate of authenticity issued by the art gallery is included. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is characterized by “mindful artlessness” and simplicity. The natural-like radiation that comes from the structure of the materials and color schemes expresses calmness. With a fusion of art and architecture, Klikunas presents compositions focused on abstract reliefs based on regularity and geometry that defy conventional perceptions. Through strategic placement and a rich color palette that also includes monochrome paintings, he creates three-dimensional structures that engage viewers in a captivating visual experience. Len Klikunas' sculptural minimalist works are represented by Artspace Warehouse Los Angeles. They have been included in numerous exhibitions at galleries and art fairs as well as private and public collections throughout the world. REPRESENTATION Artspace Warehouse, Los Angeles, California EDUCATION 1966 BA Stanford University 1970 MA California State University Fullerton 1973 Photography Mt. Hood Community College SOLO EXHIBITIONS 2018 Lacy Lines, The District, Boise, Idaho Horizons, Landscapes, The District, Boise, Idaho 2013 Block in the Void, The District, Boise, Idaho 2012 Back of the Light, The District, Boise, Idaho 1979 Nudes by Klikunas, Courtyard Gallery, Portland, Oregon 1976 Solar Votives, Clackamas College Gallery, Oregon City, Oregon GROUP EXHIBITIONS 2022 “Lines In Motion”, Artspace Warehouse, Los Angeles, CA 2020 Midnight Blue, Artspace Warehouse, Los Angeles, CA Reflections and Shadows, Meridian Library, ID Behind the Red Door, Initial Point Gallery, ID 2019 Affordable Art Fair, New York, NY Roots, Nampa Civic Center, Nampa, ID Binary Response, Artspace Warehouse, Los Angeles, CA After Dark: A Duality, Nampa Civic Center, Nampa, ID 2018 Affordable Art Fair, New York, NY Artspace Warehouse, Los Angeles, CA Art Palm Springs, CA 2017 Artspace Warehouse, Los Angeles, CA 2016 6 by Six, Art Source Gallery, Boise, Idaho (juried) This American Life, Treasure Valley Artists Alliance, Boise, Idaho (juried) Celebrating Private Idaho, Treasure Valley Artists Alliance, Boise, Idaho (juried) Inner Workings, Surel's Place, Winston C. Mitchell and Surel L. Mitchell Family Foundation honorarium, Garden City, Idaho (juried) 2015 Hunting and Gathering Exhibition, Treasure Valley Artists Alliance, Boise, Idaho (juried) Artspace Warehouse, Los Angeles, California 2nd 2015 Showcase Competition, winner, Artslant Bellingham National Salon des Refusés, Whatcom Museum, Bellingham, Washington 2011 Elon University Gallery, Elon, North Carolina 2010 Idaho Triennial, Boise Art Museum, Boise, Idaho TV & FILM The Kardashians, Hulu 911 S5, Fox Minx, HBO American Housewife S5 The Laundromat, Netflix Good Time Charlie, TBS PUBLICATIONS 2010 ArtDaily 2010 Boise Weekly 2010 Sustain + Expand, Boise Art Museum, Boise, Idaho 2010 Idaho Statesman, Boise, Idaho, Taking the Pulse of Idaho’s Art...

sculptural glass vase no.4 (horizontal) of 4 unique pieces of volume III approximate dimensions: Ø 4 x 30 cm length Shaped by fire collection of glass vessels...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

a pair of miniature glass vases with wooden texture, volume X approximate dimensions: Ø 8 x height 10 cm Shaped by fire project explores cultura...

Aluminum

Aluminum

sculptural glass vase no.3 (horizontal) of 4 unique pieces of volume III approximate dimensions: Ø 4 x 30 cm length Shaped by fire collection of glass ve...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstracti...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

This steam-bent wooden sculpture is made of walnut with a granite base. The wood grain and the color are uniqueness of this sculpture. The wood has magnificent stripe patterns of paler and darker colors. One of them is to stay positive and keep hope. In some cultures, a heron symbolizes contemplation, vigilance, divine wisdom, and inner quietness. As a Chinese symbol, a heron represents strength, purity, patience and long life. In Africa, herons were thought to communicate with the Gods. The elegance and purity of the lines are reminiscent of Native American art from Western Canada.The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee...

Epitafios by Alejandro Valencia Plexiglass Measures: 9.25 in. H x 18 in. W x 3 in. D Individual size: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

The ‘Guardian’ by visionary artist Alexander Ney was handcrafted using italian white terra cotta in 2008. Ney began his professional career as a highly productive visual artist, as a...

Etapas 1-3 and black box by Alejandro Valencia Plexiglass Overall dimensions: 38 in. H x 9.5 in. W x 3 in. D Epitafos dimensions: 10.25 in. H x 9.5 in. W x 1.4 in. D Etapas 1-3 individual dimensions: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

Epitafios Plexiglass wall sculpture Dimensions: 10.25 in. H x 9.5 in. W x 1.4 in. D One of a kind Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture, and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...

Mini Leaner 12 - Can hang Horizontal or Vertical on the wall or Lean. (can hang 360 degrees with the cleats on the back of the piece) Acrylic, osage orange, and uv resin 42” W, 12” H, 2” D David E. Peterson. The materials that I use are extremely important...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of vibrant blue. Acrylic on 3 panels, Each panel is 24 x 18 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for horizontal install with 1 inch spacing: 24 x 56 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a vibrant blue palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

This steam-bent wooden sculpture is made of black walnut with a red sandstone base. The wood grain and the color are uniqueness of this sculpture. The wood has magnificent stripe patterns of paler and darker colors. The title, Toward the Sky, could have different meanings to humans during this hard period. One of them is to stay positive and keep hope. In some cultures, a heron symbolizes contemplation, vigilance, divine wisdom, and inner quietness. As a Chinese symbol, a heron represents strength, purity, patience and long life. In Africa, herons were thought to communicate with the Gods. The elegance and purity of the lines are reminiscent of Native American art from Western Canada.The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee...