Sculptures on Sale

Village Knight 674 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Roby Dwi Antono Kira (Black), 2021 Bronze sculpture with black patina finish and crystal resin tears 12 1/5 × 10 1/5 × 9 1/10 in 31 × 26 × 23 cm Edition of 75

An Academic plaster sculpture study from the Marble statue from the East pediment of the Parthenon that showed the miraculous birth of the goddess Athena from the head of her father Zeus. Many of the figures from the central scene are now fragmentary or entirely lost. This figure was carved as an isolated horse’s head. Its ears are flattened back, its jaw gapes, it has flared nostrils and bulging eyes. A portion of the lower jaw and the inner side of the top of the head were cut away. There are dowel holes where the metal bridle was attached. On the crest of the mane are eleven smaller holes, in which some metallic ornaments must have been inserted.This is the head of one of the horses that drew the chariot of the moon goddess...

Steve Sangapore’s “I'm Neither Good Nor Evil, Or I'm Both” is a 44 x 13.5 x 1.75 inch mixed media wall-hung sculpture from his Modern Icon series. The black and white mixed media sculpture is a double cross shape combined with the eastern Taoist symbol (yin yang). The sculpture is signed on the back. Steve Sangapore is a contemporary oil painter and mixed media sculptor. Using vastly different stylistic approaches of composition, medium and structure throughout various series, his work can be described at once as aesthetically traditional and conceptually contemporary. His work is intellectually exploratory with a gravitation toward religion, science and the human condition. Steve Sangapore’s work has been exhibited in galleries and leading art fairs nationally and has been included in a variety of publications including Art Business News and The Boston Globe. Sangapore is represented by Fountain Street...

Industrial Machine Age American Scene WPA Mid 20th Century 1939 SF World's Fair HAIG PATIGIAN (American/Armenian, 1876-1950) Aeronautics Pediments Two Plaster Casts, c. 1930s each 13.25 x 14.75 x 6 inches It's possible these moquettes were created for the 1939 World's Fair, the Golden Gate International Exhibition in San Francisco. Provenance: Private Collection of Lois M. Wright, Author of "A Catalogue of the Life Works of Haig Patigian, San Francisco Sculptor, 1876-1950),” 1967 Loan to Oakland Museum of California (Oakland, CA) BIO Haig Patigian is noted for his classical works, which are especially numerous in public venues in San Francisco, California. Patigian was born in Van, Armenia, which at that time was under Turkish rule. Haig was the son of Avedis and Marine Patigian, both teachers in the American Mission School there. He and his older brother showed an aptitude for art early on and were encouraged by their parents. Their father himself had taken up the new hobby of photography. The 1880s were harsh times, however, for many Armenians under an oppressive rule by the Turkish government. Many people were fleeing to the safety of the United States. Suspicious Turkish authorities accused his father of photographing city structures for the Russian government, and in 1888 he fled for his life to America. Haigs father made his way to Fresno, California, and began life anew as a ranch hand. Within two years he sent for his wife, as well as Haig, his three sisters and brother, and in 1891 the Patigians made the journey from Armenia. Haigs father, an industrious man, worked on various farms, and eventually bought his own ranch and vineyard. It was among fertile farmland of Fresno that Haig grew up. Young Haigs education consisted of teachings by his parents and by intermittent attendance in public schools. Although he had dreams of becoming an artist, he did not have the opportunity for formal study of art, and began working long days in the vineyards around Fresno. At age seventeen, Haig made a step towards his dreams and apprenticed himself to learn the trade of sign painting. In his spare time he nurtured his interest in art by painting nature and life scenes with watercolors and oil paints. When his sign-painting mentor left Fresno, Haig opened his own shop and made a name for himself in the town. San Francisco, in the meantime, had been attracting artists since the Gold Rush and had become a thriving art center. Within a few years, Haig had put aside several hundred dollars to move to San Francisco, joining his brother who was already working there as an illustrator. In 1899, when he was twenty-three, Haig had saved enough money to enroll at the Mark Hopkins Art Institute in San Francisco. Like many aspiring artists of his time, Patigian supported himself by working as a staff artist in the art department of a local newspaper, and in the winter of 1900, nearing his 24th birthday, Haig began work for the San Francisco Bulletin, producing cartoons, black and white illustrations, as well as watercolors. In 1902 tragedy struck Haig and his family. His 29-year-old brother died of pneumonia, and then his frail mother died a short time later. Five months more saw his youngest sister, just out of high school, die too. Saddened and depressed, Haig moved out of the studio he had shared with his brother, and into a dilapidated studio in a poor section of town. During this time of sadness, Haig fed a growing interest in sculpture. In 1904 Haig created what he later called his "first finished piece in sculpture". The work, called "The Unquiet Soul", depicted a man thrown back against a rock while waves lash at his feet. The body was tense and twisted, with one hand, in Haig's own words, "searchingly leaning and clutching the rock, while the other masks his troubled head". The Press Club of San Francisco, which Haig had joined in 1901, put "The Unquiet Soul" on exhibition and local headlines proclaimed "Local Newspaper Artist Embraces Sculptor's Art", and "First Work Predicts Brilliant Future". With the support of friends and community acclaim, the young illustrator left his newspaper job and became a professional sculptor. The path of his new career was not easy though. Haig had never made much money working for the newspaper and his father needed help with growing debt from funeral expenses and business problems. From time to time Haig sold some artwork, but also occasionally borrowed from friends to pay the rent. He was the classic 'starving artist'. In the spring of 1905 a white-bearded 81-year-old stranger knocked on Haig's door. It was George Zehndner, from Arcata, California. Zehndner had been born in Bavaria, Germany in 1824, the son of a farmer. In 1849 he had come to America looking for prosperity, settling in Indiana, where he worked on a farm and learned English. He found his way to the West Coast in 1852. Penniless, he worked in various jobs from San Francisco to Sacramento, then found some luck working in the gold fields of Weaverville in Trinity County, and eventually moving to a farm on 188 acres near Arcata. In his 77th year in May of 1901, Zahndner had taken a trip to San Jose, where he stood in a crowd to see a man he thought much of, President William McKinley. McKinley was popular as 'the first modern president' partially because he realized going out to meet the common person increased his support. In September of that year, however, an anarchist assassinated the president while he stood in a receiving line at the Pan-American Exhibition in Buffalo, New York. Soon after, the city of San Jose erected a statue of the slain president in St. James Park. Zehndner took a second trip to San Jose where he visited the McKinley monument. Touched, Zehndner decided that, no matter the cost, his town of Arcata too would memorialize McKinley. George Zehndner had read about Haig in a newspaper article and asked if Patigian would create a heroic statue of the late President McKinley for Arcata. When asked how much it would cost, Haig responded, despite his borderline poverty, with the fabulous sum of $15,000. Zehndner agreed. The President was to be portrayed standing, wearing an overcoat, with his feet planted squarely on the ground. In the finished statue, one hand is held out before him in a typical posture of speaking, with the other hand holding the speech as his side. The 9-foot statue...

Beautifull Mexican Modernist Madonna and Child ; Maternity Midcentury wood sculpture. Probably caribbean rosewood characteristic of the ext...

KAWS Blush Companion 2016. New and sealed in its original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at the Modern Art Museum of Fort Worth (2016). Medium: Vinyl Paint, Cast Resin. Year: 2016. Dimensions: 11 × 5 inches. New in original packaging; excellent condition. Stamped on the underside of foot from a sold out edition of unknown. KAWS is an American graffiti artist and designer known for his toys, paintings, and prints. Born Brian Donnelly on November 4, 1974 in Jersey City, NJ, KAWS graduated with a BFA from the School of Visual Arts in New York and went on to work in animation. “When your whole art is based on the lettering you choose, you kinda figure out what ones work together. I just liked the shapes of the k, a, w, s,” he explained of his moniker. Having started as a graffiti artist in New York in the early 1990s, KAWS began reworking advertisements in his distinctive style. Pop Art and culture permeate his cartoonish Companion series of figurines, which bear a resemblance to the works of Takashi Murakami. KAWS worked together with Nike in 2017 to produce an Air Jordan 4 shoe and has done multiple collaborations with the clothing brand Uniqlo, continuing to blur the boundaries between fine and commercial art. The artist is also known for his large scale public installations, such as 2019’s KAWS: Holiday which was installed in the Hong Kong harbor during Basel Hong Kong. In 2019, THE KAWS ALBUM (2005) sold at auction for a record $14.8 million, breaking his previous record of $2.7 million which was set in 2018. This work is a take on the Beatles' famous 1967 album cover for Sgt. Pepper's Lonely Hearts Club Band, but instead replaced with characters from The Simpsons with the artist's signature Xs drawn across their eyes and skull. After years in the industry, KAWS gained approval from his peers in the street art world and more recently prestige from the museum and gallery worlds. Today, his work can be found in the collections at the High Museum of Art in Atlanta, the Modern Art Museum of Fort Worth, and the Rosenblum Collection in Paris. KAWS currently lives and works in Brooklyn, NY. Related Categories Shepard Fairey. Damien Hirst. KAWS red...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...

Knight of Healing 614 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's...

Seated Shaman Colima culture Mexico ca. 300 BCE - 300 CE Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

Good eye ceramic egg sculpture for home, office decor, collector piece. handmade in the picturesque village Arsuf in Israel is an art piece for designers a...

Slow Curve 352 is from Linda Stein’s Knights of Protection series, which are shield-like forms made of mixed media that hang on the wall. They function simultaneously as defenders in...

Sculpture by Brazilian-born artist Elizabeth Freire. Sculpture is mounted on marble base and signed "EF". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo...

Seminude alabaster sculpture of a young woman in ancient Egyptian garb, wearing an elongated sash. She stands against a pedestal draped by a rug, similar in style to other works from...

Maarten Stuer (born in 1965) 2020-12-20, 2020 Stoneware and engobe architectural sculpture. Signed with the monogram and dated as the title Created both for indoors and outdoors. ...

"The Gate" is a contemporary modern art polished bronze sculpture. This playfull and harmonious composition is a mix of geometrical and organic forms and stands well inside or outsid...

This is a hand-carved wood polychromed sculpture of the Infant Jesus. A baroque figure probably from the 18th century, this religious figure was obtained in Mexico. It appears to hav...

Carved stone sculpture with incredible detail. Father and Son was created by an unknown artist in the Late 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the stone. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano edizione ex (LIMITED EDITIONS OF 50) Misure: alto...

KAWS WHAT PARTY (pink): KAWS pink WHAT PARTY Companion featuring KAWS' CHUM character in a hunched position. Published to commemorate the debut of KAWS...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism, and is made of ceramic with metallic paints. Stein's ...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism, and is made of ceramic with metallic paints. Stein's ...

A limited edition, black powder coated mild steel sculpture on a white steel base. The sculpture is typical to Uwe Pfaff's tongue in cheek approach, depictin...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Charming early 1900s alabaster sculpture of a young maiden, seated nude on a stump. This work dates to the period when the artist was active in Italy, during this time Ceccarelli's w...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism, and is made of ceramic. Stein's works are in more tha...

The artwork of Alejandra España is an invitation to her intimate cosmogony. In it, she displays modules to give meaning to the observer through the configuration of maps or cartograp...

The artwork is a patinated bronze on a marble base. It features a dancing couple. The bronze itself is 10"25 H. It is signed in the cast: S. Carl Overall excellent condition with minor scuffs and oxidation to bronze commensurate with age. Joan Strauss Carl...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Peacock II (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 6x4.25x0.5in Signed by hand COA provided Ref.: 924802-1331 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...

Heroic Vision 568 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of bronze and is from an ed...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the global displacement and traumatic memory ...

Knight Spirit 555 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of wood, metal, stone and m...

Knight of the Lock 554 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of wood, metal, stone ...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

James was born in Edmonton in 1986 and then moved to Ottawa shortly thereafter. He gained exposure to glass blowing through a condensed 14-week program at the well-known Haliburton S...

Body of woman is an original sculpture realized by Fabrizio Savi in the 2000s. Two bodies emerge from the plaster material across each other in an upward thrust. Lacquered plaster. 38X11 cm with wooden base included. Signature engraved on the plaster base. Good conditions. Fabrizio Savi ( 1973), lives in San Severino Marche, where his private studio-atelier is located. He measures himself very young with sculpture, dealing with themes of social protest...

Friedrich Goldscheider (1845 - 1897) was active/lived in Austria, France. Friedrich Goldscheider is known for Painting and sculpture. Friedrich Goldscheider was born in 1845 in Slabetz, Czech Republic and died 1897 in Nice. He is one of the most successful entrepreneurs in the history of European ceramics.

Blonde Knight 656 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kni...

Gypsum cat-medieval tile, inspired from Central Europe. Sold without the frame.

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism, and is made of ceramic with metallic paints. Stein's ...

KAWS Clean Slate (Black), new & unopened in its original packaging. Sold Out after the artist's retrospect exhibition at the Modern Art Museum of Fo...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wonder Woman, Princess Mononoke...

In 2002, the artist Linda Stein began a series called Knights of Protection; these sculptures function both as defenders in battle and symbols of pacifism. Starting in 2020, Stein r...

Marcello Fantoni is a florentine artist specialized in ceramic. He followed the courses at the Art Institute in Florence, having Libero Andreotti and Bruno Innocenti as his Scultping proefessors and Gianni...

The artwork of Alejandra España is an invitation to her intimate cosmogony. In it, she displays modules to give meaning to the observer through the configuration of maps or cartograp...

In front of Robert Lee Morris's Beverly Hills store in 1993 stood this unique life-size brass sculpture of a nude woman with a bob cut, dressed only with luxurious jewelry. The sculp...

Early 20th C Italian Art Nouveau Alabaster Sculpture of a young female bather. Bather is seated on a stone with arms crossed in a mode...

Rare Limited Edition After Modigliani sculpture "Tete de Femme" by Austin Productions 1961 in EX+ condition. Austin Productions started in Brookl...

"Pump" by Kevin Barrett Abstract wall relief sculpture in painted aluminum Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoo...

Jun Kaneko Untitled Glazed Slab (Oval) Ceramic, Glaze 1990 Approx. 26 x 22 x 4 in Signed and dated (verso) COA provided Ref.: 90-9-41 Ref.: 924802-1007 "Scale in nature presents a ...

An exceptionally beautiful antique French wood carving, made in the 17th century. It depicts Madonna standing with open offering arms .The...

Untitled Sculpture (INV# NP3775) Sunkoo Yuh clay and glaze 19.75 x 19 x 10” 2010 signed

Abstracted sculpture of a nude woman by Francis Xavier "Frank" Bracken (American, 20th Century). Signed, dated and numbered "Francis X. Bracken 1981 2/7...

Gypsum cast-medieval tile, inspired from Central Europe. Adjusted in a frame, ready to hang or install.

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

This artwork was curated from a street banner from West Hollywood, advertising a photographic exhibition of memory and loss. I chose to weave the strips of vinyl to disrupt the image...

Angelo Basso (Italy, 1943 – 2011) Gabriella  Dimensions 17.0" W x 18.0" H x 7.0" D This sculpture was cast in the Dyansen Studios Foundry in 1991 under...