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Ginny FoxMinimalist Abstract Color Field Painting in Blues and Greys (C22-1)2022
2022
$2,200
£1,643.29
€1,905.14
CA$3,054.65
A$3,423.86
CHF 1,782.71
MX$41,806.84
NOK 22,633.88
SEK 21,454.88
DKK 14,214.39
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About the Item
Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys.
Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches
Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches
Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches
We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element.
Artist's Statement:
My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe.
Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S.
RESUME
Solo Exhibits
2019 Winterscape Soho20 Bushwick, New York
2017 Perpetual Earth Soho20 Bushwick, New York
2015 Intimate Universe Soho20 Chelsea New York, New York
2012 New Work Soho20 Chelsea New York, New York
2008 Recent Work Soho20 Chelsea New York , New York
2006 Recent Work Soho20 Chelsea New York, New York
2004 Sum and Substance Soho20 Chelsea New York, New York
2002 Of a Personal Nature Soho20 Chelsea New York, New York
2000 Recent Work Soho20 Gallery New York, New York
1998 Recent Work Soho20 Gallery New York, New York
1982 Recent Work Fitzgerald and Co New York, New York
Two and Three Person Exhibitions
2017 Selected Paintings and Sculpture Carrie Haddad Gallery, Hudson, New York
2016 25th Anniversary Exhibition Carrie Haddad Gallery, Hudson, New York
2010 Painting and Ceramics Exhibition Pratt MWP Campus, Utica, New York
2009 The Texture of Color Rockefeller State Park Preserve ,Sleepy Hollow, New York
2002 Reassembling Art Sites Gallery Greenport, New York
Group Exhibitions
2018 Temperature Change Soho20 Bushwick, NY
2016 Rational Horizon Soho20 Bushwick, NY
2015 Cross County Transform Gallery New Rochelle, NY
2014 Roots Memorial Sloan Kettering Cancer Center Brooklyn, NY
2013 Selection Soho20 Chelsea New York, NY
2011 Box,Book and Line Mill Fine Art and Applied Design Santa Fe, New Mexico
2011 Retreat Group Show Kathryn Markel Gallery Bridgehampton,NY
2010 Jeffrey Leder Gallery Long Island City, New York
2009 Cambridge Art Association Cambridge, Ma
2008 Summer Group Show Brenda Taylor Gallery New York, New York
2008 stART08 Soho20 Chelsea New York, New York
2007 National Exhibition, Stephen Haller ,curator, Shippensburg University, Shippensburg, PA
2005 National Exhibition , Stephen Haller, curator, Art institute & Gallery, Salisbury, Maryland
2005 Small Works Soho20 Chelsea New York, New York
2005 National Color Award Show Stamford Art Association Stamford, Connecticut
2005 National Exhibition Art Institute and Gallery Salisbury, Maryland
2003 Small Works Invitational Soho20 Chelsea New York, New York
2003 Annual Group Show Soho20 Chelsea New York, New York
2002 Old New/ New Old Soho20 Chelsea New York, New York
2002 Re/Opening Alpan Gallery Huntington, New York
2001 Ready or Not Soho20 Chelsea New York, New York
2000 Untitled Soho20 Gallery New York, New York
2000 Of Nature Nese Alpan Gallery Roslyn, New York
1999 Winter Group Show Nese Alpan Gallery Roslyn, New York
1998 Celebrating Diversity Nese Alpan Gallery Roslyn, New York
1998 Group Show Soho20 Gallery New York, New York
1997 Diversions Soho20 Gallery New York, New York
1997 Happy Returns Soho20 Gallery New York, New York
1993 Philadelphia International Contemporary Art of Old City Exhibition Philadelphia, PA.
1993 National Small Works Exhibition East-West Cultural Studies New York, New York
1993 Earth Art Sawtooth Galleries Winston Salem, North Carolina
1993 Drawing and Small Sculpture Del Mar College Corpus Christi, Texas
1993 National Small Works Exhibition Scoharie County Arts Council Gallery Cobleskill, New York
1992 Drawing and Small Sculpture Exhibition Del Mar College Corpus Christi, Texas
1991 Painting and Sculpture Exhibition The Berkshire Museum Pittsfield, Massachusetts
1991 Art of Northeast USA Charlotta Kotik, curator, Silvermine Guild New Canaan, Connecticut
1981 Paperworks 1981 Lehigh University Lehigh, Pennsylvania
Private Collections
Memorial Sloan Kettering Cancer Center New York
Education
Bachelor of Science in Studio Art New York University, 1975
- Creator:
- Creation Year:2022
- Dimensions:Height: 28 in (71.12 cm)Width: 24 in (60.96 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2279719932
Ginny Fox
Artist Statement:
My paintings are a merging of textures and colors referencing both organic and fabricated materials. I am inspired equally by patterns in nature, as well as those in textiles, architecture, and a myriad of manufactured elements. After many years living in the Bronx, I recently moved back to the Upper West Side of Manhattan, where the confluence of the Hudson River, its rocky environs, and multiple architectural structures has become a renewed source of inspiration. My studio in Yonkers, N.Y. is in a turn of the century carpet mill overlooking hills and industrial complexes, another locale containing the merging of elements so integral to my work. Layers of time evident in random markings on stone; light raked across water and sky; the open weave of moss covered earth -- all inform the work, resulting in a cohesive entity. By layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Many of the paintings are comprised of multiple panels, allowing for a subtle narrative of a nuanced and evolving universe.
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Each panel is 8 x 24 x 2 inches
Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches
Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches
We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element.
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My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe.
Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S.
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Artist's Statement:
My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe.
Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S.
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2017 Perpetual Earth Soho20 Bushwick, New York
2015 Intimate Universe Soho20 Chelsea New York...
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