Early 2000s Abstract Paintings

The painting is being offered with a work and authenticity certificate

ABOUT Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After graduation, Kinney began in...

Another in the “face on” series. In this painting, I wanted to give an abstract impression of a city behind the locomotive. -Wayne Millett

"This Way" is an acrylic on museum board signed on verso by Reginald K. Gee. This abstract landscape is a mixture of green, orange, and blue. Near the right is a blue house overgrown...

The painting is being offered with a work and authenticity certificate

ABOUT Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After graduation, Kinney began in...

Work on canvas

Symbol Abstraction I, 2020 is an enigmatic, medium-sized artwork created by Rafael Melendez using gesso and acrylic paint on paper. Crafted at the artist's Fish Island Studio during ...

The title of this large Abstract Expressionist painting by Italian artist Pierluigi De'Lutti translates to "Beyond Dream and Matter". Nestled in a nice black frame, the composition f...

Rafael Melendez's "Blue Complex" is a unique and captivating 2003 drawing that embodies the multifaceted essence of the East Village in New York City during the early 2000s. "Blue Complex" is a small-scale drawing measuring only 30cm x 15cm. Despite its smaller size, the vibrant blues used in the piece and the faint grey sky background horizon give the drawing a magnetic allure that draws the viewer's eye. The small scale of the drawing creates an opportunity for unique display and installation potential. "Blue Complex" would look stunning in a minimal oversized wooden frame...

This was an early experiment that came about from dabbling in Photoshop. I played around with the hue and saturation of a vacation photo and liked the results, so I translated it to oils on canvas. Also, I’ve always loved combining purple and orange. -Wayne Millett

Fields and Skies 1 is an artwork realized Dalila Crotti, (1983) in 2007. Acrylics on canvas cm 25x70. Signature, title, date, technique, dimensions and archive number on the back...

In this painting reminiscent of the works of J.M.W. Turner, the sun descends on the horizon, casting a mesmerizing fiery reflection upon the serene lake. The mountains encircling the...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

This dreamlike composition explodes on the canvas with fiery reds, oranges, and yellows symbolizing luminous light piercing through a dark forest of trees. The distant light casts a ...

This blue and yellow minimalist abstract by Cora Van measures 47.5" x 39" and is executed in acrylic on canvas. Hanging mounts are installed for both vertical and horizontal orientat...

By Cora Van 39" x 48" x 2.75" Acrylic on Panel

In this minimalistic painting, three majestic palm trees emerge from behind rugged rocks against an azure sky. The viewer’s perspective from the ground looking up, creates a sense of mystery about what lies beyond the palm trees. With no beach, people, or ocean in sight, the painting hints at hidden treasures just beyond the horizon. Thomas Easley...

If you look carefully there are hidden and not so hidden pieces of a woman's anatomy. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed ...

Fields and Skies 3, 2007 is an artwork realized by Dalila Crotti (1983) Acrylics on canvas cm 25x70, no frame. Signature, title, date, technique, measurements and archive number...

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himse...

original and certificated by the gallery

Vibrant abstract composition by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero (American, b-1985). Signed ...

Acrylic painting with frame. Total size with the c-us wooden frame is 88x102 cm Work signed " Angelo" artist unknown from the gallery. Dated 2001

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himse...

French Surrealist artist, late 20th century/ early 21st. acrylic and pen painting on board, unframed board: 29.5 x 41.5 inches provenance: private collection, France condition: very...

original and certificated by gallery

This triptych by Marilyn Levin demonstrates, in no uncertain terms, why the artist's work is so celebrated and sought after by collectors internationally. These three works, intended...

Work on canvas

Signed lower right, 'Charles Seligman' (American, 20th century) and created circa 2000. Texas abstract artist Charles Seligman boldly interweaves poi...

Colourful Psychedelic Abstract Landscape Painting of Urban City Scene, using bold bright red and primary colours, by leading British Urban Artist Angela Wakefield. This artwork is f...

Artist: Dale Chihuly (1941) Title: Basket Series Year: Circa 2001 Medium: Acrylic on Aquarelle paper Size: 42 x 30 inches Condition: Excellent Inscription: Signed by the artist, rect...

Artist: Dale Chihuly (1941) Title: Ikebana Series Year: Circa 2001 Medium: Acrylic on Aquarelle paper Size: 42 x 30 inches Condition: Excellent Inscription: Signed by the artist, rec...

"Green Punctuation" Large Scale Abstract Expressionist Composition Bright and saturated abstract composition by California artist Linda Symonds (American, 20th Century). Against a field of green and blue, there are accents of red and maroon. There are repeated circular shapes in maroon and blue...

Laying the Nets by Andrew Grant Kurtis (British contemporary) signed oil painting on canvas, framed framed: 24 x 35 inches canvas: 20 x 30 inches provenance: from a UK collection co...

Lorraine Ginsburg was an insightful and prolific artist, born in the Bronx in 1929. She passed away in 2020. She experimented extensively, playing with abstract forms or executing m...

Colourful Psychedelic Abstract Landscape Painting of Urban City Scene by leading British Urban Artist Angela Wakefield. This artwork is from an intense body of abstract work that fo...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

Tree with Red, Pink, White & Blue Abstract Forest Background by British Landscape Artist, Angela Wakefield. From the 'Spring Burst' Interior Design Series. Framed in a high quality c...

Iona Scottish School, modern oil on canvas canvas: 25 x 24 inches the painting is in overall very good and sound condition

Brave - Vigorous - Manful by Lélia Pissarro (b. 1963) Black and red acrylic, red glitter 121 x 126 cm (47 ⁵/₈ x 49 ⁵/₈ inches) Signed, titled and dated on the reverse Executed in 2007 Literature Lélia Pissarro, Abstraction, London, 2008, p. 3 (illustrated) This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro...

Abstract expressionist seascape on paper. This piece is one of a series of works created under the guidance of great English artist Si...

Vintage signed large abstract oil painting by Edward Evans. Acrylic on canvas. Framed. Signed verso.

Abstract expressionist seascape on paper. This piece is one of a series of works created under the guidance of great English artist Si...

Abstract expressionist seascape on paper. This piece is one of a series of works created under the guidance of great English artist Si...

Abstract expressionist seascape on paper. Depicting boats at anchor in a Cornish harbour, this piece has lovely earth tones running th...

Splatter painting probably showing Mousehole harbour, Cornwall England. The little rowing boats lay waiting for the incoming tide to refloat them and reunite them with their larger v...

This large horizontal painting plays with four partitions, four vertical strips alternating angels and clouds. The figures blend and harmonize in the same aerial movement through the...

This large painting evokes, without describing, the myth of the Minotaur. That cruel monster, part-man, part-bull, whose presence is suggested here. Pictorially questioning its relev...

In a dreamlike space dominated by blue, Several characters meet and collide, Present only in fragments: a faun, angels, a horse... A peaceful encounter of an angel and Pegasus in the...

In this painting with white markings, In the central scene, a winged Atlas kneeling, With one knee on the ground, holding the earth, But the figure emerges only in fragments, Within ...

This painting, created after a trip to Rome, Recalls the fresco of the Sistine Chapel dome Painted by Michelangelo, borrowing a few Tormented figures to imbue. Titled "breathing", this painting is part of a series of large-scale paintings done after the events of September 11, 2001, in New York. It is framed in a wooden floating box and measures 154 cm x 122 cm x 4 cm framed. Béatrice Bescond is a French artist. Mostly influenced by Pavel Filonov, Henri Michaux and François Rouan...

The tree, a universal and archetypal symbol, resides in the memory of all cultures. Like man, it stands tall between earth and sky, rooted firmly in the ground and driven by a desire...

Where the Road Crashes into the Sea, 2008 Aluminum, rivets, glass, acrylic paint, fabric Dimensions: 55 1/2 x 55" Mixed Media Sculptural Wall Hanging Art. This painting was made after visiting the location of the fatal Jackson Pollock car crash and includes a silkscreen photograph of the scene. The letters are formed from cut up old license plates. Ryan Humphrey (born 1971) is an American artist who currently lives and works in New York City. Education: BFA, Ohio University, MFA, Hunter College, New York 1999; Skowhegan School of Painting and Sculpture, Maine, 2001; Whitney Museum of American Art Independent Study Program, NY, 2005-2006 Ryan Humphrey grew up in a small town in Ohio building things in his yard, riding BMX bikes and skateboarding. He then moved to Pittsburgh, Pennsylvania for the next three years to work at The Carnegie Museum of Art and obtain a commercial art degree where he developed an interest in contemporary fine art. This inspired him (along with a scholarship) to attend Ohio University where he earned his BFA in Sculpture. After moving to New York City he received his MFA from Hunter College, paying his way through school by working at The Dia Center for the Arts. After attending The Skowhegan summer residency program in Maine he worked for The Andy Warhol Foundation and participated in the Whitney Museum Independent Study Program. He has exhibited extensively. He currently lives and works in New York City. His work has been featured in the traveling exhibition Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art :Photograph, video, painting and sculpture curated by Shamim Momin of the Whitney Museum of American Art. (it included Slater Bradley, Larry Clark, Lilah Freedland, Tim Gardner, Luis Gispert, Anthony Goicolea, Janine Gordon, Ryan Humphrey, Nikki S. Lee, Julia Loktev, Maria Marshall, Ryan McGinness, Chloe Piene, Jeff Reed, Tom Sachs, Dean Sameshima, Collier Schorr, Type A (Adam Ames and Andrew Bordwin Humphrey's most recent solo exhibition, All of Nothing, was at DCKT Contemporary. Humphrey was also a contestant in Season I of Top Design, Bravo's reality show. Recently, Humphrey was included in the Queens International 4 exhibition at the Queens Museum of Art. His large-scale installation, titled Fast Forward (2009), included BMX ramps adjacent to a wall-to-ceiling assemblage tapestry, collection of trophies and customized BMX bikes, and he continued this theme in his installation Look for the dream that keeps coming back (2010) at Kunsthalle Galapagos. Humphrey expresses his growing up in BMX and skateboard culture through his art. The assemblage also included several paintings, created by the artist for the exhibition, and several sculptures of BMX bike wheels. The paintings were small drips that recall the works of Jackson Pollock, and the BMX sculptures are similar to Marcel Duchamp's Bicycle Wheel. The installation included an opening night performance by legendary BMX pro Dizz Hicks and Ryan Humphrey on the ramps. An edition of 20 silkscreen posters was made by the artist, and signed by himself and Dizz Hicks, to commemorate the event. He was included in the show 5 X 5 at the Whitney Museum of American Art at Philip Morris. Reed Anderson, Rina Banerjee, Susan Graham, Ryan Humphrey and Larry Krone -- each created a work inspired by one (post-1985) from the museum's own collection. Christopher Wool, Donald Lipski...

Gina Medcalf (British, 1941-) "Shallow Ground 2", 2008 (Shallow Brown) Acrylic on canvas Hand signed, dated and titled reverse. 27 X 18 this painting is not framed Polychrome abstr...

Oil on canvas, signed lower left and titled and inscribed on reverse. b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

The work is framed with two plexiglas plates, total size with frame: 33x38x5 cm Born in the canton of Friborg, Gilbert Pauli (1944 - 2020) lived in Geneva, where he devoted himself...

Oil on canvas in a little white c-us box Size with frame: 23,5x32x5 cm